Netflix ALTERED CARBON

Article first published as TV Review: ALTERED CARBON on Seat42F.

Netflix’s newest drama, released yesterday, is ALTERED CARBON. Set centuries in the future, it is part science fiction adventure, part murder mystery. In the ten-episode first season, Takeshi Kovacs, a violent mercenary, is woken from a 250-year slumber at Alcatraz. He is told he can either go back to prison forever, his sentence, or solve the murder of an extremely wealthy man, Laurens Bancroft. Obviously, Takeshi chooses the former, and he sets off into the world he knows little about to investigate a crime of which he knows even less.

Joel Kinnaman (The Killing, House of Cards) stars as Takeshi, which ties into a few important things. One, part of the premise is that the essence of people have been boiled down into “stacks,” basically big computer chips that can be inserted into any body, deemed “sleeves.” While Takeshi is Japanese and Eastern European, played by Will Yun Lee (Falling Water, True Blood) in flashback, he now inhabits a different ethnicity form. There is certainly an argument to be made that the series whitewashes its lead, but the cast is pretty diverse, and from a story perspective, the swap makes sense. So ALTERED CARBON tries to make up for that in other ways. (Whether it does or not, I leave for someone more qualified to decide.)

Bancroft is also a white man, played by James Purefoy (The Following, Hap and Leonard), as is the AI construct Poe (Chris Conner, The Assassination of Gianni Versace: American Crime Story). But others are not. The love of Takeshi’s life is Quellcrist Falconer (Renee Elise Goldsberry, The Good Wife, original cast of the Broadway musical Hamilton). Takeshia’s sister, Reileen, is played by Dichen Lachman (Dollhouse, Marvel’s Agents of S.H.I.E.L.D.). The primary cop who is interested in Takeshi is Kristin Ortega (Martha Higareda, Royal Pains). ALTERED CARBON also stars Ato Essandoh (Copper), Kristin Lehman (Motive), and Trieu Tran (The Newsroom).

The series itself is getting mixed reviews, and that’s fair. There’s certainly a large amount of exploitation of women in the dark corner of the world Takeshi is dropped into, prostitution, physically real or not, abundant, and drugs rampant. Little about the underworld isn’t a trope, and the main plot seems to be a basic murder mystery, albeit the intended victim isn’t really dead because his stack was backed up by a very expensive satellite, so all he lost as nearly two days of memories.

However, I found it an exciting romp with a complex, if a little two-dimensional, world. The visual effects are absolutely stunning, the futuristic city, including buildings that extend above the clouds, seeming very real. The rules of the world seem to be incredibly well thought-out and stuck to, though not overly explained, and there’s quite a bit of mystery surrounding Takeshi’s circumstances. Certainly this is more than just an episode of CSI stretched out. The acting is also pretty solid across the board, though I don’t yet see many similarities in personality between Lee and Kinnaman’s portrayals, so I’d like, over time, for the show to establish a more solid link.

There is also a trippy aspect to the production because Takeshi, as part of the side effects from being asleep so long, hallucinates people that aren’t there. This potentially calls into question the reality of what we’re seeing in every scene, even when he’s sober, and will have viewers looking for clues that things might not be real. That is an exciting element to toss in, especially when it’s so well integrated to the story.

Having only seen one episode so far, I can’t contradict entirely the uneasiness of other reviewers. What I can say is that as soon as I turn this in, I’m jumping right into episode two because I was left very much wanting to see more.

ALTERED CARBON season one is available now, streaming on Netflix.

Little MOTIVE to Watch

Article first published as MOTIVE Review on Seat42F.

Grade: 84%

ABC’s newest drama, premiering tonight, is MOTIVE. Detective Angie Flynn (Kristin Lehman, The Killing) is a tough single mother and homicide detective with a killer instinct, so to speak. She, more than anyone else in her department, is concerned with the MOTIVE of the murderer, which helps her catch the perp when others cannot.

MOTIVE follows a simple formula. We see the victim of the crime. The police investigate said crime, as they do in any hour-long procedural, and the viewer gets to see what happens during the violent act via flashback, doled out in bits and pieces throughout the installment. What makes it slightly different from its peers, the hook if you will, is that there is a focus on why a bad guy does a thing, rather than just how they are caught.

Angie, our hero, is a lot like other leads in other crime dramas. She has an almost super-human level of perception and intelligence, able to spot small things and remember details, which allows her to complete the investigation. For instance, in the “Pilot,” it’s an offhand comment from a teenager she encounters that leads her to figure out the real villain, even though the evidence is pointing to someone else.

The problem with this formula is that it makes the rest of the department look inferior at their jobs, and it relies on coincidence to save the day. What if she had not talked to a certain person, or that person had not remarked on that topic of that one crucial piece of information? Sure, we can accept that a great detective, who is always paying attention, will eventually find that one puzzle piece, but it’s the type of stretch that frequently only comes up on TV dramas.

The success of this series will largely rest on Lehman’s shoulders, and she seems to be up to the task. Despite being in the same genre, MOTIVE is quite a departure from her previous job on The Killing, and the role she plays is a drastically different one. She does handle the part with ease, feeling comfortable in Angie’s skin, and realistically crafting the character into her own. She adequately joins the ranks other main characters in a similar job on other crime dramas.

Because Angie is so front-and-center, the rest of the cast kind of takes a back seat to her. They are around to support her, but any major breakthrough must come from Angie, not them, to preserve why she is the one we should root for the most. MOTIVE is definitely not a true ensemble piece, with the world revolving around Angie and only Angie.

No one else really stands out as super memorable in the “Pilot,” but we are introduced to a number of others, including plenty of familiar types. There’s: Dr. Betty Rogers (Lauren Holly, NCIS), the super flirty medical examiner; Detective Oscar Vega (Louis Ferreira, Stargate Universe), Angie’s doubting partner who seems to care about her at least as much as a friend would; Staff Sergeant Boyd Bloom (Roger Cross, 24, Continuum), the hard-nosed boss who stays in the office; and Brian Lucas (Brendan Penny, The A-Team), the fresh-faced, naïve, enthusiastic youngster on the squad.

Over time, we will probably get to know all of these people, and every once in awhile, the spotlight will shine a little on them. For now, they are a capable group of characters, if easily interchangeable, to fill in the space around Angie a bit, without drawing attention away from her. Which means, for this type of show, they are doing their job correctly.

Of course, in keeping with the current trend, Angie isn’t just a dedicated cop. She’s also a single mother with an unruly, but good at heart, teenage son named Manny (Cameron Bright, Twilight). Sex and speeding tickets are the issues between them right off the bat, and Angie handles those situations with a kind-hearted nature that reveals her affection for her child, but also that she’s not a pushover. This also results in the most entertaining moments of the “Pilot,” especially when Angie asks Manny’s girlfriend about her boobs.

All in all, MOTIVE is an enjoyable way to kill an hour, and it’s well made enough that fans of murder-based procedurals will enjoy it. It seems like the type of series one could grab an episode every now and then, and you won’t have to watch every week to keep up on the story. This also means there isn’t a lot of depth, and the formula will likely stay pretty rote, so it could get boring pretty quick. There is definitely an audience out there for MOTIVE, as the ratings for shows such as NCIS and Castle prove, and because it’s on during the summer, provides a nice respite from reruns. But for the discerning viewer that wants a compelling narrative, you can probably skip this one.

MOTIVE premieres tonight at 10 p.m. EST on ABC.

"What I Know" about The Killing

AMC's The Killing faced a tough road in season two. Shedding impatient fans who are used to getting clear answers at the end of an hour, or at least at the end of the season, American audiences by and large just aren't ready for a series as complex and drawn out as The Killing. But even those who tuned out halfway through probably want to know how it ends. So with that in mind, "What I Know," the 26th and final installment in the Who Killed Rosie Larson? saga, brings it all together.

SPOILER ALERT! Aunt Terry (Jamie Anne Allman) is the killer. She didn't hurt Rosie (Katie Findlay) on purpose, mind you. Yes, she knows there is a body in the trunk, but has no idea that it is her own niece, as Terry lets the car drive into the lake. Instead, she sees an opportunity to be with the man she loves, Michael Ames (Barclay Hope), and takes it. Of course, her plan doesn't work, and Ames breaks it off with her completely.

What goes through Terry's mind these past three and a half weeks, as the police desperately search for Rosie's murderer, and Terry realizes that she is their target? Being as this knowledge comes so late in the series, one suddenly wants to rewatch both seasons and see how Terry plays it from the beginning. Assumedly, the actress isn't even aware that her character is the guilty party while filming those episodes. But still, there is an urge to further explore the character's pain and journey.

The truth is, Terry is only a part of the solution. Besides Ames, who technically didn't do anything other than not report the crime, and may or may not go down for it, there is another person driving the killing. Jamie Wright (Eric Ladin) is the one who attacks Rosie and stuffs her in the trunk in the first place. But Jamie is shot dead by Holder (Joel Kinnaman) during a confrontation with the police, and so he escapes further penalty.

Linden (Mireille Enos) isn't satisfied with this ending. This seems to speak more to her mental state than to any actual evidence. At no point during the investigation, no matter how well things are going, does Linden display a healthy attitude. Viewers know that she has a history of mental problems, and is obsessive about her work. Linden could bring down every criminal in her city and not be happy. It's not really a surprise that she ends "What I Know" uneasily.

Though she will never know how right she is, Linden is sure there is a deeper conspiracy present. Jamie and Ames collude with Chief Jackson (Claudia Ferri) on a shady business deal. Should The Killing see a third season, an unlikely prospect, this will probably come out, and the guilty parties will be stopped. But for now, Richmond (Billy Campbell) proves himself a politician, living up to Jamie's worst views of the office, and continues an arrangement with the skeezy Jackson.

The main point of The Killing's two seasons is finding the person that killed Rosie Larson and bringing them to justice. That is done. Even with a handful of avenues left unexplored, "What I Know" still feels like an ending. After all, in reality, events and people are connected in many ways. The Killing could go on for twenty seasons and still find directions to take things based on everything that has come before it. Life doesn't sort itself out neatly, and crimes aren't easily defined in cases that can be quickly solved. The Killing deserves a ton of praise for its realism, and presenting what feels like a pretty complete story, but not a complete life, in two seasons. It may be depressing as hell, but it sure is authentic!

There is a happy ending portion of "What I Know." Though it feels a little false, coming so soon on the heels of the revelation about Terry, the other Larsons enjoy a family viewing of Rosie's film project. Mitch (Michelle Forbes), Stan (Brent Sexton), and their boys have been through a lot this month. But seeing them happily remembering their lost daughter and sister, gathered together, having persevered through the ordeal, is heartwarming and tear inducing. It is an absolutely wonderful note for them.

Other great scenes, happy and depressing, include Rosie's flashbacks and film footage, Mayor Adams (Tom Butler) passing the torch to Richmond, Stan looking with regret at Belko's locker, and Richmond literally shutting Gwen (Kristin Lehman) out. "What I Know" is a nearly pitch perfect hour that does a fine job wrapping up the various threads, without creating an artificially final finale, as most shows would do, where none is needed.

I would very much like The Killing to continue, tackling the conspiracy, Stan fighting the assault charges, and Linden struggling to get her son back. But if it doesn't, I am extremely grateful that the experiment was allowed to play out, despite the irrational hate and backlash the second season faced. It is a fantastic, unique series that will not be soon forgotten. Awesome job, AMC, Veena Sud, the cast, crew, and everyone else involved! Thank you!

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The Killing returns with more mystery

AMC's The Killing returned this past Sunday with two new episodes, "Reflections" and "My Lucky Day." Linden (Mireille Enos) decides to stay in Seattle permanently. Suspicious of Holder (Joel Kinnaman) because of the faked photo, she is soon also betrayed by Lieutenant Oakes (Garry Chalk). So she takes matters into her own hands, and is able to clear Councilman Richmond (Billy Campbell) of any wrong doing. Meanwhile, Holder realizes he has been tricked, but can't get Linden to talk to him, let alone work with him.

Holder and Linden's relationship as partners is such a strong component of season one of The Killing, and they go through so much growth, that it is odd to have them at odds in "Relections" and "My Lucky Day." They are both still investigating Rosie Larsen's (Katie Findlay) murder, but from different angles. While Linden and Holder are quite capable on their own, with all these layers of mystery above them, they need to team up. It's going to take more than one person to blow the lid off of this conspiracy.

Holder is not a bad guy. He cuts corners, and gets a promotion for it. But his part in framing Richmond is not a purposeful action. Holder believes Richmond is guilty at the time. This is not an excuse, of course. He still does something wrong, and it's no wonder that Linden doesn't trust him. But he's not involved in the larger plot, as Linden thinks he is. As soon as she realizes that, the sooner they can get back to working together, and the quicker the case will be solved. But scaring her and busting her door, as he does in "My Lucky Day," is a bad idea, no matter how desperate he is to get Linden back on his side.

But will Holder and Linden, when they inevitably team up again, work within the system, or outside of it? Oakes has been replaced by a new boss (Mark Moses, Desperate Housewives, Mad Men) in "My Lucky Day," who may be even more in the pocket of the bad guys. After all, no shady group would let a key player get knocked out by an honest man. Instead, they likely ask Oakes to step down. Which means, while having access to evidence and witnesses is nice, the two lead detectives may just have to go outside of their jobs to find the truth.

What is The Killing's conspiracy about? How is Rosie Larsen involved? These are questions that still need to be answered. Rosie worked for Richmond, and Richmond is a target of the schemers. But why is Richmond a target? Why do these people hate him so much that they frame him for the murder of a young girl? And is Rosie just a random victim, or someone of importance?

At least Richmond can be knocked off the very full suspect tree. He has an alibi: he was trying to kill himself at the time of Rosie's death. This stems from his grief over his wife, the only major back story that has been revealed about Richmond. Which means that the conspirators' hatred of Richmond could somehow be connected to his romantic history. Too bad he's done cooperating with Linden, making the heart of the matter all the more difficult for her to find.

Richmond spends much of The Killing's premiere recovering in the hospital from a gun shot wound. He is now paralyzed. One has to wonder how this injury and near-death experience will change Richmond. He no longer seems to want to die, and he hasn't said anything about giving up his election. Will he return to work reinvigorated, or is something else going on in his head?

Part of the brilliance of The Killing is that it does not shy away from inner turmoil, nor does it spell everything out for the viewer. Much of Richmond's motivation is murky, at best. Gwen (Kristin Lehman) and Jamie (Eric Ladin) spend much of "Reflections" and "My Luck Day" upset, not doing anything much. It makes their actions, when they do act, more meaningful, and allows fans to try to figure out what is going on in their heads, adding another layer of mystery to this unique crime drama. This makes the structure of The Killing very cool.

Richmond is shot by Belko (Brendan Sexton III) in "Reflections," whose reason for doing so is obvious: he thinks Richmond killed Rosie. Belko then takes his own life while in custody. Belko is a tragic character, to be sure, but he is never a central focus of The Killing. Which means, like Rosie, the impact of his death on the people who love him will be more important to the story than the event itself.

Stan (Brent Sexton) is the one most upset by Belko's passing in "My Lucky Day." Stan has lost his daughter. His wife, Mitch (Michelle Forbes), has gone off by herself. And he is still responsible for raising two boys (Seth Isaac Johnson and Evan Bird), who really need him right now. Between Belko's suicide and Rosie's real killer dropping off her backpack on Stan's stoop, Stan is having a very rough couple of days. He can barely keep himself under control, let alone calm his sons. Sexton is knocking this performance out of the park, with these two hours giving the actor the most meaty material he's had yet.

Which leaves Terry (Jamie Anne Allman), Mitch's sister. She is being a good aunt, staying with Stan to help him take care of her nephews. However, Terry also has a hidden agenda. Why is she really there? Not just out of a desire to help, surely. Every scene she has with Stan is awkward, making things even more intriguing. What is going on?


The Killing has lost none of its suspense or draw. Disappointingly, ratings are down, but hopefully fans will return and get over their silly anger at Rosie's killer not being revealed last season. The show is every bit as good a series as it ever was.

Watch The Killing, Sundays at 9 p.m. ET on AMC.

If you like my reviews, please follow me on Twitter! Please click here to buy The Killing streaming episodes and DVDs. Article first published as TV Review: The Killing - "Reflections; My Lucky Day" on Blogcritics.

The Killing lives up to AMC's reputation

     It's not often that a network can make several hit series in a row. Most new shows do not last into a second season. Yet, perhaps because they take their time, and only add series sparingly, AMC has yet to have a miss. First there was Mad Men, which was followed up by Breaking Bad. Last fall, The Walking Dead set the bar even higher, but this past Sunday The Killing did not disappoint. Four very different shows, but each amazing in their own right, and each very deserving of much viewer attention. I think they all could make a Top 10 list of best TV shows currently on the air. What will AMC think up next?

     Of course, AMC can't claim all the credit for the concept. The show is based on the Danish series Forbrydelsen, translated as The Crime, though billed as The Killing when aired in English-speaking countries. Forbrydelsen's first series, which follows roughly the same plot as AMC's new version, spent twenty episodes on this initial case, as opposed to AMC's thirteen ordered installments. A second series, only ten hours this time, has been made with a different cast, and a third is in the works. It is assumed that AMC will end the first case by episode thirteen, though it's unknown if they will change the cast for a follow up second series, which already looks like a likely possibility.

     Unlike traditional procedurals, which only have an hour to present all the facts, the structure of The Killing allows a deeper exploration of all facets involved. Over thirteen hours, there is much more character development, for the detectives as well as the suspects. With such a large playing field, no one potential killer stands out in the beginning, as possibilities will be slowly toyed with. If it is done wrong, it can get awfully boring. AMC seems to be doing it right, though, like a great novel, albeit a pretty long novel. The richness of each element, especially the characters and setting, can be celebrated and taken their time with. I highly approve of the conceit.

     Tone wise, AMC's The Killing is reminiscent of The Girl With the Dragoon Tattoo, a slow moving, but very gripping, Swedish movie and book series. The writers, actors, and director all manage to make a gradual mystery unfold in a way that keeps interest throughout. Intensity can be achieved, even if action is lacking. In the first two hours alone, I was easily hooked. Not an easy thing to do, but AMC has done it again.

     The Killing begins a bit slowly, though not dull, as Detective Sarah Linden (Mireille Enos, Big Love) begins her final day on the force in Seattle before moving to California with her fiance (Callum Keith Rennie, Battlestar Galactica). It happens to be a Monday, which seems an odd day to be a last day, but whatever. Her replacement, Stephen Holder (Joel Kinnaman), arrives early and begins to move into her office. A bloody sweater and a credit card are found in a field, and Linden and Holder are sent to investigate. Little do they know that these are just the first clues in the murder of a teenage girl, and Linden will not be getting on that plane to leave the city at the end of the night.

     Enos is amazing! I didn't realize she had it in her with her understated double role on the HBO series, but she can carry a show! She stares pensively just as well as January Jones, and her very pale skin fits perfectly with the weather and scenery. Enos conveys much without speaking, and definitely is a screen presence. Kinnaman's Holder is the perfect second banana, being so different from her, and yet more intelligent than he initially lets on. His finding the cage in the basement of the high school proves his worth, which was in question until then. I think their partnership will certainly end up being a valuable tool to solve the case.

     I think it is fairly apparent that Holder may also be a love interest for Linden. While her relationship appears relatively solid in the opening moments of the pilot, she puts her job before her fiance, surely an upcoming source of conflict. He forgives her the one day delay easily enough, but this season will go on for thirteen episodes, all of them centered around Rosie's killing. As Linden is the main character trying to solve the murder, her delay will be stretched out, and I assume, so will her guy's patience. But Holder is already fond of her, and he seems to enjoy their clashing. Plus, Holder gets along very well with her son, Jack (Liam James), more so than the other guy.

     Regardless, as to whether the series decides to go there with its leading crime solvers or not, there is certainly wonderful chemistry to be played with and tweaked. Will Holder keep getting in the way, or will they slowly learn to work together? I think mostly the latter, but with a healthy does of the former mixed in for good measure. I can only hope Rennie's character will later show up back in Seattle to mix things up between the partners.

     Meanwhile, Mitch (Michelle Forbes, True Blood, In Treatment) and Stan (Brent Sexton, Justified, Life), whom the credit card belongs to, are starting to feel that something might be up with their daughter, Rosie. They last saw her on Friday, when they left to go camping, and Rosie was supposed to spend the weekend with her friend, Sterling (Kacey Rohl). Yet, the school reports that Rosie did not attend classes today. Stan asks Sterling where his daughter is, but a search of Rosie's secret boyfriend Jasper's (Richard Harmon) only turns up that he's sleeping with a much older woman. No one knows where Rosie is. The the detectives arrive and start asking questions.

     Both parents are familiar faces in the television landscape. While I only mention two of Forbes's credits above, she has at least half dozen more worth keeping in mind. But this is a departure for her. I've never seen her play the grief stricken mother before, and she does it as beautifully as any other part. She makes the part realistic, yet unpredictable. Sexton might not be quite as well known, but he's 'that guy from that show'. Surprisingly, he is a wonderful foil for Forbes, playing things in quite a different way, while still very believable. It's their togetherness, though, that solidifies the performances.

     Seemingly unrelated, Councilman Darren Richmond (Billy Campbell, Once and Again) a widower who doesn't talk about it, prepares to announce a major endorsement in his run for mayor against the incumbent. But it seems he has a leak within his camp, and it is most likely one of his two most trusted advisers, Jamie (Eric Ladin, Mad Men) and Gwen (Kristin Lehman, Drive, Judging Amy), the latter of whom he is also sleeping with. Then Rosie's body is found in a car that belongs to Richmond's campaign, and though the car was reported stolen Saturday morning, Darren just hopes the endorsement is a done deal before the endorser finds out his secret.

     I can't quite figure out Richmond. One moment he's compassionate, the next he's worrying how events will affect his poll numbers. I think he is purposely being kept shady until he can be ruled out as a suspect, or revealed as the murderer, though my gut tells me he's not it. Which may be precisely why I should suspect him, considering how well this show is written. I do think his staff will be revealed to have some part in something secret, whether it relates to the murder or not, and thus is born a satisfying B-plot.

    The Killing continues on AMC Sunday nights at 10 p.m. ET.

Article first published as TV Review: The Killing - "Pilot; The Cage" on Blogcritics.

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