MOSAIC Unclear

Article first published as TV Review: MOSAIC on Seat42F.

Note: this review is about the television miniseries MOSAIC. It does not review the app.

HBO is premiering something quite experimental this week. Called MOSAIC and presented on five consecutive nights, the six-hour story concerns the murder of children’s author Olivia Lake and its four-year aftermath. With an all-star cast, Steven Soderbergh cuts together a narrative first developed for an interactive app, which allowed users to follow one of two murder suspects through the story, as well as view related ‘evidence.’ The result here is a professional director’s combining of the plotlines.

Soderbergh (Red Oaks, The Knick) is well-respected and often well-reviewed, known for balancing multiple narratives, a la Traffic, so he seems a natural choice for such an ambitious, ground-breaking project. Not just anyone could pull such a thing off, and so it makes sense that HBO would entrust a talent like his to get it done. He has a certain style that does show up in the series.

The cast has been stocked with some very talented performers, including Sharon Stone (Basic Instinct, Casino) as Olivia and Garrett Hedlund (On the Road) and Frederick Weller (In Plain Sight) as the two main suspects. The supporting players include Jennifer Ferrin (Hell On Wheels), Beau Bridges (Masters of Sex), Jeremy Bobb (The Knick), Paul Reubens (Pee-wee’s Playhouse), Maya Kazan (The Knick), Michael Cerveris (Fringe), Allison Tolman (Fargo), James Ransome (Bosch), and many more. So the cast is certainly not the reason it would fail.

But, in my opinion, despite the immense talent involved, it does fail. As a narrative, it is disjointed, jerky, and boring. I found it extremely hard to follow, and the characters less than interesting. I don’t know if the app provided a better experience, but at least in the one hour I viewed, I found it far below the quality level I’ve come to expect from HBO shows. I was delighted to learn it is a miniseries, played out quickly, airing in a single week, than a drama that would potentially run for a long time. Mainly because of the chance I am wrong and it resonates with critics at large, forcing me to play catch up just to stay current on television, which will be unnecessary for a miniseries.

I can’t say the hour is totally without merit. Most of the actors do deliver good performances. Stone herself is fantastic, and the bits of MOSAIC that do captivate me, few and far between as they are, generally involve her and Reubens, who I also really enjoy. Some of Weller’s stuff, including his chemistry with Stone, is also very good. But those moments are not enough to hold my interest in between.

The story itself just doesn’t feel all that well constructed. There are a LOT of characters and connections to keep track off, and with the constant, abrupt movements in setting, it becomes more of a chore than a pleasure. There just isn’t enough time spent with certain individuals for the audience to grasp who they are and what they want before it moves on, usually to something totally unrelated, or so it seems. Parts shown out of order don’t help. Perhaps if I binged the whole thing at once, some general picture would emerge, mosaic-like, from the fray. I just don’t see the draw in episode one.

Now, I concede there are likely fans of the app who got really into solving the mystery and following all the clues. Those people might like to see the whole story edited together like this into one narrative, and already having prior knowledge of the proceedings, could follow it more easily.

But if you’re just planning to tune into MOSAIC as a show, I’d recommend skipping it.

MOSAIC premieres Monday at 8/7c and runs throughout this week on HBO.

Robot Chicken flies high

In the season six premiere of Adult Swim's Robot Chicken, the show honors the DC Comic Universe, much in the way it has previously done for Star Wars. It's an interesting choice, given how DC's competitor, Marvel, is dominating the theaters right now. Perhaps it was hard to get the rights to Marvel, or maybe the Robot Chicken guys just saw more potential in characters that haven't been played with on screen as much lately. Or perhaps they thought that honoring DC in this way might drum up more interest in DC movies. Whatever the reason, the result is a very funny half hour using many familiar heroes and villains from the comic book pages.

The main group parodied are the Justice League, including Batman, Superman, Wonder Woman, and their counterparts, The Legion of Doom, which is led by Lex Luthor. Neither side is presented as very intelligent or successful, in true Robot Chicken fashion. The good guys act like jerks, and the bad guys are sympathetic, more complex characters. They do battle with each other, but other than the big confrontation at the climax, the best parts are just when the characters hang out among their own, ripping on each other. It makes them relatable, like old friends.

Some of the chosen targets are pretty easy. Aquaman has long been lampooned, and rather than take a different approach, Robot Chicken goes after him with aplomb, making him central to the larger arc in the episode. However, they do it in a way that still feels fresh, rather than using the same stale stuff (mostly). Watching him jump onto an "invisible jet," only to realize he is being tricked by his friends, is very amusing.

Another running gag is Batman getting his back broken by Darkseid. Many might show the bit three times, following the general rule of humor. Robot Chicken takes it the unexpected step further and does it a fourth. What sells this rule breaking is then the characters acknowledge that they are straying from the accepted path. Somehow, that makes the fourth go-round even better than the first three!

Much of the DC episode has a central story, unlike most Robot Chicken episodes, which thrives in the small bits. This may provide less laughs overall, but when going for a full half hour, it seems necessary and right that scenes go on for more than twenty seconds. In this, the show makes the wise choice.

The stars turned up in spades to lend their voices to this episode. Many of them have guest starred on the series before, but it's cool to hear them all together, and many lend some geek cred. There's Nathan Fillion (Castle, Firefly), Alex Borstein (Family Guy), Neil Patrick Harris (How I Met Your Mother), Megan Fox (Transformers), Alfred Molina (Spiderman II), Aaron Paul (Breaking Bad), Paul Reubens (Pee-wee Herman himself), and Steven Tyler of Aerosmith lends some vocals.

But besides the big names and big characters the episode is playing off of, Robot Chicken also stays true to itself by tossing its own recurring characters into the mix, like the humping robot, and using may of the regular voice actors like Abraham Benrubi, Tom Root, Breckin Meyer (Franklin & Bash), and the creative team of Seth Green, Matthew Senreich, Zeb Wells, and Kevin Shinick. Green even tosses a bit to his wife, Clare Grant. This shows the heart and dedication of those making the show.

All in all, while maybe not as memorable as the Star Wars tributes, Robot Chicken does a good job with the DC universe. Who might they target next?

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

Saturday Night Live - "Gwyneth Paltrow / Cee Lo Green"

For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

     I've been waiting all season for an episode of NBC's Saturday Night Live to inspire me to write an article. Had I been writing TV reviews a couple of years ago, I would have considered covering the series every week, as it was so good and consistently funny. Sadly, for the past year or so, consistently mediocre is the best label I can give SNL. After thirty-six years, there are bound to be cycles, and the show has gone through bad patches before. Sadly, we are firmly stuck in one of them now.

     However, this week's episode was great. Not the best I've ever seen, but the best in a long time. Almost every sketch was truly funny. And the thing is, the success cannot be attributed to host Gwyneth Paltrow, so it is highly repeatable. Don't get me wrong; Gwyneth did a fine job. Most of the hosts do, including recent ones. Cee Lo Green, the musical guest, also appeared in several bits, and also did well. But this series always comes down to the writing, and for the most part, last night's writing was something quite superior to this season's norm.

     The opening sketch was a fine example of political satire. FOX News went with the 'Embracing Civility' message being called for after last week's shooting in Arizona, and Greta van Susteren (Kristen Wiig) brought together some of the network's most popular hosts, including a very reluctant Glenn Beck (Jason Sudeikis). However, she also allowed liberal James Carville (Bill Hader) on to provoke Beck and the others, and when Rachel Maddow (Abby Elliott) took over Glenn's chalkboard, it was all over.

     It was a timely, tightly run piece of material put together by the cast and writers, which despite recent showings, proved that they are still talented. Sure, FOX is an easy target, but that doesn't mean it isn't hilarious when they are lambasted properly, as they were in this opening. Easy target or not, it still takes talent to execute a good parody. SNL has gobs of talent, and it's past time the show itself stop forgetting that.

     Also memorable, though the joke did start to wear a little thin before the segment was over, was a foul-mouthed record executive (Paltrow) fighting to get Cee Lo's "Forget You" on the radio. Yes, the sanitized version. The conceit here was that 'forget' was the filthy word, and so the exec used it quite frequently, in the same ways some of us would use f***. She and the other actors in the scene, including eventually Cee Lo as himself, used a variety of other words to fill in for other curses, including 'Country Strong', the title of Paltrow's new movie. The end segued into Cee Lo singing "Forget You", which, except in Paltrow's capable hands on a recent episode of Glee, is not nearly as enjoyable as the original, "F*** You". Still, a neat way and different way to present a musical number. This is something the show should try to do again, as it better connects the musical guests, which often seem out of place. I usually fast forward through them, even if it's an artist I enjoy. I didn't this time, thanks to the sketch.

     The weakest parts of the show, because, of course, it wasn't a perfect episode, were mostly jokes that went on a little too long, like the aforementioned skit. It also occurred during a recurring gag on Weekend Update with Garth (Fred Armisen) and Kat (Wiig), who were joined by a friend (Paltrow) this week. Sure, sometimes the improvising duets gets sort of amusing, but only in the way that an unfunny joke runs so long that eventually it elicits a slight smile. I would be pleased to not see Garth and Kat again.

     Weekend Update is always funny, no matter how bland the rest of the show gets, and this week was no exception. Hosted by Seth Meyers, SNL's current head writer, somehow the barbs there always land, and not just in Seth's to-the-camera headlines, though those are hilarious. This week's Update also included the return of Jimmy McMillian (Kenan Thompson), who wants to run for president with the platform 'The Deficit is Too Damn High'. You may remember, the real McMillan, who is a unique looking individual, recently ran for governor of New York for The Rent is Too Damn High Party. Timely, and sharp-witted, the gag worked beautifully.

     A recent trend on Saturday Night Live is to bring a bunch of singers together for very short samples of their music. This is often done with made-up, ridiculous groups or solo acts, but recently, with a cast rich in impersonations, there has been more famous artists in evidence. In my favorite sketch this week, several big names in the music industry parodied their songs for a boy's bar mitzvah. The guests included Taylor Swift (Paltrow), Jay-Z (newcomer Jay Pharoah), Alicia Keys (Nasim Pedrad), and Katy Perry (Elliott). I don't know why, but the absurdity of Hebrew-forced lyrics into pop hits made me giggle.

     A close second, almost as funny as the bar mitzvah, was a sketch set in Shakespearean times when The Globe theater introduced previews of upcoming attractions. Sure, it was silly. I know small snippets of Romeo and Juliet and Hamlet were never presented, complete with a modern movie announcer's dramatic tone, before a performance of The Taming of the Shrew. However, the absurdness of the moment was surreal, and I hope more sketches like it will be revisited in the future. Historical comedy can definitely be funny, though it's so infrequently done. I don't know why it worked, exactly, but then, most great comedy is elusive to pin down. It was original and clever, a powerful combination.

     I could go on and talk about the Digital Short with Pee Wee Herman (Paul Reubens playing his famous character), or the monologue duet with Kenny Rogers (Sudeikis), or The Fresh Prince of Bel Air DVD special features (starring Pharoah and Thompson, of course), or even the fantastic parody commercials of The Cape knock offs, but this article is long enough. The bottom line is, Saturday Night Live and its cast showed us that they still have what it takes to produce a show worthy of the respected series name. I wish they'd do it more often.

     Saturday Night Live airs live Saturday nights at 11:30 p.m. on NBC.

Article first published as TV Review: Saturday Night Live - "Gwyneth Paltrow / Cee Lo Green" on Blogcritics.