iZombie Lives

Article originally published as iZombie Review on Seat42F.

iZombie Malcolm Goodwin as Clive Babineaux and Rose McIver as Olivia "Liv" Moore

The CW’s newest drama, premiering this week, is called iZombie. The show begins when Liv Moore (Rose McIver, Masters of Sex, Once Upon a Time) is accidentally turned into one of the undead at a party-gone-wrong. Not knowing if there’s anyone else like her out there, she decides to hide what she’s become from her family and friends, who just think she’s grown lazy and pale, and even break off her engagement. Blurting out a special gift she finds in front of the wrong person, though, may just give her a new purpose.

The first thing that strikes me about iZombie is that is feels remarkably similar to Veronica Mars. This isn’t surprising, given that the series is created by Mars’ Rob Thomas, but everything from the snarky main female who gives voiceover, to the types of guest characters that pop up, to the tone and music, are nearly cloned from Veronica. This is strange, given that iZombie is based on a comic book and not Thomas’ original creation, but his influence is felt very heavily throughout.

Now, I do not observe this as a complaint. As a big fan of Veronica Mars, one who misses it frequently and can’t get enough of the new books and movie, also by Thomas, that continue the story, I am happy to have a show just like it back on television. The format, one in which Liv helps the police department solve cases, is similar to Veronica’s role as a private investigator, so that makes sense, too.

The major difference, at least in the pilot, is that iZombie is far more procedural. While Veronica spends a season looking into a case, Liv helps Detective Clive Babineaux (Malcolm Goodwin, Breakout Kings) catch the killer in a single hour. This is a disappointing departure, with the structure of the crime laid out in a predictable fashion. Liv’s ability to absorb skills and memories from the brains she eats, stolen from the victims in the morgue, could certainly help Clive with more cases. Should iZombie do this week after week, rather than developing any larger arcs, iZombie will quickly grow stale and lose its season pass status on my TiVo.

There are a few signs that iZombie could be serial. Liv lives with a roommate, Peyton (Aly Michalka, Hellcats), who wants to ‘fix’ Liv since she quit being a doctor to work in a morgue. Liv’s ex-fiancé, Major (Robert Buckley, One Tree Hill), is still in her life. Her boss, Ravi (Rahul Kohli), quickly figures out her secret and is dedicated to investigating the medical side of her situation. The man that made Liv who she is, Blaine (David Anders, Alias, The Vampire Diaries), is still out there and may have some answers. Each of these provide possible tales that can be explored in extended fashion.

I also like iZombie’s homage to its comic roots and its take on zombies. Liv is not like any other undead character I’ve ever seen, thus meaning viewers won’t immediately know what’s happening to her. The brain-eating aspect is not unique, but what happens to her after the meal is. She seems able to live a relatively normal life, as long as she consumes brains periodically, and her diet is light enough to not draw too much suspicion. The choice to make her condition a virus, which could one day be cured, makes sense and gives her motivation. I love The Walking Dead dearly, but I’m glad this is not that.

In short, iZombie seems poised to be one of the best made, most entertaining, boring procedurals out there. Hopefully it embraces its Thomas-DNA more fully and casts off the strict structure. If it does, I’m prepared to like it a lot.

iZombie premieres this Tuesday on the CW.

Breakout Kings delivers respectable "Pilot"

     After an extremely disappointing first foray into scripted television with The Glades, A&E is trying its hand again with a rejected FOX pilot, Breakout Kings. The differences between the two are enormous. Breakout Kings would be better compared to Leverage, except the pilot has me thinking Kings will be a darker, edgier, better developed version. Which is good, because I got bored with Leverage and stopped watching awhile ago. Unlike Leverage, the main characters are immediately given some real depth. Plus the cast is just plain better.

     The concept is that several cons will work with the U.S. Marshals to catch fugitives in exchange for reductions to their sentences. Four are chosen, but one is quickly kicked off the team, so we are left with three. Lloyd (the fantastic Jimmi Simpson, Psych, It's Always Sunny in Philadelphia) is super smart, especially at reading people, which probably contributed to whatever gambling-connected illegal activity got him into trouble. Shea (Malcolm Goodwin, American Gangster) can pick a lock or drive in a high speed chase equally well. Philly (Nicole Steinwedell, The Unit) is a sexy con woman, who regrettably will be replaced in episode two by Erica (Serinda Swan, Smallville, Percy Jackson).

     They are joined by Ray (Domenick Lombardozzi, The Wire) a loose-with-the-rules cop that once caught them, now secretly also a con, and Charlie (Laz Alonso, Southland, Avatar), the boss. The two struggle for leadership for much of the pilot, though Ray eventually defers to Charlie. This seems strange, given his personality, until the ending twist that Ray is no longer a cop, and is as much making a deal as the other cons. Also present at their office is Julianne (Brooke Nevin, The 4400, Call Me Fitz), a woman with social anxiety problems whom Ray is protective of for reasons still unknown.

     The con the group goes after in the pilot is interesting, as he is extremely smart and keeps them scrambling. However, my main interest in the case of the week is how he tests the central cast. Lloyd, Shea, Philly, Ray, Julianne, and Charlie all have to contribute to his take down, so we get an immediate look at each character's specialty, and how they will contribute to the whole. I can't imagine how effective the booted con would have been, as he appeared to be there for muscle, not exactly a need for this task force. I think his presence in the beginning of the episode is merely to show that Charlie means business and will not hesitate to remove anyone who will not cooperate.

     My main worry going forward is that Breakout Kings will devolve into a procedural. There is certainly the potential for that, but I feel the series will be stronger if it focuses on each of the central group. What is Ray's connection to Julianne? Why is Lloyd in jail? Is there a bit of a romance brewing between Julianne and Lloyd, or is he just there to help her with her issues? Why has Charlie agreed to this task force? What is the motive for participating for Ray, other than that he can be a cop again, and this was his idea? We get a little less background on Shea at this point, and I will withhold my questions about Philly, since they likely won't be answered, sadly. Erica better be as good, and that's a tall order.

     Despite my gut distaste for procedurals, a balance would work okay. There are a number of great shows that blend the serial and the procedural elements together to form a satisfying mixture. As long as there is continuous character development and unfolding background, the show can bring in a new bad guy to catch every week without being a total waste of time. Even cooler would be a bad guy who eludes them for numerous episodes, which just may be on the horizon.

     I'm very much looking forward to Robert Knepper reprising his disgustingly sleazy T-Bag on the show for four episodes. T-Bag was a main character in Prison Break, a former favorite show of mine, and Knepper was one of the best parts. It has been announced that T-Bag will be in Breakout Kings. When he last saw the one-handed molester, he was back in prison, after a couple of break outs, so I'm assuming he will escape again. This time without Michael's help. I will likely refresh my memory with some PB DVD re-watching, and I recommend you do the same. That goes double if you have never seen the show.

     Breakout Kings airs on A&E Sunday nights at 10 p.m. ET, and reruns throughout the week, so there is still time for you to watch the pilot before episode two premieres next weekend.

Article first published as TV Review: Breakout Kings - "Pilot" on Blogcritics.

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