Still SHAMELESS

Article first published as Blu-ray Review: 'Shameless - The Complete Sixth Season' on Blogcritics.

Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this blog post. The opinions I share are my own.

Showtime’s Shameless begins airing its seventh season at the beginning of October, a quick turn-around for a cable series whose sixth season just ended its run in April. Accordingly, WB has released Shameless – The Complete Sixth Season this week, giving viewers time to catch up on the last twelve episodes if you haven’t gotten around to them yet. Or, if you’ve already seen them, picking up the two-disc set is a convenient way to get a refresher.

As has been the case with past runs of the soapy drama, Shameless‘s sixth year continues the plot threads from the year before. Fiona (Emmy Rossum) is sleeping with Sean (Dermot Mulroney), a relationship that isn’t good for either of them for oh so many reasons. Lip’s (Jeremy Allen White) choice of sexual partners is not any better, given that his lady is both married and his professor. Debbie (Emma Kenney) is trying to hide her pregnancy. Carl’s (Ethan Cutkosky) release from prison is followed by a rough readjustment at home, while Mickey (Noel Fisher) has just landed behind bars. And Frank (William H. Macy) is searching for God, though it seems highly unlikely that this man could ever truly turn over a new leaf, at least not for any real length of time.

All of that is only the beginning. From the neighborhood bar undergoing a shift in its patronage, to the Gallaghers fighting to keep their family home, season six, like past years, has no shortage of drama. Some of it is forced, but most of it doesn’t seem so for the clan that makes a lot of their own trouble. There is as much heart as there is comedy, and the terrific performances keep the show grounded, always stopping just short of being unbelievable. That’s why this is the best series of its type currently running, and I wonder how many years the quality can be sustained at this level. So far, it’s done well.

For me, the hardest thing to get past is the crassness, which, if anything, has only gotten worse in each subsequent season. This is not a family that shies away from cursing and dirty deeds, and they would not feel at home at a cocktail party. Yet, somehow, while that can be a turn-off in certain entertainment, it’s usually fine here. Even when one of the ensemble ventures into polite society, normally Lip, those he encounter have just enough allowance for him or have their own dark, if more cultured, secrets, to keep it all in balance. Tuning in regularly will definitely help viewers not to judge the lower class as strongly, with familiarity and empathy breeding affection and understanding.

I have to say, I am pleased to have Sammi (Emily Bergl) gone this year. As much as I like the actress, I never cared much for her character, and I don’t think her arcs really benefited the others’. The cast has undergone several changes over the years, with only the initially introduced Gallagher family members and neighbors Kevin (Steve Howey) and Veronica (Shanola Hampton) remaining untouched, and while some of them are regrettable (bring back Joan Cusack!), Sammi’s departure, along with her son’s, is a welcome one.

The extras on this set are slight, with only a batch of deleted scenes and two featurettes included. There are a lot of the former, batched with ten of the twelve episodes and spread across both discs, while the latter appear only on disc two. “Shamelessly Shanola” follows the actress around the set for a little under ten minutes, while “Running the Table: A Shameless Conversation” features Macy and Rossum informally grilling two of the show’s producers over a game of pool. Both are delightful and perfectly keeping in tone and style with the series, so I am glad they are included, even as I wish there was a bit more of the same.

Shameless – The Complete Sixth Season is available now and is definitely worth giving a look at.

SHAMELESS Finale Finds Two of "Lazarus"

Article first published as TV Review: 'Shameless' - 'Lazarus' on Blogcritics.

The Gallagher family in Showtime’s Shameless has always had a rough go of things. Saddled with an unreliable, alcoholic patriarch, Frank (William H. Macy), the kids have to take care of themselves. But in the fourth season, which closed this week with “Lazarus,” the obstacles they face get noticeably more challenging and adult. It’s a good thing these characters have plenty of practice hanging tough, so they are likely to survive the increased hardships.

Fiona (Emmy Rossum), is the oldest, and so serves as the mother figure for her younger siblings. This season, though, she gets a taste of a normal life and job, and perhaps feeling guilty for being pulled away from the kids, or undeserving of success, or stressed out from all she’s done, she spirals. “Lazarus” begins with Fiona in jail for a 90-day sentence on a drug charge and breaking probation. Luckily, by the end of the hour, she is released due to overcrowding and returns home, beginning to put her life back together, working as a waitress for Charlie Peters (Jeffrey Dean Morgan, Magic City, Grey’s Anatomy).

I don’t think Fiona has an abuse problem; I think she is just going through something. She may not need NA or AA to stay clean because she’s not addicted to substances, but the program could still benefit her. It teaches one to look for inner strength and to work hard to better oneself. Fiona, now an adult, needs to set the course for the rest of her life, and in a sweet scene with brother Lip (Jeremy Allen White) late in the episode, it sounds like she’s taking the lesson to heart, pulling out of her dive. Thank goodness, because she’s probably the most admirable person on Shameless, prior to recent events, and she deserves to find happiness.

Part of what will help Fiona is to finally realize she doesn’t have to do everything for her family. During her stay behind bars, the household runs just fine. Lip, while busy with college, manages to pitch in and still pass his exams. Debbie (Emma Kenney) and Carl (Ethan Cutkosky), who really grow into their own stories this year, which include romances, are old enough to take care of themselves, rather than being a burden. There’s still young Liam, whose accidental endangerment begins Fiona’s mess, but with so many responsible brothers and sisters, everyone can share his care, meaning it doesn’t all fall on Fiona any more.

It’s really cool to see the other Gallaghers become more responsible. Lip’s college tenure is a success thus far, and for all his girlfriend, Amanda’s (Nichole Bloom), faults, she does help him manage his time effectively. I’m not sure he’ll stay with her, the siren call of Mandy (Emma Greenwell), who needs protecting, tempting him back to his old life, but it will probably be beneficial if he stays where he is. Debbie also matures and goes through her first real relationship, with things not playing out quite as she expects, but she finds within herself the ability to cope and get through troubles. Carl picks a terrible girl in Bonnie (Morgan Lily), but at least he shows compassion when helping out her younger siblings, indicating he will follow in his siblings’ laudable footsteps, not his father’s stumbling ones.

Carl is the most in danger of being like Frank. Unlike the others, he still looks up to the old man. The powerful final scene of “Lazarus,” evoking the installment’s title, in which Frank, who has survived nearly dying of liver failure and a stolen kidney, shouts profanity at the heavens and then begins drinking again, is disturbing, all the more so because Carl stands beside him. Up until now, Carl is rebellious, but he is also sweet, too. If Fiona, Lip, and Debbie get pulled away to their own things and forget about Carl, there is every chance he will continue to be susceptible to Frank’s poor example, which could turn him in the wrong direction. Or maybe he’ll learn the hard way not to be like Frank when Frank finally kicks the bucket, which seems a near certainty in the near future.

While all of these positive things are happening for the Gallaghers, one huge negative rears its ugly head out of nowhere in the Shameless finale. Middle child Ian (Cameron Monaghan), who has been acting strangely all season, suddenly reveals himself as being bipolar. This isn’t something easily overcome with rehab, like a drug problem, and the family is all too familiar with the symptoms, as their absentee mother suffers the same affliction. They may be able to get Ian help and medications to balance him out, but the fact remains that Ian has become the new burden on the family. Thank goodness they love him enough, and are tough enough, to help him.

They won’t have to do it alone. Ian’s boyfriend, Mickey (Noel Fisher), another character who really grows as Ian forces him to step out of the closet, is protective of Ian. He may not understand what Ian is going through yet, and isn’t in favor of medical treatment, but he cares for Ian and seeks to protect him. With these feelings firmly in place, it seems like Mickey can be brought around to what needs to be done, and that he will stick by Ian through this process. I could be wrong, and for drama’s sake, Mickey likely won’t shift easily, but I’m optimistic he can be the man Ian needs him to be.

The Gallaghers may be the center of Shameless, but they aren’t the only characters in it. I’ve particularly enjoyed the dynamic between Sheila (Joan Cusack), now married to Frank, though time will tell if that means anything, and Sammi (Emily Bergl), Frank’s eldest daughter whom he has only recently reconnected with. The two women fight bitterly over how best to take care of Frank, then return home and share a pot roast. Sammi’s fighting drive that causes her to park her trailer outside of Sheila’s house contrasts nicely with Sheila’s need to take care of people, while not really being a pushover. The timing of this latest moment, after Sheila loses a custody battle for five Native American children and Sammi could really use a parent when Frank escapes the hospital and her, couldn’t be better. I look forward to seeing how they develop next season.

Then there’s the bombshell at the end of “Lazarus”: Jimmy/Steve (Justin Chatwin) is still alive. We’ve thought him dead for an entire year, and now he’s in a car on the Gallaghers’ street with an as-yet unnamed woman (Dichen Lachman, Dollhouse). What is he doing here? How did he survive? Why has he come back now? It’s a tantalizing tease for the fans as we wait for the show’s return next January.

Character development and unexpected twists are hallmarks of the high-quality sseries about an at-times heart-warming, low-income family. It’s moving, soapy drama (entered for the first time as a comedy for the upcoming Emmys), but it’s also really developed stuff, making it better than most of its peers. Shameless has been renewed and will air its fifth season in 2015.

Desperate Housewives The Complete Seventh Season out on DVD

     Coming to DVD this Tuesday, August 30th from ABC Studios is Desperate Housewives The Complete Seventh Season. Subtitled "Wild, Wild Westeria Edition," just because, as all of the DH DVDs have 'edition' titles, it contains all twenty-three episodes of the hit dramedy's penultimate season. Getting back to the show's roots, the seventh season returns some characters not seen in quite awhile, and tries valiantly to recapture the original tone. Couples fall in and out of love, and secrets get darker. This DVD set is a must-watch for anyone who hasn't seen the series yet. And like other ABC shows, it is only available on DVD, not Blu-ray.

     As season seven begins, Paul Young (Mark Moses, Mad Men), fresh out of prison, moves back to Wisteria Lane, determined to get even with the neighbors who abandon him after his trial. He brings along a new wife, Beth (Emily Bergl, Southland, Men in Trees), who also has a dark secret of her own. Beth is actually Felicia Tilman's (Harriet Sansom Harris, Frasier) daughter, there to get revenge on Paul, who murders Felicia's sister, Beth's aunt, in season one. As both Paul and Beth try to carry out their plots, emotion gets in the way, and Paul soon finds unexpected compassion from one of his old friends. It's a great throwback to what is arguably the best storyline from the entire series, even though it happened at the very beginning.

     Joining the cast in season seven is the amazing Vanessa Williams (Ugly Betty) as Renee Perry, an old friend of Lynette's (Felicity Huffman) who moves to town. Renee stirs up trouble and shakes up the dynamic of the housewives in deliciously interesting ways. Williams manages to hold her own against the long-time stars, and actually carves herself a nice little niche that she will sadly get to occupy only one more year, before the series goes dark forever.

     Also appearing in an arc throughout much of season seven is Brian Austin Green (Beverly Hills, 90210 and Terminator: The Sarah Connor Chronicles) as Keith, a much younger love interest for Bree (Marcia Cross) after Orson (Kyle MacLachlan) finally moves out. MacLachlan is missed, but Green is also great, in a totally new-flavor way. John Schneider (Smallville, Dukes of Hazard) plays Keith's dad, who takes an interest in Bree, too, a more age appropriate, albeit wrong, choice. Both are gone by season's end, but then Jonathan Cake comes along as Chuck Vance, Bree's newest love interest, so it's safe to assume that Bree's bed won't remain empty for long.

     The seventh season of Desperate Housewives ends with quite the cliffhanger, and a beautiful set up for the final season. All of the housewives, and one of the men, are involved in a murder and the cover up of said murder. For those who haven't seen the episode, I won't spoil the twist with too many details, but needless to say, their actions are not evil. But this does set up a very intriguing final season plot where the four women have to band together as never before to protect each other and stay out of prison. Making matters even more complicated, Bree's new guy, Chuck, is a homicide detective. Talk about a conflict of interest!

     Of course, the real soul of Desperate Housewives is provided by the four main women, all of whom undergo major upheavals in their lives in season seven prior to the awesome finale. Bree not only searches for a new man, but also helps son Andrew (Shawn Pyfrom) deal with the alcoholism he inherited from her. Susan (Teri Hatcher) faces her own mortality. She and Mike (James Denton) also face money problems, and have to temporarily move off of Wisteria Lane. While Mike goes out of town to find work, Susan becomes a sexy online cleaning lady for her landlord, Maxine (Lainie Kazan, My Big Fat Greek Wedding). Gabrielle (Eva Longoria) discovers her and Carlos's (Ricardo Chavira) eldest daughter, Juanita (Madison De La Garza), was switched at birth in the hospital, and their biological child is being raised by illegal immigrants who must flee authorities. It's an Emmy-worthy performance for Longoria, though she is not nominated.

     Lynette faces the possible end of her very long marriage to Tom (Doug Savant), the most stable relationship on the series, up until now. This is a very sad state of affairs. While Mike and Susan have had extremely rocky patches over the years, and Gabi and Carlos even divorce for a time, Lynette and Tom have always been rock solid. With that foundation crumbling, and the threat of a permanent divorce looming, it's going to take much effort to come back from the brink. Given the final season status, a reconciliation would seem to be a no-brainer. But seeing how bad things are as season seven ends, it won't be an easy fix, either.

     On Desperate Housewives The Complete Seventh Season, there are an average number of bonus features for an ABC release, but they are mostly worthwhile extras. Twelve deleted scenes are interesting, but don't add much. Most are from the episode "Assassins." More than four minutes of bloopers seem like too much, yet they are pretty entertaining. A five-minute feature called "Desperate for Trivia" finds the four main women, their three steady men, and Mark Moses answering trivia questions pertaining to all seven seasons of the show. It's hilarious to see who knows what. For instance, did you know that the episode titles in Desperate Housewives are all Stephen Sondheim references? Ricardo Chavira does! Though it's also easy to understand how just being on a series doesn't mean you retain every intimate detail.

     The best bonus feature is "Growing Up On Wisteria Lane." In it, a number of the child actors, especially those who grew up on the series and were never recast, talk about what it's like to be on the set. Some of the adults also provide insight about working with these particular kids. It's a poignant retrospective, appropriate with the end so close. It's also touching that the children, who are forgotten about from time to time, get their very own ten minutes of focus among so few other features. A very worthy addition!

     Make sure you check out Desperate Housewives The Complete Seventh Season, on sale this Tuesday, August 30th.


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Article first published as DVD Review: Desperate Housewives The Complete Seventh Season on Blogcritics.

The Desperate Housewives are "Seaching"

     With the Oscars last weekend, several Sunday night shows aired their final episode before a month of reruns a week later than other series. ABC's Desperate Housewives entry was less shocking than some of their previous cliffhangers, but still contained quite a bit of good drama, especially in finding purpose, a theme for the episode appropriately titled "Searching".

     Susan (Teri Hatcher) collapses in the episode before this, and this week her doctor does not have good news. Dialysis isn't working, and she needs a donor soon. She and Mike (James Denton) go on a picnic to celebrate their anniversary a few months early, as Susan worries she may not be up to it, if she is even still around, when the real date rolls around. Everything that can go wrong does, and Mike gets angrier and angrier. His anger isn't merely at the comedy of errors, which always follows Susan around, but at the disease, and what he perceives as Susan's give-up attitude. She the convinces him she intends to keep fighting.

     I like that we finally get to see what Mike is feeling. So far, as with most guys until you really get to know them, Mike has kept a strong front throughout. He surely has been struggling internally, and his private scenes with Susan finally allowed him to let some steam out. They are a very compatible couple, and while it feels a little voyeuristic to watch them interact this way, it is also darn good writing and acting, and a side of the issue that we really need to see. Good job!

     I've honestly found Susan's kidney disease arc a little exhausting. Susan's character is better suited to comedy than drama, and this season has brought her more of the latter than before. How many scenes can we take of seeing Susan being strong for her loved ones while a disease eats away at her? That being said, since the writers chose to go down this route, it's been handled as well as it can be. While perhaps sped up a bit to confine it to one television season, the twists and turns have been realistic, and there is emotion to be felt for her.

     My favorite story this week was the end of Beth's (Emily Bergl) tenure on the lane. Beth is clearly a weak personality, easily manipulated and led to do others' bidding. It happens with her mother, Felicia (Harriet Sansom Harris), and it happens again with her husband, Paul (Mark Moses). What makes Beth such a tragedy is that she has no one in her life to support her. After failing both Felicia and Paul, they cast her aside, with no concern whatsoever for her once she is past her usefulness to their schemes.

     Beth's struggle to find who she is is great storytelling, of the sort that crops up now and again on Desperate Housewives when you least expect it. The show has shown genius at throwing curveballs, and Beth's realization of her place in life was one that should have been seen coming from a mile away, and yet I haven't really realized it until it happened. Having Beth choose to fill out the kidney donation paperwork for Susan and then end her own life is brilliant. Beth still serves another person, even in death, but this time by her own free choice. She makes the ultimate sacrifice. My only regret is that I adore Bergl and wish the actress could have stuck around, though her character is being given a perfect finale.

     I was also surprised when Gaby's (Eva Longoria) plot took a turn late in this episode. For most of the hour, it is easy to believe Gaby is back to her old, selfish self. This is not unwelcome after a long, spectacular run at some of the best acting of Longoria's career, as she has coped with hurdle after hurdle this season, allowing her some wonderful range and showcase for her talent. So I had no complaints about Gaby hiding Juanita's (Madison De La Garza) tap shoes when it was clear the young girl's routine might have embarrassed her mother, even though it is a pretty low thing to do.

     Then, suddenly, Gaby's selfish woman routine gives way to her selfless mother. It's a role Gaby embraces more and more these days, and is the reason I believe she has been the most dynamic of all the series's leads. Gaby learns from watching a new father that pride in child is the greatest joy she can find in life, so she embraces it. Gaby does a bad thing, but she makes it right in the end. That is not something she would have done a couple of years ago.

     Rather than let Bree (Marcia Cross) tread water for an episode after her romance story ended last week, Bree has a crisis of faith. She feels useless, and needs a new mission. It is suggested to her that she pursue helping others, and so she goes on a tear down the street looking for a donor for Susan. The neighbors are surprisingly reticent to be tested, so in true Bree fashion, she locks them in at a brunch and forces it upon them. Two donors are found, including herself.

     I guess I was a bit confused as to why Bree hasn't already been tested prior to her mission. I would think she would have done that first and foremost, before beginning her crusade. Other than that, though, I like her independent, forceful spirit. Despite no longer having her business, Bree continues to have the capacity to get things done. I hope that is the focus on Bree moving forward. She should be starting a new entrepreneurial experiment, perhaps something in the charity field.

     The final plot this week involved Renee (Vanessa Williams) wanting a baby. Lynette (Felicity Huffman) lets her babysit, and then publicly humiliates her into accepting she is not cut out to be a mother. Cruel? Yes, but then, that is probably the only way Lynette can get through to Renee. Renee is a stubborn woman not used to being told no, and so she doesn't readily accept a negative answer.

     Williams has meshed magically with the long-time cast this season. She is a more complex version of a few former characters merged together. Renee can be a diva, and often is, but she also has a compassionate heart. She was an old friend of Lynette's, and I enjoy their scenes together, but I also really love the dynamics of the Renee and Susan pairing, as has been done a few times already. I look forward next to a good Renee-Bree or Renee-Gaby story, and hope she sticks around long enough to work her way into the lives of all of our characters.


     Desperate Housewives is taking a break, but will soon return Sunday nights at 9 p.m. ET on ABC.

Article first published as TV Review: Desperate Housewives - "Searching" on Blogcritics.

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Desperate Housewives welcomes new characters

ABC's Desperate Housewives has arguably undergone more changes in the first two episodes of this season than at any other time, with the exception of the five year leap forward in time a few years ago. There are new characters arriving, old characters leaving, and some unexpectedly familiar faces popping back up in big ways. Plus, there is an air of danger and mystery that has been absent from the series for some time now. The show has still been strong and interesting for awhile, but these turn of events are refreshing, and has raised the bar once more for Housewives, which has just begun it's seventh season.

The biggest news is that former full-time character Paul Young (Mark Moses, Mad Men), who went to jail way back near the beginning of the series for murdering Felicia Tilman (Harriet Sansom Harris) has been released, and has once more been signed to star in the show. Felicia was found alive and well, and is now serving what will likely be an eighteen month sentence for framing Paul. Meanwhile, with his large settlement check in hand, Paul has moved back to Wisteria Lane in a rental, while angling to buy his old home back. He has not come alone. While incarcerated, he met penpal Beth (Emily Bergl, Southland, Men in Trees), who now finds herself living with a man she never thought that she's see except through the jail bars. It's a weird dynamic to be sure, and one that is far from played out.

The second biggest change is the inclusion of Vanessa Williams, seemingly snapped up by Housewives as soon as Ugly Betty was canceled. Williams plays Renee Perry, and old college friend of Lynette's (Felicity Huffman). After being dumped by her baseball playing husband, Renee turns to Lynette for comfort, and decides to stay. Although she and Lynette's husband Tom (Doug Savant) has a past that they're keeping under wraps, I don't feel like she's a threat to their marriage. She has moved into the late Edie's (Nicollette Sheridan) house, though, and it's obvious that the two have a few things in common. Her inclusion in the neighborhood won't be a quiet one. By next week, she will already by competing with Bree (Marcia Cross) for a man.

Speaking of Bree, her husband, Orson (Kyle MacLachlan) has gotten his divorce and run off with his physical therapist, leaving her all alone. It's a pretty sad development, and MacLachlan will definitely be missed on the show. No one else quite brings what he brought to the table. After a small mental breakdown, Bree has decided to redo her home. To accomplish this, she hired hottie handyman Keith (Brian Austin Green), and the sparks are already starting to fly. Especially after she hit him with her car. As mentioned above, Bree isn't the only one interest in Keith, who is much younger than the ladies on the lane. Green is charming, and I hope he stays around for at least a few episodes. I don't think he'd make a great third husband for Bree, but hopefully he will loosen her up a bit.

Susan (Teri Hatcher) and Mike (James Denton) have left Wisteria (it's their house that Paul is renting) for smaller digs after their money problems blew up at the end of last year. Mike doesn't see a way out of the whole, but Susan has convinced him that she can make enough money off of homemade jewelry to do some good. I'm sorry, but the fact that he buys her load of crap is pushing the boundaries of reality for me. Her jewelry is hideous, as the other characters have all indicated, and there's no way she'd make anything off of it. What Susan has really done is taken a job cleaning her house in her underwear for a web cam. Her boss and landlady, Maxine (Lainie Kazan, My Big Fat Greek Wedding), has convinced her that it's an honorable profession. But Susan cannot think too highly of it, since she refuses to tell Mike where the money is really coming from.

Despite all of that juicy gossip, the best story so far goes to Miss Gabrielle (Eva Longoria Parker) and Mister Carlos (Ricardo Chavira) Solis. Apparently, a nurse switched their daughter, Juanita (Madison De La Garza) with someone else's baby when she was born. Eight years later, the nurse confessed on her death bed. The hospital first approached Carlos, who blackmailed them into keeping the secret from his wife and the public. It was a noble sentiment, done to protect his family from the emotional torment sure to follow such a revelation. It worked for one episode, until Juanita ended up in the hospital, and her blood type, inconsistent with her parents', was pointed out to Gabrielle. At first, Gabi amusingly assumed she must have had an affair when drunk and not remembered it. But Carlos cleared it up for her, instead of leaving it hanging. Next week, Gabi will begin seeking out her biological daughter, without Carlos's knowledge.

Surely, we have the makings for quite the season! Paul brings the threat, Renee brings the slut, Keith brings the steam, and Beth brings the mystery, while the titular housewives all do their best to make their lives as good as they can be, overcoming anything that comes their way. I'm certainly excited. Now if the writers would just get Bob (Tuc Watkins) and Lee (Kevin Rahm) back together, all would be right in their little suburb.

Desperate Housewives airs Sunday nights at 9pm on ABC.

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Article first published as TV Review: Desperate Housewives welcomes new characters on Blogcritics.