In the Shadow of THE LOOMING TOWER

Article first published as TV Review: THE LOOMING TOWER on Seat42F.

Hulu’s latest miniseries is THE LOOMING TOWER. Based on the non-fiction book of the same name by Lawrence Wright, the ten episodes cover the lead up to the 9/11 terrorist attacks. Beginning in 1998, with some flashes to hearings well after the fact, we see both the FBI and CIA bungle up their own investigations while refusing to work together, telling the vital story of how Osama bin Laden may have been prevented from killing thousands, but wasn’t. It’s pretty good drama.

At the center of THE LOOMING TOWER is John O’Neill (Jeff Daniels, The Newsroom). He’s head of the FBI New York branch, and he has personal issues with just about everyone in his life. His subordinates seem to mostly respect him, but his bosses don’t, nor do the CIA officers he comes in contact with. Thankfully for O’Neill, Richard Clarke (Michael Stuhlbarg, Fargo) listens to him, but Clarke can only do so much. If O’Neill’s professional flaws aren’t enough for you, he has multiple girlfriends and a wife in various locales, so he’s a deeply flawed character.

Contrast that with Ali Soufan (Tahar Rahim, A Prophet), a more traditional hero. Ali may have joined the FBI on a dare, but he is totally committed to working under O’Neill and trusts the boss’ judgment. He doesn’t hesitate to drop personal matters at a moment’s notice when called upon to do his duty, and is only too eager to put himself into dangerous situations if he thinks he can do some good. O’Neill tempers Ali by looking at the bigger picture, but that’s about the only place where O’Neill is better.

Other than those two, most of the other characters are much smaller. From CIA antagonist Martin Schmidt (Peter Sarsgaard, The Killing), to Schmidt’s loyal underling, Diane Priest (Wrenn Schmidt, Outcast), to teacher Heather (Ella Rae Peck, Gossip Girl), to many others, THE LOOMING TOWER is stuffed full of players, each with their own story and agenda, most of them minor to the main plot. This makes sense for a dramatization of this nature, which surely has a lot of moving parts. And with ten episodes, the miniseries doesn’t need to stay too focused. Still, much of their scenes seem like fluff, rather than driving the story forward, even if the supporting characters are fully formed.

An exception to that is Robert Chesney (Bill Camp, The Night Of). Although his role as a member of O’Neill’s team is not a huge one, he has some very compelling scenes in the first couple of hours that really make him an interesting character.

THE LOOMING TOWER has the weight of an HBO-level miniseries, and is a strong contender come awards season. It has great performances and the heft of being mostly real. The production value and directions are of good quality, and its narrative is smart and cohesive.

Where it wavers for me a bit is the pacing. It feels like it’s balancing too much, and is weighed down by it. When certain characters are on screen, it flies beautifully. When they’re gone, or when we’re venturing into O’Neill’s romantic territory, it falters. I enjoyed the first two hours I watched and will likely watch more, but I can’t help but feel that a leaner series would have worked better. The time frame covered could have been extended if they still wanted to make the same number of episodes.

One thing I thought was pretty cool was that the World Trade Center towers are not glimpsed for quite awhile at the beginning. And the only shot of them in the first two installments is in the background, not a focus of anything happening. They loom over everything, but aren’t part of the story. Not yet, anyway.

Hulu has released three episodes of THE LOOMING TOWER, with more coming weekly.

WELCOME TO THE FAMILY Sort of Welcome

Article first published as WELCOME TO THE FAMILY Review on Seat42F.

NBC tosses another family-centered sitcom into a very crowded field this fall with WELCOME TO THE FAMILY. Valedictorian Junior Hernandez (Joseph Haro, Awkward.) is surprised to learn that his barely-graduated girlfriend, Molly Yoder (Ella Rae Peck, Gossip Girl), is pregnant. But not as surprised as their families are when they finally meet one another.

There is nothing about WELCOME TO THE FAMILY that is original or fresh. It is the melding of two groups of people who dislike each other, rubbing one another the wrong way in a comic style that will soften as the series goes on. The culture-clash and the parent-child relationships are familiar and predictable. Plot “twists” are seen coming from a mile away. And even those that aren’t (such as the big one at the end of the first episode) don’t seem surprising in the context.

Yet, I did find myself enjoying the “Pilot,” despite these glaring flaws. The reason must be the cast, which has oodles of charm, and the writing, which remains amusing, even as it is uninspired. The show goes for the guaranteed laughs, but they’re laughs all the same.

WELCOME TO THE FAMILY’s “Pilot” pretty much belongs to the patriarchs. Mike O’Malley (Glee) plays Dan Yoder, the free-wheeling, non-controlling daddy, while Ricardo Chavira (Desperate Housewives) is Chuey Hernandez, the proud papa who fulfills the role of dad his father never did. Unfortunately, the two men get off on the wrong foot before they even realize their kids are dating during a first meeting that seems far too contrived.

Dan and Chuey are the main focus of this premiere. Yes, their kids have to deal with a pregnancy, but they have to deal with one another. The series understands that it has two great male leads who can carry the story on their own, and thus gives them more than their share of the first half hour, banking on their charm and humorous competition with one another to draw viewers. This gamble may just work out for them.

Though, Ricardo and Mike aren’t the show’s only weapons. Despite having much less to do in the “Pilot,” their wives are equally talented actresses. Caroline Yoder (Mary McCormack, In Plain Sight) and Lisette Hernandez (Justina Machado, Private Practice) pretty much get along right away, of course, because the calm, rational wives have to balance their crazy husbands in these types of series, so their subplot is small and uninteresting. However, McCormack and Machado are better than what they get to show in the premiere installment.

For a series to have any legs, the episodes will have to diversify away from the central conflict, and the rest of the ensemble will be required to pull their weight, too. With these particular ladies in the major roles, I have no doubt that it will not be a problem.

I also have to give props to Peck and Haro. Peck stands out, even in such a familiar trope, and earns her own place in the cast, balancing being stupid with actually being aware of her mental limitations. And Haro is appropriately earnest as the boy who wants to do the right thing, even if it means giving up his dreams of college and career, which seem secondary to him right now, just wanting to be happy with his girl.

Both characters are pretty one-sided in the “Pilot,” but surely that will change in later episodes. That good news is, I like them already, and if they have even a little bit of depth in them, they should be OK. In time, they might even be as interesting as their TV parents.

Junior also has a younger brother named Demetrio (Fabrizio Zacharee Guido), but he is mainly set dressing in the “Pilot.”

Also, props to the hashtag #wttf as a way to reference the show. Not super novel, but edgier than I would have given ABC credit for.

In short, WELCOME TO THE FAMILY is nothing that critics will fawn over nor awards will flow to. But it’s a well-made situation comedy about two families coming together, populated with an experienced, highly talented cast. In this, it should do well enough.

WELCOME TO THE FAMILY premieres Thursday, October 3^rd, or watch the “Pilot” now on Hulu.

Deception brings NBC into the soapy drama game

Grade: 85%

NBC's Deception is the network's foray into the genre of soapy drama. This is usually ABC's territory, as evidenced by Scandal and Desperate Housewives. Considering the field has plenty of this type of series already, with versions spreading throughout the cable landscape, can NBC provide something fresh and original enough to set itself apart?

Yes, and no. Deception benefits from the best cast assembled in awhile for such an effort. It also takes itself more seriously than the average prime-time soap, avoiding the cartoonish and over the top elements of its peers. It's an intricate murder mystery steeped in character history, meaning we get flashbacks. It feels like Revenge with a dash of Veronica Mars, so it's not wholly original.

As the "Pilot" begins, Joanna Locasto (Meagan Good, Californication, Think Like A Man) learns her childhood best friend, Vivian Bowers (Bree Wiliamson, One Life to Live), whom she knew because Joanna's mother was Vivian's family's maid, is dead. It looks like a drug overdose, which would be within Vivian's character, but the feds and police suspect murder. Most of their suspects are members of Vivian's own family, so they send Joanna in, undercover, to figure out what is going on.

While there will surely be plenty of plot twists coming up, the one who looks least guilty right now is Vivian's father, Robert (Victor Garber, Eli Stone, Alias, Web Therapy). Robert is warm and welcoming to Joanna, buying her cover story, and inviting her into their home. While Robert is involved in a pharmaceutical company that could have a drug connected to the motive, he doesn't seem the type.

Less sure is Vivian's brother, Julian (Wes Brown, True Blood, Hart of Dixie). Not only is Julian involved in the business, too, but he also has a thing for Joanna, who returns the feelings. This means that her vision may not be clear around him, as evidenced by her shutting off her wire while they cuddle on the dock, throwing her professionalism out the window. Which begs the question, even if Joanna has an in, is she the right woman for the job?

Then there's Edward (Tate Donovan, Damages), who doesn't want Joanna around, but is too grumpy and obvious to be the killer. He is having marital problems with his wife, Samantha (Marin Hinkle, Once and Again), but we don't yet know what's involved. They will probably be the initial focus of the investigation, and then, if the series is predictable, Joanna's allies.

The wild card lies in Robert's second wife, Sofia (Katherine LaNasa, The Campaign). At first, she seems a nasty piece of work who doesn't get along with Julian, Edward, and Vivian. But then we learn that the daughter thought to be hers and Robert's, Mia (Ella Rae Peck, Gossip Girl), is actually Vivian's child, so Sofia can't be all bad.

Of course, we have to have even more twists thrown in, so Joanna's ex, Will Moreno (Laz Alonso, Avatar), is the one who brings her in on the mission, and he still harbors feelings for her. And the first person to blow Joanna's cover, a reporter named Remy (Christopher Denham, Argo), is killed by two men in a black car. Also, Vivian is pregnant a second time when she dies.

There is a great set up here for the era of class warfare, with the dysfunctional, rich family, and a tangled web of clues. The actors sell their roles. But it also has too many familiar elements, which could hurt Deception if it doesn't come up with something new to toss in. And how long will it take the Bowers family to figure out what Joanna is up to? Too long, and they seem dumb, unworthy of an elaborate killing scheme. Too short, and it kills the momentum of the investigation.

Basically, the jury is still out on Deception, and if it will be a weekly viewing appointment. So, to find out, tune in Mondays at 10 p.m. ET on NBC.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first posted on TheTVKing