Going on a MYTHIC QUEST

Article first published as TV Review: MYTHIC QUEST: RAVEN'S BANQUET on Seat42F.

A new sitcom on AppleTV+ is MYTHIC QUEST: RAVEN’S BANQUET. Set at a video game developer whose sole product seems to be the titular Mythic Quest, the team releases the first expansion in the pilot, subtitled Raven’s Banquet. But the show isn’t about the game; not really. It’s about the various personalities who work there. Many represent archetypes, but there’s also a lived-in, complex element to nearly every lead that should not only serve to help people better understand one another, but also shine a spotlight on those who are too quick too judge. Also, it’s hilarious.

The creative genius behind the in-show MYSTIC QUEST is Ian (Rob McElhenney, It’s Always Sunny in Philadelphia). He hides in his massive, above-everyone-else office, and manipulates (purposefully?) them into doing what he wants. This is very frustrating to Poppy (Charlotte Nicdao, Kuu Kuu Harajuku), the actual coder who builds the game for him, and who wants to put her own thumbprint on it. David (David Hornsby, Good Girls) is the ineffectual boss caught in the middle of this struggle, and who surprisingly doesn’t always side with Ian. This feels like it may be the central conflict of the show, and is a delight right off the bat, with Ian and Poppy’s division not nearly as clear cut as it at first seems.

They are surrounded by a bevy of other colorful characters. Jo (Jessie Ennis, Better Call Saul) is David’s new assistant who worships and enables Ian. Tester Rachel (Ashly Burch, OK K.O.! Let’s Be Heroes) has a massive crush on fellow tester Dana (Imani Hakim, Everybody Hates Chris), who is fully committed and focused on the job. Brad (Danny Pudi, Community) may just be evil. HR Carol (Naomi Ekperigin, Broad City writer) wishes everyone would stop treating her like a therapist. Pootie Shoe (Elisha Henig, The Sinner) is the obnoxious child reviewer who decides if the game lives or dies. And the great F. Murray Abraham, The Grand Budapest Hotel, Amadeus) is CW Longbottom, the alcoholic, eccentric writer behind the game.

Not all of these actors in MYTHIC QUEST: RAVEN’S BANQUET are well-known, but it is an extremely solid ensemble. Each brings something great to the plate, and none feels in over their heads. They embody the douchebag, the naïve young adult, the frustrated bureaucrat, and so many others who actually work at places like this – or any workplace, anywhere. It’s a different set of personalities than The Office or Silicon Valley, but it’s still highly relatable, especially in how each individual has rich, inner lives. Whether they be enthusiastic dreamers or cynical paycheck collectors, they know how they fit into the overall picture, and do a great job showing the audience that.

It’s also just a solid win in the humor department. Much of the pilot is spent arguing over a shovel. Is a plain shovel too boring? Or does it transform the way gamers will interact with the world in an exciting new bend? Should it be flashy? Should it have dual purpose as a weapon? You can extend all of these questions into metaphor for so much else about our culture. But you will also chuckle as Ian struggles to smash a watermelon just the right way, or Brad finds a way to make it sexual. You’ll relate to Poppy’s pure love and devotion to it. I could write a whole review about the damn thing, and that’s just one element of episode one.

I love MYTHIC QUEST: RAVEN’S BANUQET. It’s magnetic, entertaining, and not just banal triviality. It’s that rare show that feels like it could just be dumb humor, but ends up being so much more. It should appear to viewers of all types.

Stream MYTHIC QUEST: RAVEN’S BANUQET now exclusively on AppleTV+.

Summer CAMP

Article first published as CAMP Review on Seat42F.

Grade: 80%

NBC has embraced the summer with the new series CAMP, which premiered this week. Mack (Rachel Griffiths, Brothers & Sisters) is now a single mother and the sole runner of a failing family camp. While she figures herself out, she has to keep the business running and help others, including her son, Buzz (Charles Grounds), and his teenage friends and fellow counselors.

The setting is pretty much the classic image of a summer camp, though there are also adults hanging around. While never having attended such a place myself, nor knowing anyone who has, this is a very familiar environment thanks to countless television shows and movies. Yet, it seems a ripe premise for a light-hearted drama, one that hasn’t been explored quite in this manner, and a totally fitting subject for broadcast networks to delve into if they want to make a play for programming the warmest months.

The focus of the story is on the adults, mainly Mack, and a bunch of young adults or teenagers (some of their ages aren’t completely clear) who work at the camp. This seems like a good pool to draw from because these are the people who stick around, while campers come and go. We don’t really see them doing much work, of course, but it’s an interesting and camera-friendly group.

I do like that the central group avoids stereotypes, impossible to pigeon hole the roles as “jock” or “cheerleader” or “nerd.” It would be so easy to slip into the social stigmas prevalent in this particular age bracket, but while the rival camp across the pond is two dimensional and cartoonish, the principal players are each fully realized individuals, with multiple facets and functional personalities.

Most of the cast is fresh and generally unknown, save Griffiths, who has starred in several shows. By bringing in fresh faces, CAMP avoids preconceived ideas about its characters. None are bad, giving us realistic portrayals of typical kids, though none stand out as super talented either, which admittedly could just be due to the material. They are suitable stock for a summer show, which is truly an ensemble piece, rather than focusing on just one or two of them.

We have Buzz, of course, who is at the age where he really desires to get with girls, but isn’t attractive or charismatic enough to rate their attention, at least not the ones he shamelessly drools over. He, as one would expect, doesn’t notice that there is an average girl, who is in his league, named Grace (Charlotte Nicdao) available. Once he does, and we know that he will eventually, even if she has to get his attention in a big way, they will be perfectly happy together.

Buzz quickly bonds with new kid Kip (Thom Green), whom we learn late in the first hour has struggled with leukemia. Kip is quiet and likes depressing documentaries, and being at the CAMP will help him to come out of his shell and live his life again, or possible for the first time. This will be accomplished in two main ways, one by sharing a cabin with Buzz, who finally gets away from his mom, and two by hanging out with Marina (Lily Sullivan), a down to earth girl scorned by the popular kids, but sure to be liked by viewers.

Rounding out the younger group are Sarah (Dena Kaplan) and Robbie (Tim Pocock). Although they have been an item every summer for the past ten years, they don’t talk during the school year. Robbie is ready for more and enrolls at Stanford, the school Sarah attends. Sarah, going through a rebellious phase after losing her swimming scholarship, fools around behind Robbie’s back with Miguel Santos (Juan Pablo Di Pace), an author at the lake trying to find inspiration.

The biggest problem I have with CAMP is that both Robbie and Sarah have read Miguel’s book and are familiar with his work. What are the chances of that? Unless he’s a best-selling writer and they are avid readers, neither of which is established. As such, the premise is the most hokey of the series.

Over all, though, the story is tame and bland. It’s not bad as a series to watch when nothing else is on, certainly a step above reality swill. But while NBC, ABC, CBS, and FOX’s offerings may be lacking right now, there are amazing, deep, rich dramas airing on cable that are far, far better than CAMP. For the very casual television viewer, CAMP will serve a purpose. For anyone interested in TV enough to find and read this article, just keep your expectations low and it will be pleasant-ish. Unfortunately, ‘pleasant’ doesn’t feel like a compliment given the other available offerings.

The biggest regret is the way CAMP wastes Griffiths. Her tale, upset over her husband running off with a young foreigner, having hate sex with the rival camp owner (Rodger Corser), and being adored by a far-too-young counselor / handyman named Cole (Nikolai Nikolaeff) is moving and sweet enough, but with her resume, Griffiths can and should do better. I don’t know why she isn’t on another premium cable show, but that’s where I hope she ends up after the single season of CAMP that is likely to run.

CAMP airs Wednesdays at 10 p.m. ET on NBC.