No "Mercy" in the GAME OF THRONES

Article originally written for Seat42F.

Fans of GAME OF THRONES are used to bloodbaths, but rarely has a season finale on the show been as bloody as what HBO aired last night. In “Mother’s Mercy,” at least two characters who are still alive in the books meet their fate, and one of the most central figures lies bleeding to death. With a number of other cliffhangers and disturbing moments, season five ends with far less sense of closure than most past years have.

The biggest thing in “Mother’s Mercy” is Jon Snow (Kit Harington) being stabbed a la Caesar, with Olly (Brenock O’Connor) providing the “E tu Brute” moment. It makes sense for this band of unruly thugs to betray Jon, who is making wise but unpopular decisions, not realizing how vulnerable this will leave them. I’m surprised to see Alliser Thorne (Owen Teale) participate, as he seems more honorable than most, but what happens to Jon is not unexpected, the most noble in GAME OF THRONEs always paying a steep price from people who aren’t smart enough to understand.

I don’t think Jon Snow is dead. Too much has been made over the mystery of his parentage for him to go now, without any resolution. Were Jon dead, then it wouldn’t matter who his mother or father are, and so the series has wasted time bringing them up repeatedly and allowing viewers to speculate over it. It’s possible the writers were misleading in the past by doing so, but I don’t believe that to be the case.

If I’m wrong and Jon does perish, there are two possibilities that might keep him around. One, Melisandre (Carice van Houten) could bring him back. We’ve already seen one who worships the Lord of Light do so, so it would not be unprecedented, though it would surely remove the importance of Jon’s parentage because he wouldn’t fully be Jon any more. Two, Jon could awake as a White Walker, giving us a peek into that world more fully. That would be interesting, but again, negate the affect his parentage would have, and so I find both possibilities intriguing but unlikely.

Stannis (Stephen Dillane) is probably dead. As much as it sucks to see Brienne (Gwendoline Christie) kill a defenseless, wounded man, she sees it as her duty to execute him for his unforgiveable crimes, so her actions make sense. It’s a lackluster end to the stubborn, would-be king, but one that feels deserved after the events of last week. I won’t be sad to see Stannis go.

This leaves the Boltons as the unchallenged leaders of the North. Even with Sansa (Sophie Turner) and Theon (Alfie Allen) unrealistically jumping off a wall into a not-nearly-high enough snowbank and escaping, there isn’t an army to challenge the Boltons’ claim on Winterfell. Sansa has already been married to Ramsay (Iwan Rheon) and the marriage consummated, so she personally doesn’t need to be there for Ramsay to claim ruling rights. A White Walker invasion may be the best one can hope for to wipe out those nasty Boltons.

Myrcella (Nell Tiger Free) is likely dead, too, her heartbreaking death in her father’s arms finally proving the danger that Ellaria (Indira Varma) and the Sand Snakes pose. They have basically declared war on King’s Landing, defying their own leader to do so.

Not only is Jaime (Nikolaj Coster-Waldau) in no position to turn around and exact revenge, much as he might want to, but King’s Landing isn’t ready to respond either, their own leadership sorely lacking. Cersei (Lena Headey) loses any little respect the people have for her during her naked walk of shame (another Emmy-worthy performance from Headey, who just had her best season yet), and King Tommen (Dean-Charles Chapman) is helpless to even control the faithful in his own city, let alone make outside war. It is likely Myrcella’s death will go unchallenged, possibly emboldening Dorne to make a larger play, assuming Ellaria dispatches her king as readily as she does Myrcella, a distinct possibility.

“Mother’s Mercy” leaves the Seven Kingdoms riper for invaders than ever. Except, who will invade them? Daenerys (Emilia Clarke) is no position to do so, away from her people, surrounded by Dothraki. She’d have to get Mereen under control first, anyway.

Thankfully, Tyrion (Peter Dinklage) and Varys (Conleth Hill) are reunited in Mereen. If anyone can fix the issues that place is going through, it’s them, both cunning and resourceful. By the time Daenerys gets home, her army might be ready to go. Which would make sense, since there are a mere two seasons of GAME OF THRONES left, and given the geographical distances and multitude of players, it takes awhile for anything significant to happen on the show.

We’re much closer to the end than the beginning, and it feels like it. Practically everyone with power has been removed from it, and those squabbling over the scraps are not holding onto their positions very solidly. The stage has been set for someone to come through and finally reunite the land, as well as save it from the White Walkers. I can’t wait to see how that will play out. In the meantime, the journey to get to that big ending is an entertaining one, and with episodes like “Mother’s Mercy,” which surprise and impress, I’m certainly not complaining about taking time to get there.

Except for how angry I am that the show has departed from the book series so dramatically after four years of sticking pretty close to it. That’s annoying, as is that this episode likely spoils a couple of deaths from the upcoming sixth book. But taken on its own, the show remains terrific.

GAME OF THORONES is already working on season six, so it will return next year to HBO.

GAME OF THRONES More than "Black and White"

Article originally written for Seat42F.

In the latest installment of HBO’s GAME OF THRONES, Arya Stark (Maisie Williams) arrives at “The House of Black and White” in Bravos. This, while Tyrion Lannister (Peter Dinklage) and Varys (Conleth Hill) head to Myreen, Daenerys (Emilia Clarke) makes a controversial ruling, the Night’s Watch elects a new leader, Jaime Lannister sets off on a quest, and Brienne (Gwendoline Christie) encounters someone she doesn’t expect to. So, as usual, it’s a very full hour.

The scene between Tyrion and Varys as they ride in a carriage may be my favorite in “The House of Black and White.” The two men discuss being in a box and what that means, as well as the qualities of leadership. There’s a lot of subtext in the moment, as one might expect from two fellows as intelligent and calculating as this duo. But that’s why they get along so well; they understand each other and the world on a level that few others do. It makes their moments engaging, even if they’re just talking.

Brienne is kind of the opposite in that she needs action to move her story along. She and Pod (Daniel Portman) sitting in a tavern? OK, fine. She and Pod running into Sansa (Sophie Turner) and Littlefinger (Aidan Gillen) in said tavern, and then fighting for their lives against Littlefinger’s men? Much, much better.

None can blame Littlefinger for sicking his guards on Brienne and Pod. Viewers know Brienne is noble and just wanting to help Sansa, fulfilling the promise Brienne made to Sansa’s late mother, but Littlefinger, who has been removed from the capital and much of the gossip he used to hear, has no way of knowing that. His assessment of her makes sense given what he’s heard, and he is not one to risk trusting someone unnecessarily in such a dangerous realm. His motivations may be a bit cold and in the interest of himself, but even a kinder man may make the same decision.

For her part, it’s cruel that Brienne has now encountered both Sansa and Arya and not been able to protect either. For a woman who wants nothing more than to live by her word, no one is making that easy for her. She is quite capable, but apparently not enough to actually fulfill her mission. Even though everything that happens with the girls is no fault of hers, Brienne surely feels guilty, and actually seeing both is rubbing salt in her emotional wounds.

This encounter is (spoiler alert!) not in the books. Nor was the one with Arya. Varys, Bronn (Jerome Flynn), and Jaqen (Tom Wlaschiha) have exited the narrative by this point, so what they’re doing now is treading new ground. Jamie never goes to Dorne. Some of these choices make sense, as it’s pleasing to see familiar faces again, rather than continually introducing new ones into an already-gigantic cast, and there are no main characters in the Dorne chapters, so Jaime will help fans invest in those events. But other choices are less satisfying, such as the election of Jon Snow (Kit Harington) being rushed through without all of the stuff surrounding it.

As a fan of the novels, it’s getting hard to enjoy GAME OF THRONES. On one hand, the showrunners have made an excellent show that is exciting and fun. On the other, they are now throwing out huge, and I do mean huge, portions of the novels that would be very compelling in their own right. Instead of taking their time through ten seasons or so, as HBO is willing to give them, they’re sprinting towards the finish line, with little regard for the lovers of the written version. They’re going to give us an ending to the saga long before the last book is released. It’s disrespectful and very sad to see how much is getting cut.

Is this justifiable criticism of the show, though? I admit, I liked Jon’s election, and felt that it was OK to skip over some (though perhaps not all) of the events surrounding it. It does help the pace move along. But for a character like Sansa, who has already moved beyond what has been laid out for her on the page at the expense of what is, admittedly, a lesser story, I almost don’t want to see those scenes because they’re likely giving away parts of the sixth book, which will likely not be released until early next year.

But then there are plots like Daenerys’, which don’t completely follow the page, and yet get the spirit of it right. This young ruler, who has known nothing but success since she gained her strength, is now at a loss as to how to run a city. Decisions that logically make sense only further alienate her from the people she in judgment over. This is really good stuff.

GAME OF THRONES remains an entertaining show, and “The House of Black and White” is a solid installment. If only the showrunners showed more respect for the contingent of the audience who have loved these characters and stories the longest.

GAME OF THRONES airs Sundays at 9 p.m. ET on HBO.

GAME OF THRONES Has "Come"

Article originally written for Seat42F.

Season five of HBO’s GAME OF THRONES begins with the various characters worried about “The Wars to Come.” Those with serious power in Westeros are now almost all dead, and the ones left behind fight for seats they are not worthy of holding. Across the sea, a new ruler struggles to find her own bearings, but some help is on the way that may just get her over the hump, if she can trust it.

The last sentence in the introduction paragraph refers, of course, to Tyrion Lannister (Peter Dinklage) and Daenerys Targaryen (Emilia Clarke). Unlike the rest of the both their families, these two have been the reasonable, strong fighters, who overcome the odds to succeed, and actually care about the people under them. Either would make a wise, just leader, but together, they could be unstoppable.

Tyrion starts “The Wars to Come” in a box, secreted across the sea by Varys (Conleth Hill), now also on the run. Varys believes Tyrion is the type of leader that the Seven Kingdoms need, and wants to introduce him to Daenerys. But they are still a long way away from her yet, and lots can happen on a journey. One thing I’ve learned about GAME OF THRONES is that plans made much in advance rarely come to fruition.

Daenerys could really use the assistance about now. Having spent four seasons rising in power, she has stalled in her current land. Apart from her dragons, whose trust she has lost, her closest advisor sent away, and the nobility she displaced rebelling against her, she is not doing well. Fans love Daenerys and know she can be a good queen, but Daenerys isn’t yet ready for the challenge peace brings. She can wage campaigns and battles fine enough, but like many in history, she has a hard time adapting in the aftermath of war.

Tyrion has proven himself capable in both situations, so hopefully they find and help one another.

Back in King’s Landing, a conflict is brewing between Cersei Lannister (Lena Headey) and Margaery Tyrell (Natalie Dormer). Both seek to control Tommen (Dean-Charles Chapman), the current boy on the Iron Throne. Cersei is starting at a disadvantage, though. Drunk and sick with anger and grief over the loss of her father and her brother, Jaime’s (Nikolaj Coster-Waldau), betrayal at setting free Tyrion, she is not thinking clearly. It seems that a prophecy she is told as a little girl in the opening scene of “The Wars to Come” may very well come true, since Margaery doesn’t seem hampered by either thing. But I can’t help but think neither of these women are going to matter in the end, not strong enough to hold two kingdoms, let alone seven.

Lastly, Jon Snow (Kit Harington) is having a hard time of it up on The Wall. Caught between Stannis Baratheon (Stephen Dillane) and Mance Rayder (Ciaran Hinds), both stubborn men, he tries to broker a compromise that lets both walk away. That fails, and Stannis publically executes Mance. Rather than watch a great leader he respects suffer, Jon puts Mance out of his misery with an arrow through the heart.

Will Stannis let Jon’s actions stand? Technically Stannis has no control over the Night’s Watch, an independent body that Jon is a part of. But when has the exact rule of law ever stopped Stannis? He is a bitter man with a chip on his shoulder and something to prove. Surely, he cannot be happy at all with Jon’s decision. Stannis thinks he knows the type of man Jon is, but “The Wars to Come” proves that not to be the case. Stannis and Jon are not going to be friends.

As usual in GAME OF THRONES, there are more than three threads in “The Wars to Come.” I only choose these three, though, because they seem the most important, and the ones likely to have the biggest effect on the next few hours. It’s a very full show with a lot going on, beautifully balanced. It serves these grand stories well, while giving us meaningful bits with Sansa (Sophie Turner) and Tormund (Kristofer Hivju) and Brienne (Gwendoline Christie) and Missandei (Nathalie Emmanuel) and others. It may actually be hard to predict which of those minor moments will be important later. Thankfully, the show has done a fine enough job defining the characters and situations that it is no longer hard to follow along in this complex web, and if they do matter, many will remember them.

GAME OF THRONES airs Sundays at 9 p.m. ET on HBO.