No Need to Meet THE MCCARTHYS

Article first published as THE MCCARTHYS Review on Seat42F.

I usually complain about CBS being the home of the very tired crime procedural, done to death and copied over and over again by the network. In today’s review of their new comedy, THE MCCARTHYS, I get to complain about CBS redoing the very tired family comedy. Does that count as a change-up?

THE MCCARTHYS centers around Ronny McCarthy (Tyler Ritter, John’s other son), a gay man living in Boston. Dwelling very, very nearby are his parents, Marjorie (Laurie Metcalf, Roseanne, The Big Bang Theory) and Arthur (Jack McGee, Rescue Me, The Fighter), as well as his brothers, Sean (newcomer Jimmy Dunn) and Gerard (Joey McIntryre, from the band New Kids on the Block), and his sister, Jackie (Kelen Coleman, The Newsroom). Most of the together-all-the-time, overbearing clan is obsessed with sports, but Ronny and his mother still enjoy The Good Wife together, the family finding a happy balance.

That is, until Ronny decides to upset the balance by accepting a job in New Hampshire. Much of the pilot involves his family trying to make him feel valued so he will stay. I believe viewers will be able to guess the outcome of this, but THE MCCARTHYS does a decent job with the emotional arc that gets Ronny realistically to his decision.

The dynamic of family is both complicated and familiar. Every group has its own chemistry, with each member relating to every other person in a variety of ways. But the overall picture of love and acceptance, even when there is a lack of understanding, is the most traditional, recognized version of this. It’s not always realistic, but it’s what we all wish for and have become very comfortable seeing on our television screens.

THE MCCARTHYS is not a bad example of this. McIntryre and Dunn seem a little weak for now, but are good for a punchline now and again, and may improve in time when they get used to the format. Ritter channels his father, which earns him nostalgia that can only help most of the audience’s impression of him. Coleman has popped up on quite a few shows recently for good reason, as she’s terrific, and McGee is a reliable man. Metcalf, easily the best of the group and certainly the most recognizable, gives the kind of performance we expect from her, making for a decently strong ensemble.

But the writing just feels dated. In a time where Modern Family, About a Boy, and even, to a lesser extent, The Millers, have illustrated that the traditional family unit is no longer the only answer, seeing six individuals biologically linked together might almost be a novelty, if it hadn’t been down six thousand times in the decade prior. Plus, last year already saw the revival with The Goldbergs and others. The gay son is their nod to the present era, but it’s just that, a nod, not a primary focus, which is nice to see, but makes the show more mundane. THE MCCARTHYS doesn’t have anything new to say. Television has moved on from this stock image because it’s been worn out, so resurrecting it now is without benefit to the viewing community.

THE MCCARTHYS is funny; I’ll give it that. I didn’t get bored watching it, and some of the over-the-top stuff that the characters do actually seems genuine to these eccentric personalities. Perhaps there really isn’t a family like them out there, but if there was, this is how they’d be. The characters are consistent and the jokes, while often unoriginal, have good delivery. There are a handful of relatively compelling hooks involving Arthur’s basketball team and Jackie’s secret that ask watchers to tune back in. Which means that THE MCCARTHYS has a chance at finding an audience and sticking around.

I just mourn the loss of opportunity. Why not try something different that we haven’t seen before? Or at least put some kind of new twist on it. It’s good, not great, and when the TV landscape is as crowded as it is currently, full of high-quality, ground-breaking stuff, good is just not good enough.

THE MCCARTHYS airs Thursdays at 9:30 p.m. ET on CBS.

Common Law brings a "Gun!" to the party

Freshman series Common Law brings its first season to an end with "Gun!" Travis (Michael Ealy) and Wes (Warren Kole) come to their senses, realizing that they need Dr. Ryan's (Sonya Walger) help after their new therapist (Ed Begley Jr.) has them going through his ex-wife's tax returns. To get back in her good graces, they finally open up about the events that led them to counseling, and with her guidance, they do something about the situation.

I stopped watching Common Law early in the season when I realized that, sadly, this series was destined to be more procedural than the direction most USA shows are moving towards. Every week, there's a case, and that's the main focus. And while the therapy aspect lends a certain original twist to the proceedings, there just isn't enough long-term story here to keep it interesting.

This is not the case with "Gun!" The last hour of the season is compelling and rich. Not only do we get flashbacks to where Travis and Wes were when they met, and what brought them to the point of Wes pulling a gun on Travis, but we also get to see them at their best. Whether in the past or present, these two have each other's backs, and are smarter than most everyone around them.

Unfortunately, this does not mean the show is improving upon my original assessment. An episode like "Gun!" can't be replicated week after week. Because of the conceit of the show, Common Law is destined to remain a case of the week affair. And while the guys will continue to grow with Dr. Ryan, especially now that they're voluntarily seeking her help and actively participating in their treatment, this does not lend itself to any big, sweeping arcs.

There is something to be said for character development. Many of the best shows on television concentrate on that. The problem isn't the therapy, which is actually quite illuminating, but that too much screen time is given over to Wes and Travis doing police work. Maybe they do it a little better than just about anyone else could, but that's just demonstrating skills, not revealing personality. So Common Law fails in this.

Even Mike (Jack McGee), who viewers learn something important about in this episode, gets the shaft because Common Law does not allow the characters to discuss his situation. Mike was kicked out of his house? Why? He did the therapy, and has become less angry. What's going on? I know it's a busy hour, but why tease this if it's not going to be expounded upon? This character deserves more.

Still, it's impossible not get a bit choked up when Wes and Travis do finally take down the group who killed their friend, Paek Man (Kelvin Yu). The music is pitch perfect, and the action is wonderfully orchestrated. As far as cop dramas go, this one is done right, and definitely is no less than deserving than others currently on the air. Dominic Purcell (Prison Break) makes a great villain. It all comes together just as it should, and there is a happy ending.

What if Wes and Travis hadn't solved the case so easily? At one point in "Gun!" it looks like Paek Man's killer will get away with it, and the partners will be separated. Why not pursue that for a few episodes next season, with the two working alone, investigating, then eventually teaming up again, off the job, to bring down their foe? Would that not make a far more interesting TV show than them saving the day in half an episode and restoring things to status quo?

Oh, well. Common Law isn't the first series, nor will it be the last, to squander potential in favor of formula. Let's just hope that they can figure out a way to do more episodes like "Gun!" and make stories last longer than forty-two minutes. Otherwise, thanks for this finale, but I've seen enough, and there's no reason to tune in very often in the future. Should there be a future.

Common Law has not yet been renewed for a second season.

If you like my reviews, please follow me on Twitter! Check out my new website, JeromeWetzel.com First published on TheTVKing 

Common Law commonplace

USA's Common Law premiered this past Friday night. As with many USA pilots, the first episode is super sized, to give the show time to introduce the characters and the story, as well as complete the expected, procedural case of the week. The "Pilot" of Common Law does both, and manages to live up to its network peers.

That's the problem. Just how many quirky twosomes can exist on the network, doing the same thing week after week, and still hold audience attention? Common Law draws comparisons to Psych, White Collar, and, to a slightly lesser extent, Royal Pains. But USA fans already have Psych, White Collar, and Royal Pains. Do they really need yet another hour of the same thing over and over again? With the huge variety or programming out there, why would anyone want to waste time watching clones of shows they already watch?

Now, fans of Common Law will strike back, complaining there are differences. And of course there are. Common Law embraces the notion of law enforcement partners having a similar relationship as a married couple more so than any other series before it, which is saying something. In fact, the two leads, Travis Marks (Michael Ealy, The Good Wife) and Wes Mitchell (Warren Kole, The Chicago Code) are in marriage counseling! They love each other, but bicker like a pair who have been together a long time, and enjoy pushing each others' buttons.

The counseling conceit is actually quite charming. Casting the lovely and talented Sonya Walger (Lost, FlashForward) as their therapist is fantastic, with the three providing a terrific dynamic. Any scene where the two cops are in treatment, especially in a group session with several other couples, really soars.

The problem is, like every other USA show, those moments cannot be the focus of the series. Instead, they bookend the episode, while the lead characters spend most of the hour solving yet another crime. One might begin to think that the number of fictional criminals caught on the dozens of similar shows is starting to exceed the number nabbed in reality!

Common Law also is funny. From the dialogue of the partners, to Travis shooting one of those silly air-tube-people, there are things to laugh at. Just like every other USA show. They never quite hit realism because they take the time to be entertaining, which is part of the draw. On every single one of the network's shows.

And there's the rub. We don't need Common Law because we already have too much in the same vein. As much as the three lead actors, as well as Jack McGee (Rescue Me) as the boss, Captain Sutton, get it right, there is just no room on the schedule for another variation on the rote theme. For that reason, and that reason alone, not because of a lack of quality, but because of a lack of originality, I cannot recommend watching Common Law.

However, if you'd like to anyway, Common Law airs on USA Fridays at 10 p.m. ET.

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Article first published as Common Law commonplace on TheTVKing.