ASH VS EVIL DEAD is Storytelling Vs Gore

Article first published as ASH VS EVIL DEAD Review on Seat42F.

Starz’s newest series, which premiered last night, is sure to make fans of one horror franchise happy. In ASH VS EVIL DEAD, viewers catch up with Ashley “Ash” J. Williams (Bruce Campbell) thirty years after the events of the original movies. The Evil Dead have left him alone for a long time, but now they’re coming back for him and for others. Is Ash the ‘El Jefe’ foretold to stop this wicked force?

I have to admit up front that I don’t like the Evil Dead films. They are way too gory for me. I’m not a fan of the horror genre in general, but can handle those with a very good story and not too many body insides on display. The Walking Dead is my favorite show, but I watch it because of the truly excellent character development, not because of the zombies. In anticipation of this show premiering, I attempted to watch the movies in the series, but could not get very far in them, the effects of the violence far too outrageous for me to handle.

That being said, I enjoyed the pilot of ASH VS EVIL DEAD a lot. Not enough to get past the exploding heads and spurting necks (how does a little bullet explode a head?), so I won’t be giving it a second try, but the parts of the hour without that stuff, I found very entertaining. So for those of you not bothered by the gross element, or who may even celebrate the campiness of it, I think this will be a show worth watching.

Campbell is terrific as Ash, arguably the defining character of his career. He’s a lazy, manipulative moocher who is too full of himself. Yet, Campbell still makes him sympathetic and likeable, and not just when he goes into heroic action. Ash is a character fans will want to see stay alive, and root for him as he does the bad ass stuff that he does.

Ash’s missing hand, an event that occurred in a big screen installment, is a minor issue for the production. The Walking Dead (SPOILER ALERT) television series purposely chose not to have The Governor cut off Rick’s hand as he does in the comics because it provided a significant challenge to impart on their show’s lead. ASH VS EVIL DEAD uses the stump mostly effectively, giving Ash a way to lock a weapon on it and pick up girls by lying about it, but there are still times where it kind of gets in the way. I swear I saw the fingers move when Ash closes a car door with it in the opening sequence.

Of course, as charming as Campbell is, he can’t carry a whole TV show himself. Others have to get involved, too, if for no other reason than to provide cannon fodder. I doubt they will kill off Ash’s friends quite as quickly in this new incarnation, given that TV shows typically have at least a few main players, but eventually, some or all of them will have to die and Ash will have to replace them.

His initial team includes Pablo Simon Bolivar (Ray Santiago, Touch, Raising Hope) and Kelly Maxwell (Dana DeLorenzo, Impress Me, The Late Late Show with Craig Ferguson), co-workers of Ash’s at the retail store in which he works. Both are considerably younger, which makes sense, given the audience Starz is hoping to attract. Pablo is comic relief and Kelly is a possible love interest. A triangle between the three could make things messy later, but I have the feeling ASH VS EVIL DEAD thrives on messiness. Neither sidekick is much more than a typical archetype, but that could change over time, if they live long enough.

Elsewhere, we are introduced to two other women. Amanda Fisher (Jill Marie Jones, Sleepy Hollow, Girlfriends) is a cop who has her own run-in with the evilness. Ruby (Lucy Lawless, Xena: Warrior Princess, Battlestar Galactica, Parks & Recreation) is a mysterious lady who seems to know something about what’s going on, but who is barely glimpsed in the first installment. Amanda is a relatively familiar type of personality, but Ruby is intriguing, especially in the hands of Lawless, a brilliant performer. I look forward to seeing how the two tie into Ash’s journey, the latter more than the former. It occurs to me, though nothing in the pilot supports this, that Ruby could make a more age appropriate love interest for Ash, freeing up Kelly for Pablo.

Overall, while I don’t appreciate the gore, I think most of the target audience will. ASH VS EVIL DEAD seems more fun than the bits of the movies I glimpsed, and should make for an enjoyable romp, giving the television landscape something it doesn’t quite have currently.

ASH VS EVIL DEAD airs Saturdays at 9 p.m. on Starz.

SLEEPY HOLLOW - "Kali Yuga"

Article originally written for Seat42F.

“Kali Yuga,” the title of last night’s installment of FOX’s SLEEPY HOLLOW, is, according to Sanskrit scriptures, the final stage the world goes through and is associated with the demon Kali. This seems appropriate, given that in the hour Hawley’s godmother, Carmilla Pines (Jaime Murray, Defiance, Warehouse 13), shows up and tries to use a statue of Kali to turn him into the same type of demon she is. It’s yet another end-of-the-world scenario trying to force its way into the not-so-sleepy hollow.

Murray is a fantastic actress, and I’m excited to see her join the cast, hopefully in a recurring capacity. She is brilliant at playing characters that are hard to relate to, seeming alien to the average person. Carmilla Pines, a female Indiana Jones now cursed, is just such a person. She loves Hawley (Matt Barr), whom she raised after his parents died, but she’s selfish and bent on power of some sort. This makes for a villain who’s not 100% detestable and may one day be redeemed, but who still deserves to be stopped.

Stop her, they do, though this is complicated by the fact that Ichabod (Tom Mison) and Abbie (Nicole Beharie) are still at odds over the Orion fiasco. Together, the witnesses make quite a team. Separated, they leave themselves vulnerable, and it’s that much harder to save the day. They do manage to get past their troubles, while locked in a deadly vault of course, in time to save Hawley, but not before Carmilla escapes. Had they been more on their game, they likely would have at least captured Carmilla, too, as while Hawley doesn’t want her around, I’m not positive he wants her dead, either, hesitating to murder her, as anyone likely would in his situation.

SLEEPY HOLLOW’s biggest strength is in the dynamic between the two leads, and while last week’s individual romps are fun with limited interaction between them, as the show should be able to do from time to time, the scenes in “Kali Yuga” serving this duo are great. From karaoke to Jenny (Lyndie Greenwood) playing couple’s counselor, there are numerous funny and sweet moments. They do resolve things perhaps a bit too easily in a vault that is entirely too simple to escape from (they have plenty of time to keep pushing buttons until they find the correct one), but it’s satisfying to see them back on the same page.

There are weaknesses in “Kali Yuga,” too, besides the vault buttons. For one, SLEEPY HOLLOW has been building an Abbie / Hawley chemistry, which is suddenly ditched this week in favor of an immediate implied Jenny / Hawley relationship. What the hell is up with that? I see Abbie isn’t OK with it, but how did it even come about when Hawley has been paying more attention to Abbie? Even if he spends time with Jenny, we don’t see the shift. Secondly, if Carmilla and her minions are super-fast, why do they tussle with our heroes at all? Why not just rip away their weapons before they can be used? The fight scene doesn’t make any sense.

A mystery is teased in “Kali Yuga” when all charges against Frank Irving (Orlando Jones) are dropped and he returns home to his wife, Cynthia (Jill Marie Jones). Cynthia is suspicious, as she should be. Who let Frank go free? A visit to Katrina (Katia Winter) assures Cynthia that Frank is no longer being controlled by Henry (too-long-missing John Noble), but that last shot showing Irving doesn’t have a reflection is weird. I wish a little more running time were devoted to this, but am excited about where it might be going.

Overall, I like, not love, “Kali Yuga.” Some glaring plot weaknesses, mentioned above, bring it down, while character chemistry and mythology is well served. Tossing in Henry Knox (Ron Rogge, Obsessed) as yet another historical figure Ichabod knows is tiresome, but at least SLEEPY HOLLOW doesn’t beat us over the head with flashbacks this time, so it seems more natural to the story. Season two hasn’t lived up to expectations set in season one yet, but there’s still time to fix that as the series builds towards its season (possibly series) finale next month.

SLEEPY HOLLOW airs Mondays at 9 p.m. ET on FOX.