Showing posts with label Elizabeth Bowen. Show all posts
Showing posts with label Elizabeth Bowen. Show all posts

Tuesday, February 2, 2021

Meet the New RESIDENT ALIEN

 Article first published as TV Review: RESIDENT ALIEN on Seat42F.


SyFy’s latest dramedy is RESIDENT ALIEN. Based on the comics of the same name, the series follows an extraterrestrial that crash-lands on Earth and has to fit in among the local population. He tries to stay apart initially, taking the identity of a doctor who lives in a remote cabin in Colorado near the crash site. But when the town’s local physician dies and no one else can get through the roads at this time of year, the mayor pulls “the doctor” out of retirement and forces him to fill in. Toss in a murder mystery, possible romance, a child nemesis, and a planned genocide, and there’s a lot going on.

Alan Tudyk stars in RESIDENT ALIEN as Harry Vanderspeigle, the human appearance of the alien (once the real man is killed). Tudyk has a long resume full of lots of voice-over work (Rogue One, Harley Quinn), as well as both comedic and dramatic turns in the series Firefly and its film spin-off, Serenity, so he’s already proven his bona fides and is overdue for a starring role. He mixes just the right amount of levity to a very dark story, and his humor is beautifully downplayed. Tudyk finds plenty of good moments for subtle acting, both physical and emotional, and is highly believable in a very strange part.

Harry, as I’ll refer to the alien from here, was on a mission to wipe out mankind when he crashes. It’s evident from the pilot that, living among the species, he’ll grow to have affection for humans, and likely protect them. Despite a couple of heinous acts, it’s still easy to root for Harry – as long as he is able to be stopped from murdering young Max (Judah Prehn, Kinderwood), the only one who can see his true form. I just don’t see how Harry could come back from killing a kid.

It would be very easy for Harry to fall into stereotypes, but so far RESIDENT ALIEN deftly avoids them. Harry is neither heartless nor full of emotion. He is intelligent, yet socially awkward, but neither to the point where it defines him or distracts from the story. He isn’t easy to pin down, and this complexity makes the character work in a way he very easily might not.

The supporting cast of working, but mostly not yet household name, actors are excellent, too, finding the absurdity of individualism and small-town life, making the most awkward group of delightful individuals this side of Stars Hollow. Sherry Mike Thompson (Corey Reynolds, The Closer) is a tough guy who’d like to be referred to as Big Black. His deputy, Liv Baker (Elizabeth Bowen, Upload), is awkward and open-minded. The two share a touching sing-along moment in the RESIDENT ALIEN pilot. D’arcy (Alice Wetterlund, Silicon Valley) stands out as the fun bartender. Mayor Ben Hawthorne (Levi Fiehler, The Fosters) is a liberal in a conservative town. And the second lead of the show, Astra Twelvetrees (Sara Tomko, Once Upon a Time), is a loner who finds the hidden kindness in Harry. Or maybe she just needs someone and he’s there.

I like that RESIDENT ALIEN has a sizeable ensemble cast. I like that it has a distinctive look that works for it. I like the mystery of the doctor’s murder that extends beyond the first episode. I like a lot of things about this show, including that I can’t adequately describe it one sentence. Mostly, I like that it’s a fully realized world, and despite some coincidences that stretch believability, it’s a well-thought-out story of complicated people, and one alien, that stands apart in its lack of cheesiness that often suffuses similar premises. It probably helps that its not a sitcom.

RESIDENT ALIEN airs Wednesdays at 10 ET on SyFy.

Thursday, May 14, 2020

UPLOAD This Into Your Brain

Article first published as TV Review: UPLOAD on Seat42F.



WARNING: The following contains spoilers from the first three episodes.
Greg Daniels, co-creater of The Office and Parks and Recreation, is back on television with the new Amazon Prime half-hour dramedy, UPLOAD. Set just over a decade in the future, it tells the story of a world in which the dying can upload their consciousness into the digital realm – for a fee. And like the apps of today, it’s connected very closely with anyone you want to interact with (even back in the real world), and has plenty of in-game purchases available. But there a dark underbelly to the satiristic story.
Robbie Amell (The Flash) stars as Nathan Brown, the protagonist who is killed in a malfunctioning self-driving car. He ends up in the app thanks to his rich girlfriend, Ingrid Kannerman (Allegra Edwards, Briarpatch), who wanted to marry him, but whom Nathan was trying to work up the nerve to dump. Once there, Nathan tries to accept his new status while feeling more and more isolated in the real world. Complicating this are missing memories and unanswered questions surrounding his demise.
Nathan is aided by Nora Antony (Andy Allo, Chicago Fire), the customer service representative that serves as his ‘angel’ in the afterlife. Nora is frustrated with her job and lousy corporate culture, but is drawn to Nathan, despite his unavailability, and finds personal motivation in building a relationship with him. (Jim Halpern, anyone?) Nora notices strangeness in Nathan’s case before he does, but is she really in a position to do anything about it?
UPLOAD is funny. One might even add a very to that statement. There are many visually humorous aspects to the situation present, and there’re some biting observations about modern society, especially concerning tech and corporate culture. This is a meaner, more raw version of what Daniels was saying in The Office, and it’s easy to appreciate the thought process that went into the making of this show.
However, sometimes believability is sacrificed for a laugh. Take, for instance, the scene in the pilot in which Nathan is shockingly uploaded. It’s hard to believe a hospital would have a window and allow family to witness such a thing, or that those who did witness were not prepared for the sight. We also are expected to believe that Nora suffers no direct repercussions for some of the acting out she does on the call center floor? And Ingrid unfortunately only becomes more cartoonish as the series unfolds.
One such thing that struck me very odd on the first viewing was Nathan’s behavior just before upload, but this has been explained away by further plot developments.
I like this show quite a bit, and it’s easy to devour in twenty-five minute chunks. (The pilot is double-length). The actors are universally charming, and the mystery adds a compelling through-line to a very interesting take on a man-made afterlife. Elizabeth Bowen (Resident Alien) may just out-Melissa-McCarthy Melissa McCarthy as amateur investigator Fran Booth. Owen Daniels (Space Force) is soooo creepy as the A.I. servant. There are also lots of answered questions that beg to be explored. A lack of aging and development in the app, for one.
But I do wonder just how amazing it could be with a few of the wrinkles ironed out. With just a bit more development time to really figure out those weak spots, I think this might even rise to the level of The Good Place, created by fellow Office and Parks alum Mike Schur (though of course the content is vastly different, despite both being about the afterlife). It is so close to being one of those shows you tell all your friends about. But it falls just slightly short, which doesn’t make it unwatchable, but definitely sparks a bit of longing for what might have been.
UPLOAD’s first season is available now to stream on Amazon Prime.