Out of the SEARCH PARTY

Article first published as SEARCH  PARTY Review on Seat42F.

TBS premieres SEARCH PARTY this week. It’s a dark dramedy about a bunch of young adults whose former classmate goes missing. Most of the quintet are self-absorbed enough not to care much, but one of them, Dory, takes the news very hard, even though she and the missing girl aren’t close, and Dory can’t stop thinking about it. What is behind this mystery and why does it matter so much to Dory?

TBS usually does very goofy comedies, more slapstick than clever, which isn’t an insult as there is plenty of room in the world for both, and each style has many fans. In SEARCH PARTY, though, the netowkr is departing, going more for a premium cable style sitcom, something that is as much drama as comedy, and that gets into deeper issues than are usually tackled in twenty-two minutes. It’s a serial story, almost with a miniseries feel, that presents a specific point of view, grounded and relatable, and I found myself interested in this one.

Alia Shawkat (Arrest Development) stars as Dory, who to me feels apart from her social circle. Her boyfriend, Drew (John Reynolds, Stranger Things), is such a doofus he can barely take care of himself. Portia (Meredith Hagner, Royal Pains) is a self-absorbed actress, and hipster Elliott (John Early, Your Main Thing) is equally shallow.

Now, it could be that these friendships are left over from Dory’s younger days, and she hasn’t yet found a peer group that really understands her; she certainly seems different enough for this to be the case. I like this distinction, though, because it helps explain Dory’s motivation, someone who feels like she doesn’t quite belong in the world she inhabits, and I get the impression she’s looking for the missing girl in order to figure out herself as much as to actually solve the case.

Dory has some help from ex-boyfriend Julian (Brandon Michael Hall, Cecile on the Phone), the fifth member of the cast. Julian also doesn’t seem as much a part of the others, and that makes him a good one for Dory to reach out to when her friends are disinterested. Smart and capable, he’s the perfect partner for our fledging detective, and together they are likely to figure out what happened.

If that was all there was to SEARCH PARTY, I might still like it. But as one keeps watching, one gets more insight into what, on the surface, seem like the more superficial characters. Portia, in particular, is given screen time to explain why she is the way she is, which is welcome. If the same is done for Drew and Elliott, and if that figures into Dory’s central line, I could see this being a pretty interesting series.

What stops me from a full recommendation is that I feel like other shows have done these things better, though. SEARCH PARTY has the mystery of Stranger Things, the narcissism of Girls, and the journey of a Wes Anderson film. And the problem with drawing those comparisons is that each of the other pieces of content are superior in their execution. Which means this one suffers by the reference.

I like that TBS has taken this chance, and if this series were just a bit better, it would succeed for me. I do hope a failure here (if, indeed it does fail, as others may disagree and this show could become quite popular; I’m terrible at predicting ratings) doesn’t discourage TBS from trying again. Some of the right elements are in place, it just lacks a polish and fresh take to really push it over the top.

SEARCH PARTY premieres Monday, November 21^st on TBS.

Men at Work is "Plan B" for me

The latest episode of TBS's Men at Work is "Plan B." Neal (Adam Busch, Buffy the Vampire Slayer) hooks Milo (Danny Masterson, That '70s Show) up with his hot friend, Hannah (Laura Prepon, Are You There Chelsea?). Milo likes Hannah, but as Neal keeps intruding on their dates, Milo begins to wonder if Hannah is Neal's Plan B, should things not work out with his current girlfriend, Amy (Meredith Hagner, As the World Turns). Milo is right, and Hannah, thrilled to see Neal's interest, makes a play for him, leaving Neal with a tough decision to make.

This is a story that has been done before about a bazillion times. Neal doesn't realize how good he has it in his relationship until he sees another choice. Then he thinks about what Amy means to him, and makes the right decision. Milo is merely present as a way to bring Hannah in, without any good character development for himself. Hannah, while played delightfully by a talented actress, is also simply a catalyst for Neal's story. This entire plot is Neal's. Busch handles it well, but it's nearly impossible to do a fresh take on such a been-done story, and Men at Work fails to make it seem current.

The B plot of "Plan B" is no better. Tyler (Michael Cassidy, Privileged) and Gibbs (James Lesure, Las Vegas) pretend to be a gay couple to join an expensive gym that offers two-for-one membership deals. This is merely an excuse by the writers to make these too masculine men act gay, and try to mine humor in that. Men at Work deserves a little bit of credit for not playing too much into stereotypes or getting crass in the story. But it's incredibly predictable, right up to when they figure out that the two-for-one deal did not specify that they had to be a couple to use it.

I originally watched the pilot of Men at Work, and decided it would not be a series worth my time reviewing. It seems like something completely unoriginal, just mixing up the ingredients of previous sitcoms in a slightly new way. The characters tended to be broad and unfocused, and the stories trite. The cast is decent, but not amazing enough to warrant regular viewings for a show that already feels like every week's episode is a reruns, even though they aren't.

"Plan B" doesn't do a lot to dispel those notions. It's better than the first episode, for sure, but there's still a lingering sense of nothing special. It's a diverting way to spend a half hour, but no jokes really stuck out as being memorable, and I am unlikely to dwell on any scenes after I've finished watching. It's not bad, per se, it's just not great, either. In today's world of a million programming choices, with enough gems to keep anyone busy, it's not worth it to continuing watching Men at Work.

Part of the problem is that other networks have recently tried a similar formula, about buddies at this stage of their lives, and done better. Man Up springs to mind, in spite of its cancellation. This comparison hurts any impression Men at Work seeks to make.

Most of these actors have been a part of better shows. One hopes they will be again soon. And Men at Work definitely makes me long for the arrival of Cougar Town so TBS can have a good comedy again, something it has not seen since ending My Boys.

If you choose to watch, Men at Work airs Thursdays at 10 p.m. ET on TBS.

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