Showing posts with label Damages. Show all posts
Showing posts with label Damages. Show all posts

Thursday, January 13, 2011

Lights Out - "Pilot"

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     Looking at all of the great reviews out there, I know I am going to get some flak for saying this - FX's Lights Outs pilot was boring. It really was. It wasn't the acting, which was fine. It wasn't even the boxing; despite my distaste for the sport, I enjoyed Rocky. I don't think I have any problem with slow pacing, though my negative opinion of Rubicon might make it look otherwise. The story was sweet enough, I guess. I love the network's other shows like Damages and Justified, so it's not the FX tone that bothers me. I was just bored with it.

     The story was about Patrick 'Lights' Leary (Holt McCallany), who gave up boxing five years ago at the insistence of his wife, Theresa (Catherine McCormack). Now, the money is dwindling, and he must consider some tough choices to support his family. His brother, Johnny (Pablo Schreiber), who manages his finances, has Patrick call BINGO numbers and play a heavy to bring in a little cash flow, but it's not enough. Apparently, the gym they own is a sinkhole, but they can't give it up because it would break their father's (Stacy Keach) heart. So Johnny tries to force Patrick back in the ring by letting a past opponent announce a fight on TV without Patrick's knowledge, angering both Patrick and Theresa. But is Patrick really that angry?

     I get the character of Patrick. I understand his frustration, his nostalgia over the days when he did something he loved, his deep adoration for his family, and need to be a provider. He's a fine character, and Holt can make Patrick wither a daughter's boyfriend, not to mention larger game, with a simple stare. As a character, I like Patrick a lot. But it wasn't enough to draw me in, and none of the other characters were painted quite as beautifully as Patrick was, at least not in the pilot.

     I guess that's why I found the first episode boring. With only Patrick interesting me all that much, the show dragged anytime he wasn't the focus of the scene. Yes, Patrick was constantly on screen, but he wasn't always the most animated person in each scene. Others just couldn't hold my attention. Plus, I feel like I've seen a Patrick before. In this day and age, the novelty of a tough guy also being a caring family man is gone. It's been done before. So I don't see anything to get super excited about. Yet.

     I really don't get the urgency of the money. Surely Patrick understood that when he quit fighting, resources would be limited. He had to have known roughly how long the nest egg would last, figuring in the cost of living. And if he didn't, Johnny would have. Sure, the gym may be slightly unpredictable, but Johnny should have made some kind of move earlier to salvage things. Johnny doesn't seem the type that would let such a thing go until it's too late, but that's exactly what has happened here. I don't like it. It seems contrived, a necessary element to propel the story forward, but not one that holds up if examined too closely.

     And I feel like certain things will be predictable. Patrick got in a fight with a guy outside the bar. Previews for the rest of the season showed him being arrested. Who wants to bet that the guy he beat up is pressing legal charges, even though he willingly accepted the fight? I could be wrong, but if I'm not, it's lazy writing.

     Which doesn't mean I won't watch at least one more episode. FX has a solid enough track record that I will give it a little more time. Plus, the critics who were raving about the series may have seen more episodes. That's my best explanation for their praise, as I didn't see a worthy subject in the pilot. I guess I just don't want to miss out on another success like Sons on Anarchy, which I sadly didn't watch simply because I wasn't interested in biker gangs. I regret that decision now, and hope to eventually get to the DVDs.

     As a Keach fan from his days on Prison Break, I am looking forward to seeing Pops figure more into the story. Surely, he has opinions of the mess his boys have gotten themselves, and likely him, into. The few moments of him we got, I can't believe he'd passively sit by and just watch things happen without wanting to do, or make someone do, something about it.

     Whatever my opinions, I am sure there are plenty of people who enjoyed the show. I'll watch next week's before I do anything drastic, like give up on it. Lights Out airs Tuesdays at 10 p.m. on FX.

Article first published as TV Review: Lights Out - "Pilot" on Blogcritics.

Friday, October 1, 2010

No Orindary Family has an accurate title

    ABC has a new drama that combines the superhero genre with the traditional family formula.  In the pilot of No Ordinary Family, the Powells, along with a pilot, crash landed in a plane into the Amazon River.  The pilot of the plane, Mitch McCutcheon (Tate Donovan, Damages), died in the accident.  But his body is now in a lab, and who knows what will be learned from the corpse.  Did he develop something special, too?  Will be be revived somehow?

     Matriarch Stephanie (Julie Benz, Dexter, Angel), who is a renowned scientist, had brought her family with her on a research trip to study a rare flower that supposedly has lots of mysterious properties.  I assume that the flower is related to the glowing things in the water, and that is how their powers were developed.  Although she told her boss, Dr. King (Stephen Collins, 7th Heaven) about the flora, she did not reveal to him that she now has super speed, and can run in excess of 700 miles per hour.  Stephanie's power of being extremely fast makes sense for her character, as she never felt like she had enough time to devote to her job, her kids, or her husband.  It was why her marriage was suffering and she felt disconnected from her family at the time of the accident.  The rest of the clan similarly got abilities that matched something lacking in their life.  Son JJ (Jimmy Bennett, Star Trek) was the dumb one, so now he is super smart.  Daughter Daphne (Kay Panabaker, Summerland) was laughed at behind her back for now knowing that her boyfriend was cheating on her.  Daphe obtained the power to look into anyone's eyes and hear what they are thinking, making secrets from her nearly impossible.  Husband Jim (Michael Chiklis, The Shield, Fantastic Four) felt weak after giving up his dream of being an artist to take a steady job of sketching for the police department.  Now he is super strong, and can leap, excuse me, bound a quarter of a mile at a time.

     Jim and Stephanie kept their powers from each other when they first learned of them, but each shared the secret with a co-worker, showing that their bond is at less than full strength.  That's because, despite the comic book arechtypes, this is also a family drama, with real family issues to work through.  The series tries to balance the two, and, at least in the pilot, it did a pretty good job of it.

     Jim quickly learns, while chasing down a perp he heard about on his police scanner, that the Powells aren't the only one with extraodinary abilities.  The bad guy can teleport, making Jim's job of catching him difficult, indeed, but he eventually succeeds.  Jim wants to put his newfound talent to good use, and his Assistant District Attorney friend George (Romany Malco, Weeds) is going to help him.  Accordingly, George has built a high-tech command center in his garage, from where the two of them can keep an eye on the city.  No word yet if Jim will include the rest of the family in his activities.

     It's a strange concept, but it doesn't feel like a strange show.  It's a bit unique, but it has the possibility of going somewhere.  Unlike the recently canceled Heroes, the focus of the stories is not on a comic book situation, but the real life relationships in a family.  It's hard to tell how great the series will be from a pilot, but this one was pretty decent.  No Ordinary Family airs Tuesdays at 8pm on ABC.

Sunday, September 26, 2010

Blue Bloods is a cop drama with a twist

    CBS is known for its crime and legal procedurals. What makes Blue Bloods different is that it is also a family show. Three generations of one family serve the New York City Police Department in different capacities. Each has his (or her) own unique opinions and tasks, but they work as part of a very large team to serve the greater good. Perhaps in part because of the amazing cast assembled, it works.

     Len Cariou (Damages) is Henry Reagan, the eldest, and though we didn't find out much about him in the pilot, it seems he made some mistakes that made his retirement necessary.  But Henry still dons the uniform to watch the newest member of the family, his grandson Jamie (Will Estes, Reunion, American Dreams), get sworn in on the force. Jamie, once on the path to becoming a lawyer, has chosen instead to pursue the family occupation.

     Jamie is coming into things in a very different time from his grandfather's era. The corruption supposedly has been cleaned up, and crime rates are down across the city. Yet, Jamie's brother Joe, who died on the job before the series begins, had been investigating a secret society within the NYPD known as the Blue Templar. Jamie is quickly recruited to help finish the work his brother started, but we are given the impression that he's getting mixed up into something pretty dangerous. I'm not sure he understands that, as his biggest qualm seems to be keeping the investigation secret from his father, Police Chief Frank Reagan (Tom Selleck, the Jesse Stone TV movies, Friends, Magnum P.I.).

     Frank is running into some difficulty, as he has always placed the public ahead of the political game. It has made him popular with the people, but not with his bosses. It may be a similar situation to what Henry encountered, though I can't be sure of that. It is so great to see Selleck back on a series that his presence alone is enough to warrant watching the show. He plays the reigning patriarch (Henry seems retired from that as well) as warm and supporting, but also strong. He loves his family and wants everyone in it to be happy, and sees the city as an extension of that. It's a great role for Selleck, who can convey emotion effectively without a lot of words.

     The star of the first episode was clearly Detective Danny Reagan (Donnie Wahlberg, Band of Brothers). The former New Kids on the Block member can handle the serious drama required for the police work. His character has a lot of heart, but also a lot of heat. When questioning a suspected child abductor, he had no problem shoving the suspect's head in the toilet, which led to the confession being thrown out of evidence. Given the choice between saving the young victim's life (she needed an insulin shot urgently), or playing by the rules, he chose the former, and clearly would again.

     Which makes Danny a headache for sister Erin (Bridget Moynahan, Six Degrees, Sex and the City), who rejected the cop career to work for the District Attorney. It was her responsibility to bring the kidnapper to justice, but she couldn't because of her brother's actions.

     The family dynamic makes this show good. Their dinner table reminded me of the Walkers (Brothers & Sisters).  Blue Bloods airs Friday nights at 10pm on CBS, and I strongly suggest you check it out.

Article first published as TV Review: Blue Bloods is a Cop Drama With a Twist on Blogcritics.

Tuesday, April 20, 2010

Damages drowns in blood

    It began three years ago.  Ellen Parsons (Rose Byrne) stumbled down a dark street, blood on her hands and clothes.  It was quickly renewed for not one, but two more installments.  Now, after a trio of breathtaking seasons, the series may be at an end.  Currently, FX is in talks with DirecTV to split the cost of continuing Damages, but whether that will happen is still up in the air.  Why does such a critically acclaimed, award winning show have to struggle so hard in the ratings?  Perhaps it is the serial nature of it.  But it's well worth the time.


     This year's major case centered around the Tobin family.  True to form, twists kept coming left and right in the final hour and a half finale.  After the suicide of Louis (Len Cariou) in an earlier episode, it was a bit of a surprise to watch his wife, Marilyn (Lily Tomlin) jump to her death.  Beautifully filmed, I didn't even see it happening until she hit the water with a splash.  But will Carol (Ana Reeder) get away with murder?  It appears so.  For now anyway.

     Speaking of getting away with murder, it was wonderful to see Frobisher (Ted Danson) finally get arrested for paying someone to murder Ellen's fiance two years ago.  I'm sad that Wes (Timothy Olyphant, who now his own FX series, Justified) had to go down, too, but it proved the kind of man he is, and that he loved Ellen.  It would be fantastic if they could get back together at some point in the future.  Despite their dark deeds, the bad guys on Damages are frequently shades of gray, and I almost felt sorry for Frobisher, since he turned his new leaf and all.  Almost.

     Turns out, Joe Tobin (Campbell Scott) was really the villain, and the man who murdered beloved character Tom Shayes (Tate Donovan).  Because of that bastard, if the show gets a fourth season, long time third-star Donovan will not be able to return.  Or maybe he will.  Dead characters frequently prop up on Damages, among them, Zeljko Ivanek's Ray Fisk, for which he won an Emmy.  Ray popped up as recently as this week to haunt the people left behind.  But not in a cheesy way.

     I would be remiss if I did not praise Martin Short for the brilliant way he handled the serious drama, as opposed to the comedy that I am used to from him.  Also, Glenn Close is a true star, and proved once again how she can handle entire ranges of emotions in just her eyes, without speaking a word.  Her character may be one who deserves to be taken down more than any other, but you still root for her and care for her.  This season's plot concerning her son, Michael (Zachary Booth) allowed her to show yet more layers to Patty Hewes.

     Please, FX.  Find the money.  Give Damages another season.  To do otherwise would be criminal. 

Thursday, March 18, 2010

The hype is Justified

     I had already read several glowing reviews about FX’s new drama Justified before it aired.  That, combined with the fact that it is set in Lexington, Kentucky, where I currently reside, got my excited for a show that didn’t look like my cup of tea.  The third thing it had going for it was that it was based on a story by Elmore Leonard, author of stories that were made into films, such as Get Shorty and Be Cool, both excellent films.  Luckily, the good things said about it turned out to be completely true.

     There is no better word to describe the main character, Raylan Givens (Timothy Olyphant, Damages, Deadwood) than cool.  The opening, set in Maimi, Florida, was so exciting and intense, I was immediately drawn into the world.  And he maintained that personality all though the story, despite his challenges.  It is also clear that Raylan is a true action hero, the likes of which only come along every once in awhile.  It isn’t possible to overestimate his skill.  Think Jack Bauer in a cowboy hat, but he would rather kill than torture.   And he handles smaller scale problems.

     The supporting cast is much less-defined in the pilot episode.  Raylan’s friend who has gone astray, Boyd, (Walton Goggins, The Shield) gets plenty of screen time in his show down with Raylan (guess who wins?), but ex-wife Winona (Natalie Zea, Dirty Sexy Money) appears in just one scene of consequence.

     The pacing is tight, the setting feels authentic, even if it wasn’t filmed here, though producers have expressed an interest in coming to location if the show is picked up for a second season.  Which, hopefully, it will be.  It is fresh, original.  It’s sort of a Western, which is rare for television these days, and hasn’t been seen on broadcast networks since Firefly.  The humor isn’t there much, but the drama and tension is done well. 

     Justified airs Tuesday nights at 10pm on FX.

Sunday, February 21, 2010

Some series already renewed for next season, others will be left hanging: cable edition

Cable is a different beast than broadcast networks because their seasons run at all different times, rather than the traditional September through May.  Still, many fans will be glad to know that It's Always Sunny in Philadelphia, The League, Greek, The Secret Life of the American Teenager, Mad Men, Breaking Bad, Rescue Me, Big Love, Bored to Death, Hung, True Blood, Drop Dead Diva, Dexter, Nurse Jackie, United States of Tara, Weeds, The Tudors, Party Down, Eureka, My Boys, The Closer, Leverage, Men of a Certain Age, Psych, Burn Notice, White Collar, and Royal Pains, among many others, have been picked up for another season.  Some of those seasons begin soon, others will air next year.  Below are some shows whose fate is still unknown, though.  Again, I use Ausiello of Entertainment Weekly as reference for my list.

Archer ~ I love this half hour comedy on FX, but apparently, it's considered a long shot to be picked back up.  Teeming with great voice talent, it is a good addition to the network's other shows.   UPDATE 02/23: ARCHER HAS BEEN RENEWED FOR A SECOND SEASON.
Damages ~ This show was picked up for two more seasons at the conclusion of the first, but now that they are currently airing the third, FX is unsure if it would like more or not.  This one could go either way.  I, for one, would love to see it continue.  It has won and been nominated for several Emmys, and deserved them all.
Curb Your Enthusiasm ~ This show from Larry David, co-creator of Seinfeld, has run for seven years so far, and is quite funny.  It's a similar type of humor to his earlier effort, and last season featured the reunion of the Seinfeld cast.  It would be nice if HBO asks for another season, but even though it is already done airing the last season filmed, it's fate is still up in the air.
Caprica ~ Although billed as a spin-off of Battlestar Galactica, this prequel set nearly sixty years prior is definitely it's own beast.  So far it has been intriguing and exciting, and I hope it runs for several years.
Southland ~ "Wasn't that show already canceled?" you may ask.  And yes, it was.  However, TNT has been running the episodes that originally aired, plus new ones, and reserves the right to order more if it desires.  Considering that the cast and crew was let go last fall, it seems doubtful, but Ausiello lists this as a 'could go either way', so we'll see.
Crash ~ I've never seen it, and apparently most of you haven't either.  Based on the movie of the same name, Starz has tried and failed to market this show.  It probably won't be renewed, but you never know.

Monday, February 1, 2010

More Damages have arrived

     One of the best dramas on television, Damages, has just returned for a third season on FX.  There was much to like about the season premiere last Monday, including a new, lighter tone with welcome brighter colors.  That's not to say there isn't plenty of twisted stuff still going on.  In fact, one of my favorite characters, and one of only three principal actors in all three seasons, is shown dead in a body bag at the end of the episode.  Of course, much of Damages takes place in flashback, so the character will still be around for at least this year, if the person is actually dead, which I have my doubts about.  Either way, killer way to end the special no-commercial episode!

     As this season begins, ten months after the last, Ellen Parsons, (Rose Byrne) though she has forgiven her former boss, has moved on with her life and now works for the DA's office.  Meanwhile, the former boss, Patty Hewes (Glenn Close, who has deservedly won multiple awards for this role) is just getting around to allowing Ellen's office to be cleaned out, though she is certainly in a better mood than when we last left her.  She is even allowing longtime employee Tom Shayes (Tate Donovan, The OC) to add his name to the door of her firm.  Meanwhile, Tom has remained friendly with Ellen, and when Ellen suspects Patty secretly helped her with a client, the three are entwined further together.  If it wasn't Patty, who was it then?  One of these season's many mysteries, surely.

     The big case of season three deals with a Ponzi scheme of Madoff proportions.  The head criminal here is Louis Tobin (Len Cariou, Into the Storm), and both Patty and the DA are trying to bring him down.  Tobin's family is brilliantly cast, including Lily Tomlin (The West Wing, The Magic School Bus) as his wife and Reiko Aylesworth (24) as his daughter in law.  Joining the cast full time are Tobin's son Joe (Campbell Scott, Royal Pains) and family friend slash lawyer, Leonard Winstone (Martin Short, Primetime Glick, Father of the Bridge, Three Amigos).  Short, usually a comedian, plays this ore dramatic role well, and despite limited screen time in the first episode, he has managed to impress already.  Add to that the promised return of Frobisher, (Ted Danson, Bored to Death, Becker, Cheers) there will surely be no lack of star power.  Yet, unlike other shows, it never feels like stunt casting on Damages.

     This season's mystery will continue tonight and every Monday at 10pm on FX.