I Pledge ALLEGIANCE (Well, Sort Of)

Article first published as ALLEGIANCE Review on Seat42F.

As NBC’s new ALLEGIANCE begins, it’s easy to draw comparisons to FX’s The Americans. ALLEGIANCE also involves Russian spies living among us whose children the Russian government would like to recruit. However, as the first hour plays out, comparisons fall away because of a different setting, time period, and vastly different story, and by the end of the pilot, I found myself quite engaged.

At the center of ALLEGIANCE is the O’Connor family. Mother Katya (Hope Davis, The Newsroom) once upon a time fell in love with an American, father Mark (Scott Cohen, Necessary Roughness). She was allowed to marry him and move to the United States in exchange for the two of them offering up intel to the KGB. Eventually, their daughter, Natalie (Margarita Levieva, Revenge), became part of the deal.

But as Allegiance begins, it’s been years since the O’Connors heard from Katya’s former home country, and they are not sorry to be done with Katya’s former government. Now, though, the SVR, successor to the KGB, wants their son, Alex (Gavin Stenhouse, Iconicles), a new analyst at the CIA, as an asset. Katya is horrified, happy to be living as an American, and wants nothing to do with this. But she may not have a choice.

The pilot of ALLEGIANCE barely gets started in the cat-and-mouse game that will surely unfold. There are plenty of twists, keeping viewers guessing at how much will be revealed how early to each person (though, of course, secrets will come out). Warring motivations of not just the groups involved, but also the individuals, make the match up complex, rather than predictable. Unexpected connections pop up from time to time, further deepening the web.

The cast also includes, besides the four mentioned above, a younger O’Connor daughter still at home, Sarah (Alexandra Peters, Saige Paints the Sky), a Russian handler, Victor (Morgan Spector, Boardwalk Empire), and Alex’s boss, Sam (Kenneth Choi, Sons of Anarchy). This isn’t a large enough group to keep the story going strong for too long, but it’s a fine starting core, giving us one representative of each organization, as well as the all-important family unit.

ALLEGIANCE isn’t wholly original. Certainly, there are many elements, from the sleeper cell to the parents keeping secrets from their children to spy games, that feel quite familiar. With The Americans still successfully airing, it also feels too soon for another show like it on television. However, it’s several steps better in quality than last year’s The Asset. As long as it sticks to its initial serial nature, rather than being forced into a procedural box, as has happened with NBC’s Grimm, this show could say something worth listening to.

The performances are fine, though a little soapier than I’d like. Tonally, I seem similarities to ABC’s Revenge, though thankfully ALLEGIANCE doesn’t push the bounds of reality nearly as much. I think it’s acceptable to have a little melodrama. I just hope it’s reigned in enough to not distract from the parts of the story that really matter, and that the plot focuses more on political machinations than romantic relationships, which are OK if done right and not just hooking up every male character with every female one over time, but tend to be overused to shows’ detriment.

Overall, I’m pleasantly surprised by ALLEGIANCE. Offerings from the Big Four have been pretty disappointing lately, so I admit to going into this one with considerably lowered expectations. The fact that the pilot intrigues me and makes me wonder what’ll happen next is a good thing, even if the characters aren’t ones easy to instantly connect to. The hour takes its time getting started, but once it does, it’s clear that the writers have a plan in place and the story is going somewhere. I’m not fully committed to watching the rest of the season, but it has at least earned a second and third viewing.

ALLEGIANCE premieres this Thursday at 10 p.m. ET on NBC.

Revenge is my "Destiny"

Grade: 86%

ABC left REVENGE fans a heck of a cliffhanger last spring – the death of Victoria Grayson (Madeleine Stowe) in a horrific plane crash. As the season two opener, “Destiny,” begins, lights play over a wreck in the ocean. It looks bad, and based upon what viewers are hearing, survivors are unlikely.

But this isn’t Victoria’s accident. This is Jack’s (Nick Wechsler) boat, three months into the future. Is it smart to replay the same formula that worked for season one, where we saw Daniel (Joshua Bowman) apparently shot, and then, months later, found out that it wasn’t he who was dead? Well, it does provide continuity for viewers, keeping the tone of the show the same. But it could also grow stale pretty quickly after a few seasons. The tease technique is great, but one has to be careful not to overuse it.

It would be folly to try to guess who the lifeless arm belongs to that the camera glimpses in the wreckage. With plenty of story left to happen before the sinking, there will be guesses galore, and enough twists to keep the mystery interesting. One thing is relatively certain thought: it is extremely unlike that Jack is the one that is dead. And many fans would be thrilled if it turns out to be Amanda (Margarita Levieva).

Speaking of death, losing Victoria cuts the soul out of REVENGE. She is a fantastic villain, and the first half of “Destiny” feels empty without her. It looks like a few others might want to fill the vacuum she left, but they aren’t nearly as compelling, and would feel hollow in Victoria’s place. REVENGE needs Victoria just as much as it needs its lead, Emily (Emily VanCamp). They are really the only two characters who aren’t expendable.

Which is why Victoria’s survival is not a surprise. The press screener stops before that point of the episode, probably because the network is trying very hard for the fake out. In 2012, when this sort of thing has been done over and over before, surprise isn’t going to happen for many cynical viewers. Perhaps realizing this, REVENGE does not make the Victoria reveal the end of the episode, but rather, it is done in the middle to further the story along.

These elements do not come across as fresh and original. But REVENGE isn’t trying to break new ground. It’s trying to be the best soapy drama it possible can be, a guilty pleasure treat for the masses who like watching rich people backstabbing each other and quests for justice. REVENGE knows what it is, and delivers well enough on that promise to stay worth watching.

Now that we know Victoria is alive, the next question is why she stays in hiding, and what she is planning. She has help from the White Haired Man (James Morrison, 24), which explains why she didn’t die on the plane, since the WHM is the one who blew it up. Is Victoria a pawn of his, or a willing partner? If she is a pawn, how soon before she double crosses him?

The White Haired Man is an interesting character because it seems like he is brought into the series just to save the Graysons from going down. After all, for the plot to move along, Emily must make some headway on getting revenge for what happened to her father (James Tupper). If the Graysons were the ones behind everything, she would be frustratingly stalled for the entire run of the series, since Victoria cannot be taken out of the show without killing it. The White Haired Man is likely only the first of the shadowy puppet masters behind the scenes that Emily will face.

Emily herself is really struggling with this mission, having failed in the first battle. She has to flee to Japan for further training from Takeda (unfortunately recast, as Cary-Hiroyuki Tagawa doesn’t look much like the original actor, Hiroyuki Sanada). But her head still isn’t in the game, having learned that her mother (Jennifer Jason Leigh, Weeds) was also screwed over by the Graysons, and is still alive. This clouds Emily’s judgment, and she sets off, unready to engage again.

Poor Emily. Her emotions are frequently her downfall, and it’s why, after a productive start, she keeps failing to reach her goals. We don’t want to see her grow cold, which is what is needed to get her revenge, as then she would become an unlikable character. So instead, we have to watch her fail. There just isn’t a way to win for the girl who has had such a rough life. Not that she’s going to stop trying. This builds an internal journey on top of her mission that makes her more sympathetic to fans.

Adding to Emily’s woe is that her love, Jack, is trying to move on with Amanda, who claims to be pregnant with his child. One has to assume that she’s lying because, if not, then Jack is going to be stuck with a woman he doesn’t love. It would be far neater if she is telling the truth, though, and he has to break free from her anyway. As Levieva has not been made a series regular, Jack should be able to succeed, sooner rather than later.

Will that mean a happy ending for Emily? Probably not. As much as she might be tempted to settle down with Jack, she is too tortured to let go of what happened to her parents. Even if she were to be with him, she would still be haunted by events, and would still seek retribution, which is not a recipe from which to make a good relationship. So perhaps it’s better that Emily can’t be with Jack, so she won’t hurt him.

Of course, there seems to be a lingering spark between Emily and Daniel, even though Daniel has moved on with Ashley (Ashley Madekwe). Ashley has her hooks into him for the status and the money, and won’t let go easily. But Daniel isn’t in love with her, and even though Emily broke his heart, he would still take her back, maybe even change for her. Love is his weakness, and it might also be the path to his own redemption. Emily might consider a reconciliation if Daniel decides he’s not his father’s son, after all.

All in all, a fitting return, if slightly disappointing in its predictability. REVENGE airs Sundays at 9 p.m. ET on ABC.

Sweet, sweet Revenge now on DVD

It is said that revenge is a dish best served cold. ABC's Revenge proved the opposite by delivering a steamy hot guilty pleasure drama. Beginning with a murder on a beach, much of the season flashed back and built up to the dastardly deed. With twist after twist, viewers were kept guessing as to what they really saw, and as the series eventually caught up and moved past that point, things only got juicier.

The protagonist of Revenge is Emily Thorne (Emily Van Camp, Brothers & Sisters), whose real name is Amanda Clarke. She has come to the Hamptons to get even with the people who ruined her father David's (James Tupper, Grey's Anatomy) life and reputation, leading to his death behind bars.

But, despite her plan and some help, her mission isn't as easy as she might expect. The matriarch of Emily's target family, Victoria Grayson (Madeleine Stowe, The Last of the Mohicans), who was also David's lover, is not a dumb woman, nor a push over. Emily has met her match in Victoria. The dynamic of these two leading ladies is really what sells Revenge, neither one ever gaining the upper hand for long, and always with a threat of total destruction hanging over them.

Emily's path isn't clear, not being the only one who plays dangerous games among the wealthy residents. The real Emily Thorne (Margarita Levieva) is a bit mentally unhinged. A lad named Tyler (Ashton Holmes) gets mixed up with the Graysons, and people who are friends one day can quickly turn to enemies given the proper motivation. Not to mention, romantic feelings can spring up where least expected and drive people to act in unpredictable ways.

Is Revenge the best show on television? Certainly not. But that doesn't mean it's not worth watching. On a network known for delivery scandalizing drama like Desperate Housewives, GCB, Grey's Anatomy, and the like, Revenge holds its own, and fits beautifully into the network's existing identity. The stories may not be entirely believable, but fans won't care; because they are so thoroughly engrossed in what's coming next, they won't even notice.

The rest of the outstanding cast, who perfectly execute this hyper-real world, and many of whom are no stranger to the genre, includes Gabriel Mann (The Bourne Identity), Henry Czerny (The Tudors), Ashley Madekwe (Bedlam), Nick Wechsler (Roswell), Joshua Bowman (Holby City), Connor Paolo (Gossip Girl), and Christa B. Allen (Cake).

The only real complaint I have about Revenge is the episode titles. Each installment has a single word moniker, like "Grief," "Doubt," and "Suspicion." But these descriptors don't mean a thing in reference to the episode, as almost every title could apply to every single episode. This makes them meaningless and a bit annoying. Should that adjective or emotion have a special connection to that week's story, a la Wilfred, it would make sense, but they do not.

ABC has recently released a five disc set that includes not only all twenty-two episodes of last season's freshman run, but a slew of bonus features, too. There are deleted scenes, bloopers, and two music videos. Creator Mike Kelley and star VanCamp offer an audio commentary of the "Pilot." Featurettes include: "Nolan Ross Exposed," wherein Nolan (Mann) is grilled about his involvement; "Roadmap to Revenge," which discusses the various connections and plot twists in the series; "Haute Hamptons: Femme Fatale Fashion," which examines how the clothes make the characters; and "At Home in "The Hamptons," which has actress Davenport give a tour of the set.

That's enough to keep any fan busy as they anticipate the season two premiere on September 30th. Revenge The Complete First Season is available now.

If you like my reviews, please follow me on Twitter! Check out my new website, JeromeWetzel.com! Article first published as DVD Review: Revenge: The Complete First Season on Blogcritics.

Revenge is under "Duress"

     In "Duress," the return of ABC's Revenge, Nolan (Gabriel Mann) and Emily (Emily VanCamp) make a disturbing discovery about Tyler (Ashton Holmes). Learning he is mentally unstable, they call his brother in to treat him. But it's too late, as Tyler stabs Nolan, and holds a gun and Emily and the others at Daniel's (Joshua Bowman) birthday celebration. In the meantime, Victoria (Madeleine Stowe) encounters some unexpected bumps in the road to her divorce from Conrad (Henry Czerny) as they fight over custody of Charlotte (Christa B. Allen).

     ABC needs to stop spoiling things. Not only is Tyler's gun wielding scene shown in the opening of "Duress," but it is also revealed in the preview that aired after the fall finale. Plus, several juicy tidbits that should be left as surprises are shown in next week's look ahead, including why Daniel might propose so soon to Emily. It actually hurts the series. Rather than sparking interest, it gives things away. And please, why have Tyler point the gun at Emily so much? Everyone knows she's going to live. It would be far more interesting if he points it at, say, Amanda (Margarita Levieva, How to Make It in America), who wasn't shown in the future events of the "Pilot."

     Note: for ease, I am referring to the revenge-driven character as Emily and her juvie cohort as Amanda. Yes, their names are actually the other way around, but it's simpler to use the names the characters usually go by.

     Complaints about spoilers is a sign at how gripping Revenge is. It is quickly becoming ABC's new primetime soap, a staple of the network, and one in need of replacement since Desperate Housewives will make its final bow at the end of the season. Revenge so far has not quite lived up to the early days of that last big hit, possibly partly because of the smaller ensemble. Sometimes it ventures a little near CW territory, with the contrived romances and added drama. However, for the most part, Revenge is succeeding, and creating a story that will be intrigue-worthy for at least a few seasons.

     Tyler's complete breakdown in "Duress" is delightful. Finally getting off of his meds, he becomes the unstable individual he has been trying to hide all along. It also is time for him to leave, as he has been distracting from the main plot of Emily trying to bring down the Graysons, which needs to be gotten back to as the wedding date, glimpsed in the "Pilot," rapidly approaches. He is a good side trip to take up a portion of the season, but now that he's been played out, it's time for him to move on.

     Amanda, on the other hand, will continue to be a thorn in Emily's side, possibly for some time to come. Her presence is the biggest threat to Emily's mission. While Amanda's relationship with Jack (Nick Wechsler) is kind of a low blow, it is mostly a distraction, as Emily is single-minded enough to keep from unfurling over her feelings for Jack. But that doesn't mean Amanda won't slip, most likely in front of Jack, and let on that she's not, in fact, Amanda Clarke. Given that Amanda is already proving herself not the sharpest tool in the box, unlike Emily, and Victoria seems suspicious, it probably won't be a long wait until Amanda blow Emily's cover. But that could just be the beginning of open warfare, not an end to the entire scheme, and thus, an exciting twist to look forward to!

     How much emotion does Emily still have left after everything that has happened to her? She makes an apology to Nolan this week that, while beating around the bush a little, comes off as sincere. At first, Emily doesn't want Nolan's help. Now she's relying on it. Is Emily motivated to repair her friendship with him merely to help her complete her goal, as he has become a valuable asset? Or does she care about the man who refuses to go away, and who has made himself as much an instrument of revenge as any in Emily's arsenal? The series plays Emily close enough to the vest that it's impossible to tell.

     The battle over Charlotte in "Duress" is a curious one. Despite Victoria's private confessions about not wanting Charlotte, she does really seem to care. It's a credit to Stowe that she can capture these layers in a highly manipulative, mostly unlikable character. Yet, the fight for custody over Charlotte does seem genuine, not a tactic. Might Victoria have had a change of heart? Certainly she's not just going after Charlotte because Conrad wants her. It also should make Charlotte feel valued in a way she has not been, which the girl might use to her advantage, as she clearly possesses shades of her mother within. Which makes Charlotte an unpredictable wild card in the series of unfolding events, as Charlotte's wants could easily get in the way of anyone else's plans.

     Watch Revenge, a highly satisfying guilty pleasure drama, Wednesdays at 10 p.m. ET on ABC.

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     Please click here to catch up with streaming episodes of Revenge.