Discussing THE INTERVIEW

Article first published as Movie Review: 'The Interview' on Blogcritics.

Much press has surrounded the controversial film The Interview, which Sony first canceled, and then later made available, to independent theaters and video-on-demand services. (Many major theater chains have opted not to carry it, though presumably they could if they wanted to.) Now that the movie has come out, I couldn’t help but check it out, considering the attention, and see if it is worth the trouble surrounding it. The short answer is, sort of.

The plot of The Interview is goofy, bordering on surrealistic. Television producer Aaron Rapaport (Seth Rogen, Super Bad, The Comeback) wants to get into more serious news, but the star he works with, Dave Skylark (James Franco, 127 Hours, The Mindy Project), is all about sensationalist entertainment. These two worlds merge when the guys find out Kim Jong-un (Randall Park, Veep, Larry Crowne) is a super-fan of Skylark and invites them to visit, which is complicated when the U.S. government asks Skylark to assassinate the dictator, and gives him minimal training to do so.

One can easily see why North Korea is upset by this movie. It takes their Supreme Leader, whom they worship as a god, and make him a metrosexual, emotional, cartoon character. In fact, much is made in the movie of exposing the true Kim to the people of that country, something that would go against the administration’s policies. With a dramatic climax that I won’t spoil, which goes a step further in defacing Kim, it makes sense that his home country wouldn’t want people to see The Interview.

That being said, terrorism is inexcusable, and threatening nuclear warfare isn’t right. The United States would never do that to anyone who made a similar movie about our elected leader. In fact, a British film about George W. Bush’s fictional murder, Death of a President was released in 2007, though that one was not a comedy. In that spirit, I urge many people to see The Interview, if for no other reason than to thumb our noses at a petty regime that would seek to infringe upon freedom of speech and resort to scare tactics to censor art.

The Interview is pretty funny, though not spectacularly so. Rogen’s character isn’t very humorous, presumably on purpose, which drags down the feature more than if every part of the script were to be played for laughs. But Franco is hilarious, especially when sharing the screen with Park, whom will soon be starring in an ABC sitcom called Fresh Off the Boat, and is absolutely terrific here. The supporting cast includes many notable faces, including Lizzy Caplan (Masters of Sex), Ben Schwartz (House of Lies), Timothy Simons (Veep), Diana Bang (Bates Motel), Rob Lowe (Parks and Recreation), rapper Eminem, and many semi-self-playing cameos. The movie makes terrific use for Katy Perry’s “Firework,” and there are a number of laugh-out-loud moments.

Where the piece suffers is in it’s satirical quality. It flirts with full-on lampooning in the style of Team America: World Police, which skewered Kim’s father, but backs off by trying to make itself a more mainstream film. It raises several important issues, such as the state of current media, but it barely scratches the surface.

I can’t help but wonder how much better The Interview would be had it fully committed to its premise, instead of couching a relatively pedestrian, predictable buddy story that happens to be set in an outrageous environment. Franco and Rogen’s This Is the End is superior because every bit of it revolves around the unique tale being told. The Interview pulls itself back, making it relatively tame and safe by comparison.

Is The Interview worth watching? Sure. I probably would have viewed it when it came to HBO or another premium channel, rather than going to see it in theaters, but I still would have eventually watched it. Is it worth owning? Probably, but only because of the stir it created in our culture, not being quite good enough on its own merit to shell out my hard-earned money for. But right now, when you can pay a few bucks to watch it on YouTube, I recommend everyone check it out, even if the stars aren’t quite your brand of humor, which is admittedly not critically-acclaimed.

The Interview is currently in select theaters, as well as being available on YouTube, GooglePlay, iTunes, and other online outlets.

VEEP Learns How "D.C." Works

Article first published as VEEP Learns How "D.C." Works on TheTVKing.

HBO's Veep ends its second year with "D.C." Selina (Julia Louis-Dreyfus) is ready to announce she won't run for re-election with the president in two years, and so lets her staff go. Then, learning the president is resigning, she asks them all back to gear up for her own run, only to have it fall apart as rumors spread around Washington and the president decides to campaign after all. Of course, none of that matters when the president comes to Selina and announces he's done, so she can try for the presidency.

I have a feeling these back and forth types of situations go on all the time in Washington D.C. It's a city of wheeling and dealing, and one where betrayals happen frequently if someone things they can further their own career. With so many power-hungry, ambitious people in one place, there is bound to be lots of drama.

Veep makes these attitudes hilarious somehow. Even as Selina's staff scrambles to find a life raft off of her sinking ship, we root for them. Selina is a mess, as is very clear in almost every scene in which she appears. Because of this, one can understand and sympathize with those wanting to find a more stable environment where they won't constantly be putting out their fires.

Well, it's easy to pull for most of the staff, anyway. Dan (Reid Scott) jumps ship early and with gusto, even sharing a speech he writes for Selina with Chung (Randall Park, Larry Crowne). I don't know if it's because he doesn't have the history working for Selina, and so never seems as loyal as anyone else, or because he shows so few scruples in his interactions, but Dan is the most unforgiveable of the bunch. Unfortunately for him, this gaff either proves the others are rubbing off on him, or he is just as much of a mess as everyone else, and so belongs there.

It's interesting to see the parallels in "D.C" between Selina and Andrew (David Pasquesi, The Mob Doctor) and Amy (Anna Chlumsky) and Ed (Zach Woods, The Office). Amy hates seeing how Andrew affects Selina, and how they use one another. Ed and her aren't quite so passionate, but they do use each other, much as Selina and Andrew do. Perhaps Amy is emulating her boss more than she thinks.

The plot that doesn't really work for me this week is Gary (Tony Hale) being torn between Selina and his girlfriend, Dana (Jessica St. Clair, Best Friends Forever). It not only feels too much like Hale's character from Arrested Development, but also doesn't really fit the persona of Gary, whom we've only seen worship Selina. Perhaps it's believable that he would latch onto someone else, but we didn't see that evolution, and Dana's interest in Gary doesn't come across as realistic.

Overall, though, Veep really works in the most unexpected of ways. Louis-Dreyfus is a comic genius, surrounded by other heavy weights. Each nuance and tick lands, and even the most pathetic becomes funny in their capable hands. It may be the earnestness with which the cast plays, which also includes Matt Walsh, Timothy Simons, and Sufe Bradshaw, commits to every situation and moment, or the level of authenticity they bring to their selfish screw-ups, but there are usually several things to laugh out loud at each and every week.

This has only been helped more by bringing in Kent (Gary Cole) and Ben (Kevin Dunn) this season. Like when Parks and Recreation added Ben and Chris, having two established, talented actors expand the world of the show, as well as compliment the core group in their every scene, only makes the series better. I credit them both for season two being a marked improvement over season one.

I don't know what season three will look like, exactly. We may actually get to see Selina run for office, which will be cool, since Veep begins after she loses the first race. With the set up the series has provided, there are a myriad of directions and possibilities to explore, and each has their advantages.

Whatever the reason, Veep is doing very well, and I can't wait to see it come back next spring for a third go-round.