Showing posts with label Liam Garrigan. Show all posts
Showing posts with label Liam Garrigan. Show all posts

Saturday, November 7, 2015

"The Bear" of Watching ONCE UPON A TIME

Article originally written for Seat42F.


 This week’s ONCE UPON A TIME, “The Bear and the Bow,” goes easy on the Dark Swan (Jennifer Morrison) plot and gives more screen time to Rumple (Robert Carlyle), Bell (Emilie de Ravin), and Merida (Amy Manson). What does it take to make someone a hero is a question where the answer depends on the individual, and throughout the hour, we get to see each of the three confront it.

Back in Camelot, Merida kidnaps Belle to have Belle use magic to save Merdia’s brothers from rival clansmen who seek to steal away Merida’s power. Belle thinks Merida has it in her to help herself, and with Belle having seen the steep price that magic extols on a person, she shies away from giving Merida the sort of help Merida requests. This does make for a dangerous situation, but as Belle predicts, Merida rises to the occasion and saves the day, finding the hero within herself.

It’s too bad Merida doesn’t remember this. In Storybrooke, she tries to kill Belle in order to make Rumple step up and be a hero. Merida isn’t confident that Rumple will do so, but feels she has no chance of defeating Dark Swan herself. If only Merida remembered the lesson that Belle taught her, she would probably be able to fight back. Whether she could win or not is debatable, but she should try.

Rumple also wavers in his own heroism. With the Dark One removed from him, Rumple reverts back to the coward he was oh so long ago. Belle reminds him that he overcame the Dark One’s negative influence in order to be a hero, but Rumple doesn’t see it that way. Without the power that the Dark One gives him, he can’t find anything inside of him that allows him to be a hero.

That is, until Belle is in danger, of course. Rumple does everything he possibly can do to run away, but when Belle refuses and Merida (as a badly animated bear) goes after Belle, Rumple steps up, just as he has done in the past for his son. Rumple’s love is what makes him great, just as others in ONCE UPON A TIME have found their best sides because of love.

The greatest hero in “The Bear and the Bow” is Belle. She doesn’t slay any beasts or overcome her own doubts, but instead inspires the best in others. She is brave and true and does what’s right, having faith that others will come along and do the same. It takes someone with a very strong sense of courage and certainty to this, and because Belle can see the good in people, she possesses this in spades. She is the real protagonist of the hour, and I think that’s pretty obvious to most people paying attention.

Despite all of these efforts, Dark Swan does get Rumple to pull Excalibur from the stone, despite Merlin’s (Elliot Knight) warning and presumably dire fate. What Emma will do with it remains to be seen, but one can assume that it’s not good if Dark Swan was willing to do something horrible to Merlin in order to get to it.

But it gives me great hope that Belle and Rumple will now be firmly joining the rest of the good guys in Storybrooke. I still think Rumple’s arc these past couple of seasons has been shaky. He earned heroic status halfway through season three, and as awful as it was that story veered off for him these past two years, it suddenly no longer feels earned that he has it again now, considering where he was very recently (almost as bad writing as Arthur (Liam Garrigan) trying to dispose of the mushroom in the fire). Despite that, I look forward to seeing Rumple face off against Dark Swan, and his knowledge of the Dark One might just be what the team needs to defeat the evil spirit once and for all.

ONCE UPON A TIME airs Sundays at 8 p.m. on ABC.

Wednesday, October 21, 2015

Is ONCE UPON A TIME "Broken"?

Article originally published as ONCE UPON A TIME Review "The Broken Kingdom" on Seat42F.

ONCE UPON A TIME - "The Broken Kingdom" - (ABC/Jack Rowand)
JOSH DALLAS, GINNIFER GOODWIN




Tonight’s ONCE UPON A TIME, “The Broken Kingdom,” is very Camelot-heavy. Viewers get the story behind the Arthur / Guinevere / Lancelot love triangle, and the search for the dagger during the missing weeks in Camelot. While it does put our main characters’ arcs on hold, it is an enjoyable installment with some intriguing story.


We already know Arthur (Liam Garrigan) is a villain prior to this hour, but that portrait flies directly in the face of the legend. “The Broken Kingdom” helps connect the disparate pieces. We see how insecure and obsessed Arthur gets. He cannot be happy without the full sword from the stone, but it has always remained out of reach. Feeling incomplete without it, he neglects his kingdom, his best friend, even his marriage, in order to pursue what he thinks is his destiny. He doesn’t see himself as evil; his narrow-vision just fools everyone, including himself, about what he’s doing.

Similarly, we already know Lancelot (Sinqua Walls) is noble, but how does that square with coveting his best friend’s wife? “The Broken Kingdom” adequately answers that as well, showing how Lancelot and Guinevere (Joana Metrass) grow closer as they try to save Arthur. Then, Arthur casts a spell on Guinevere that shuts down the true love between the pair in order to maintain an illusion.

Illusion is a key component of ONCE UPON A TIME this year. In the present day, which is not shown this week until the very end, everyone’s memories are gone, and the characters can only believe what they see. In the past, magic often disguises the truth, from the aforementioned stories, to Mary Margaret (Ginnifer Goodwin) and David (Josh Dallas) being cursed as well, made to trust Arthur when they shouldn’t. At least they see through Arthur’s plan to distract David with a title and a seat at the round table early in the installment.

In the B story of “The Broken Kingdom,” Hook (Colin O’Donoghue) tries to break Emma (Jennifer Morrison) of her own delusions. No, not the fact that Henry (Jared Gilmore) is too young to love; that bit just results in a fun scene. But Hook tries to help Emma remember the love they share and access the good parts of her brain. This succeeds in dispelling the hallucinations of Rumple (Robert Carlyle) that Emma has, if only temporarily.

In all of this, true love seems to be the most likely answer to break all the spells, as has been the case in the past. A true love’s kiss might bring Lancelot and Guinevere together and break Arthur’s hold on them. It might help Mary Margaret and David and the others get their memories back. And it just might save Emma from herself, even if love never quite manages to save Rumple when he is the Dark One.

The question remaining is, how does Merida (Amy Manson) fit in? Seen early this season, she re-appears in Arthur’s dungeon, when Lancelot is locked up with her, as well as in the present day when Dark Swan gives her a forced mission. Right now she is the X factor that could sway the outcomes of many a storyline. Without knowing why she’s involved or what she will do, there’s no telling what role she may play throughout this fall season.

Some fans of ONCE UPON A TIME get frustrated when the focus shifts to guest characters, away from the core cast. I understand that attitude, and for those viewers, “The Broken Kingdom” will likely be a disappointment, with Merida’s likely key part only heightening that. Personally, I am just glad for a mostly plot-hole-free hour and some promising teases of what is to come. I like this one.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

Thursday, October 15, 2015

"Perilous" ONCE UPON A TIME

Article originally published as ONCE UPON A TIME Review "Siege Perilous" on Seat42F.

ONCE UPON A TIME - "Siege Perilous" (ABC/Jack Rowand)
JENNIFER MORRISON, MICHAEL COLEMAN


This week’s ONCE UPON A TIME, “Siege Perilous,” finds several characters dealing with sneaky types. David (Josh Dallas) bonds with Arthur (Liam Garrigan) while on a quest, but is the bromance mutual? Emma (Jennifer Morrison) seeks to reignite her relationship with Hook (Colin O’Donoghue), but he’s reluctant to get involved with the Dark One. And Mr. Gold (Robert Carlyle) finds himself facing the darkness once inside of him.

You can tell Jane Espenson wrote this episode because even where the larger arcs don’t quite make sense, she makes it work by getting into the complexity of the characters. I often complain about ONCE UPON A TIME failing to follow through or taking short cuts with stories, and some of that is present in “Siege Perilous.” But Jane, always talented and with an extraordinary strong grasp of the players, seems to reign it in the craziness, remarkably managing to make some of the weak spots gel, and deliver an overall enjoyable episode. Any flaws present are likely not her fault, and the solid performances absolve the cast of wrong-doing, as well.

The story in which David accepts not only a seat at Arthur’s Round Table, but the primary seat, for the knight of purest heart, could easily be hokey. After all, David is a hero who has been through a lot and should see through such a blatant ploy. And the fact that Lancelot (Sinqua Walls), whose rumors of death have been greatly exaggerated, tells Snow Mary Margaret (Ginnifer Goodwin) the truth means that Arthur won’t trick the couple for long, making the ploy meaningless.

However, the way “Siege Perilous” approaches things is to play up David’s best qualities and show he he longs to be something more than just a charming face. This David is insecure as to who he is, so Arthur nudges him perfectly in order to manipulate his emotions. Arthur presents himself as a like-minded individual to David from a similar background, so David assumes Arthur is like him and immediately trusts the king.

All of which makes Arthur a great villain, especially scary as he forces a loyal aide to drink poison. ONCE UPON A TIME hasn’t really targeted David for quite awhile, and by making him the one easily fooled by Arthur, it sets David up to be the hero of the season. I think he can rise to the occasion, and Arthur is a worthy adversary, clearly smart and capable. I’m not sure what is behind Arthur’s motivations, but at least it feels surprising and interesting to have David go up against him. And how about that scene with David in the truck? Pretty cool, eh?

The other bad guy this season is Emma, of course. She tries to pretend she’s not all bad towards Hook. Rumple’s affections for Belle (Emilie de Ravin) always shone through when he was the dark one, so it’s believable that Emma would still want the former pirate.

One might wonder why Hook doesn’t go for Dark One Emma, given his villainous past. The only reason he seems to change is for Emma, so why not change back when she turns? The thing is, though, Hook fell for Savior Emma, not Dark Emma. He knows Savior Emma is in there somewhere and considers her in need of a rescue. In that context, it makes sense for Hook to resist this woman.

The plot in which Emma intends to make Gold pure enough to pull the sword from the stone is very intriguing. Gold has been a poorly-handled character for awhile now, but the removal of the Dark One gives him a chance for a complete reset. For him to become a hero now would not be earned, as it was before his character was ruined, but it could still be a rich way to play him. If nothing else, Belle will finally get the man she deserves, but might she loose interest a bit if Rumple is back to being a coward without an edge?

I am impressed by the way things fall into place in “Siege Perilous.” As I’ve said, I think it would be super easy for certain elements, such as Arthur’s reveal, to not make sense and feel cheap. Yet, in this script, they work, and I came away feeling pretty good about this installment.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

Thursday, October 8, 2015

"The Price" of Watching ONCE UPON A TIME

Article first published as ONCE UPON A TIME Review "The Price" on Seat42F.

ONCE UPON A TIME - "The Price" (ABC/Jack Rowand)
JOSH DALLAS, GINNIFER GOODWIN

This week’s installment of ONCE UPON A TIME is entitled “The Price.” An evil creature is unleashed upon Storybrooke, coming to collect an unpaid price from magic used. Because only Emma (Jennifer Morrison) has memory of the past six weeks, only she knows why it’s here. She says it’s Regina (Lana Parrilla) who has drawn it to the hamlet. Can Regina step up and be the hero that the town needs?

I’d be lying if I said I weren’t enjoying the role reversal of Emma and Regina. Regina has long been my favorite character, and to see her trying to be the Savior while Emma descends into darkness is great. But I feel like “The Price” is a bit too on-the-nose in portraying this. The situation is too perfect, and because Robin Hood (Sean Maguire) is the life threatened, Regina doesn’t even have to be all that selfless to save him, already being in love with him. It would have been much more powerful to see Regina struggle to step up or do the unexpected for someone she doesn’t care as much about.

That being said, it’s satisfying that the town begins to back up Regina. Many do not believe she has it in her to be the Savior, Leroy (Lee Arenberg) chief among them. And Leroy is one who ends up supporting her and believing in her later. I am sure Regina can be a hero, though not entirely sure she can be the Savior. But I like that Regina has shown enough goodness that others are standing up and paying attention.

On the other hand, I am not entirely convinced Emma is as evil as she seems. She definitely has some darkness in her; the scene where she and the Dark One (Robert Carlyle) look at Excalibur shows she’s still trying to grab power. Yet, she isn’t actively trying to hurt anyone. Rumple, as the Dark One, didn’t always act malevolently. Often, he stayed at home and was just selfish. Emma is displaying the same characteristics, and it leaves me wondering why everyone is so bent on destroying the Dark One. Sure, they want Emma back, but it’s not like the Dark One seeks to kill everyone and destroy the town or anything.

There is the curse, though. Dopey steps across the town line and becomes wrapped up in a tree. Why has Emma cast this curse? What is her purpose? Why did she bring the Camelot group back with her? These are the unanswered questions that will give great insight into this year’s plot when they are revealed.

In Camelot, we see Percival (Andrew Jenkins) try to kill Regina, knowing she was the Evil Queen. He is stopped, David (Josh Dallas) slaying him, and that is when Emma uses deep magic to save Robin Hood at the request of Regina, spurring the creature who is in Storybrooke. (Albeit six weeks late, no? Did it get lost on the way?)

What confuses me is why Arthur (Liam Garrigan) and Guinevere (Joana Metrass) don’t raise a finger to defend their knight. True, these strangers in their midst have come as Merlin’s prophecy said they would, and the king and queen expect something to happen because of them. But why aren’t they more upset that one of their Round Table has been killed? Why does no one in the kingdom, people that know less about the prophecy, demand justice that the interlopers have killed one of their own? Doesn’t anyone seek to know why he attacked? Is the prophecy so clear and so important that and so widely known that the kingdom would allow friends to die in order to not stand in its way? I have serious doubts it will prove to clear this up.

“The Price” is a worrying hour. On the whole, it’s very enjoyable, with some great dialogue and performances. Yet, the holes I’m poking, while not entirely being exposed as flaws yet until we have more information, point to an uneven, non-cohesive story. ONCE UPON A TIME often falls into this trap, starting out strong and then losing steam along the way. It’s a little too early in the fall to be seeing these stumbles, and it makes me worry that season five will not pay off as it should.

At least we get to see Henry (Jared Gilmore) fall for young Violet (Olivia Steele-Falconer, Red Riding Hood) not once, but twice! That softens the blow of the underlying flaws of the hour.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

Thursday, October 1, 2015

"Dark" ONCE UPON A TIME

Article originally published as ONCE UPON A TIME Review The Dark Swan on Seat42F.

JENNIFER MORRISON, ROBERT CARLYLE

ONCE UPON A TIME, there was an uneven series that lured its fans into false senses of security with excellent season openers and an occasional good run, but constantly disappointed in the end. This ABC drama returned for a fifth season tonight, and while the opener, “The Dark Swan,” is pretty promising, I don’t hold out high hopes that it will be able to maintain such quality, especially as there are worrying signs present.

As “The Dark Swan” begins, Emma (Jennifer Morrison) finds herself in the Enchanted Forest, haunted by the Dark One (Robert Carlyle) inside of her. She struggles to resist, remembering that, as a child (Mckenna Grace, The Young and the Restless), she was warned not to pull the sword from the stone. Since she will soon be in Camelot, this is wise advice to keep in mind. Oh, and she has a run in with wild, brave (hehe) red-head Merida (Amy Manson, Atlantis).

I really like the way Emma is handled in this episode. I was worried she’d immediately go evil, but instead, she really tries to keep herself in check with Merida, which wouldn’t be easy for the best of people. Emma may very well embrace her role as the Dark One, as the end of the hour indicates, but at least we know the Emma fans love is inside somewhere, doing her best to keep the power at bay.

Quick side note, why does ONCE UPON A TIME do another time jump and memory wipe? They’ve done it before, and I feel like they’re repeating themselves by doing it again. I understand it’s a hook meant to keep viewers coming back, but it has to organically fit in the story for it to not come across as a cheap stunt. It does not gel all that well in “The Dark Swan.”

Emma’s internal struggle raises an interesting point as it pertains to Rumple, the previous Dark One. Rumple manages to be good and redeem himself prior to his death in season three, but then reverts to a villain when he is brought back. If the Dark One’s hold is so strong that it cannot be overcome, how did Rumple manage to stay a hero for so long? And why didn’t ONCE UPON A TIME show us his warring as he fell back into old patterns?

An arc for Rumple similar to what Emma is going through now would have made the entire show make more sense and stave off some of the negative reviews I’d written in the past. The writers should take the opportunity no to bring this up, and even if it’s too late to entirely make up for that past mistake, it would still help a bit with the overall impression of the series.

Of course, the rest of our people will not let Emma sweat this out on her own. It’s a bit convoluted how it all comes about, but the eventual take away is that Hook (Colin O’Donoghue) allows Zelena (Rebecca Mader) to open a portal (and then she is recaptured), which Regina (Lana Parrilla) redirects to Emma. Mary Margaret (Ginnifer Goodwin), David (Josh Dallas), Henry (Jared Gilmore), Robin (Sean Maguire), and a surprising number of recurring players, including Granny (Beverly Elliott) and Leroy (Lee Arenberg), hitch a ride with our core cast in Granny’s diner on a twister.

The way the heroes get to the Enchanted Forest is fun and clever, though one wonders if it’s all not just a bit too much. Was it really necessary to bring the whole diner and get it operational again? I’m also super excited to see the dwarves and others come along, as Leroy rightly points out that they’ve been left out of the loop for far too long, but will they be well-used? And it’s weird they bring a baby with them, isn’t it?

I’m excited about Emma’s arc, a meatier role for supporting players, and the inclusion of King Arthur (Liam Garrigan, The Pillars of the Earth) and his realm. I’m worried about the amount of characters drawn unnecessarily into the primary arcs and that ONCE UPON A TIME has a track record of good starts that they can’t maintain. This doesn’t stop “The Dark Swan” from being a mostly enjoyable hour, but does not necessarily bode well for upcoming installments.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.