Showing posts with label Robert Forster. Show all posts
Showing posts with label Robert Forster. Show all posts

Thursday, March 29, 2012

The Descendants hits Blu-ray

Now out on Blu-ray / DVD / Digital Copy from FOX is The Descendants. The film, directed by Alexander Payne (Sideways, About Schmidt), is adapted from a book by Kaui Hart Hemmings. It tells the story of a family dealing with the tragedy of a mother's, Elizabeth (Patricia Hastie), accident. Husband Matt (George Clooney, Up in the Air, ER) soon learns that it's harder than it looks to take care of two daughters. His life is further complicated by a business deal involving his family's land, and learning that Elizabeth has been cheating on him. 

The Descendants is not a plot-heavy film, though there is a nice flow to it. Instead, it concentrates on exploring the emotions of those involved, and how people's actions can affect others. It is also about the dynamic of a particular family, and how it is shaped by circumstance.

This movie boasts a number of fantastic performances. Clooney is doing something a little different than usual, tackling an average schlub type of character rather than one who is exceedingly charming and handsome. Beau Bridges (Brothers & Sisters, Max Payne), as a relative of Matt's, is as close to a villain as the piece gets, something a little off of his best known parts, too. But no one is really black or white, and his motives are decent enough. Robert Forster has a tough position, playing Matt's father-in-law, but handles it expertly.

Rob Huebel (Childrens Hospital, I Love You, Man) and Mary Birdsong (Reno 911!) are known for their comedy, and do lighten things up a bit as Elizabeth's friends. Judy Greer (Arrested Development, Archer, 13 Going on 30), also known for being funny, tones it down to do some serious drama, which, it turns out, she is pretty good at! Matthew Lillard (Scooby-Doo, Scream) is also wonderful in a layered performance as Elizabeth's married lover.

Perhaps most surprising, though, are the young performers in The Descendants. Shailene Woodley, who plays elder daughter Alex, is best known for the cheesy Secret Life of the American Teenager on ABC Family. Anyone who has watched that series could be forgiven for expressing shock at her fantastic, nuanced, grown up performance in The Descendants. Lesser known Nick Krause (How to Eat Friend Worms) carries the double duty of heart and comedic relief with ease. Young Amara Miller is also wonderful, making it odd that she has no prior screen credits.

Another character in The Descendants is Hawaii itself. The beauty and majesty of the tropical environment are incredibly important to the feel of the film, which is why purchasing the Blu-ray version is recommended. With the breathtaking landscapes, one will want the rich detail of high definition to fully appreciate a world so different from much of America. The colors are lush and deep. The picture quality in this release is awesome.

Sound is vital, and The Descendants pays attention to that, too. There is a terrific score underlying the movie. Many of the scenes are filmed outside, but the 5.1 Dolby Digital soundtrack only uses the ambient noises needed to enhance, not distract, from the piece. It is all mixed together expertly.

The Descendants was nominated for five Academy Awards, winning the one for Best Adapted Screenplay. It also won the Golden Globe for Best Picture - Drama. Additionally, Clooney took home a Golden Globe for his acting performance. These accolades are deserved. Whether one enjoys the film or not, it's easy to appreciate the artistry of what it is, and the masterful work Clooney and Payne have done. 

The Descendants is packed with bonus features, though, strangely, it lacks an audio commentary track. A trailer is present. The deleted scenes delightfully have title cards that explain a little bit about what viewers are about to see, and provide reasons for why they were cut. Too bad there are only two of them, one very brief.

To hear the extras tell it, two men are primarily responsible for the success of the film. "Everybody Loves George" has cast members, including Greer, Lillard, Huebel, and Birdsong, raving about George Clooney. They all say that he is a great, handsome, funny guy who deserves his good reputation. Boring? Not really, because there are interesting anecdotes mixed in, too. But everyone does tend to love Clooney for a reason, and fans will find the featurette a confirmation of this.

"Working With Alexander" has Woodley, Bridges, and others raving about how fantastic it is to work with Payne, who inspires enthusiasm, and is as nice and humble as Clooney. Apparently, Payne is clear with what he wants, and takes good care of his people. Sounds like a director for whom getting stars for his next film will not be a problem.

"The Real Descendants" tells the story of how Hawaiian land become privatized. It's a bit of a history lesson, but useful to understand some of the background on one of the subplots. These extra also touches on Hollywood's connection with the island state. "Hawaiian Style" speaks of some of the authentic details that contribute to the realism of the setting, including the feral chickens that roam the area after an early 1990s hurricane. Additionally, the cast and crew share their favorite native words.

Some of the extra titles are right on this nose. "Casting" is exactly what it sounds like. Casting people talk about how they found the people in this movie, including Lillard and Miller. "Working With Water" discusses just how hard it is to film scenes in boats and out on the ocean.

Believe it or not, there are even more features than this, including three music videos, a silent film, and a conversation with Payne and Clooney! So needless to say, there are a lot of special features in this set that will make sure you get your money's worth.

Buy The Descendants, available now as a Blu-ray / DVD / Digital Copy combo pack.

If you like my reviews, please follow me on Twitter! Article first published as Blu-ray Review: The Descendants on Blogcritics.

Tuesday, January 17, 2012

Alcatraz is a mysterious island


     FOX's Alcatraz begins with over three hundred prisoners and prison employees disappearing inexplicably in 1963. In the present day, Detective Rebecca Madsen (Sarah Jones, Sons of Anarchy, Big Love), who lost her partner three months ago, encounters one of those prisoners, who hasn't aged a day. With the help of Alcatraz expert Doctor Diego Soto (Jorge Garcia, Lost, Becker), Rebecca uncovers a secret federal investigation led by one of the guards who found the empty prison fifty years ago, Emerson Hauser (Sam Neill, The Tudors, Jurassic Park). Emerson won't give the unlikely duo hardly any information, but does allow them to work for him, hunting down these reappearing baddies. 

     Alcatraz brings to mind two other series J.J. Abrams had a hand in: Lost and Fringe. Look at the facts. There is a mysterious island. Characters show up with no idea what is going on. Portions of every episode are flashbacks to prior events. It's a procedural where a small team investigates things the public at large can't know about to protect the greater good. Plus, the tone and music match up pretty well with both of those other shows.

     Which is not to say that Alcatraz is a copy cat, because it's far from it. It brings it's own story completely, with a talented cast and some superb writing. It does harken back to early Fringe somewhat in its setup, but is likely to branch out in various ways as it goes on. The concept of some unseen evil putting things into motion isn't unique, and yet, it manages to feel fresh when the questions are laid out in such a neat, intriguing way. Some reviewers have panned it, but that seems odd, because this one has really no beef with the first two hours, which thrill. Even a couple of things that seem odd, like characters not questioning plot points, start to appear more than surface, and so a set up for back story or depth.

     The cast is terrific. One cannot possibly get enough of Sam Neill or Jorge Garcia in one's lifetime. Neill goes for a level of malice he honed in The Tudors, but seems to have a vulnerable, friendly side he is trying to hide. Garcia isn't as much the comic relief that he was in Lost, since he needs to carry this series more squarely. He gets serious, but is still the relatable one, viewers' entry into this world. Jones is good, make no mistake about it, though the role does scream for Battlestar Galactica's Katee Sackhoff, and since there is a physical resemblance, it's hard not to be disappointed that Alcatraz goes for a lesser known thespian. That being said, given how comfortable the actress seems in the part, it likely won't be long before Jones firmly takes Rebecca as her own, and any comparisons drop away.

     Setting part of the series in the past is an interesting choice, made all the more so by the decision of the writers to have the flashback scenes in both the "Pilot" and the second hour, "Ernest Cobb," take place in 1960, three years prior to the disappearance. What is the significance with allowing for a three year build up? Does that mean this trope will be used for three seasons, like in Lost, with a major mystery concluding at that point? Or will it progress more quickly, as a specific story needs to be told in that era, and it will play out in one season.

     Alcatraz is unlikely to stay in the present anytime soon, given the inclusion of two series regulars that only appear in the 1960's timeframe. Jonny Coyne (The Bill) plays Chief Warden Edwin James, a somewhat sadistic, tough man seemingly totally in charge of the island. Jason Butler Harner (Next) is Deputy Warden E.B. Tiller, a character murdered in present day by the first escaped convict in the "Pilot." James is dead before the series begins. So, yeah, they need to stay in the past.

     Part of the mystique of the show centers around Rebecca, obviously a focal point. Not only is she raised by former Alcatraz guard Ray Archer (Robert Forster, Heroes), but the man she is chasing when her partner dies is none other the her grandfather, Tommy Madsen (David Hoflin, Neighbours), whom she is startled to learn was a prisoner on The Rock! What is Tommy doing there, and why is he sneaking around? What's more, Tommy is definitely aware of who Rebecca is, given the way that he looks at her.

     The biggest impact so far, though, is the surprise sniping of Hauser's assistant (whom may be a bit more than that), Lucy Banerjee (Parminder Nagra, ER). Even more shocking, she shows up in 1960's Alcatraz! Which means she could be the key to what Hauser knows, and why the whole investigation is set up. She may know almost nothing, like the two prisoners caught so far, who do things that they cannot explain their motivation for, or she may have already figured it out. Or maybe she is partly responsible for what happened. There is no telling at this point, but it's a hell of a set up for what's to come.

     The only fear with Alcatraz is that broadcast networks tend to prefer procedurals. Fringe flirts with that format from time to time, but mostly stays its own thing. But Fringe also suffers from low ratings, despite how wonderfully creative it is. Alcatraz has the potential to be a heck of a serial, one that draws people in week after week, if FOX will allow it to be such. Unfortunately, many viewers, and thus advertisers, prefer mindless crap. Some behind the scenes drama worries that this will be the case, and episodes will start to fall into a familiar formula. If it can avoid that pitfall, Alcatraz will soar. If not, it won't be worth watching for long.

     Watch Alcatraz Mondays at 9 p.m. ET on FOX.

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