Blu-ray Review: ‘Bitten – The Complete First Season’

Article first published as Blu-ray Review: ‘Bitten – The Complete First Season’ on Blogcritics.

Bitten, a Canadian-made supernatural drama that recently aired its first season on the SyFy channel in the United States, comes to Blu-ray and DVD this week in a four-disc set. Based on the best-selling books by Kelley Armstrong, Bitten is an action-packed, sexy drama centered on Elena Michaels (Laura Vandervoort, V, Smallville), the only female werewolf in existence. She is drawn back to the pack she abandoned when rogue mutts begin killing innocent people.

The Characters

The series is a character-driven drama, despite the other elements. Elena is caught between two worlds, a normal, wonderful boyfriend, Philip McAdams (Paul Greene, Wicked Wicked Games), who offers her the chance at an average existence, which she is trying to convince herself she wants, and hot, uncontrollable passion for Clayton Danvers (Greyston Holt, Alcatraz), whom she loves but doesn’t trust since he accidentally turned her into the same creature she didn’t know he was. It’s more than a simple love triangle because it’s the type of life Elena would have with each, more than her feelings for the men themselves, that drive her decisions.

The show is also bolstered by the pack ensemble, which are secondary to Elena, but still important to the success of the series. Their leader is Jeremy Danvers (Greg Bryk, XIII: The Series), a calm, logical man, who makes the tough decisions while guiding the others on a more peaceful path than past Alphas. His best friend, Antonio Sorrentino (Paulino Nunes, The Firm), could have been Alpha, but chose to step aside. There is also Antonio’s playboy son, Nick (Steve Lund, Haven), and Logan (Michael Xavier, The Best Years), who wants to have a family with Rachel (Genelle Williams, Warehouse 13), something against pack law.

The Premise

The mythology in Bitten is well-developed. Both the arcs for the central cast and the villains brought in fit into a large picture, a world developed long before the show starts, and one that will continue after we stop watching. The season is both a complete story, and a piece of something much bigger. The pacing is good, and the acting is serviceable. While not the number one show on television, it is better than most of its peers because of the depth and cohesion it exhibits.

Those familiar with the source material should be both satisfied and surprised. Having read books one and two so far myself, with plans to continue with the set, I can say that Bitten hews fairly close to the first book in Armstrong’s Otherworld series in a lot of ways, but in others, including a major character death or two, it departs. I like that the show’s writers know what works for TV and what doesn’t, keeping to the spirit of the piece, but not being a slave to it. I do wonder how future seasons will unfold, as Elena only serves as the protagonist for the first two novels in the series, the second book expanding the structure greatly and moving in other directions. I suspect the show may end up telling us a lot of stories involving these players that isn’t on the page, rather than move away from its core.
Features

There are a handful of bonus features included on this set. Audio commentary is provided for the premiere, finale, and pivotal fifth episode, which gives Elena’s back story, certainly the three installments fans would be most interested in hearing commentary for. An eight-minute “Behind the Scenes” spends most of its time telling us who the characters are, rather than really going into how the show is made, a totally unnecessary inclusion to those who have already watched the episodes (or read this review). Similarly, “VFX – Behind the Wolf” talks about how the characters relate to their animal versions much more than the special effects wizardry that goes into creating the effects. The one semi-valuable feature is for those interested in stunt work, as the disc spends more than eight minutes breaking down a few scenes from episodes 11 and 13, mainly by showing picture-in-picture of the finished product versus rehearsal. There are also about 15 minutes of deleted and extended scenes. It’s an acceptable amount of extras, even if the content is a bit weak.

As far as the high definition presented on the Blu-ray, it’s as good as what aired on television, but not a particularly impressive release. The audio is well- mixed, as most shows are these days, but it does not boast surround sound or anything special. The picture is clear enough, but lacking the super crisp detail some series have. My guess is that, because this is a Canadian production, the budget is likely lower than many American series, and the money is mainly spent on special effects, rather than enhancing the video and audio.

Verdict

Still, even with disappointing extras and an acceptable, but not stunning, presentation, Bitten is a solid series that is both enjoyable and engaging. Maybe there are a few too many shirtless men for a straight male like me, but it’s not sappy like Twilight, and it actually takes time to make a gripping tale. I would recommend watching this for anyone who enjoys the genre.

Bitten – The Complete First Season will be available this coming Tuesday.

WAREHOUSE 13 Not "Endless"

Article first published as TV Review: 'Warehouse 13' - Series Finale on Blogcritics.

SyFy‘s Warehouse 13 is always a little cheesy, like most USA programs of the last decade, but with a science fiction bent to it. However, it has also always exhibits heart in the bond that holds the agents of the titular facility together. In its series finale, “Endless,” the writers decide to double down on the emotion instead of giving the team any more peril to overcome.

The conceit is that the Warehouse is reaching the end of its days, ready to move on to Warehouse 14, so the agents gather together to offer their defining moments to King Arthur’s round table, a gift to them as much as to the Warehouse. Instead of a clip show, however, the memories offered up are pretty much all new footage, showcasing some of the talents of those involved, without becoming repetitive.

I have to admit, I have a problem with this set up. I like that the series doesn’t just recycle old material in the end, but if the scenes shown are really that key to the characters, shouldn’t they have been fully fleshed out adventures we get to witness along the way? Instead, “Endless” feels like a forced conclusion, adding extra elements that are never mentioned before, in order to give the characters a sense of completeness not built into the established narrative arcs.

That being said, they are really good, if underdeveloped, scenes. We find out Artie (Saul Rubinek) has a son, whom he keeps in contact with, but never mentions to his co-workers. Artie also gets a personal goodbye from Warehouse 13, something definitely earned. Claudia (Allison Scagliotti) gets some fatherly advice from Artie when she has doubts about becoming the next caretaker, but in the end, she decides to fulfill her destiny and be forever tied to the place. And Jinks (Aaron Ashmore) and Mrs. Frederic (CCH Pounder) become bosom buddies through scenes we only catch the tail end of, except for a moving memorial to departed cast member Leena (Genelle Williams).

None of these things are explored fulled enough. Sure, the 42nd Street number is a fun sequence, and who doesn’t want to see Mrs. Frederic laugh or learn Artie still has another big secret? But all of this deserves to be delved into, not delivered last minute, when it’s too late to mean much. Warehouse 13 could have at least spent its final six episodes serving these plots, but it holds them until the final hour, not giving viewers time to see the ramifications.

Where this feels like the biggest loss is in the finally realized romance between Myka (Joanne Kelly) and Pete (Eddie McClintock). Pete already figures out his feelings in a previous hour, so it’s Myka’s turn to open her eyes while Pete freaks out about losing the life and people he loves. But, of course, it all comes together, far too late for anything but a couple of satisfying kisses. Now we’ll never seen how things work out between them as an actual couple.

What feels even more like a cheat is the last scene, set “several decades later,” in which three new agents who clearly are stands-ins for Artie, Myka, and Pete interact with Claudia, now the caretaker. So Warehouse 13 didn’t move after all? A cheeky line is not an explanation. And what happened to the main cast? When did they leave? There is no mention about what they are doing now, or if they’re even still alive. I understand this is supposed to let fans known the mysteries and missions of the Warehouse are “Endless,” but instead it highlights what the show does wrong.

Don’t get me wrong, “Endless” is a feel-good hour, even carving out a natural bit for everyone’s favorite recurring character, H.G. Wells (Jaime Murray). The emotion it evokes is great. However, like the series itself, it falls far short of its potential, and comes across as shallow. I’d hoped Warehouse 13 would redeem itself with a perfect capper. In a way, this finale is what the show deserves, but on the other hand, there exists an opportunity to raise the game considerably, leaving a better legacy, and it is squandered.

Still, Warehouse 13 is entertaining, right to the end, and we can be grateful for that.

Warehouse 13 Tries to Save "The Living and the Dead"

Article first published as Warehouse 13 Tries to Save "The Living and the Dead" on TheTVKing.

SyFy's popular series, Warehouse 13, returns from a nearly-seven-month hiatus this week with "The Living and the Dead" to begin the second half of its fourth season. "The Living and the Dead" picks up where the previous episode left off, with a deadly virus swiftly infecting everyone on the planet, and Artie (Saul Rubinek), the releaser of the disease, in a coma.

Because there are two urgent matters, saving the world and saving Artie, who may soon be lost forever, the four agents of the Warehouse split into the two teams. I love that there are two work-couples now, which allows for plots like this one, encapsulating both the large scale and the personal dangers that the agents must face at the same time.

In the Warehouse, Jane Lattimer (Kate Mulgrew) sends Claudia (Allison Scagliotti) and Jinks (Aaron Ashmore, now a series regular) into Artie's mind. It's a tad predictable that the inside of Artie's head looks like the Warehouse, which also saves on set cost. I love that opportunity for recurring cast members, like James MacPherson (Roger Rees) and Vanessa (Lindsay Wagner), to pop up and try to stop Claudia and Jinks. However, the fact that the artifacts still work the same way in Artie's mind as they do in reality pushes the believability, and the fact that Jinks is able to stop permanently whatever part of subconsciousness is fighting them doesn't really add up.

That being said, the scene where Claudia does find Artie, living in denial with the recently deceased-by-his-hand Leena (Genelle Williams), is very moving. We get to see what Artie means to Claudia, and the depths of Artie's shame and frustration. What happens is not really Artie's fault, but he remembers it, so he feels guilty. The sequence is perfectly in keeping with the characters, and it works that Claudia has to force Artie out, a technique she would use before getting too mushy.

Now what will Mrs. Fredericks (CCH Pounder) do with Artie? He doesn't deserve to be punished, so much, but he does need help. She's the wise overseer, so presumably his rehab will be up to her.

I don't think I will miss Leena much. No offense to Williams, but I rarely saw the point of her character. She only occasionally mattered to a plot, and never seemed to contribute anything to the missions. I hope she is replaced, with someone else coming in to run the house, but by a person developed more, or who is, at least, funny.

While the stuff with Artie goes down, Pete (Eddie McClintock) and Myka (Joanne Kelly) search for an artifact that can put the orchid back together, thus staving off the plague threatening to kill many, as Vanessa reports on television. As usual, they run into trouble, bicker a bit, but end up saving the day. It's a predictable formula, but one that seems to work for Warehouse 13, as long as the journey to get to the predictable end stays interesting.

"The Living and the Dead" concocts a somewhat interesting story for Pete and Myka to investigate involving Marie Antoinette, but the more intriguing part of their tale is the two new characters we are introduced to. Seemingly hundreds of years old, and once romantically involved, Professor Sutton (James Marsters, Buffy the Vampire Slayer, Smallville) comes across as the charming and noble scallywag, and Charlotte Dupres (Polly Walker, Caprica, John Carter) is his suffering target. However, the end of the episode hints at something more between them than we currently know.

The apparent death of Sutton isn't much of a fake out. Marsters crafts too-perfect a character in his first hour, and it's clear that he needs to return at least a few more times. Walker is less memorable, until the end, where we glimpse a peek at a larger life than first glances tell. I look forward to seeing more of these two amazing actors, already well known in the genre, and wonder what they will bring to the dynamic of the cast going forward. I will even be so bold as to say Sutton could prove as popular, and hopefully appear as often, as the fan-favorite H.G. Wells, given the excellent first impression that he makes.

At the end of the day, Warehouse 13 returns things back to "normal," for the most part. It's a series that pretends to take big chances, but usually allows the status quo to return. It remains entertaining, though I wish the stakes were a bit higher, and the drama a bit darker.

Warehouse 13 airs Mondays at 10 p.m. ET on SyFy.

Warehouse 13 falls down

SyFy's Warehouse 13 has had a banner run this season. Minimizing the case of the week stories in favor of a longer arc involving Artie (Saul Rubinek) using an artifact known as the astrolabe, and the consequences of such a turn of events, there has been lingering mysteries, morality conflict, and issues of life and death. It's a step up for an enjoyable and popular series, raising the quality of the story.

As interesting as villains can be, it's nice that Artie hasn't gone bad. He's way too lovable a character to lose, or to have turn evil for real. Now, he has been taken over by an evil power, which has resulted in murder and the release of a very bad virus. But that doesn't make Artie himself bad. There's still the knowledge that the Artie we know and love is in there somewhere, and he can surely be cured.

But how? And what happens when they do get Artie back? Will he remember shooting Leena (Genelle Williams)? If so, will this dark Artie to an even darker place than he's ever gone before? There have always been things in Artie's past that haunt him, but he still manages to get by. Will this most recent story be a turning point, making it very difficult for him to return to the more familiar man.

Is Leena gone forever? Pete (Eddie McClintock) sees visions of her that help him find "Artie" and what Artie is looking for. Will Williams continue playing the role in this manner? It wouldn't really be a reduction for her character, considering she is rarely on screen for more than a few minutes in any given week. Might this be an interesting new twist to take for her, or will she disappear for good once the current crisis is over?

That's the rub. Peter, Myka (Joanna Kelly), and the other track Artie, but they are too late to stop him. There's always been a sense that Artie could take everyone else in a true competition, given his knowledge and experience, and "We All Fall Down," the summer finale, proves that point. Unfortunately, it is proven by Artie unleashing a deadly virus upon the globe that could wipe out half off the population. How can this be stopped? Now that the evilness within Artie has accomplished its goal, will the old Artie be able to help the others save the day? It seems they really might need him to stand a chance.

Warehouse 13 has introduced artifacts that can allow the characters to travel through time and reverse action. But by adding a consequence into each time an artifact is used, with the most powerful artifacts coming at the gravest costs, there is a built in prevention for using such things to save the day on a weekly basis. "We All Fall Down" and the entire arc leading up to it prove that even actions taken with the best of intentions can have unintentional, harmful side effects. With great power comes great responsibility. Artie has lots of power, and when the series returns, it's time to see how much responsibility the Warehouse agents can handle.

Fantastic finale to a series that has gone from good to great. Warehouse 13 will return soon, but not soon enough, to SyFy.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted at TheTVKing

Warehouse 13 trapped on "The 40th Floor"

     "The 40th Floor," the latest episode of SyFy's Warehouse 13, finds the agents tracking down, and trapping, Sally Stukowski (Ashley Williams, How I Met Your Mother, Saving Grace). Unfortunately, Sally's boss's plan is already in motion. Artie (Saul Rubinek) and Myka (Joanne Kelly) soon find themselves protecting some Warehouse regents in a building that is rapidly being destroyed around them. Pete (Eddie McClintock) and Claudia (Allison Scagliotti) try to assist by looking for the artifact that is causing the trouble. Mrs. Frederic (CCH Pounder) decides torturing Sally might be the best option, but Jink (Aaron Ashmore) disagrees most vehemently, even pulling a gun to stop her. Which distracts them enough for Sally to escape.

     Of course, Myka does manage to rescue the most important regent, Jane (Kate Mulgrew, NTSF:SD:SUV, Star Trek: Voyager). As Jane now holds the key to Warehouse 13's last line of defense, it is essential she survive, though just about every other, less important figure, dies in the process. Which is a lot more death than is typical for the series to tackle. Thankfully, the amazing Mulgrew is slated for three more episodes, so whatever plot is unfolding in "The 40th Floor" is far from over.

     Pete lends a hand in a big way by halting the damage the dangerous artifact is doing. This is yet another example of Pete and Myka's great teamwork paying off. While Warehouse 13 shies away from hooking up its leading couple, the chemistry between the two is fantastic. They have come to know each other so well that they are a perfect match, both on the job and off. It's a shame the show hesitates to take the bold step of putting them into couple status, even though it's not unexpected. Yet, it's hard to complain too much, when Warehouse 13 is willing to ditch the typical procedural set up for episodes like "The 40th Floor."

     The big twist, of course, is that Jane is actually Pete's mom. Which means she probably has something to do with why Pete is now working at the Warehouse, even though he doesn't seem to know that she has that position until this episode. This adds a deeper layer of plot for the show to explore, giving serious back story to a central character. Good job!

     It is a real shame that Warehouse 13 kills off Sally this week. Williams does a fantastic job playing the baddie, and she is most enjoyable in the scant episodes that she does. Even worse, Jink's actions lead to him getting fired. While this may make sense on a personal level, considering the moral code that is being broken, Ashmore is even more welcome than Williams, and it is a strong hope that he does not leave the series after this episode.

     For Mrs. Frederic to commit torture in the first place is surprising. She exudes threat, but has never been seen purposely hurting anyone up til now. It's a new low for her. Perhaps her actions can be forgiven, given her position and the situation, but that doesn't make them right. Will she be allowed screen time to recover from "The 40th Floor," or is it now only a matter of time before she is killed off? Hopefully it will be the former, as Pounder is exemplary, and there is so much more she can do for Warehouse 13.

     If anyone should leave, it's not Jinks, Mrs. Frederic, or Sally; it's Leena (Genelle Williams). It continues to baffle why such a small character, who rarely gets anything of substance to do, is still a main character. This is not a criticism on Williams, as there hasn't really been enough of her to judge. Rather, if the writers are not going to use her, set her free. She serves no purpose at present.

     Watch Warehouse 13 Monday nights at 9:00 p.m. ET on SyFy.

     If you like my reviews, please follow me on Twitter!

     Please click here to catch up on Warehouse 13 DVDs and streaming episodes.

Article first published as TV Review: Warehouse 13 - "The 40th Floor" on Blogcritics.

Warehouse 13 meets "The New Guy"

     Season three of SyFy's Warehouse 13 begins in "The New Guy." With Myka (Joanne Kelly) still refusing to return to the Warehouse, a replacement is hired named Steve Jinks (Aaron Ashmore, Smallville), who can tell when someone is lying just by looking into their eyes. Pete (Eddie McClintock) at first clashes with his new partner, but they have a mission, so he buckles down. Perhaps a little too much, as he is missing Myka terribly. When the investigation uncovers a literary angle, Pete is quick to get Myka's help on it. She saves the day. Mrs. Frederic (CCH Pounder) arranges for the still reluctant Myka to have a chat with H.G. Wells (Jaime Murray), who alone convinces Myka she should return to her odd job. Ironic, since Wells is part of the reason Myka left.


     What an opening! The whole Jimi Hendrix guitar going haywire is a perfect Warehouse case, complete with their trademark brand of humor. It also introduces "The New Guy," Jinks, appropriately enough. Despite only seeing a sliver of this adventure, nothing feels missed. Following it up with one of Mrs. Frederic's creepy dark surprises gives fans everything they've been looking forward to from Warehouse 13 in the first few minutes.

     It also sets up the new Pete, who is a lot more changed by Myka's leaving than many would expect. He is now immune to the charms of women. Similarly, Myka seems to have undergone a transformation into more of a geeky bookworm than when we first met her. The two cannot thrive without each other, reduced to something less than their potential. Not only does this satisfy everyone who wishes them to remain partners, but it proves the depth of the feelings they harbor for each other. Fantastic!

     Warehouse 13 could use some fresh blood, and choosing Ashmore, a sci-fi vet, is a smart decision. While Jinks gets a little annoying early in the episode with his frequent "You're lying"s, as soon as he stops saying it every five seconds, he melds well into the current ensemble. His inability to get Peter's humor at first (and really, who would?), coupled with his eagerness for the new career combine to make a valuable asset to the Warehouse. The only question is now, with Myka back, what is there for "The New Guy" to do? Will the Warehouse be sending out a team of three from now on?

     Interestingly, Claudia (Allison Scagliotti) isn't too happy about Jinks's presence, but not because of the man himself, who she seems to be fine with. She obviously wants Myka's job and feels she is qualified. Her past performance indicates that she likely is, and is probably being held back because of Artie's (Saul Rubinek) fatherly care for her. Which begs the question, that will surely soon be answered, what will it take Artie to get over this? Will an increase in weird activity prompt Artie to partner Claudia and Jinks, and send them out in the field? Or should he split the veterans with the newbies, which would be a smarter decision, albeit rob fans of much great Myka / Pete interplay, at least temporarily?

     Having an extra pair of hands not only sets the scene for a lot more action, since there can be field agents in multiple places at once, but also allows Leena (Genelle Williams) the possibility of more story. After all, if Claudia starts going out, Artie will need some help back at base. More importantly, with more agents, Warehouse 13 can handle greater challenges and more complex villains, something that will make the series even better than it already is. Also, the show can afford to kill a main character off in an emotionally moving way. Might I nominate Leena, the only truly expendable one?

     There is already a new threat brewing. The bad guy of the week gets away, but is killed under orders of a mysterious figure sitting in shadow. Committing the actual murder is an FBI agent (Ashley Williams, Saving Grace, How I Met Your Mother), who obstructs Pete and Jinks during their mission. Setting aside why Pete doesn't just whip out credentials to get past her, as he has done with others, how might she figure into future episodes? And what evil plan is behind it all?

     Myka's absence for the first half of the episode is regrettable, but some of the tension is immediately removed because Kelly's name still appears as a starring cast member. While mucking with the opening credits probably would require some new contract negotiations, it would have been worth it to build suspense for the fans. Had Kelly's name been saved for the ending credits, then properly restored next week, it might have caused viewers to wonder if she will ever come back, even after she returns to assist on the latest case.

     The case itself is pretty cool. Anytime Shakespeare can come alive as a serious, fatal threat is an accomplishment. His plays are full of death and violence, but so often, modern cinema makes him seem tame. The average American does not seek out Shakespeare's works for leisure reading or theater or movie viewing. Warehouse 13 reminds us that the bard is still very relevant, and has a lot to offer, should one take the time to peruse his pages. If "The New Guy" spurs a dozen people to read a bit of Shakespeare this summer, it has done its job.


     Watch Warehouse 13 Monday nights at 9 p.m. ET on SyFy.

     If you like my reviews, please follow me on Twitter!

     Please click here to catch up on Warehouse 13 DVDs and streaming episodes.

Article first published as TV Review: Warehouse 13 - "The New Guy" on Blogcritics.

Warehouse 13: declassified again

    Last summer SyFy premiered Warehouse 13, a show about two Secret Service agents transferred to a mysterious building in South Dakota where their new duties include tracking down and bringing back artifacts with supernatural powers.  Sadly, I gave it only a couple of episodes to hook me, then left, thinking each week would be just a procedural.  Sure, there are elements of that, but the series got much better.  Having now caught up with last night's second episode of season two, "Mild Mannered", I can tell you, don't make the same mistake I did.  Tune in.

     Some of the missteps of season one are gone.  Dickenson (Simon Reynolds), who looked like he might be interesting, but was never really given the chance to be, is gone.  I can only guess that the path of the show must have been changed midway through the first season, because there was no reason for him to be in the theme song with his limited role.  Gladly, Claudia (Allison Scagliotti) has been upgraded to series regular, which she should have been in the first year.  Her introduction was when the show started to get good.  She's sort of like Chole from Smallville, in looks as well as purpose, but coming in with a huge chip on her shoulder.

     In last season's finale, Artie (Saul Rubinek, Frasier) seemed to be blown to bits, but thanks to the Phoenix pendant, he was saved.  The villain that did the deed, both the blowing up and the saving, was his old partner, James MacPherson (Roger Rees, Grey's Anatomy, The West Wing).  Although MacPherson died in the season premiere, he and Artie had a great conclusion in episode two.  Unfortunately, because Artie lives, a bodyguard (Jung-Yul Kim) died.  He will be missed.  These last two episodes have also given an expanded role to under-used Leena (Genelle Williams), who appears to be tied into some ongoing mystery connected to her being mind-controlled by MacPherson.  It should be interesting.

     This week, the two lead agents, Pete (Eddie McClintock) and Myka (Joanne Kelly), traveled to Detroit, where a real-live superhero was bashing criminals to clean up the town.  Two of the town's residents were played by Serenity sweethearts Jewel Staite and Sean Maher, once again playing love interests.  Jewel was more toned down that in the ill-fated series, but Sean played pretty much the same character.  It was very satisfying to see the two of them together again, and the super hero story was pretty exciting, too.

     I don't know what the rest of the season will bring, but Warehouse 13 seems to be on the right track.  Next week the town near the Warehouse seems to be coming apart at the seems!  Tune in on the SyFy channel Tuesday nights at 9pm.