Not Many BETTER THINGS Than This

Article first published as BETTER THINGS Review on Seat42F.

Missing Louie on FX? I won’t say BETTER THINGS, a new sitcom premiering soon, will fill all the holes created by that show’s absence, but it certainly ticks some of the boxes, while also being its own unique project.

Pamela Adlon (Californication) is Sam Fox, a single mother raising three daughters with three different, mostly absent fathers. Max (Mikey Madison, Bound for Greatness) wants her mom to score her some pot. Frankie (Hannah Alligood) will not stop pushing boundaries at the worst times. Duke (Olivia Edward) is the baby that just wants love and attention. This is the household that makes up BETTER THINGS.

And a crazy household it is, too. Sam not only has to care for all of the children, but she also needs to make a living. Her chosen profession is as an actress, which she seems to be successful enough at to support a family, but not so successful that she can stop. The uneven schedule seems to help her motherly duties, but over time, it’s sure to hinder them as well, which we see just a hint of in the pilot when Sam is doing housework when she’d rather be asleep.

Sam wants BETTER THINGS and that doesn’t make her a bad mother. She loves her kids, and they are her primary focus. But she’d also like some male companionship, not that she’d allow herself to be vulnerable enough to admit it to most people. And she’d like to not run herself so ragged trying to take care of things and keep going. Can Sam achieve her goals? Probably not, but it’ll be entertaining, if a little heartbreaking, to watch her try.

Adlon created the series along with long-time collaborator Louis C.K. (Louie), which is probably why the parental sensibilities somewhat match the show Louie. Sam can love her charges and want them dead at the same time, and that’s OK. This is a more realistic, less sanitized version of the modern family, and that works very well with the premise.

Adlon also manages to bring in a slew of guest stars. In just the pilot alone, you’ll see Constance Zimmer (UnREAL), Julie Bowen (Modern Family), and Dale Dickey (True Blood), among others. (I don’t want to give everything away.) C.K. does not appear in the pilot, but I wouldn’t be surprised to see him down the line. Sometimes these famous faces play a version of themselves, and sometimes they’re playing a character, but with so much talent on screen, you know the quality is going to be high.

Where BETTER THINGS differs from Louie is that it seems like it will be a more cohesive story, rather than an artistic expression that changes and reinvents itself constantly. That is not a knock; BETTER THINGS is the best version of the traditional family sitcom. It’s just a little more conventional than that other series.

What I like most is Adlon herself, who long ago deserved a starring vehicle. She is sympathetic and rude at the same time, seeming to not care about anything while simultaneously being deeply loving. Her complexity feels natural and easy, though I hesitate to say that because I don’t want to undersell what she’s doing. She’s really an excellent performer, and the show rises and falls based almost completely on her. Her talent is why the pilot is so good, and it’s likely that the following installments will be, too.

While not yet a father myself, BETTER THINGS gives me a look at the future, and one I might actually be able to relate to (though hopefully with the addition of a helping spouse), unlike most of television. Maybe I’d better start taking notes.

BETTER THINGS premieres Thursday, September 8th on FX.

‘Louie – The Complete Season 3′ DVD Review

Article first published as ‘Louie – The Complete Season 3′ DVD Review on Blogcritics.

FX’s Louie is a very odd show. Written, directed by, and starring Louis C.K., it’s semi-autobiographical, semi-comedic, and semi-dramatic. There is nothing ‘semi-’ about its quality, though.  Perhaps best described as an extended vignettes (occasionally running into multiple episodes), interspersed with Louie C.K. stand-up bits, the show defies easy definition, but it’s always compelling, insightful, and authentic in ways no other TV show comes close.


The third season of Louie was recently released as a three-disc DVD set. The 13 episodes run a gamut in terms of story, but the usually somber, and frequently pathetic, tone is consistent. Louie is a divorced father of two young girls who tries to date and interact with the world while maintaining a career as a stand-up comedian. A few events in this season give him hope that he can finally improve his standing, but as one expects, that never quite happens.

Louie and the Ladies

A major theme in of season three involves Louie’s interactions with females. His daughters, Lilly (Hadley Delany) and Jane (Ursula Parker) are a big part of that, of course, but he also goes on dates with various women, including Liz (Parker Posey), Maria (Maria Bamford), and Laurie (Melissa Leo, who won an Emmy for the role). Louie doesn’t understand the opposite sex, this much is clear, but he really tries. He does understand that women are all different, though, and he tries to give his daughters the freedom to be who they want to be, as long as they also end up as good people. Finding a steady girlfriend could help him provide the girls with a role model, but the task proves difficult. This is dealt with quite heavily in the two-parter, “Daddy’s Girlfriend.”

The Life of a Standup

Another thing Louie ponders is getting his own talk show. In the three-part “Late Show,” Louie interviews to be David Letterman’s possible replacement (this was before Letterman announced he was stepping down and Stephen Colbert was replacing him in real life). Finding out he may just be being used as leverage against the network’s first choice, Jerry Seinfeld (himself), Louie begins to wonder how much he really even wants the job. Should he fight for it, or is he better off staying out of the late night game, as Jay Leno (himself) advises? Louie seeks the counsel of many of his peers, but is still torn.

Does this mean Louie is afraid of success? I don’t think the real Louie is, or he wouldn’t be working so hard to make Louie. He gets complete creative control of the process, and even takes a year off or shortens a season as he sees fit, and the viewers and critics still flock back. But you have to wonder what success means to Louie the character.

Other episodes are stand-alone. Louie has a horrible day in “Something Is Wrong.” He develops an awkward friendship with a lifeguard in “Miami.” He is one of only two people to attend a funeral for a terrible guy in “Barney/Never.” He makes up (again) with Marc Maron (himself) in “Ikea/Piano Lesson.” He freaks out about seeing his estranged father in “Dad.” He confronts the death of a sister (Amy Poehler, Parks and Recreation) and travels to China in “New Year’s Eve.” All of these and more are really interesting, thought-provoking installments, and while continuity between them may not always be present, they are great in their own right.

The only complaint I have about Louie – The Complete Season 3 is the same one I’ve had about Fox’s other recent releases: no bonus features. I’m sure Louie could give us some really neat insight into his process if the studio had let him. And also, this season only gets the DVD treatment nearly two years after it finished airing, rather than a timely Blu-ray release, as past seasons have seen. Louie and Louie deserve better.

Louie – The Complete Season 3 is available now.

LOUIE is "Back"

Article first published as TV Review: 'Louie' - 'Back' and 'Model' on Blogcritics.

Louie returned to FX after a year-long break with two new episodes, “Back” and “Model.” The series, starring, created, written, and directed by Louis C.K., with his singular vision, is intact and as good as ever.

There is no real premise, and Louie doesn’t worry about continuity from week to week (although there are several multi-part installments coming up this year). Instead, he picks something absurd to comment on, or a humiliating situation to put himself into, and presents a type of avant-garde, stylistic humor, the likes of which is seen nowhere else on television.

The first half hour, “Back,” is about Louie hurting his back. He goes to a doctor (Charles Grodin, Beethoven) for assistance, but the doc just tells him that the human spine is not designed to be vertical, so back pain is a part of life and there’s nothing he can do about it except count the moments his back isn’t hurting as lucky ones. This isn’t particularly helpful, true as it may be, but it’s also a commentary on life in general. Things aren’t easy and rarely go smoothly. Enjoy the good times. The bad times will help you appreciate them. There is definitely deeper meaning to be found in the episode.

Yet, on its face, “Back” is still a funny entry. Louie starts out talking to his poker buddies about masturbation. He then hurts himself while trying to buy a vibrator, is embarrassed to be helped into a taxi by an old woman (Rebecca Darke, The Wrestler), and then it all comes back around when the doctor’s secretary gives Louie a vibrator to help his back. The situations themselves are amusing, and the story is well written enough to have cohesion, completing the look before the closing credits. For someone to achieve all of this in a single half hour and to do it so well is extremely impressive.

Now I know there’s a big ol’ bandwagon among television critics adoring Louie and this review reveals that I am firmly on it, but it’s completely justified for Louie. From episode one, Louis C.K. has awed viewers exactly the way I describe “Back.” He’s someone who’s not only amusing, but very smart.

Louie is also as lucky as his character is unlucky, as FX does what no one else would – allow Louie to do exactly what he wants to do, making a show that is truly his. It has paid off for the network and for C.K., so I wish others would take note and allow more programs of this nature to be produced. I don’t mean that Louie should be copied, but rather, more artists should be permitted to create what is in their soul and present it to the world at large.

In the second half hour, “Model,” Louie can’t stop screwing up, even when things are going well for him. His pal Jerry Seinfeld (himself) invites him to an event, but Louie doesn’t realize there’s a dress code and ill prepares material for the crowd, thrown off his game. This actually works in his favor when a beautiful model (Yvonne Strahovski, 24: Live Another Day, Chuck), who happens to be an astronaut’s daughter, is attracted to him.

However, after sex, she tickles him and Louie punches her in the face, reacting, landing him in huge financial and legal trouble, which actually makes waitresses who scorned him earlier act nicer to him. It’s a good thing this probably won’t play into the character in future weeks, or the whole outlook would be bleaker than it is.

Poor Louie. No matter what happens, things just do not work out for him. The humor of the series is often at his expense, which makes it even more surprising that he is behind it. But that’s his brand, and he does it so convincingly, even after all the success he’s had in the past few years. He is the guy you feel sorry for, but can’t help laughing at.

I do really look forward to the upcoming six-parter, beginning in the second half next week. C.K. has promised some bold, new directions this year, and while I enjoyed these two more ‘typical’ episodes immensely, it will be interesting to see in what weird, unexpected ways Louie guides Louie next. One thing you can count on Louie for is continually surprising you, almost always in good ways.

Louie is airing double-episodes each of the next seven weeks, Mondays at 10 p.m. ET on FX.

MARON Saved By A "Mexican Angel"

Article first published as MARON Saved By A "Mexican Angel" on TheTVKing.

I didn't review the first episode of IFC's Maron because I didn't much care for it and didn't know why exactly. I like Marc Maron, who essentially plays a heightened version of himself, similar to Larry David in Curb Your Enthusiasm, but the pilot was just boring. It didn't make much use of Maron's particular comic style and didn't seem to go anywhere.

However, having recently marathoned the entire first season, which ended last night with "Projections" and "Mexican Angel," I have completely changed my mind. From episode two on, it is immediately clear that Maron goes on the upswing, finding its voice and knowing what it is about. Most episodes are kind of meandering, but each have some very funny things in them, and the wandering feels like a conscious choice, not a plodding misstep.

"Projections" is very interesting. While meeting an old friend for lunch (Eric Stoltz, Caprica), Marc imagines how his live could be differently, including seeing himself as a family man, one half of a gay couple, a cook who has given up on his comedy career, and a successful movie star. None of these make Marc happy, nor is happy in reality, which just proves that he is not destined to be satisfied.

"Projections" is the most unique of the first season episodes. It's not completely new to imagine alternate realities, but the understated way in which Maron, not giving into ridiculous, cartoonish situations, does it, sets it apart. It feels a lot like the artistic Louie, created by Louis C.K. Maron perhaps doesn't reach the levels of hilarity Louie has yet, but it's certainly on the right track, and not at all a copy, no matter the dark, depressing similarities.

They say that if you want to be happy, remain ignorant. Perhaps it's Marc's world-weary, hard-fought wisdom that keeps him from achieving emotional and mental peace. Maybe it's because he can't just do what he loves, having not found enough of a following to be the type of comedian he wants to be. Could he still have hope, or is he just destined to always be this crabby person?

The conceit we need to ignore, which is the same one suspended for Louie, is that this show won't get Marc to where he wants to be. With his very successful podcast and now this series, surely Marc is doing what he wants to do, and probably making a decent living at it (on on track to do so). It definitely seems like Marc has a lot of creative control, given how closely the tone of the show matches his public persona. As long as the series itself doesn't add Maron in, though, in some kind of meta twist, the character of Marc is believable enough to sustain the premise.

Marc does have a shot at improving his outlook, as he sort of lets his younger girlfriend, Jen (Nora Zehetner, Grey's Anatomy), move in with him in "Mexican Angel." Marc isn't sure he wants her there, sabotaging himself, as usual. Yet, he definitely has feelings for her, which he admits after being confronted by the "Mexican Angel" outside. Why can't he just accept how he is? Thankfully, she knows exactly the type of guy Maron is, and despite his outbursts, she sticks by him, somehow making it believable that she would do so.

Introduced as someone that seems like a crazy stalker, the more we learn about Jen, the less there is to worry about. I think this shift is achieved because Maron does such a great job of letting the viewer see her from Marc's perspective. When we finally find out in the season finale that much of the issue is just an age gap, it makes total sense. But as someone who much closer to Jen's age than Marc's, I'm impressed at how I was immersed into Marc's viewpoint. This, more than anything else, presents the singular, clear voice of the show, and proves the high quality.

Which is why I'm sad that Maron is over for the year. I have not heard if it will be renewed yet, but I sincerely hope that it is. We need more creativity on television, and Maron is fresh and brilliant.

Louie goes dark, stays funny

FX's Louie is a strange show. It is consistently funny, but not consistent in just about anything else. There's isn't much continuity, each episode has different themes and goes down its own path. It would be nearly impossible to describe what the show is about in a single sentence or even a paragraph. But that doesn't take anything away from the wonderful, unique show.

This week's episode is called "Barney/Never," and is actually two distinct stories. The first is done artistically, ditching the traditional theme song and replacing it with a solemn, black and white opening. Louie (Louis C.K.) stands by a graveside. An unknown man approaches and they stare at each other.

Then colors are added, and the two sit across from each other in a diner. The man's name is Robbie (Robin Williams), and they talk of the deceased guy, Barney, that was just put in the ground. Neither liked Barney, who was a jerk, but they couldn't stand the thought of no one being at his burial, so they showed up. Talking, they remember a strip club that Barney frequented, and they go to the place. Upon learning of Barney's passing, the patrons of the strip club mourn Barney, whom they loved.

This is a very short piece, but like many great short films, tells a complete story, and leaves a lot to ponder. Everyone has different sides of themselves, and as much as Barney was an ass towards many, there were still people that cared. People are afraid of not being remembered or mourned. One can find comfort and solace with a stranger. There is good in people.

Bringing in the legendary Robin Williams really gives "Barney/Never" weight. This is a man who has won an Oscar and many other awards, and whom everyone knows. But Louie holds his own, and there is definitely a kindred spirit feeling in the room. While C.K. doesn't have the movie career Williams has had, that doesn't matter. These men are peers, and with some incredibly skillful, detailed performances, they deliver one of the best Louie stories to date.

The second half of the episode deals with a kid name Never whom is thrust upon Louie, much to his daughter's chagrin, while Never's mother has a consultation for getting her vagina removed. Never's mother doesn't allow him to eat anything with carbon, and yet she doesn't tell him no. This paradox confuses Louie, who ends up allowing Never to eat a bowl of raw hamburger meat. Never, for his part, causes a multi-car crash, throws Louie's rug out the window, and has diarrhea in the bathtub.

This plot is very strange, and yet somehow, still humorous. It takes the relaxed and neurotic parenting styles of the modern era, and raises them to the extreme, showcasing what kind of child this situations turns out. And yet, Louie has nothing but sympathy for Never, even letting the kid know he can always talk to Louie. This, despite the havoc and mess Never causes while Louie is trying to do a dreaded phone interview.

Don't blame the child, blame the parent. That is sentiment Louie is telling. The kid, at this point, can't help what his mother does. But with supportive adults like Louie around, Never could still come out of this OK. It's great when Louie tells Never bluntly that his mother is wrong. This is something most people will never tell parents, but sometimes, it needs to be said. Louie is the type of guy to do it.

There is a lot going on in this story, and yet, it all feels real, never rushed. Louis captures subtleties and authentic premises that other shows routinely miss. It's relatable even without being something most of us will ever confront. Louie C.K. is a genius, and this series proves that over and over again, especially this week.

Plus, there are tiny bits by J.B. Smoove and Artie Lange stuck in "Barney/Never" just for the hell of it. Louie is so popular among his peers, that respected comedians will accept almost nothing roles just to appear on the show. That, in of itself, is telling.

Watch Louie Thursdays at 10:30 p.m. ET on FX.

If you like my reviews, please follow me on Twitter! Check out my new website, JeromeWetzel.com! Article first published on TheTVKing

Commiserate with Louie The Complete Second Season

Louis C.K. is a very special type of guy, and fans can finally see that in FX's Louie, which recently released its second season on Blu-ray and DVD. Impossible to summarize succinctly, each episode is its own short film, usually finding Louie (Louis C.K.) in a situation where his life is miserable and he tries to persevere, but only succeeds in a limited way, as he does not possess a cheery dispensation.

Louie is a comedy, but the laughs are had at Louie's expense more than anything else. The situations that happen to him are humorous, in a schadenfreude fashion. The way he is so honest and open amid people who are typically closed off is refreshing, though it doesn't always help him along. It's also artistic, with continuity abandoned in favor of the tale that is being told. What siblings Louie has or the actresses playing his daughters may vary, but each episode is so thoroughly good that no one cares.

Louie is very funny, but often in ways that make the viewer feel bad for laughing, or groan internally when something negative hits home. Underneath the laughs are painful insights into how the world works, and the essential qualities of mankind. It makes for an odd combination for a sitcom, but also a welcome, enjoyable one. Louie isn't like anything else you'll find on television. A large part of that may be credited to the extremely small budget and vast control Louis C.K. has over the project. He is being allowed to illustrate his voice on the air, not forced to work by committee, and it's a privilege to see the results.

Louie questions conventions. One of the themes of the show is fatherhood. Louie's parenting style is an interesting one, casually imparting the cruel truths of the world on his young children. For instance, in "Pregnant," Louie gives one daughter some fruit and not the other. The hungry child says she "gets" something, too, but Louie says, no. Her sister is lucky right now, and she is not. No one "gets" anything, and life will never be equal and fair. While all of this is accurate, the flippant way in which he speaks to the girl causes a bit of cringe. Is Louie doing her any favors by not protecting her from reality, or is he just needlessly upsetting a kid? Either way, it's intriguing, entertaining television.

Because Louie is such a bold and innovative project, he attracts some serious talent to appear on the show. In the season two episode "Joan," Louie meets comedic legend Joan Rivers (herself). This occurs while he is working a lounge at a Trump hotel and casino. She has a stage show, and he approaches her after her act to compliment her. She invites him up to her suite to talk, and the two discuss why Louie just quit a steady job over stupid reasons when gigs in their field are so hard to come by. The night ends with a very awkward romantic hookup.

Joan seems to stand in for Louie's other half as he argues with himself. Their words could easily have happened completely inside Louie's head. His instinct is to quit this job that he loathes, especially if they won't let him be himself. But Joan is recommending what is best for Louie, and he is wise to listen to her. It's slightly surreal.

Louie is just as strong without the famous faces around. In another season two episode in this set, "Duckling," Louie goes on a USO tour to the American troops in Afghanistan. When he lands, he discovers that his youngest daughter has hidden a duckling in his luggage, a class pet that Louie was taking care of the night before, with a note that it will keep him safe. Louie is frantic, whether it be because he is afraid he will be caught with the duck, which he hides, or because it's an innocent life dropped into a very dangerous situation. But in the end, his daughter's prediction proves true, and the duckling diffuses a hostile situation, saving Louie.

To use the innocence of a duckling to ease tension is a brilliant move. Louie gives credit to his real-life younger daughter for the idea of the episode in the ending credits, and if so, it's a true "out of the mouths of babes" treasure. "Duckling" doesn't focus on politics, or why our army is overseas. It is about the harsh reality, and how something cute and simple can appeal to the human nature in everyone. As the armed Afghanis sit down with the American troops to pet a baby duck, there is a real connection. Louie leaves the duck with the locals, and viewers are left with a comforting assurance, though not spoken, that the creature will be well taken care of. A spot of light in a dark situation. 


It's a humbling experience, to come face to face with the soldiers. One that would not typically take place in a sitcom. Which may be why Louie chose to shoot "Duckling" in a more cinematic fashion. The camera shots and the picture quality do not feel typical for an episode of Louie, but rather, feel more crisp and grand in scope. There's definitely a different tone, and while I cannot say for sure, it appears that the episode was filmed on location in the Middle East, even if some (if not all) of the events are staged. One part tribute, one part realistic look at life, with a dash of Louie's style tossed in. "Duckling" is a true artistic achievement.

"Joan" and "Duckling" are just two examples of the episodes in this two disc set. Each in uniquely different, and there are eleven more to explore.

Louie The Complete Second Season is sorely lacking in extras. Louie does provide a pretty neat commentary for the first five episodes, but not for any of the last eight. It's like the project of adding the talk tracks was abandoned early on, and I very much wish that he had kept going, especially for "Duckling." There is also a four minute featurette at the Louie season two premiere, where reporters speak with C.K. and one of the actresses that plays one of his daughters. That's it.

Extras aside, this is an awesome set, well worth the purchase. Whether you want to relive these fantastic episodes, or are just discovering the series for the first time, it's a valuable buy. There is no need to watch them in order, or even see season one first. Just jump right in!

Buy Louie The Complete Second Season, on sale now, and watch fresh episodes every Thursday on FX.


If you like my reviews, please follow me on Twitter! Check out my new website, JeromeWetzel.com
Article first published as Commiserate with Louie The Complete Second Season on TheTVKing.com

"Something is Wrong" with Louie - NOT!

It's is very difficult to write a review about FX's Louie without it just sounding like several paragraphs of kissing Louis C.K.'s butt. There are a number of reasons for this. First, the show is absolutely freaking brilliant. It's hard to argue with any choice that Louis makes in terms of making the series, from the locations, to the low budget look and feel, to the genuine pathos pouring from the lead character. The entire thing is just dripping with originality and humor of a very high degree.

For another thing, nothing ever happens on Louie. There is no continuity. In fact, Louis C.K. has made a point of saying that he doesn't worry about such things, preferring instead to make each half hour the best story it can be, without worrying about connecting it to what has come before it. Normally, this is a weak point of a show, but for some reason, Louis makes it work so well that there cannot be anything bad said about it.

The only slightly distracting thing along these lines in the premiere is that Louie's ex-wife is shown to be African American, which doesn't quite gel with the pale daughters we've seen him have in other episodes. Then again, the actresses playing the daughters change, so it isn't a big concern. And they aren't in this episode, so they don't count in the plot.

Saying that nothing happens is also not a slam. In the third season premiere, "Something is Wrong," Louie has relationship issues, then buys and crashes a motorcycle, with his recovery tying back into the relationship. Viewers have never seen this girlfriend before and probably will not again, so there isn't suspense as to whether the two will remain a couple. Louie's car being crushed and (temporarily) replacing it with a motorcycle probably also only applies to "Something is Wrong." And these are only two very small plot points to make, not what is most interesting about the episode.

Instead, "Something is Wrong," like every episode of Louie, luxuriates in the awkward moments. The girl thinks that Louie is breaking up with her, and won't believe him when he denies it, so he sits quietly and listens to her have her crazy fit. Louie just wants that personal connection, and she is reading too much into every little thing. He takes it with grace and humility, not seeing a point in arguing with someone who is convinced that she is right. It makes for a wonderful scene, and one many viewers will find a connection to.

Of course, everyone slams Louie for his decision to buy the motorcycle, which he immediately wrecks. They echo the same argument Louie himself makes as he enters the shop, before being talked into the purchase by the very skillful salesman. Both sides of the argument about whether to own a motorcycle are valid, but once more, everyone acts like they're right, and Louie knows there's nothing to be gained by arguing. This passive behavior is just so... Louie.

Now, there are a couple of noticeable changes in "Something is Wrong" as compared to the first two seasons. It appears that Louie has an increased budget, smashing a car and showing stunt bikers riding down the street. This does give the half hour a slightly more surreal quality. Then again, other, more understated parts of Louie's life are also surreal, so it doesn't seem out of place.

Louie is back and as good as ever. Tune in Thursdays at 10:30 p.m. ET on FX.

If you like my reviews, please follow me on Twitter!

Louie and a "Duckling" travel to Afghanistan

     Last night, FX presented the first hour-long episode of Louie. To do double length, there must be a big idea to fill it, and there is. "Duckling" finds Louie (Louis C.K.) going on a USO tour to the American troops in Afghanistan. When he lands, he discovers his youngest daughter has hidden a duckling in his luggage, a class pet that Louie was taking care of the night before, with a note that it will keep him safe. Louie is frantic, whether it be because he is afraid he will be caught with the duck, which he hides, or because it's an innocent life dropped into a very dangerous situation. But in the end, his daughter's prediction proves true, and the duckling diffuses a hostile situation, saving Louie.

     Louie doesn't often tackle anything too serious or scary. Setting the main character in a war zone is quite a risk, but one that pays off handsomely for the brilliant series. Louie still delivers his trademark humor, some of it material heard before. But in the new setting, with the weary audience, it plays fresh all over again. There are no attacks or shells hitting any of the camps Louie stops at, but that doesn't take away the very real threat that something might happen. Thankfully, it doesn't. Louie returns home intact, though slightly more aware, along with the audience, of what our men and women in uniform face every day, and the conditions they must endure.

     It's a humbling experience, to come face to face with the soldiers. One that would not typically take place in a sitcom. Which may be why Louie chose to shoot "Duckling" in a more cinematic fashion. The camera shots and the picture quality do not feel typical for an episode of Louie, but rather, feel more crisp and grand in scope. There's definitely a different tone, and while I cannot say for sure, it appears the episode was filmed on location in the Middle East, even if some (if not all) of the events are staged. One part tribute, one more realistic look, with a dash of Louie's style tossed in. "Duckling" is an artistic achievement.

     To use the innocence of a duckling to ease tension is a brilliant move. Louie gives credit to his real-life younger daughter for the idea of the episode in the ending credits, and if so, it's a true "out of the mouths of babes" treasure. "Duckling" doesn't focus on politics, or why our army is overseas. It is about the harsh reality, and how something cute and simple can appeal to human nature in everyone. As the armed Afghanis sit down with the American troops to pet a baby duck, there is a real connection. Louie leaves the duck with the locals, and viewers are left with a comforting assurance, though not spoken, that the creature will be well taken care of. A spot of light in a dark situation.

     It may be easy to underestimate Louis C.K. and what he is doing with his own TV show. But if you watch it, it is clear he is doing something groundbreaking. "Duckling" may not be the typical Louie episode, but the impression is given that there will be other hours that bend the mold in an already unique show. Very good work, indeed.

     I highly recommend that you buy Louie The Complete First Season, and then watch new episodes Thursdays at 10:30 p.m. ET.

     If you like my reviews, please follow me on Twitter!

Louie meets "Joan"

     This week, on FX's Louie, the titular character (Louis C.K.) meets comedic legend Joan Rivers (herself) in "Joan." This occurs while he is working a lounge at a Trump hotel and casino. She has a stage show, and he approaches her after her act to compliment her. She invites him up to her suite to talk, and the two discuss why Louie just quit a steady job over stupid reasons when gigs in their field are so hard to come by. The night ends with a very awkward romantic hookup.

     Louie often explores Louis's life in funny and interesting ways, coming at things from unexpected perspectives. Joan seems to stand in for Louie's other half as he argues with himself. Their words could easily have happened completely inside Louie's head. His instinct is to quit this job that he loathes, especially if they won't let him be himself. But Joan is recommending what is best for Louie, and he is wise to listen to her. It's slightly surreal.

     As for the sexual stuff, it's got to be awkward with the two of them in their current states. There's just no other way. It's an unexpected ending, and because of that, it's funny. The two have great interplay, and going out on such a limb ratchets the joke up another notch. Fantastic.

     Setting aside that Joan may serve as Louie's other half, she is also a legend unto herself, and so it is wonderful to see her appear. She keeps her own sassy, self-deprecating humor, not completely unlike Louie's own trademark brand. As she berates him, it's in her own voice. Rivers is recently enjoying a career resurgence, one of many over the years, with her turn on The Celebrity Apprentice and getting her own reality show with her daughter. Ironically, these events take place in her Apprentice boss's building. Under any circumstances, Joan is welcome.

     As mentioned, Joan has struggled, and so has Louis C.K. Having had failed TV shows before, he is supremely lucky that FX takes another chance on him. But FX gets Louis in a way that other networks have not. Louis's comedy is a truly unique vein, and trying to box him into a generic, "popular" vehicle does not work. Allowing Louie the freedom to do what he wants to do provides a much more fitting, brilliant series. Critics' raves are not unfounded.

     In the end, when someone working so hard fails, their fans want to pick them back up. It's why Joan keeps coming back after many a stumble, and it's why Louie, even having limited success with Louie, gets the attention and support of his fans rallying around him. In this series, there is both critical success and ratings disappointments. But he gets to make it, and that's what's important.

    Also in "Joan," if you like scatological humor, there is a doozy during Louis's stand up segment at the beginning. I generally don't care for this brand of humor, but somehow, Louis makes it acceptable. Even when going to totally wrong places that should never be spoken of. There is a mental image you will never be able to take back.

     I highly recommend that you buy Louie The Complete First Season, and then watch new episodes Thursdays at 10:30 p.m. ET.

     If you like my reviews, please follow me on Twitter!

Louie - "Pregnant"

     FX's Louie begins season two with a dark look at Louie's (Louis C.K.) failings as a father and in life, which is not unusual for the series. Like most episodes, a number of things occur, sometimes a bit randomly. One of his daughters tells him she prefers her mother's house, and that mom cooks better. Louie prepares a nice dinner, but no verdict as to whether his daughter appreciates it is shown. Louie muses on stage about how he loves his children dearly and wishes they were never born. Louie's pregnant sister comes to stay, and cries out in pain in the middle of the night. Neighbors that Louie does not know knock on the door and offer to help, one staying with the girls, while the other helping Louie take his sister to the hospital. Louie is torn in the dillema of caring for his sister or his kids, but eventually accepts the assistance.

     Does this make Louie a good or a bad father? Not many people would be OK with leaving their children in the care of someone they have never met. While, obviously, Louie's sister needs his help, and as a decent brother, he must give it, he should also be worrying about his children. Why didn't he wake them up and let the neighbors accompany the whole group to the hospital? This option may not occur in a sleep-deprived, panicked brain, but it's a little unsettling that Louie goes along with it. That being said, Louis is naturally distrustful of people, so his willingness to accept the neighbors' help at a time when he needs it is a nice development for him.

     Louie's parenting style is an interesting one, casually imparting the cruel truths of the world on his young children. For instance, in "Pregnant," Louie gives one daughter some fruit and not the other. The hungry child says she "gets" something, too, but Louie says, no. Her sister is lucky right now, and she is not. No one "gets" anything, and life will never be equal and fair. While all of this is accurate, the flippant way he speaks to the girl causes a bit of cringe. Is Louie doing her any favors by not protecting her from reality, or is he just needlessly upsetting a kid? Either way, it's intriguing, entertaining television. 

     Louie is very funny, but often in ways that make the viewer feel bad for laughing, or groan internally when something negative hits home. Underneath the laughs are painful insights into how the world works, and the essential qualities of mankind. It makes for an odd combination for a sitcom, but also a welcome, enjoyable one. Louie isn't like anything else you'll find on television. A large part of that may be credited to the extremely small budget and vast control Louis C.K. has over the project. He is being allowed to illustrate his voice on the air, not forced to work by committee, and it's a privelege to see the results.

     I highly recommend that you buy Louie The Complete First Season, and then watch new episodes Thursdays at 10:30 p.m. ET.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

Louie and Wilfred premiere tonight

     Tonight, FX presents two premieries. Louie returns for a second season, with Louis C.K. starring as the titular, things-never-go-right-for-him man. In tonight's episode, Louie's very pregnant sister visits, and he must try to be the best dad he can, even when making a very difficult decision. He also learns about neighbors. But before that is new show Wilfred, based on an Australian comedy of the same name. In the pilot, a suicidal Ryan (Elijah Wood, Lord of the Rings) tries to off himself. When he wakes up, he suddenly sees his new neighbor's dog, Wilfred (Jason Gann, reprising the role), as a man in a dog suit. Wilfred offers Ryan advice, but is he being helpful, or destroying Ryan's life?

     Wilfred's pilot is a bit weird. It takes pretty much the entire episode to get used to the strange, unique personality of Wilfred himself. But stick with it. Wood is typically delightful, and Gaan paints a complicated picture that is going to take a lot of time to work out. It'll make you think a lot more than most sitcoms, but that's the beauty of such a show. Are Wilfred's words just in Ryan's head? Might Ryan have died, and this is some sort of afterlife or purgatory? Is Ryan even interacting with Wilfred, or just making him all up?

     If you watch season one of Louie, then you know what to expect from the first episode back. Louie will make insightful, though pessimistic, comments on life at a standup comedy club, and then you will see them played out in life situations. There are actually several things going on in this episode, from Louie not sure he's being the best father he can be, or even wants to be, as well as seeing him as a brother, and dealing with his innate distrust in others. Can Louie accept help when he needs it? It's also quite funny, so tune in.

     Wilfred premieres tonight at 10 p.m., followed by Louie at 10:30 on FX. Check back for full reviews on each.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

Louie The Complete First Season on Blu-ray and DVD now

     The complete first season of FX's Louie will be released on DVD and Blu-ray today. The set contains all 13 episodes from last summer, many of them with audio commentaries by creator and star Louis C.K. There is more than half an hour of deleted and extended scenes from the season, as well as a three minute look at Louis C.K.'s writing process. Perhaps the neatest thing about the set is it is the first ever Blu-ray television release to have the Blu-ray content on one side of the disc, and the DVD portion on the other side, which feels like less wasted plastic than sets including separate discs for each format.

     Of course, Louie looks great on Blu-ray. The picture is 1080p and presented in 1.78:1 widescreen, which is, I believe, the same way it airs if you get FX as an HD channel. Which means the original viewing format is preserved in pristine condition. The sound is just as good, with English 5.1 DTS-HD Master Audio. Now, the series Louie contains neither big special effects or groundbreaking sound tricks, but it is filmed with a slightly gritty, realistic style, and releasing it in this high quality, high definition format protects the content the way it is meant to be seen, in an immersive experience.

     The episodes themselves are hilarious. Louie (Louis C.K.) deals with raising his kids while divorced and being a stand up comic. He takes care two young girls part-time to the best of his ability, and grumpily attempts to reenter the dating scene, with not so fantastic, but amusing, results. Some segments show Louie in the club, performing his material. These are actually filmed in a real comedy club with an real audience. Other vignettes are short, and take place out in the world. Each episode has one or two main stories combined with the standup, making it a really unique type of show.

     Ultimately, Louie usually does not succeed in his efforts. Whether directing a school bus onto a freeway that it is not supposed to go on, or dating his kids' friend's mom, Louie tries to act with the best of intentions, but ends up screwing things up. He is the everyman, but isn't very good at it. Thank goodness for his comedy schtick, as it is hard to imagine this character in any other career. Which is fine, because Louie is original, and one of the funniest series currently on television.

     Louie's self-deprecating stuff may not resonate with everyone, but most people with a sense of humor will get it. In fact, those in the comedy world show much respect for Louie, who lands big names like Ricky Gervais, Nick DiPaolo, Pamela Adlon, and Matthew Broderick to guest star in this initial batch of episodes.

     I recommend that you buy Louie The Complete First Season, and then watch new episodes when season two premieres this Thursday, June 23rd at 10:30 p.m. ET.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

Article first published as Blu-ray Review: Louie - The Complete First Season on Blogcritics.

Archer The Complete Season One

    I loved FX's Archer last winter, and no viewer was more excited than me when it got a surprise second season pick up. So when the DVD of the first season came in the mail yesterday (on its release date), I was ecstatic! After reviewing this DVD, I still am, but only for the episodes, not for any special features included, of which this DVD is sorely lacking.

     There are no commentaries. There are no cast interviews, or creator interviews. No one talks about where the idea for the series came from, or what's coming up for season two. The best special feature included was probably a thirty second promo for the show that never aired, my guess, because it was kind of wrong. However, Archer's humor often crosses a line, and that's what makes it great, so I'm not sure how this promo was any worse than what airs during the episodes.

     What is included is a roughly twenty minute 'Making Of'. The 'Making Of' is divided into a number of very short segments, almost all having to do with animation. You get to see how the scenes are created, step by step. There's some bits of storyboard translated into animation. If you're an animation guru, you probably already are aware of the techniques being used. If you are a casual viewer, you may not care, or be bored by it. As such, I'm not really sure who this feature is geared towards. Because this is an animated show, I'm sure it is rewarding to all the people who work very hard to make it happen to see their contributions rewarded. And they deserve it; they really do. But like an ending credits scroll, not many people are actually interested in most of it. If this was one of a number of features, I would say it was kind of neat. As the sole feature of substance, it disappointed.

     There is also about two and a half minutes of deleted scenes, mostly just quick jokes cut out, and a so-called 'Original Unaired Pilot'. I have serious doubts if this is actually an unaired pilot. It's actually the exact full episode "Mole Hunt", the original of which is also included on the DVD, with one big twist that runs through the entire episode. Now I won't spoil the twist, except to say it was completely unexpected, funny at first, and wore thin long before the episode was over.

     As a bonus, FX included the pilots of Louie and The League on the DVD as well. I think both shows are hilarious, and if you haven't seen them, they're worth checking out. The League has already completed two full seasons, so putting a pilot on at this point seems odd, but Louie has only done one season, so the timing is great for it.

     The price of $19.99, as it is currently listed on Amazon, is a little steep, considering the first season of Archer was only ten half hour episodes. However, It's Always Sunny in Philadelphia charged the same price last year for a single, hour-long special episode, so compared to that, it's a steal. There is currently no Blu Ray release, just the DVD. I would recommend shopping around for a price around $15, which is about the worth I would assign to it. But I totally recommend buying and watching Archer, as it is an awesome comedy.

RATING:
Archer First Season Episodes: A-
Archer First Season DVD: C-


For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.
Article first published as DVD Review: Archer The Complete Season One on Blogcritics.

Louie Louie

    When trying to sum up the new FX comedy Louie in one sentence, I would say this: it's damn depressing to watch.  It's not that Louis C.K., star and creator of the series isn't funny.  He is that.  But he's also a huge pessimist, and doesn't seem to like his life very much.  I don't dislike the show. I don't think I laughed out loud once, but his worldview was unique and interesting, if nothing else. I'm not sure how that will hold up for a series. I don't think most viewers want to tune into something that puts them in such a blue mood week after week.

     The series is interspersed with bits of him doing stand up.    One bit in particular sticks out.  Louie says that when you go on a date, it's going to end badly.  He goes through a number of different scenarios for how it can end badly, and his last one is that the two of you fall in love and get married.  And then one of you dies, and the other just waits to die.  It's such a bleak outlook on life, I wasn't sure I was even being entertained any more.

     Several stories took place in the first two episodes, which aired last night.  Louie volunteered at his daughter's school, and had to get the kids home after the bus got a flat tire and the irresponsible driver took off.  Louis went on a date.  He played poker with some other comedians.  And his divorce was finalized, so he facebooked an old crush.  The best of the four was the poker tournament.  It felt so real, so unscripted.  It was a bunch of buddies sitting around talking about gay sex and anal cramming.  It toed the line with serious when Louie's friend explained to him what the word 'faggot' invoked in the mind of homosexuals, but the tension was diffused with a couple of jokes, and no one seemed offended.  Louie, the show and the man, despite the sometimes gritty subject material, is not offensive.

     The sole star of the show is Louis C.K., and so he will have to carry the series by himself.  I don't think that will be a problem.  And no, I don't want him to get a sunnier outlook on life.  I mean, I do, but if he did, it would reduce this show to something we've all seen before.  Instead, he should keep the series the way it is, hard to pin down exactly what it is, and like no other television show I can think of.

     13 episodes have been ordered.  Louie airs Tuesday nights at 11pm on FX.