ONCE UPON A TIME "Operation" Successful

Article originally written for Seat42F.

ABC’s ONCE UPON A TIME two-hour season finale is titled “Operation Mongoose,” but it could have shared Game of Thrones’ title this week, “Kill the Boy.” That’s because, with everyone else trapped in an upside-down version of the Enchanted Forest, Henry (Jared Gilmore) alone remains to save the day. The man in his way, Isaac (Patrick Fischler), doesn’t seem willing to commit murder directly, but wastes no time sending others after Henry when they both enter the fictional world.

“Operation Mongoose” is the best episode of ONCE UPON A TIME in quite some time, with rich, emotional pay-off and a lot of fun chances to see actors approach characters differently. Ginnifer Goodwin plays such a terrific villain and the story possibilities in this world are so ripe I find myself wishing this had played out over five or six hours, not two. It’s great, but kind of a squandered opportunity. Though, it’s nice the show doesn’t use yet another True Love’s Kiss to fix everything.

Henry gets to step up as never before, though! This kid not only drives a car and functions without parental units, but goes to a land he isn’t familiar with and battles evil, including wielding a sword against Rumple himself. Henry has been annoying at times in the past, and most fans of ONCE UPON A TIME don’t want to see a kid save the day. What Henry becomes here, though, is a full-fledged member of the cast, pulling his weight, and it’s awesome.

By the end of the hour, Henry proves himself again when he breaks the pen. He is the next Author, but rather than allow himself to be tempted to misuse the power, as Isaac does, Henry ensures he can only do what he’s supposed to do. It’s an impressive decision for the young man to make, but one would expect no less of him.

“Operation Mongoose” finally gives some explanation as to why Rumple’s (Robert Carlyle) heroic sacrifice mid-way through season three did not stick. The Dark One consumes any light taking root and eliminates it. The fact that Rumple manages to be good at all proves there is a very strong lightness within him, which I guess makes sense, being the opposite of the strong darkness we see. If only ONCE UPON A TIME had committed to this explanation earlier and showed Rumple fighting and losing the struggle to be good, the story would have been satisfying. Instead, the revelation comes too little, too late, even if there’s the opportunity to see Rumple have his happy ending next season, Belle (Emilie de Ravin) still being in love with him.

Speaking of happy endings, it turns out the whole rule that villains can’t get them is bull. At first, that seems a cop out, but upon further examination, it makes sense. Some characters are operating under false assumptions or incomplete information. Isaac sure isn’t reliable, so what he says can’t be trusted. Rumple looks for an outside source to blame for losing Belle, not realizing it is the Dark One that is costing him his love. The episode ends with Robin (Sean Maguire) and Regina (Lana Parrilla) right where they should be, so that proves the falsehood.

But is Emma a hero or a villain? Growing up in the real world, she has defied either to a certain extent. “Operation Mongoose” tests that by making Emma the new Dark One. Now, this woman who has untold power she’s only beginning to tap into is the most evil person in Storybrooke. It’s a great set up, since it will probably take everyone banding together to stop someone as dangerous as Emma, especially without hurting her. It will be interesting to see how Merlin plays into this, too.

ONCE UPON A TIME is far from a perfect show. It has good runs and bad ones. Ending a bad run with a good finale, though, is better than ending a good one with a bad, as the show does last year, and it makes me a little more optimistic for season five. The plot it teases is certainly tantalizing enough, and I’m excited about the series in a way I haven’t been in awhile. There are still glaring mistakes in “Operation Mongoose,” from Emma and Henry just standing there watching Hook die, to Robin’s hesitance at the altar ending in wedding bells and then immediately rushing to Regina’s side. But overall, I’m satisfied with this ending.

Oh, and based on Isaac’s flashback, it looks like Walt Disney was the Author just previous to him, which is kind of fun. Combined with a Wookie-like prison escape and a Jack Sparrow mention, “Operation Mongoose” has plenty of delightful references.

ONCE UPON A TIME will return next fall on ABC.

ONCE UPON A TIME Needs a "Mother"

Article originally written for Seat42F.

More than one “Mother” makes a tough decision in this week’s ONCE UPON A TIME on ABC. The story has reached a pivotal moment for several characters. The lines of good and evil have been blurred, but now some players must pick a side, either going back to who they were or moving in a new direction. Do any of the bad guys really have the power to sabotage anything else?

In flashback, we see Cora (Barbara Hershey) return to apologize to Regina (Lana Parrilla) for killing her one true love. But instead of tracking down Robin Hood (Sean Maguire), Cora tries to pass off the Sheriff of Nottingham (Wil Traval) as her daughter’s destiny. Regina sees through it, makes herself barren when she thinks her mother’s plot involves taking control of Regina’s yet-to-be-conceived child, and banishes Cora forever.

I’m not really sure Regina and Cora are well served in “Mother” based on where they were at the time this plot takes place. Cora is truly evil in past installments, and this Cora seems sincerely repentant. This Regina is in the height of her days as the Evil Queen, and seems way too eager to give up what she has achieved for true love. It just doesn’t gel in the continuity.

The present Regina has a much more satisfying story. She considers having Isaac (Patrick Fischler), the Author, write Zelena (Rebecca Mader) out of the storybook entirely. But when Zelena brings up Cora, Regina realizes that part of being a hero is not taking petty revenge on one’s enemies, and she decides to drop the scheme, showing her growth. Unfortunately, Isaac is not at all consistent, first raving about how much he loves Regina’s shades of grey, then immediately fleeing back to Gold’s (Robert Carlyle) side when Regina does the right thing. Also, Regina seems to have achieved her happy ending without the Author’s intervention, which was supposed to be impossible, no?

Gold himself is nearly dead at this point, something that also doesn’t really add up with who he was, especially given his redemption arc in the early seasons, and the fact that we’ve never seen anyone die of a black heart before, no matter how evil they are, even ones much more so than Gold. But I guess we need to suspend disbelief here and hopefully the ending of the season will make sense for ONCE UPON A TIME, at least in the context of recent episodes, though I’m not very optimistic about it.

Speaking of uneven characters, Maleficent (Kristin Bauer van Straten) bypasses a redemption arc entirely, so happy to have her daughter, Lily (Agnes Bruckner), back that she abandons all thoughts of revenge. Even when Lily doesn’t seem to share Maleficent’s vision, Maleficent stays tame and reasonable, ready to be there when Lily does calm down and decide to give a family a try. This is moving, sure, but oh so ridiculous for a villain.

The one subplot that does kind of work in “Mother” is when Hook (Colin O’Donoghue) helps Emma (Jennifer Morrison) forgive her parents. Even though Mary Margaret (Ginnifer Goodwin) has a completely unnecessary injury at the time and Emma directs her healing words only at her mother, ignoring David (Josh Dallas), who is standing right there, the way this turns out still works well for Emma, resetting her back on the right path.

ONCE UPON A TIME is so frustrating because I feel if the writers either concentrated a little bit on continuity or were allowed to do so (I really don’t know who exactly is to blame for the piece jumping all over the place) it could be very good again, as it once was. Yet, even in an episode like “Mother,” which seems to make sense in theory, there are way too many things that need fixed for it to be praised. I kind of hope Isaac resets everything entirely, wiping the slate clean so the show can start all over again, though I’m sure that’s not what will happen.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

ONCE UPON A TIME Beset By the "De Vil"

Article originally written for Seat42F.

ONCE UPON A TIME seeks to evoke “Sympathy for the De Vil” in this week’s installment on ABC. Through flashback, we see Cruella’s (Victoria Smurfit) evolution as a villain in yet another realm, and how she came by her powers. This unexpectedly influences the present, where Cruella has kidnapped Henry (Jared S. Gilmore), stalling Regina’s (Lana Parilla) attempt to go rescue Robin Hood, but furthering Gold’s (Robert Carlyle) mission to darken Emma’s (Jennifer Morrison) heart.

Cruella’s story mostly makes sense. Locked in the attic by her mother (Anna Galvin, Mr. Young), she is delighted to meet a young writer (Patrick Fischler) who just might be the one to set her free. What neither The Author nor viewers may see coming, though, is that Cruella is a demented villain, kept under control by her mother, who may seem harsh to us, but is actually protecting the world. This is realized too late, after The Author grants Cruella magic over the animals and Cruella slaughters her mother and her mother’s dogs.

What this does is paint Cruella as perhaps the least complicated bad guy on ONCE UPON A TIME. While others have turned dark because they’ve been unable to cope with outside events, many of them still having a chance at redemption, Cruella is nothing but a psychopath. Her whole mission is to get someone to kill The Author because, after the bad stuff went down, he removed her ability to kill anyone. She’s only slightly dangerous, but every bit unstable. This makes her an easy pawn for Gold to make use of Gold’s plan to turn Emma dark is an appropriately sneaky one that she doesn’t see coming. Letting Cruella kidnap Henry may be a risky move if Gold still cares about his grandson at all, an iffy prospect, but knowing Cruella can’t kill the boy surely brings him some comfort. When a child is involved, people tend to get irrational, and Emma will do anything she must to protect her son.

It’s too bad Emma separates from the others or she may have been fine. Her friendship with Regina in “Sympathy for the De Vil” has definitely progressed to a new, satisfying level. They are looking out for one another, and that’s even before they find out that Henry is in danger. Regina is the one most capable of pulling Emma back to the light, having earned her own goodness through much effort, and with Emma on the outs with her parents. This relationship must be protected.

Even Belle (Emilie de Ravin) trusts Regina these days, and considering Regina kept Belle locked up for years, that’s encouraging. Belle lets Regina take out her heart to distract Gold, which is putting a lot of faith in someone who hasn’t deserved it for very long. On the other hand, Belle has her own issues with Gold, and being allowed to mess with him and get a little emotional revenge may be enough to sway her to participate, concerns about Regina aside.

There are some glaring flaws in “Sympathy for the De Vil.” Maleficent (Kristin Bauer van Straten) has worked with Cruella enough to know her powers, so why does she so easily allow Cruella to control her? Emma should not be turning so dark after one justifiable act, as others in the show may gain a hint of darkness this way, but never flip completely, so it seems completely out of character for Emma to do so. And Gold’s explanation about his dying heart is weak, still ignoring the arc that previously redeemed him. But, overall, this hour is better than most recent ones.

Oh, was anyone else sad that we didn’t at least see Archie concerned about Pongo? ONCE UPON A TIME just never gets it quite right, does it?

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

ONCE UPON A TIME Finds "Heart" Amid Inconsistencies

Article first published as ONCE UPON A TIME Review Season 4 Episode 18 Heart of Gold on Seat42F.

As this week’s Once Upon A Time begins on ABC, Rumple (Robert Carlyle) finds The Author (Patrick Fischler) as he flees through the woods. This surely spells trouble for our heroes, but this installment, “Heart of Gold,” doesn’t deal with that. Instead, we see flashbacks to both the pre-Storybrooke time and New York City of nine weeks ago. Both periods contain some surprising revelations.

First, in the past we see Rumple send Robin Hood (Sean Maguire) to Oz to steal broken heart potion from the Wicked Witch (Rebecca Mader). Although Robin has already given up being a thief, he is in debt to the Sheriff of Nottingham (Will Traval) and needs the money Rumple is offering. Robin has promised his wife, Marian (Christie Laing), that he will support her, and without what Rumple is offering, he cannot fulfil that promise.

I could argue that Robin’s code is more than a little subjective, stealing when he feels it is justified, and not seemingly feeling any guilt about it. The fact that he lies to Will Scarlet (Michael Socha), whom he meets in Neverland and also promises potion to, proves that Robin’s perspective is a bit skewed. But I didn’t find these plot holes nearly so glaring, given that Robin is consistent with this in the near-present, and I like seeing more of these supporting characters.

Speaking of Will, he is in Oz looking to mend his own broken heart after the death of his sister. This presumably happens before he makes his way to Wonderland. I am still very, very eager to find out how he comes to Storybrooke after the events of Once Upon a Time in Wonderland and where the Queen of Hearts, his one true love, is, but “Heart of Gold” doesn’t answer that.

When Robin gets back to the Enchanted Forest, he re-commits himself to the outlaw life. This seems a little unnecessary and hokey. It does provide, though, an opportunity for Robin of Loxley to become Robin Hood, thus combining the two Sherwood myths. I’m not entirely satisfied with the way this plays out, but learning Robin gifts Will the potion, Will doesn’t steal it as I had assumed, is pleasant enough.

As mentioned, present day New York finds Robin with the same wavering morality as in fairytale land. Rumple has a heart attack in Neal’s old apartment, where Robin and his family are now living. Robin feels bad for Rumple, whose dark heart is failing him away from the magic that kept it going, and agrees to go after the same potion, which the Wicked Witch conveniently sent to the real world with The Wizard. Robin steals it and, after a Cowardly Lion-like escape through a window, thinks he cures Rumple.

That’s when the hour’s big shocker comes to ONCE UPON A TIME: Marian is really the Wicked Witch, whom replaced Robin’s love shortly before Emma (Jennifer Morrison) brought her to Storybrooke, and who didn’t really die in season three. It’s slightly sad that the real Marian is dead, but it’s also a bit of a relief to learn that no one else has a legitimate claim to Robin’s heart other than Regina (Lana Parrilla), who deserves a happy ending. The Wicked Witch can’t resist rubbing this in Regina’s face, er, ear, and this allows Rumple to hold Robin over Regina’s head.

Too bad Marian makes Robin delete Regina’s number from his phone, but he has plenty of other Storybrooke denizens in his contact list, so he should be able to go home. Get home, he must. Regina may be able to help him, either though teaming up with Rumple to turn Emma dark, or after defeating the bad guys, which is the outcome I hope for. Regina’s face at the end of “Heart of Gold” doesn’t reveal her decision, but since Robin is on the line, she will definitely have strong feelings about the choice.

Rumple’s more vulnerable scenes in “Heart of Gold” would be good if not for how much ONCE UPON A TIME has ruined his character. His ruminations feel unearned and cheap because he has turned his back on the redemption he earned without explanation. I feel like ONCE UPON A TIME is trying to explain away this glaring inconsistency, but it just doesn’t work.

“Herat of Gold” is one of the better episodes this season. I like all of the Robin and Will stuff, even when it drifts into goofy territory, and finding out the Wicked Witch never really went away is cool. Still, the show just isn’t as good as it once was, and this hour doesn’t plug the holes from previous weeks any more than any other has. ONCE UPON A TIME may one day get good again, but this is a weak attempt at that, even if it’s OK when taken on its own.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

Is This the "Best" ONCE UPON A TIME Can Do?

Article originally written for Seat42F.

This week’s ONCE UPON A TIME is called “Best Laid Plans” because the characters in it don’t always get what they want, no matter how hard they try and how much thought goes into it beforehand. Whether it’s Regina (Lana Parrilla) trying to play the villains until she finds out their plan, or Snow (Ginnifer Goodwin) and Charming (Josh Dallas) attempting to ensure their child ends up with a clean soul, things don’t go the way they think they will. It’s hard to control the outcome of anything in life.

In fairy tale land flashbacks, Snow and Charming ask The Apprentice (Timothy Webber) to help ensure their unborn daughter will be good. He tells them a vessel is needed to channel the darkness into, and they decide Maleficent’s egg is just the thing. By the time they realize there’s a baby within, not a monster, it’s too late, and baby, Cruella (Victoria Smurfit), and Ursula (Merrin Dungey) go tumbling into our world.

The whole magic spell in this episode makes no sense, a hole-ridden plot even more shaky than what ONCE UPON A TIME has been delivering on a regular basis lately. If Snow and Charming go to all of this trouble, then Emma (Jennifer Morrison) should be guaranteed to be a hero, right? The darkness has been removed from her. So why do Snow and Charming go to great lengths in the Storybrooke present to try to keep her that way? Why are they worried their fretting over what they did would ruin her as a child? It just doesn’t add up.

This backstory does explain how the female witches came to be on Earth, where Gold (Robert Carlyle) finds them earlier this season. However, when they meet back up with Maleficient a few episodes ago, there is no mention of their disappearance. Assuming they stay on Earth from this point until Gold finds them, why is that not a part of the story earlier in the season? Why doesn’t Maleficent ask what happened to them, or they volunteer what became of her baby, which Gold finally shows her in “Best Laid Plans?”

Lo and behold, Maleficent’s child is none other than Young Emma’s (Abby Ross) friend Lily. Is it just me, or does the coincidence seem too much? ONCE UPON A TIME already shows us how Emma and Lily meet, and it certainly seems like it’s purely by chance. Are we expected to believe there is fate involved, forcing them to come together? That’s not something the show has used before in a major way, especially knowing The Author (Patrick Fischler, Lost, Mad Men) is locked up by this point and can no longer manipulate the story.

Yep, we finally see The Author in “Best Laid Plans,” too. Or, more accurately, we see the last author. He’s the latest in a long line, but unlike his predecessors, he manipulates the story, rather than just observing and recording. Of course, somehow the book continues to be written after he is trapped in the page, as it records the events of the curse, which again, doesn’t make sense.

No amount of great little moments can make up for this gigantic plot holes. Regina and Henry (Jared Gilmore) have a terrific scene in which they communicate with a look, but that is overshadowed by what’s happening around them. Hook (Colin O’Donoghue) is deliciously jealous of Emma’s friendship with August (Eion Bailey), but it’s resolved too quickly. Gold talking to an unconscious Belle (Emilie de Ravin) would be moving, if his character hadn’t already been completely ruined, his redemptive qualities stripped away over the past year. Emma finding out her parents lied to her might be effective, if it weren’t couched in the nonsensical part of the story in which she could still somehow go bad. Ditto for Maleficent’s pain at losing her child to so-called “heroes.” I just don’t get why this show, which delivered half a season of greatness just over a year ago, could fall so far and not recover. It really bums me out.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

What happens "After Hours" for Castle?

ABC's Castle has had a very satisfying and varied last few episodes. First, there was the geek-centric installment, wherein we learned of Beckett's (Stana Katic) cult obsession. Then, a documentary crew showed us what happens when the staff gets in front of cameras, throwing off their game. Finally, this past week, "After Hours" explores the romance between Castle (Nathan Fillion) and Beckett, which has finally been allowed to flourish this season, under scary circumstances.

It used to be, series were too scared of the Moonlighting curse to put their leads together until the end of the run. Lately, shows such as Bones and Chuck have disproven that this should not be done; it just needs to be dealt with correctly. Castle's own stab at things, in the currently airing fifth season, seems to be following the successful path, rather than killing the series.

You see, what does a show in is if you lose the dynamic tension between the main characters. Castle and Beckett still have that tension. It comes to the forefront in "After Hours," when they are on the run from mobsters together. They must trust one another, working together to try to get their witness to safety. It's not an easy thing to do; as well as their partnership works, they have to balance their worry for one another with a confidence in each other's abilities. This is explored terrifically in this episode.

The other thing keeping the tension up is the worry that Captain Gates (Penny Johnson Jerald) will find out about the pair. Ryan (Seamus Dever) and Esposito (Jon Huertas) are already in on the secret, as is Castle's family, but none of these people, who love Castle and Beckett, would rat them out, even though their relationship is against department rules. (Castle may not officially be a cop, but his work with the department would realistically make the rules apply to him.) Once Gates learns the truth, it will present an obstacle that will have to be overcome, unfortunately, probably too conveniently.

Add to that, Castle and Beckett are still early in their romance, and so are unsure themselves how things might work, long-term. They worry that they are too different after a dinner with Castle's mother, Martha (Susan Sullivan), and Beckett's father, Jim (Scott Paulin), gets rocky. Of course, they are not their parents, but it's easy to see how such a scenario could scare them a bit. Even if the real purpose of such a scene seems to be to add some lightheartedness to the episode, which happens when Jim and Martha bond over their concern for their children.

"After Hours" sets this dysfunction in a high intensity story, with twists and great guest stars including Bonita Friedericy (Chuck), Tony Denison (The Closer), and especially Patrick Fischler (Lost, Mad Men). Is it still a formulaic procedural? Yes, but in season five, the aversion to taking risks is ebbing, and Castle is finally stepping it up as it's own unique entity. More of this, and it could grow beyond the strict conceits that have held it back thus far.

It also helps that Fillion and Katic are absolutely phenomenal, no matter the situation.

Castle airs Mondays at 10 p.m. ET on ABC.

Read more Castle reviews.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episode I don't fully review, please follow me on Twitter! Article first published by TheTVKing