MURDER IN THE FIRST Running Last in My Book

Article first published as TV Review: 'Murder in the First' - 'Pilot' on Blogcritics.

Murder in the First is a new crime drama that premiered on TNT this week. It follows Detectives Terry English (Taye Diggs, Private Practice) and Hildy Mulligan (Kathleen Robertson, Boss) as they investigate a couple of murders that seem to both be connected to young, rich tech genius, Erich Blunt (Tom Felton, the Harry Potter films). Can they find the truth and bring the murder or murderers to justice?

I have to give TNT credit for trying to tackle a higher-concept series. On a channel that has plenty of case-of-the-week procedurals, including Rizzoli & Isles, Franklin & Bash, Perception, and Major Crimes, it’s refreshing to see a series that is actually going to have the story running for multiple weeks, not a quickly tie up at the end of the hour. Admittedly, TNT has done serials before, such as Falling Skies and Dallas, but this is the first time I can think of them doing a show like this in the crime genre. Are they finally ready to enter the fray of high-concept investigation programs, competing against True Detective and its ilk?

Murder in the First reminds me of The Killing, in that it sets up a complicated case with many different players and moving parts. There’s definitely an effort made to build something complex and engaging, with a number of different personalities in different roles participating, including lawyers and a judge, as well as the cops and those connected with the central tycoon. The case will be carried out over the course of a season, at least, to allow greater depth in the story. We will get snippets of the larger picture, which will only culminate after much time is spent following the clues.

The problem is, Murder in the First immediately establishes itself as far less interesting than those shows it directly competes with. The characters are mostly from stock, with children and a dying wife thrust upon the lead detectives, scenarios that are designed purely to create more drama, not because it furthers the story or enriches the roles, at least, that’s how it comes across in the “Pilot,” given the predictable way in which they’re handled. While there may be ‘twists’ coming up, there is no shades of grey in the way Blunt is introduced, very clearly telegraphing himself as a person of interest. And the pacing is far more concerned with action and developments than allowing the actors to dwell on their emotions.

This is a shame because Murder in the First has lined up an excellent roster. Besides Diggs, Robertson, and Felton, the cast is loaded with James Cromwell (American Horror Story: Asylum), Steven Weber (Wings), Richard Schiff (The West Wing), Raphael Sbarge (Once Upon a Time), Ian Anthony Dale (Hawaii Five-O), Nicole Ari Parker (Revolution), Currie Graham (Raising the Bar), and others. This is great ensemble and they could handle much more advanced material than they are being given. It seems downright cruel to tease them with a show that should be good, and then deliver another mediocre installment.

Can Murder in the First rise above these weak roots and grow into a strong tree, an oak anchoring the network? Probably not. In a world where AMC, HBO, FX, Netflix, and so many other strong competitors are breaking fresh ground, really stretching the art of storytelling and exploring new corners of familiar worlds, Murder in the First is too little, too late, a pale copy of other series. I suggest if TNT wants to play with the big boys it return to the drawing board and come up with something totally original, rather than copying other works. It shouldn’t compete in a formula that it cannot possibly win, hurting itself in the inevitable comparisons.

Murder in the First airs Mondays at 10 p.m. ET on TNT.

"Kansas" Not Home for ONCE UPON A TIME

Article originally written for Seat42F.

This week’s ONCE UPON A TIME, the last installment for the ABC series before the two-hour series finale next week, we see more Zelena (Rebecca Mader) backstory, including her encounter with a certain little girl in a gingham dress. In Storybrooke, Zelena sees her plan come to fruition, only to be stopped by something wholly unexpected – Regina the Hero (Lana Parrilla).

For those who have been hoping for a full Wizard of Oz telling, “Kansas” dashes those hopes once and for all. Young Dorothy Gale (Matreya Scarrwener) is brought to the marvelous land in a tornado, but doesn’t crush any witches, nor meet any scarecrows or tin woodsmen. Instead, she is found by Glinda (Sunny Mabrey) and the sisterhood of witches, then declines to join them because she just wants to go home.

Zelena has only recently accepted membership herself, finding a way to start over and losing her green pallor in their acceptance of her. But once Dorothy is on the scene, Zelena grows jealous of all the attention the girl earns, which turns her right back into wicked again. Doesn’t this thin skin and quick change prove that Zelena never got better in the first place, having just had a good day or two?

Actually, the whole Oz part of the story feels meandering, seemingly developed just to explain how Zelena’s power has been contained in the necklace and the manner in which Glinda is banished. Other than that, it treads water, showing our villain teased with a moment of happiness, then going right back to her old self. The prophecy mentioned is confusing and doesn’t really come to pass. It’s all just messy and unnecessary, those plot devices not needing a full episode to reveal.

The Storybrook parts of the episode are, overall, much better. Snow (Ginnifer Goodwin) goes into labor, and the troops rally around her. But all it takes is Zelena nearly drowning Hook (Colin O’Donoghue), forcing Emma (Jennifer Morrison) to give him mouth-to-mouth, to drain Emma’s magic, the only thing that has a chance to stop her. Or so nearly everyone thinks.

 

Zelena easily slices through all the protections Charming (Josh Dallas) has arranged, and that makes sense, given what we know of her. Still, it’s heartening to see Robin Hood (Sean Maguire) and his men, Belle (Emilie de Ravine), Regina, and Charming try to stop her. At least they don’t go down without a fight, showing their noble spirits, even if Zelena gets the baby anyway.

At this low point, Zelena enacting her spell and the townspeople having no clear path to stop her, a hero is born. After spending three years on a redemption journey, Henry (Jared Gilmore) is confident his adopted mother has the light magic inside of her needed to defeat Zelena. With Robin Hood and Emma echoing Henry’s sentiment, Regina decides to give it a try, setting off with her now-friends to defeat Zelena.

Regina is my favorite character, and “Kansas” is a triumphant moment for her. It’s a culmination of everything she’s been through, her earned reward. Henry has been the catalyst in making her good, but she has to believe in herself to finish the process. There are still hints of the Evil Queen, Parrilla not abandoning the character she’s created, but her giving Zelena a second chance proves her transformation has taken hold.

I will say, Zelena is knocked out too easily. Is she really so surprised that Regina can summon one burst of light magic that she just gives up? Her story isn’t over, a surprise twist reuniting her ashes (after Rumple kills her) and her power, definitely setting up further battles in the season finale. But had this not occurred, as awesome as Regina’s scene is, it would be a bit of a letdown as a closing for Zelena.

ONCE UPON A TIME has done this before, and will likely do it again. I don’t know if it’s because it lacks the budget for a truly epic confrontation, or just the writing oomph, but it tends to peter out when it should double down on the action. A real fight, Regina and Zelena going at it full force, would be a welcome climax. This is satisfying, but barely so.

Thankfully, besides Regina’s success, there are also other wonderful character moments, the type ONCE UPON A TIME should have more of. Regina and Rumple’s (Robert Carlyle) exchange is terrific, as is Regina and Zelena’s conversation in the cell, and the moment Rumple comes to kill Zelena. Rumple and Belle have a very happy reuniting, complete with a proposal of marriage. And Henry catches up with Archie (Raphael Sbarge) in a rare, welcome, quiet scene.

It is sad to see Rumple backslide, having had his equivalent of a Regina moment in the mid-season finale, finally finding the good in himself. Yet, it’s understandable because Zelena kills Rumple’s son. That would be enough to force any person to re-evaluate themselves. The only regret here is in the way that Rumple plays Belle, which can only hurt their relationship. With fans of the couple never getting enough sweetness, this betrayal, which threatens to split them long-term, is quite painful.

The other weird thing about “Kansas” is Emma talking about going home. Yes, she’s lost her power, which does not return with Zelena’s defeat (though that could be because Zelena hasn’t been done away with permanently yet), but her family is in Storybrooke, and everyone is so happy to be together again. How can she even think about leaving? This actually seems forced, with Emma’s desire to stay away having been snuffed out previously, and there’s no reason for it to come back now.

Also, how come we only see Little John (Jason Burkart) alone of the monkeys restored to human form? Where are Aurora and Phillip and Walsh? Were they the monkeys our heroes callously and uncharacteristically killed at the docks last week? We need more story here. If they are dead, we need to see guilt and regret from the protagonists. If they are alive, we need to know who has been killed and see guilt and regret.

While uneven, the amazing bits in “Kansas” do make this an enjoyable episode of ONCE UPON A TIME. I look forward to next week’s wrap up, with cautious optimism that it will be handled without so many flaws.

ONCE UPON A TIME Faces A New "Witch"

Article first published as ONCE UPON A TIME Review Season 3 Episode 13 Witch Hunt on Seat42F.

This week’s episode of ABC’s ONCE UPON A TIME, “Witch Hunt,” immediately rips away some of the mystique surrounding what we assume is this half-season’s big bad: the Wicked Witch (Rebecca Mader). We start getting clues about her early in the episode, learning she can circumvent Regina’s (Lana Parrilla) blood magic, so by the time that the Wicked Witch drops her bombshell – that she is Regina’s sister, or more accurately, half sister – it’s not that big a surprise. But that doesn’t lessen the tension between the two and the excitement for fans.

It shouldn’t be shocking that the Wicked Witch is related, anyway, because of ONCE UPON A TIME’s penchant for making all of the major characters kin. Last fall’s villain was Rumplestiltskin’s father, and the vast majority of the full-time players are connected by blood or marriage. This latest development just branches the family tree out a little bit further.

Of course, Regina isn’t the Wicked Witch’s only bond to our cast. She, too, was trained in the magical arts by Rumplestiltskin (Robert Carlyle), and is supremely jealous of the roles both Rumple and her and Regina’s mother, Cora, played in Regina’s life. The Wicked Witch is the abandoned sister, the one left to her own resources in a far-off land, and she wants revenge.

This is the set up for a delicious war. Regina has been slowly turning good, working with our heroes, and that’s a welcome thing. But it’s also nice to see Parrilla play the darker side of the rich character, and by bringing in someone she can do battle with while not losing her positive status, exercising her great powers of destruction once more, they should give us one heck of a spring season.

The Wicked Witch has her own secrets. She has a resurrected, and one again crazy, Rumple locked in her storm cellar (where else?). Her flying monkeys are like werewolves, able to turn Storybrooke residents into more of their kind, a fate that befalls Little John (Jason Burkart) and possibly some dwarves. And the witch seems to know something about the baby in Snow’s (Ginnifer Goodwin), which she takes far too great an interest in. All of these things make her very dangerous, largely because of what the rest of the characters haven’t figured out about her yet. Viewers now know who she is, but Regina and the others, their memories of the past year and earlier encounters with the witch wiped, do not.

Besides Regina and her sister’s first conversation in the Enchanted Forest, Regina has many other shining moments in “Witch Hunt.” We see her meet Henry (Jared Gilmore) again, as painful as that is for her, since he doesn’t remember her, and just how depressed she was right after losing Henry, which I guess it now feels like again for her. She and Emma team up to try to figure out who is behind the latest curse, strengthening their partnership even more than we’ve seen before. Plus, sparks are beginning to fly between Regina and Robin Hood (Sean Maguire) when they bond over their children in fairy tale land, a foretold love many are anxious to see blossom.

I’m excited for Regina to have such a large arc in the coming weeks. Parrilla is an amazing performer, quite possibly my favorite on this series, and she captures the subtleties and layers of the Evil Queen in ways that can only be described as magical. There are so many sides to Regina, often overlapping, and Parrilla balances them all with great skill. More Regina can only be good for the series.

It’s also going to be neat to see Rumple in his new old state. Rumple’s story arc had really come full circle and he had a very natural ending in his death last fall. Yet, Carlyle is too valuable an asset for ONCE UPON A TIME to lose. “Witch Hunt” shows us how the writers will solve that, resetting his role, at least for now, allowing him to explore more deeply the parts of him that had been taken away. Cool.

The biggest question hanging unanswered right now, more immediate than figuring out the Wicked Witch’s game plan, is where is Neal (Michael-Raymond James)? The other characters assume he’s become a monkey, but that seems far too simple. One may wonder if his disappearance is connected to Rumple’s reappearance, as that would make more sense.

“Witch Hunt” does well in the larger stories, as mentioned above, but also excels in the little moments. It’s great to see Ruby (Meghan Ory, who has been starring in the new show Intelligence), Archie (Raphael Sbarge), Dr. Whale (David Anders), and others again who have been missing for most of this season so far. The bits where both Snow and David (Josh Dallas) are curious to hear more about what’s been going on with Emma’s love life are cute. Not to mention, everyone seeming to already know much about Oz, including how to possibly kill the Wicked Witch, which surely won’t actually work, is fun.

Basically, “Witch Hunt” is a terrific installment, moving the tale along quite briskly, providing ample opportunity to showcase Parrilla’s massive talents, and even nailing the referential dialogue. It’s near perfect, as far as hours go, not that I’d expect anything less from an episode written by Jane Espenson, as this one is.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

ONCE UPON A TIME "Serenade"

Article first published as ONCE UPON A TIME Review Season 3 Episode 12 New York City Serenade on Seat42F.

*WARNING: The following contains light spoilers for the mid-season premiere of ONCE UPON A TIME. I tease a number of scenes and plots, necessary because this episode is so different from where we last left the tale, but I refrain from giving away any big twists or surprises.

ABC’s ONCE UPON A TIME is doing things a little differently this year, presenting two mini-seasons instead of a full year’s worth of episodes in a single arc. The fall run took our heroes to Neverland as they sought to defeat the cruel Peter Pan. Now, this weekend, the second half begins with “New York Serenade,” bringing with it a new villain, a new curse, and a new mystery.

“New York City Serenade” jumps back and forth between two settings. One year ago, the residents of Storybrooke returned to the Enchanted Forest. There they encounter Aurora (Sarah Bolger) and Phillip (Julian Morris), then set off to find their castle. Snow White (Ginnifer Goodwin) and Regina (Lana Parrilla) have decided to team up for the good of the realm, but an unexpected attack and a powerful shield spell present challenges they didn’t expect.

One year later, in New York, Hook (Colin O’Donoghue) arrives to convince Emma Swan (Jennifer Morrison) that the life she is living, happy with her son, Henry (Jared Gilmore), and doting boyfriend of eight months, Walsh (Christopher Gorham, Covert Affairs), isn’t real. Emma is resistant at first, having no memories of her time in Storybrooke or among the fairy tale people, but a trip to Neal’s (Michael Raymond-James) apartment and a blue potion are Hook’s plan to fix that.

It seems like every episode of ONCE UPON A TIME named after a place just happens to be good. “Tallahassee” and “Manhattan” certainly delivered, as does this newest installment. Coincidence? Perhaps.

ONCE UPON A TIME often divides itself between flashbacks and the present day. Given the structure of “New York City Serenade,” it seems like the flashbacks in the back half of this third season may only go back a few months at a time. We are left pretty much clueless as to what transpires between the events shown in this hour and Emma’s current situation, even though whatever transpired seems to be very important.

Now, I don’t think that means ONCE UPON A TIME will abandon the longer-ago timeframes completely. But like the series Lost, which shares some writers, showing the past prior to the beginning of the series only works for so long before it needs supplemented with something else. “New York City Serenade” is ONCE UPON A TIME’s Oceanic Six moment, and like those plane wreck survivors, Emma and Henry have to go back. Or, at least, Hook will try to convince them to.

I’m not saying “New York City Serenade” copies Lost, though. The story may even be considered the opposite, with some of the Lost obstacles removed in a single hour, and other, different challenges facing the characters. But I digress.

We do get some really great moments in both realms this week. In the Enchanted Forest, Regina and Snow have a really cool scene in which Regina is considering her path, whether to try to cope with the pain of loss, as most people do, or follow her mother’s evil path. There’s another terrific, similar bit involving Hook and Charming (Josh Dallas). Belle (Emilie de Ravin) and Neal share their thoughts about the departed Rumplestiltskin (Robert Carlyle, who does not appear this week, but remains on the cast list). And, what may be best of all, is the part in which Regina, Snow, and the others encounter Robin Hood (Sean Maguire) and his Merry Men, a sequence sparking with chemistry and fantastic dialogue.

There are equally memorable moments in New York between Henry and Emma and between Emma and Walsh. Emma and Henry in their current state, thinking they’ve always been together, have an enhanced relationship based on what was already established for them, making for a neat bond. Walsh, on the other hand, is easily accepted by Henry and he knows and loves Emma, despite her flaws. Emma is fond of him, too. If you’re wondering what kind of guy Emma and Henry could let into their family in such a short time, Walsh is exactly who you’d pick.

Of course, this being ONCE UPON A TIME, there are some really surprising developments, especially late in the hour. All is not as it seems in either setting, and viewers will be left with far more questions than answers. Suffice it to say, the writers have taken advantage of the two-story season and have cooked up something really cool and different for this second arc, serving the characters we love, but not repeating themselves in any way.

This episode is not perfect. Jiminy Cricket has resorted to chirping, presumably because Raphael Sbarge, the actor who plays him, wasn’t available. I also wonder how Emma and Henry can have such a fully furnished and decorated apartment one year after they “lost everything in a fire.” But these are minor gripes, and no glaring missteps stick out.

In short, “New York City Serenade” is an enjoyable, exciting episode that makes a fine return for ONCE UPON A TIME. The series airs Sundays at 8 p.m. ET on ABC.

Lana Parrilla Soars in "Save Henry"

Article first published as ONCE UPON A TIME Review Season 3 Episode 9 Save Henry on Seat42F.

The latest installment of ABC’s ONCE UPON A TIME, “Save Henry,” is more about a mother than the son named in the title. Through flashback, we see how Regina (Lana Parrilla) comes to adopt Henry (Jared S. Gilmore) and how it ties into the larger story. In the present, Regina, Emma (Jennifer Morrison), and Snow (Ginnifer Goodwin) attempt to rescue the boy and escape Neverland.

Regina has long been one of the most fascinating characters on the series. While she has done evil things, I do not believe that she is ultimately a true villain because she still has heart. We see this in the hole she feels in her life when she is absent a Henry. And we see how much she loves young Henry and that she will do anything to get him back.

It’s true, Regina kills the first Henry she loves, her father, in order to enact the curse that creates Storybrooke. This is a truly vile thing to do, and as promised to her by Rumple (Robert Carlyle), Regina soon begins to feel the loss, craving something to plug that hole. She finds that something when she gets Rumple to secure her a baby, which just happens to be the son of the savior that can ruin her.

We witness Regina’s early struggles as a mother, unable to stop her child from crying. Does baby Henry sense the darkness in her? And when she finally connects with him, does he sense the love? This is a woman who would go to the ends of the earth for her child, and would not make the same mistake with him that she made in dealing with the elder Henry.

That’s why, when Peter Pan (Robbie Kay) has the three ladies bound to a tree that feeds off their regret, Regina alone is able to break free. It’s not that she doesn’t have remorse for the mistake she’s made; it’s that her focus is on the greater feelings she has for Henry, which makes the rest of it worth it to her. Her love for Henry is true, and she is rewarded by Henry calling her “mom” as she tucks him in, safe back on the Jolly Roger near the conclusion of “Save Henry.”

Will this relationship be what ultimately can redeem Regina? It’s hard to say at this point. There is little doubt she would do bad again if Henry were threatened. But I’m starting to think that she will not do anything too evil without Henry’s survival on the line. She knows that she cannot keep Henry and fall back to her bad habits, so unless she has a driving purpose, or unless Henry dies, she likely won’t truly cross the line again. Not fully.

A sign of this is the way Regina wipes her own memory of whom Henry’s mother is, even though that hurts her chances of stopping Emma. Like Rumple, who has to put Henry’s welfare before his own in order to repair the relationship with his son, Neal (Michael Raymond-James), Regina puts her existence on the line to protect the son she has fallen for from herself. It’s a selfless, noble gesture, done before we even know Regina has such things in her.

Parrilla is a fantastic actress, and she deftly handles the role with a level of skill nearly unmatched in the show. Once more, I am drawn to the way she can find the subtleties and buried qualities in the part, and make us care about someone that we should have written off long ago. I do think both the story arc of the character and her popularity can be majorly attributed to Parrilla’s impressive talent, and wish for more episodes featuring her soon.

The conspiracy and coincidences in “Save Henry” leave a lot of questions unanswered. Does Mr. Gold always know he is Rumple? Is his knowledge triggered by Emma arriving? Is Regina destined to get Henry, or is this something Rumple builds into the curse? Why does Pan send Michael (James Immekus) and John (Matt Kane) to look for Henry eleven years ago, instead of only recently? These answers matter.

It’s fun to get back to Storybrooke and its charming residents. Granny (Beverly Elliott), Archie (Raphael Sbarge), Dr. Whale (David Anders) and even Sidney (Giancarlo Esposito), or Sidney’s voice, play a role in Regina’s flashback. I didn’t realize how much I missed them until they are glimpsed again in the sleepy hamlet. I’m looking forward to getting back there next week.

The only real complaint I have is that Snow, Emma, and Regina set off on their own to face Pan. I understand Neal staying behind to look after the Lost Boys, and can even see why he shouldn’t be left by himself. But the Boys seem to be mostly defeated, happy to help in return for a home, so more than three people can go after Pan. David (Josh Dallas) or Neal, at least, could have gone, too, leaving the other, Hook (Colin O’Donoghue), and Tink (Rose McIver) to watch the ‘captives.’ It’s another case of using half measures against a foe that has proved deserving of more.

It is weird that Henry is quickly dying without his heart when others survive for months or years just fine on the show without one. However, that could have something to do with Henry’s heart specifically, which we know is special, or the way Pan wants to use up the energy from it.

I will not complain about how easy Pan is to defeat in “Save Henry.” It certainly seems too good to be true that he is stopped at the tree, but his sneaky twist at the end, taking over Henry’s body and recruiting Felix (Parker Croft), his one loyal servant, to cause more trouble, is a very satisfying continuation of the arc. He is not defeated; he rises again!

ONCE UPON A TIME still has two full hours left in this fall run, airing Sunday nights at 8 p.m. ET on ABC.

Once Upon a Time anything but "Broken

Grade: 92%

The fairy tale is nowhere close to being over as ABC”s ONCE UPON A TIME returns last night with “Broken.” The curse has been broken, indeed, and magic has returned, in limited form, to Storybrooke. Yet, their land is destroyed, according to Regina (Lana Parrilla), so they remain stuck in the real world. How can they get their home back, or will they try to build a new one here?

“Broken” shows us many familiar faces to remind us of who all is in Storybrooke, but mostly sticks to the core group of characters for the central story (This, somewhat regrettably, though it won’t likely affect the size of his role,  as he never did make it into the inner circle, no longer includes Jiminy (Raphael Sbarge). It’s hard to complain about getting a glimpse of these beloved characters, and, considering their small part, they could easily have been dropped from this episode, which would make the world feel sadly smaller.

Most are out for Regina’s head, of course, since she is the face of their misery. But Henry (Jared Gilmore) maintains a little sympathy for the woman that raised him and convinces Emma (Jennifer Morrison) to protect Regina. It’s kind of hard to fathom why a kid who believes his mother is secretly an evil queen for so long doesn’t want to see her hurt. But the relationship between parents and children can be complicated. And although Henry does provide a possible salvation for Regina, she is really going to have to work hard to regain his affection after the events of “Broken.” Not that they are her fault.

See, Rumple (Robert Carlyle) promises Belle (Emilie de Ravin, upgraded to series regular), that he won’t kill Regina, so to get around this, he unleashes a wraith on her. Emma springs to the rescue, aided by her parents, Snow (Ginnifer Goodwin) and Charming (Josh Dallas). They save Regina, but Snow and Emma fall through a portal after the wraith, leaving Charming alone to care for Henry.

Besides Regina, Rumple is another soul that must be saved. While Regina has Henry as a motivation, Rumple has his Belle back. Initially, that is not enough to get him to change his ways. But her continued presence can only be beneficial to him. Will she help him find a way to not be the Dark One anymore? That may or may not happen. She will, however, likely to influence his actions to be a little less evil.

Not that ONCE UPON A TIME is going to make its villains all warm and cuddly. Both Regina and Rumple still have a sharp edge to them, and it will not be rounded out anytime soon. Plus, with creatures like the wraith, new dangers will be introduced. Have no fear; ONCE UPON A TIME will not fall into a “happy ever after” anytime soon which, will satisfying, would also be boring.

The relationships between Snow, Charming, Emma, and Henry are very awkward in “Broken.” Technically, Snow and Charming are Emma’s parents, even though they appear to be the same age, and it feels odd for Henry to think of a couple so young as his grandparents. Also, Emma feels abandoned, as anyone would, by her parents, since they left her alone all these years. Yes, it was to save everyone, but there are still those emotional issues that would come from being set adrift, no matter what the intentions behind it. This makes all of these interactions seem odd.

Oddness is not a complaint, however. Given the very strange circumstances, it would be far worse if the characters quickly hugged and all was right in the world. There are a lot of unresolved feelings, and even if the feelings may not be completely logical, emotions seldom are. This uneasiness is natural and right, lending an authenticity to the characters.

As mentioned, magic is back in the real world, but it’s unclear exactly what that means. Rumple has some, certainly, but Regina is unhappy to discover that she does not. That is, until Emma touches her. All of the sudden, Regina can do things again. Is Emma the key? Will each person she touches get some power? Yet, not every storybook character had powers. The rules of this are completely murky at this point, but at least it feels like the writers have a handle on it, even if they aren’t going to share that with us yet. Bottom line, Emma remains the key, her importance no less after breaking the curse.

 

The only thing that really bugs me in “Broken” is that the storybook names and real world names are used interchangeable. Presumably, the characters remember both lives now, so they see each other both ways. But it’s weird to here Mary Margaret called Snow in Storybrooke, and then called Mary Margaret again a few minutes later. Are they forever stuck with two identities now? Can we not settle on one moniker per person? Even if they get to decide which it is, and some pick names from each world, it would be preferable to the current situation.

We still don’t know who Dr. Whale (David Anders) is in the fantasy world, a mystery alluded to in “Broken,” but not explored. This tease only makes me want to know more.

And what of the mysterious man (Michael Raymond-James, Terriers, True Blood) who lives in the big city, but gets a note from a pigeon? Is he Rumple’s son? If so, did he know about the curse, and was he working to break it? Or is he the March Hare, since he has a Hatter sign in his apartment? Is it possible that some of the storybook characters did not dwell in Storybrooke? How did the curse and its breaking affect them? Is this man on his way to Maine? Who sent the note? A wonderful mystery to kick off the new season.

Viewers also get another storybook story. Sleeping Beauty (Sarah Bolger, The Tudors) is awoken by Prince Phillip (Julian Morris, Pretty Little Liars). But before they can ride off together, a wraith attacks Phillip. Even with Mulan (Jamie Chung, Samurai Girl) there for support, the women can’t save Phillip from losing his soul.

Far more interesting, though, is the revelation that a small corner of the fantasy world survived Regina’s destruction, and time stopped for twenty-eight years then restarted, same as the clock in Maine, they are aware of this, and have banded together to…, well, who knows? Snow and Emma are thrust into this place, so through them, viewers will get a chance to see what the other consequences of Regina’s spell are. How cool!

“Broken” is a terrific return for ONCE UPON A TIME, furthering the arcs beautifully, while providing enough new mystery to keep the story magical. New episodes air Sundays at 8 p.m. ET on ABC.

"Desperate Souls" inhabit Once Upon a Time

     ABC's Once Upon a Time returns from its December break with "Desperate Souls." In fairy tale world, Rumpelstiltskin (Robert Carlyle) is a poor man who just wants to keep his son (Dylan Schmid) from being drafted into the army. Unfortunately, the Duke (Michael Phenicie, Angel, Knot's Landing) has the power of the Dark One behind him, which makes Rumpel's plight seem hopeless. Until a beggar (Brad Dourif, Deadwood, Lord of the Rings) tells Rumpel that the power of the Dark One is controlled by a dagger. If Rumpel steals the dagger, he will be able to stop the madness. Rumpel succeeds, but soon learns that by doing so, he makes himself the Dark One, a torment not easily escaped.

     After a rough start to the series, Once Upon a Time has blossomed into quite a show! "Desperate Souls" is a wonderfully complex story about evil, redemption, power, and sacrifice. Rumpel is a sad little man who has no control of his own life, until he turns to a darker power. He doesn't realize the cost of the magic, an ongoing theme in the series, and bites off more than he can chew. Once Upon a Time's central story is of darkness sweeping over good, and the hopeless nature of defeating such an abstract foe. In this, "Desperate Souls" does a great job of capturing that spirit with a tragic tale.

     "Desperate Souls" also provides some surprising back story for a fan favorite character. Rumpel is not the first character to have an entirely different history than has been traditionally known, but his is, perhaps, the most surprising. One always views Rumpel as an imp who plays games with others for his own amusement. Now we learn that it may be desperation and a slim hope of redemption that drives him, not ingrained evil. Is there any way for Rumpel to ever escape his curse, perhaps in a large, self-sacrificial way? Or is he destined to forever be who he is, a troublemaker no one can love?

     The implications of this episode are far reaching. One that might be of serious interest is, where is Rumpel's son? Is he dead, through some fault of Rumpel's? Did he leave his father after seeing the monster Rumpel has become? Is there any chance Rumpel can get his son back, who is his entire reason for living when the back story begins? Also, how much of the real Rumpel is left inside the shell of a body? Is the Dark One completely in control of the host? There is startling personality shift when Rumpel gains his power, and he is certainly not the same person anymore.

     The next piece of Rumpel's past that must be revealed to give viewers an idea of his motivations is what Rumpel's beef with the Evil Queen (Lana Parrilla) is. In the real world, Mr. Gold works tirelessly to defeat her. His motivation cannot be purely altruistic, as kindness is gone from the Dark One-possessed man. So does Regina have a hand in Rumpel's son's fate? Might she be the key to getting him back? It seems like these two stories may be intertwined in some unexpected way, and I'm anxious to learn what that is.

     One small point that is kind of fascinating is the lack of power Rumpelstiltskin's name has over him in this incarnation, a distinct departure from his traditional story. It would be tricky to work that element into the type of tale Once Upon a Time chooses to tell, but is it a simple convenience, or is there more to it than that? Only time will tell.

     Back in the real world, the main story of "Desperate Souls" is Emma's (Jennifer Morrison) quest to be the new sheriff in Storybrooke. Not wanting her enemy to have that power, Regina appoints newsman Sydney Glass (Giancarlo Esposito, Breaking Bad) to the position. But Mr. Gold finds a loophole in the town's by-laws that states Regina, as Mayor, only has the power to appoint a candidate, not a sheriff (a distinction that makes no sense, and provides the episode's one glaring misstep). Gold lends his support to Emma, but she is determined to prove to Henry (Jared S. Gilmore) that only by doing good can one truly win.

     Is Emma really the pure hero she seeks to be? Learning that her act of saving Regina from a fire, a move that wins her serious popularity in town, is orchestrated by Mr. Gold, she defiantly calls him out in front of the townsfolk. This wins her the election, which Mr. Gold later says is his plan all along. So she is manipulated, despite her best efforts. How much sway will Gold hold over her now? She already owes him one favor, does her ascent to office mean she now owes him two? He certainly would like to take credit for her win. She can't publicly let him, but now she will always be plagued with doubts and second guesses about whether she deserves to be in the position. Should she resign to cleanse her soul?

     It's also doubtful at this point that Once Upon a Time has a happy ending in store for it's central characters. Sure, fairy tales always do, but the amount of darkness in this story, even before the events of "Desperate Souls," seem overwhelming. Even when Emma tries to be good, she is tainted. She is acting like a hero, but cannot make much headway. It is early in the story, and thus it may be too soon to expect any sort of victory for the good guys, especially after Graham's (Jamie Dornan) tragic murder in the previous episode. But something has got to break soon to give at least a sign of hope to Emma.

     Hope is what some of the characters are getting. Emma's win is celebrated by her friends, including Henry, Archie (Raphael Sbarge), and Granny (Beverly Elliott). They don't know what Emma knows, and so see good things coming to pass. Is their optimism enough to inspire Emma, and to turn the tide for the right side? What would they think to learn that they've all been played by Mr. Gold, someone they fear and dislike? Truth always comes out eventually.

     What's really interesting in "Desperate Souls" is the parallels drawn between Emma and Rumpel. Both are, as the title suggests, desperate souls. Both are seeking to save themselves, their sons, and others, and are thwarted by tricky dark power. Rumpel's ending is obviously tragic, at least for now. Is Once Upon a Time hinting that Emma is doomed for a like fate? Her similarities to Rumpel aren't all encompassing. She is a much stronger person that he was, prior to the incident. Can she avoid making the same mistakes that he did? And might he see himself in her, and thus, possibly lend her a hand where he won't anyone else? Their paths seem destined to run together, but the question remains, in what way? It gives one a lot to think about before next week's episode.

     It's no wonder that "Desperate Souls" is so good, considering it is written by Jane Espenson, of Buffy and Battlestar Galactica, among others, fame!


     Don't miss Once Upon a Time, airing Sundays at 8 p.m. ET on ABC.

    If you like my reviews, please follow me on Twitter!

    Catch up with streaming episodes of Once Upon a Time.

Article first published as TV Review: Once Upon a Time - "Desperate Souls" on Blogcritics.

Once Upon a Time there was a "Pilot"

     ABC's Once Upon a Time is a fairytale come to life. As "Pilot" begins, Snow White (Ginnifer Goodwin, Big Love, Ed) and Prince Charming's (Josh Dallas, Thor) wedding is interrupted by the Evil Queen (Lana Parrilla, Swingtown, Miami Medical), who promises to curse the land and ruin everyone's happy endings. Rumplestiltskin (Robert Carlyle, SGU Stargate Universe) tells the couple that their unborn daughter will be the savior, on her twenty-eighth birthday. Months later, Snow White gives birth to the girl, Emma, who is spirited away in Geppetto's (Tony Amendola, Stargate SG-1) wardrobe, just before the Evil Queen's curse sweeps through the land.

     In the real world, bail bondsman Emma Swan (Jennifer Morrison, House, How I Met Your Mother) is turning twenty-eight when she is approached by a ten year old boy named Henry Mills (Jared Gilmore, Mad Men). Henry tells her that she is his biological mother. And also that fairy tales are real and trapped in Storybrooke, Maine, and only Emma can save them. She reluctantly accompanies him home, much to the displeasure of his mother (also Parilla). Still, while Emma doesn't believe Henry's tales, there is enough of a draw for her to rent a room at Granny's (Beverly Elliott, Harper's Island, 2012) and commit to staying for a week.

     How much of Once Upon a Time is real, and how much is imagined? Obviously, the fairytale premise must be believed in order to enjoy and understand the series. The fact that half of the "Pilot" is set in the fairytale land indicates that, at least in the show's universe, this actually happens. They are not just crazy delusions, which is what Emma thinks when Henry tells her about everything. She especially thinks Henry is delusional after meeting Henry's shrink, Archie Hopper (Raphael Sbarge, Dexter, Prison Break), whom Henry claims is really Jiminy Cricket (also Sbarge). It's easy to see why Emma might think Henry is crazy, but it's only a matter of time before she begins to come around.

     The concept of Storybrooke being frozen in time, the fairy tale characters not aging, is pretty cool. Except... what about the kids? Henry has lived in Storybrooke for the last ten years, as Regina's son. He looks like a ten year old, not an infant, so he has aged. So do, presumably, Ms. Blanchard's (also Goodwin) other students. Even if only the fairy tale characters are frozen, surely the kids and their parents notice that Ms. Blanchard looks the same as she did twenty-eight years ago? This is the sole stumbling block obvious in the "Pilot" of Once Upon a Time. Hopefully, it will be addressed.

     Well, that, and the incredible weirdness that will ensue when Emma realizes she is Blanchard / Snow White's daughter, even though they look about the same age.

     At the end of the episode, Storybooke's clock, frozen at 8:15, moves to 8:16. What does this signify? How late does the clock have to go before order can be restored, and magic can return to its own realm? Midnight would make the most sense, but this will be a delicate balancing act, depending on how many years the series might go on. After all, Emma should not be the savior until the battle is won. Can this concept be stretched for six seasons without a victory, and without fans growing tired of it?

     The show looks wonderful. The special effects are realistic enough, and there are a million tiny touches to lend authenticity. Details, such as Regina offering Emma a cup of apple cider, the bowl of apples in her home, or Ms. Blanchard getting a pear instead of an apple from a pupil. remind the audience of the characters' alter egos. The town of Storybrooke itself, partly from building design and costumes, exudes an otherworldliness that could pass in our reality, but is slightly off, making for an uneasy balance bound to be upset.

     The actors are all fantastic. Morrison gets to bring her cynical performance to a character that must undergo major change, giving her the actress's dream of showcasing a broad range over several seasons, should Once Upon a Time be favored by television viewers. Goodwin is also good, despite the unfortunate haircut she sports in the "real" world. Her chemistry with Dallas looks and feels like a fairy tale in both versions, aided by the great looking setting and production value. Gilmore is that rare child actor that has personality, and can handle a challenge. Thus, he should not drag down the series, but rather improve it with his presence.

     The performers tasked with the evil side of the coin are even better, especially because at least one of them surely knows the truth about what is happening. Parrilla plays the perfect bad guy, able to smile sweetly, while her gaze drips with poison. Jamie Dornan's (Marie Antoinette) Sheriff Graham is more guarded, with viewers left to wonder about his motivations and origin. He has not yet been shown in the fairy tale world. But Carlyle gets the plumb position, running the town in a greedy manner as Mr. Gold, but once offered help to Snow and the Prince in the fantasy realm. What are his goals? What does he want? His character may have offered aide to save his own skin as his world crashes around him, but he's doing well enough in this new life. Will he have a change of heart?

     If the "Pilot" is any indication, Once Upon a Time should be a rich adventure, full of dreams come to life and delightful fancy. Watch it Sundays at 8 p.m. ET on ABC.

    If you like my reviews, please follow me on Twitter!

Article first published as TV Review: Once Upon a Time - "Pilot" on Blogcritics.