DVD Review: ‘Grey’s Anatomy: Complete Ninth Season’

Article first published as DVD Review: ‘Grey’s Anatomy: Complete Ninth Season’ on Blogcritics.

The ninth season of Grey’s Anatomy‘s is a time of great transition. As it says on the cover of the Complete Ninth Season DVD, “Everything Changes.”
The entire season focuses on the effects of the plane crash in the season eight finale, as well as events that intercede to set the doctors’ lives on new paths, proving that a series can still maintain a freshness and extremely high quality almost a decade into its run.

The season premiere, “Going, Going, Gone,” picks up months after the plan crash. Meredith (Ellen Pompeo) is grieving the death of her sister, Lexie (Chyler Leigh), Derek (Patrick Demsey) has traded being a surgeon for teaching, Cristina (Sandra Oh) has not returned to the hospital because she can’t bring herself to board a plane, Arizona (Jessica Capshaw) is cold towards her wife, Callie (Sara Ramirez), because Callie has amputated Arizona’s leg, and Mark Sloan (Eric Dane) seems to be recovering, only to take a turn for the worse and dies.

This is the starting point for a roller coaster of a year. We see how the doctors try to cope with their losses and move forward while dealing with the guilt plaguing those who may be responsible or should have been flying that day, too.

The hospital pays out a huge settlement, which threatens its very existence, and the desperate plan to save the facility has great personal cost both to those keeping the mission a secret and those on the outside wishing they didn’t have to look in. And a marriage crumbles as an interloper (White Collar‘s Hilarie Burton) somewhat inadvertently takes advantage of the strain.

There is also turmoil that has nothing to do with those events. Webber (James Pickens Jr.) faces a crumbling marriage as his wife, Adele’s (Loretta Devine), mental health decays. Jackson (Jesse Williams) wants to confess his feelings for April (Sarah Drew), who is rehired at Seattle Grace Mercy West, but she is moving on with a paramedic named Matthew (Justin Bruening, All My Children).

But there are happy times, too. Bailey (Chandra Wilson) gets to marry Ben (Jason George). Meredith discovers the joys of motherhood. Cristina finds true wisdom in working with Dr. Thomas (William Daniels, Boy Meets World). New ownership looks good for the hospital. Owen (Kevin McKidd) finally stops fighting with his wife. Alex (Justin Chambers) falls for a kindred spirit. Life is a mixed bag, and there is always happiness sprinkled in the sadness.

Best of all, the halls are now ringing with a new class of interns (Camilla Luddington, Gaius Charles, Tina Majorino, Tessa Ferrer, and Jerrika Hinton). These five are built to last, unlike previous batches, with four of the quintet signed on as main characters for the upcoming tenth year. (In-demand Majorino has a previous series commitment that prevents her full-time return at this time). They remind us of the youth and foolhardiness that once belonged to Meredith, Cristina, Alex, and their friends. They are a reflector to show the growth of the central cast. They reinvigorate the story, and give the series promise of many more years. In short, they are a fresh injection of welcome blood.

The original characters are still our most beloved, but as Grey‘s approaches a milestone decade on the air, it cannot remain stagnant. The writers deftly balance plots of both new faces and the beloved veterans, keeping things going, even as they reinvent themselves, and tying both together in a pleasing patchwork. This is a stellar season, full of terrific installments which I cannot praise enough.

The bonus features are light, unfortunately, though how much more can be said this far along? “Happy Trails with Jim Pickens, Jr.” revels in the real-life passion of horses and charity that our Dr. Webber has. “The Long Road Home” is also about fifteen minutes, and covers how Arizona’s storyline this season was approached, and the special effects behind the now-one-legged doc. Plus, there are a LOT of deleted scenes, and a couple of minutes of outtakes. Plus, the finale is an extended episode. The only thing really lacking here is the absence of a single audio commentary.

Grey’s Anatomy Complete Ninth Season is one of the best ones yet, and is available to relive on DVD now.

GREY'S ANATOMY Finale Not Quite a "Perfect Storm"

Article first published as GREY'S ANATOMY Finale Not Quite a "Perfect Storm" on TheTVKing.

ABC's Greys Anatomy likes to show the ups and downs of the doctors who work at Seattle Grace Seattle Grace Mercy West Grey Sloan Memorial Hospital, their loves and their losses. In the penultimate episode of season nine, the focus is the positive, and delivers a heartwarming story. In the season finale which aired this week, "Perfect Storm," things get much more depressing.

It's understandable that Callie (Sara Ramirez) and Arizona (Jessica Capshaw) still aren't seeing eye to eye. Arizona goes something very traumatic with the plane crash and losing a leg. There is no way for Callie to grasp this experience, try as she might. The chasm between them is just too wide.

Yet, Arizona's tryst with Lauren (Hilarie Burton, White Collar) feels like it comes out of nowhere. Sure, one can see how these bad feelings may still be boiling under Arizona's surface, as much as she pretends everything is OK. That doesn't excuse, however, cheating on your wife. Callie cut off Arizona's leg, but for good reason, and has done everything possible since then to make up for it.

Grey's Anatomy does a pretty decent job of avoiding villainizing either woman in the marriage, making viewers see both sides of the issue. The problem is, we also care very deeply for them, and to watch their marriage fall apart sucks. They have already overcome so much, and to see it fall apart so completely in "Perfect Storm" is not fun. Even if they work hard next year to repair things, it could easily feel like a retread of this season, where their marriage flounders. This is not an arc to look forward to, no matter how well written and performed it might end up being.

 Owen (Kevin McKidd) and Cristina (Sandra Oh) have a situation both similar and completely different than Callie and Arizona. They've come through a lot together, but there's a big divide in their pairing, Owen wanting a kid, and Cristina strongly wanting to avoid becoming a mother. As of "Perfect Storm," it seems like they may no longer be able to ignore this, and it's time to split. I hate to see them apart, but their rift is no one's fault, and they should try to move on and be happy. At least they don't seem resentful of one another, making a break up a little easier than some on the show have been.


Also a bit disappointing is April (Sarah Drew) running back to Jackson's (Jesse Williams) arms. They have their shot, and it really does feel like she, at least, moves on in season nine. Her relationship with Matthew (Justin Bruening) looks to be something good in her life, and something she values. She's just going to toss that away now, after that wonderful, corny proposal last week? That doesn't seem like April.

The final complaint I have is the drama surrounding Meredith (Ellen Pompeo) giving birth. With Lexie dead, Meredith is once more the only Grey in Grey's Anatomy. She's also the beloved star of the series, even though it is truly an ensemble show, and it would be awfully hard to accept she could be killed off without warning. Thus, all of the bad things that happen to her feel forced and false, and the fact that everything ends up being fine makes it even worse, worrying for nothing.

However, Meredith's complications do give both Ross (Gaius Charles) and Bailey (Chandra Wilson) a chance to step up. Ross is the lagging member of the intern pack, and even though Meredith has to guide him through the surgery, the fact that he plays a huge role in saving her life will serve him well moving forward. And Bailey is on her way back to operating even before this, but having her come in and rescue Meredith means a lot, allows Meredith and Derek (Patrick Dempsey) to continue the Grey's tradition of baby naming, and is a triumphant return for the good surgeon.

Too bad Bailey hasn't yet apologized to Webber (James Pickens Jr.) for treating him so poorly. As Ben (Jason George) assures her, Webber knows Bailey, and surely doesn't hold her behavior lately against her. But if Webber dies here, before Bailey has the chance to express her regret, it could be heartbreaking for Bailey. Given Grey's history, Webber could go either way, surviving or dying. I really hope, as much as death can pump up the show when done right, it's the former.

Also, let me add, having Ben back these past couple of episodes has been great. He feels like a natural part of the cast. It's time to bring him home and make him a more permanent fixture on the show. He can continue his medical training at this hospital, not somewhere else.

"Perfect Storm" does give us some things to look forward to in season ten. Alex (Justin Chambers) may finally have found a true love in Jo (Camilla Luddington), as long as she sticks around, as she definitely needs to. He has had such bad luck in love, and Jo is someone who offers a stable option for him, someone who isn't likely to flee or dump him after they commit to one another. Luddington is not yet signed full-time for next season, but that's a move the show should make.

I did like "Perfect Storm," and even the parts that made me uncomfortable or annoyed were extremely well done. Nine seasons in, the quality is consistently fantastic, proving the team behind the series not only knows what they are doing right, but how to keep it going without allowing anything to grow stale. The growth in the characters has been amazing, and I definitely look forward to next year.

I just wish the episode wasn't quite so depressing in the specific ways that it was. It's more satisfying when the disaster is caused by an unavoidable outside source, no matter how many times it happens, rather than imploding character flaws. There's something else to blame for a plane crash, shoot out, or illness, rather than a couple just collapsing in on themselves. This path, unlike the crises, is more realistic, but it makes it harder to root for certain personalities, and Grey's is all about the people; I want to root for them.

Grey's Anatomy will return next fall on ABC.

White Collar's fourth season is now "In the Wind"

Article first published as White Collar's fourth season is now "In the Wind" on TheTVKing.

USA's White Collar completes its fourth go-round this week with "In the Wind." Reese (James Rebhorn) warns Peter (Tim DeKay) not to trust Callaway (Emily Procter, CSI: Miami), who apparently is in the pocket of Senator Pratt (Titus Welliver, Lost, Sons of Anarchy). Since the FBI is closing in on the evidence box in the Empire State Building, and Peter doesn't think he can get around Callaway professionally, he asks Neal (Matt Bomer) to cross the line and get the evidence himself.

"In the Wind" is an action-packed episode. There is a death by shooting, a couple of twists, some running around, and an escaping blimp. There's subterfuge and betrayal, all in a gorgeous location shoot. All of this is very exciting, especially when the evidence is kept out of Callaway's hands in an original way.

But the best parts of "In the Wind" are the emotional moments. Most obvious is that involving the relationship between Neal and his father, James (Treat Williams). Mozzie (Willie Garson) never quite trusts James, and so viewers may be inclined to look at him with suspicion, too. Even as we hope that James turns out to be the innocent man he claims to be, for Neal's sake, we see the signs that everything he says is not on the up and up.

In the end, it's not finding out that James is guilty that hurts. It's the fact that James is not a good guy nor dad, refusing to stick his neck out for Neal. It's understandable that James doesn't want to risk going back to prison, but after all of the pain he has caused Neal throughout his life, when Neal begs him for a favor, and this favor is selfless, James should definitely comply. He doesn't, and I feel like this is the end of their emotional journey as father and son. James can never really return to Neal (even if the actor guest stars again), and Neal can never forgive his father.

The favor that Neal asks is to clear Peter's name. James kills Pratt in self defense, but Peter takes the fall for it. The evidence is damning against Peter, and the way it plays out actually feels smart, rather than contrived. Neal very much cares for Peter, and has shown that he will do almost anything for him. Neal is even willing to sacrifice his own father for Peter, which proves once and for all the level of affection between them, despite the sometimes rocky story.

The only thing that feels slightly off in this James-Neal-Peter arc is that Neal seems to suddenly regard Peter as a father figure. Sure, Peter is older and has authority over Neal. But I've always seen the two as best buddies, rather than mentor-mentee. They work in unison, not necessarily as a superior and an inferior. The power shift drawn here is a little weird.

Also, when Peter makes dinner plans with Elizabeth (Tiffani Thiessen), you just know something is going to happen to prevent the date. Usually, White Collar isn't this obvious, so it's a shame a move is telegraphed here, even if the way the story shapes up takes awhile to become clear.

Neal not only gets to connect with Peter and James, but he also has a wonderful scene with Sara (Hilarie Burton) in "In the Wind" in the Empire State Building. The relationship between them has been a highlight of the series, and there is definitely something real that works for the pair. Neal gets to confess his feelings in a very authentic way, even while performing a mission, and she responds to them. It's a shame the show is sending her off to London instead of keeping her around. "In the Wind" feels like a sad, but very well written and performed, ending for the couple.

I am not yet ready to cast judgment on Callaway. I miss Reese as boss, to be sure, despite the small role he usually plays. But Callaway seems like she just might be on the side of justice, and changes the dynamic in the White Collar Division in an interesting way. The evidence Reese brings to Peter makes her look bad, but not so bad that it can't be explained. She does try to keep Pratt away from the evidence that will take him down, and so I think there could be some redemption for her next season, should she stick around.

Ah, next season. I hate when Peter is away from his job, but a murder trial is too rich to just skim over. Let's hope White Collar delivers the goods in this arc, rather than cutting it short, as it sometimes, but not always, does with longer plots.

White Collar will return next fall to USA.

White Collar The Complete Third Season a wild ride

USA's White Collar started slow in season one, picked up in the second half of the first year, and then got even better in season two. It should come as no surprise, then, that The Complete Third Season features the best episodes of White Collar ever made - at least until season four premieres!

The premise of White Collar is simple. An FBI man named Peter Burke (Tim DeKay) brings in career criminal Neal Caffey (Matt Bomer) to help him solve cases. At first, it's an unlikely pairing. As the episodes go by, Neal and Peter find a deepening trust and friendship. But season three puts that trust at risk as Neal's still-nefarious buddy, Mozzie (Willie Garson), gets Neal involved in the theft of a very valuable Nazi treasure.

This is a major shakeup for the show. Until now, Neal appears to be on the straight and narrow, and Mozzie is an unthreatening sidekick. But when Mozzie makes this totally unexpected, but should have been seen coming, move, it throws the entire dynamic out of whack. Suddenly, Neal is keeping something from Peter, and Peter knows it, but can't prove it. It's a dangerous cat and mouse game. The stakes grow even higher as Mozzie encourages Neal to run. Neal is torn, not wanting to abandon his new life.

By the middle of season three, things come to a head, and then, somehow, keep building even further! Peter's wife, Elizabeth (Tiffani Thiessen), is kidnapped by a really nasty guy from Neal's past (Ross McCall) who wants the treasure, forcing the secret out in the open. Following that, Peter's former mentor (Beau Bridges) comes after them, too, planning on using the treasure to blackmail Neal. It's a roller coaster ride of excitement, with viewers not really sure where anything is going until the shocking season three finale, which changes all of the rules once more.

It's impossible to give too many details of this long arc away without spoiling the story, hence the vagueness. Hopefully, it will be enough to know that there is a long arc, which is not typical for many procedural dramas. While White Collar began it's life as a case-of-the-week crime series, and has not strayed too far from those roots, it is also something much more. It is a series full of wonderful, complex characters expertly played by talented performers. This gift is not wasted, but rather, it is honed, stretching the conventions into something worth watching. As someone who cannot stand series that basically play out the same formula week after week, I can vouch that White Collar is not such a time waster, and it is a show I look forward to very much with each installment!

At the heart of White Collar is the relationship between Peter and Neal. While other characters do figure into the show very prominently, these are the two leading men. Their chemistry is absolutely fantastic. Having watched them grow so solid, it is equal parts disturbing and titillating to watch the pair go head to head in season three, especially now that they actually care about one another. Their interaction, more than anything else, is what drives White Collar. It is definitely among the best bromances on television.

Amid all of the chaos and machinations, some wonderful one-shot stories also sneak in, enriching the back story and personalities of the various characters. "Deadline" sees Neal and new girlfriend Sara (Hilarie Burton) on a double date with Diana (Marsha Thomason) and her partner, Christine (Moran Atias). "The Dentist of Detroit" exposes Mozzie's connection with the mob. Mozzie finds a possible romantic partner (Lena Headey, Game of Thrones) in "Taking Account." "As You Were" gives Jones (Sharif Atkins) a little time to shine. Eliza Dushku (Buffy the Vampire Slayer, Dollhouse) guest stars in "On the Fence" as a competitive thief. "Neighborhood Watch" lets Elizabeth get in on the action as she suspects a neighbor (True Blood's Joe Manganiello) of wrong doing. And "Pulling Strings" reveals Peter's relationship with his in-laws (Debra Monk and Tom Skerritt).

If the episodes alone are not enough for you, as hard as that might be to accept, there are also special features on this four disc set. A gag reel, deleted scenes, and a commentary track for the season finale are included. Also present is a trivia challenge known as "Interrogation Room" and a feauturette, "Jeff Eastin: @ddicted."

White Collar The Complete Third Season is on sale now wherever DVDs are sold.

If you like my reviews, please follow me on Twitter! Article first published as White Collar The Complete Third Season a wild ride on TheTVKing.com

White Collar faces "Judgment Day"

USA's White Collar completes its third season with "Judgment Day." A wrench is thrown into Neal's (Matthew Bomer) commutation hearing when Agent Kramer (Beau Bridges) begins a campaign to ruin Neal. The goal is to get Neal's sentence extended, and transfer him to Kramer's supervision in DC. That way, Kramer gets to use Neal for his own purposes, indefinitely. Peter (Tim DeKay) and Neal's other friends help him try to outwit Kramer, but to no avail. In the end, Peter gives Neal a signal, and Neal flees the country with Mozzie (Willie Garson).

"Judgment Day" represents a major game change for White Collar. With Neal cutting his ankle monitor and running, what will season four be about? Now Neal is a wanted man, having to stay out of the eyes of the law. His partnership with Peter is effectively over. Neal abandons his life in New York City. The other option would have been to get in more trouble and be stuck with Kramer. But it's still not a decision Neal should make lightly.

Nor should Peter. Peter sticks his neck out for Neal repeatedly. Peter does everything he can to help and reform Neal. More than that, Peter is his friend. What's more, until Kramer interferes, it works. Neal is changed. It puts Peter's own reputation and career at risk to stand up for Neal, and allow him to escape. There will surely be negative consequences for Peter that stem from these events. But Peter gives Neal a signal to run anyway, because it's what it best for Neal at present. That's real friendship.

And Peter is not Neal's only friend. Elizabeth (Tiffani Thiessen) gets him two cakes, one for each expected outcome. Mozzie and Sarah (Hilarie Burton) help Neal go around Kramer's back. Diana (Marsha Thomason) assists Neal in escaping Kramer's agents. June (Diahann Carroll) gives testimony in Neal's favor. Even Jones (Sharif Atkins), despite recommending Neal stay in custody, cares about him, and shows it. Neal has to give up this entire life, and the family he has built around him, to flee.

In fact, this might be a repeat for Neal. Not a lot is known about Neal's past, but in "Judgment Day," Neal visits a woman (Judith Ivey) he knew long ago. This woman talks about the day that a teenage Neal ran away, and the lack of contact both have had with Neal's parents. So it seems Neal has faced giving up everything before. Last time, it led him to a life of crime. This time, with Mozzie by his side, it would not be surprising if that happens again.

How can Peter bring Neal in from the cold and restore some balance to his life? That will surely be the focus of the beginning of season four, likely for only one episode, though hopefully for several. White Collar will surely figure out some way to accomplish a restoration of its format during the break. The series takes chances, but throwing out their entire plot structure is unlikely to happen. That's too bad, because this is a heck of a story that could be played out for some time before going back to the regular formula. In fact, White Collar would make an excellent serial, if the network would only consider changing direction.

Awesome season finale, White Collar! The series will return this summer to USA.

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White Collar is "On the Fence"

     "On the Fence," is the penultimate of this season's White Collar, which airs on USA. The series is trending somewhat serial this year, and this episode does much to help that along. Neal's (Matt Bomer) old partner, Matthew Keller (Ross McCall), returns. This time, he wants the Nazi treasure, figuring Neal must have it, considering Neal's recent spending spree. The spree in question is from a recent episode where Neal spends a crook's money, not his own, but Keller doesn't know that. The problem is, Keller's arrival interrupts Neal and Peter's (Tim DeKay) attempted take down of artifact smuggler Raquel LaRoque (Eliza Dushku, Dollhouse, Buffy the Vampire Slayer). Add to that, Mozzie (Willie Garson) gets a little jumpy, and fences a piece of the Nazi treasure on the manifest Peter has to pay for an ordered hit on Keller. Keller escapes anyway, and now Neal and Mozzie may be exposed.

     There's a lot going on in this episode. Normally, it would be easy to complain that the case of the week interrupts the much more interesting arcs about Keller, Nazi treasure, Sara (Hilarie Burton) and Neal's relationship issues, and Peter's investigation into the stolen art. But with Dushku, viewers have no grievance, as she delivers her customary grippingly fun performance. Dushku takes what little screen time she gets, and spits out a fantastic, memorable performance. Then her character gets drawn into larger arcs, making her more valuable to the story. Her subsequent arrest, but Neal keeping her stolen item safe for her, opens the door for her return. Plus, with Neal newly single, she steals a steamy kiss right in the FBI office. Wonderful all around.

     Of course, it's hard to root for Neal and Raquel to get too close when Sara is still nearby. Burton's recent upgrade to main character this season means she and Neal cannot be forever over yet. Her doubts about their relationship are not without foundation, but surely, she is figuring out just who Neal is by "On the Fence." At the beginning of this episode, the couple is done. But after talking to Mozzie, Sara knows Neal's feelings for her are real. And she knows Neal has the treasure, but isn't selling it, even when he could be. She is going to realize that Neal doesn't want to leave her or Peter or being a good guy behind. This sets up a reconnection for them, though it may be too late in the summer run for a happy ending by next week.

     A nagging question is whether Neal will choose Peter or Mozzie. It's definitely about the people and the life they represent, not the legality of the choices, that is dogging Neal. As far as Mozzie is concerned, Neal has made his decision, and that's to stay with Peter. Keeping the manifest a secret is a severe betrayal against Mozzie, and the criminal is not happy about Neal's actions. Will this mean the end of their partnership? Might it lead to Peter and Neal hunting down Mozzie? That would be an incredible twist, as long as there is some believable way to keep Mozzie in the fold. The series would be sorely lacking something without Garson's brilliant, surprisingly nuanced, performance.

     "On the Fence" is the first episode in a while where Neal seems to have one over on Peter. After Mozzie steals the art, dragging Neal into a dangerous act that he doesn't want, Neal is watching his back. Peter suspects Neal and Mozzie, and while hoping he's wrong, is keeping a close eye on their activities. This puts Peter in a position of power over his partner, who is playing defense. But in "On the Fence," Neal not only gets to play the Raquel case his way, he also takes the offensive when trying to trap Keller. His decision to keep the manifest a secret gives him renewed confidence, and lets him take control in that area as well. As such, Neal is back in a grand way, rather than hiding scared.

     White Collar's summer season ends next Tuesday at 9 p.m. ET on USA.

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     Click here to buy streaming episodes and DVDs of White Collar.

Article first published as TV Review: White Collar - "On the Fence" on Blogcritics.

White Collar goes "Under the Radar"

     The season finale of USA's White Collar this week was as frustrating as just about anything I've ever watched. USA is known for a certain type of show: procedurals that are a bit better on character development than the average network offering of the genre. I admit, I find about half of USA's shows unwatchable because of how strong the procedural elements are, but White Collar is one of the better ones. Or it usually is. The season finale left me confused and annoyed.

     First, let's hit the strong points of the episode. Neal's (Matthew Bomer) growing relationship with Sara (Hilarie Burton, who will be a series regular next year) is sweet. The double date dinner party the two of them have with Peter (Tim DeKay) and Elizabeth (Tiffani Thiessen) feels right, and appears to open up the possibility of a more domesticated Neal. I would say that's a great example of Peter rubbing off on Neal, except we have seen that Neal is no stranger to the love of one woman before. Elizabeth calming Sara's nerves about jumping into something with a former con man was a high point of the episode.

     Neal and Peter's relationship, really the central linchpin of the show, has blossomed into wonderful understanding. While captured by baddie Adler (Andrew McCarthy), the two of them have great banter, and complete faith in each other. They break into an old German sub loaded with massive amounts of treasure. It's the ultimate find that the music box mystery of the past two seasons has been leading them to. Yet, all I can think about is how much I enjoy watching Neal and Peter work together. I could care less about the treasure. It is a mark of how well the characters are written.

     Lastly, the team has come together in surprising and wonderful ways. Mozzie (Willie Garson) still hates the 'suits', but has a respect for Peter. Diana (Marsha Thomason) hates Mozzie, but finds Neal likable enough. The two elements of cops and robbers are meshing nicely and naturally. It's a slow process, far from complete, just as it should be. And with Jones (Sharif Atkins, still not a series regular, but should be!) finally being included in the off-the-book operations, it feels like a family has formed on the series. Funniest line in this vein? Mozzie not-even-close-to-convincingly saying "Nuts!" as he flees from Jones during a contrived set-up. Which by the way, despite the funny line, that scene is completely awkward and not at all believable, for the audience or the mark.

     Unfortunately, the finale contains massive plot holes that make the whole experience a mixed bag, at best. The most glaring is how Peter has concluded that Neal has gone bad. After everything they have gone through, and the massive effort Neal has taken to putting his trust in Peter, how can Peter abandon him so quickly? Yes, the evidence of the exploding building and fragment of Neal's painting look bad, but that should not change core emotions. Neal and Peter are best friends. It does not make sense that Peter will not give Neal the benefit of the doubt for at least a little while.

     Secondly, Adler just behaves completely erratic. He loses contact with Neal and Peter in the German boat, but doesn't run in with guns blazing. It's more a calm saunter, with Adler out in front, unprotected from a sudden attack that Neal and Peter could have been ready to stage. And why didn't they? There are only a couple of guards in the facility. There are plenty of potential weapons in the treasure trove. I just don't get it.

     Adler's biggest mistake is not killing his prisoners outright. A few bullets in the head, and it would have all been over. Instead, he sends his goons to leave them tied up in a shipyard, then wait til they wake up from the drugs, and leave them unobserved as the hollow fills with water. Even if Adler has a penchant for theatrics, as Neal says he does, that would mean he would have wanted to watch them die. He is nowhere nearby. The guards don't even stick around to watch. That may have worked for old, James Bond-style knockoffs, but it's implausible and stupid here. The writers ought to know better.

     And seriously, the kiss between Neal and Alex (Gloria Votsis)? I get the emotions involved in the moment. I don't get why Sara wasn't immediately out of the van and up to Neal before it could happen. I don't get why Neal actually was into it, when he had something really nice brewing with Sara. He's always been shown as a monogamous guy. This was out of character.

     The mystery left is, who delivers the treasure to Neal with that note and key? I'm thinking it's obviously Alex, though why didn't she keep it for herself? Or at least half? I just want to see how Neal clears his name. At least Peter didn't come bursting in, gun drawn, while Neal is surrounded by the treasure, as I expected him to do after the rest of the shoddy story.
   
     White Collar will return in the summer on USA.


Article first published as TV Review: White Collar - "Under the Radar" on Blogcritics.

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