HUNTERS and the Hunted

Article first published as TV Review: HUNTERS on Seat42F.

Amazon recently released HUNTERS, a ten-episode drama about a group of Jewish people in the late 1970s hunting down Nazis hiding in America to take revenge for their wartime atrocities. From the mind of David Weil, this hyper-reality series picks a handful of things from history, and amps them up a la Inglourious Basterds, with plenty of shocking deaths in this cat-and-mouse spy game. It’s like The Americans, but way more fun (which is not a knock against that excellent series) because it’s a lot less concerned with accuracy.

The cast is very capably led by Logan Lerman (The Perks of Being a Wallflower) as Jonah Heidelbaum. Jonah lives with his grandmother, a survivor of the concentration camps, and his only remaining relative. But when she is mysteriously murdered in her home and Jonah doesn’t stop it, his mission to make up for his inaction leads him to a larger conspiracy. Jonah meets Meyer Offerman (Al Pacino, The Irishman, The Godfather) and his band of Nazi hunters. Despite Meyer’s best efforts, Jonah joins them in their quest, taking his grandmother’s place.

The supporting cast is wonderfully assembled. Jerrika Hinton (Grey’s Anatomy) is Millie Morris, an earnest federal agent investigating suspicious murders. Dylan Baker (The Good Wife) is so, so, so creepy as Biff Simpson, a former Nazi. Greg Austin (Mr Selfridge) is chilling in his cleanup. Lena Olin (Alias) is the cartoonishly evil German who wants to establish a Fourth Reich. Saul Rubinek (Warehouse 13), Carol Kane (Unbreakable Kimmy Schmidt), Josh Radnor (How I Met Your Mother), Tiffany Boone (The Following), Louis Ozawa (Bosch), and Kate Mulvany (Fighting Season) make up the members of Meyer’s team.

From the first scene, HUNTERS is gripping. A friendly cookout among co-workers goes wrong, and the result is something that very nearly crosses a line. From there, things only ramp up, as in the pilot alone, there are something like ten murders (most in a single scene). Each tends to be done with flair and dramatics, keeping one’s attention, even as it’s hard to know exactly when the next one is coming up. The pacing is quick, and the story flows smoothly.

There is a line one wouldn’t want to cross, and HUNTERS comes right up to it. The line I refer to is showing brutality towards children, which the show manages without being graphic the way it is in its treatment of adults. That restraint is appreciated, even if it’s clearly just for viewer sensibilities; the world isn’t any less realistic in the outcomes towards the youths.

Still, there’s a lot of violence, and without stating that it’s glorification, it is stylized entertainment. Much as the way the rest of the show is. As I said in the opening, HUNTERS operates on a hyper-reality, and from Florida wallpaper choices, to sitting positions in an alley, to a secret lair, much care has been taken to build something that feels just not-grounded enough to fully enjoy, without worrying about what might have really happened. There’s an air of fairy tale to it that keeps you from being bummed out by all the death, even as the frequent references to the Holocaust lend a sad undertone. The overall satisfaction is joyous, with those who have been wronged balancing the scales in their own ways, extralegal or not.

I love what I’ve seen of HUNTERS. It’s got some absolutely terrific performance moments in a pleasing package. I wouldn’t call it light entertainment; it threads a careful balance between fun and depth. Yes, it is prestige programming, and uses its period concept delightfully. But it also says something, and the specific point of view behind it makes it well worth the watch.

You can stream the entire first season now on Amazon Prime.

GOTHAM's "Little Monster"

Article originally written for Seat42F.

 

FOX’s GOTHAM continues its action-packed, engaging season this week with “Mommy’s Little Monster.” Penguin (Robin Lord Taylor) attempts to rescue his mother (Carol Kane) from Galavan (James Frain), but things do not go as planned. This sends Penguin on a revenge streak, and it may turn out that Galavan has finally pushed the crime boss too far. Elsewhere, Nygma (Cory Michael Smith) descends into madness.

I am disappointed that “Mommy’s Little Monster” contains Gertrude’s death. I find her a fascinating character, and some of the glimpses we’ve seen of her give great insight into who the Penguin is. I feel there could be more to be gleaned from their interactions, and it’s a little soon to remove her from GOTHAM. Of course, the show always has the option of flashbacks, and I hope Kane reprises the role in the near future.

What Penguin’s mother’s death does, though, is remove any restraint Penguin has in dealing with Galavan. Galavan has miscalculated repeatedly with the Penguin, in my opinion. He thinks he can just kill the Penguin and his mom, and he thinks commandeering the entire city’s police force as his personal bodyguard, using his new mayor powers to lock the whole metropolis down, is enough to defeat the crime boss. He doesn’t know the Penguin, though, and plenty of others underestimated Penguin last year to their own detriment. I feel like Galavan’s days on GOTHAM are numbered, and his main player status certainly can’t last more than half a season.

The Penguin does not murder Galavan in “Mommy’s Little Monster,” but he gets very close. So close that were Tabitha (Jessica Lucas) not on the roof with a sniper rifle, Galavan would probably be dead, quite possibly with Gordon (Ben McKenzie) and Bullock (Donal Logue) as collateral damage.

Gordon and the Penguin’s friendship, if you could call it that, is an uneasy one. Penguin doesn’t seem to take it personally that Gordon tries to arrest him and protects Galavan, nor does the Penguin call in a favor Gordon owes him to kill Galavan. Yet, with the two being at odds so often, it’s surprising they haven’t had a complete falling out yet. Penguin doesn’t control Gordon the way the previous bosses had command over Bullock, but whatever uneasy bond they currently have probably won’t last.

Speaking of not lasting, Nygma is going absolutely insane following the death of Kristen Kringle (Chelsea Spack). “Mommy’s Little Monster” finds the evil side of Nygma (also Smith) hiding Kringle’s body in the police station itself, then making the ‘good’ side of Nygma follow clues to find it before the corpse is discovered. It’s a dangerous game Nygma seems to enjoy, culminating in the two sides coming together, being one person again.

I like GOTHAM’s technique of showing the two Nygmas as a way to illustrate what is going on in the future Riddler’s brain. It isn’t necessary to the story, of course, but it’s a good way to visualize internal struggle, as long as it’s only done temporary, which I believe it will be in this case. Were it more long-term, I think it would get annoying.

One sequence of particular delight this week is the rivalry between Selina (Camren Bicondova) and Silver (Natalie Alyn Lind). Catwoman is one of those characters who toes the line between good and bad, but it looks like it’s up to Selina to be a hero and save Bruce. There’s no doubt that Silver is complicit in Galavan’s plans, so Bruce remains in danger until Selina can find a way to save him. The tension between the girls as this struggle goes on behind Bruce’s back is terrific.

GOTHAM isn’t the deepest, richest character-driven show on television, but it’s near the top of the pack on the broadcast networks. It exhibits great skill in balancing various personalities, as I’ve mentioned before, and each hour ends up being pretty entertaining.

GOTHAM airs Mondays at 8 p.m. on FOX.

GOTHAM Now a "Force"

Article originally published as GOTHAM Review "Strike Force" on Seat42F.

GOTHAM: (L-R) Gordon (Benjamin McKenzie) and Bullock (Donal Logue) in the “Rise of the Villains: Strike Force” episode of GOTHAM airing Monday, Oct. 12 (8:00-9:00 PM ET/PT) on FOX. ©2015 Fox Broadcasting Co. Cr: FOX.

 

On this week’s GOTHAM, the new police captain, Nathaniel Barnes (Michael Chiklis, American Horror Story: Freak Show), forms a “Strike Force.” He is intent to weed out corruption within the force, and while Harvey (Donal Logue) has his doubts that Barnes will be effective, Barnes is speaking Gordon’s (Ben McKenzie) language. Who will be right?

Barnes is doing what Gordon has been trying to do for two years, and that’s clean things up. But by the time Barnes arrives, Gordon has already made compromises in order to further his goals. Namely, Gordon has done favors for Penguin (Robin Lord Taylor), meaning Gordon is the type of cop Barnes is looking to get rid of. Is this a sign that Barnes is doomed to fail, as even a man as noble as Gordon eventually has to give in to the grime of GOTHAM? Or does this just mean Gordon should be careful what he wishes for?

For now, Barnes believes the persona that Gordon shows. Sure, the new captain is quick to mention that everyone knows Gordon is banging Dr. Thompkins (Morena Baccarin). But Gordon is a soldier, and Barnes puts Gordon in charge of the “Strike Force.” That the force will now be going against the Penguin directly presents a conflict for Gordon, but until they have that showdown, he’s doing all right.

Speaking of the Penguin, he’s a little too busy to give much thought to the police, thinking he has Gordon to watch his back on that front. Instead, he’s concerned about Theo (James Frain) capturing his mother (Carol Kane). The Penguin doesn’t see an immediate way to rescue her and has to play along with Theo for now, as frustrating as that is for the villain. But as the Penguin points out, other bosses have underestimated him in the past and he’s come out on top. Did Theo tick off the wrong guy, or has the Penguin met his match? (My guess is the former.)

While Theo gets Penguin in line, Theo is also running for mayor of GOTHAM. His methods of doing so, having goons kill the competition, are far from noble, which I’m certain tells us what kind of mayor he’s going to be. The question is, what will he do when he’s in power? And will he make it that far?

One thing Theo does is make inroads with Bruce Wayne (David Mazouz) by setting the boy up with a girl his own age, Silver (Natalie Alyn Lind, The Goldbergs). I’d hope that Silver isn’t as wicked as Theo, but one never knows. She’s certainly playing along with Bruce well. One may wonder why Theo wants to endear himself to a kid, but given Bruce’s fortune and family influence, it’s easy to see why Theo would want to get in early with the billionaire.

The one scene in “Strike Force” that doesn’t ring true to me is when Alfred (Sean Pertwee) decks Selina (Camren Bicondova). I get why Alfred hates Selina and thinks she’s a bad influence on Bruce, what with Selina killing Alfred’s friend and all, but is that an excuse to slug a child? Especially a female child? I don’t believe it is, and I don’t see why Alfred would do this. Were his or Bruce’s lives in danger, maybe, but not during an encounter on the street. It is weird.

The budding relationship between Nygma (Cory Michael Smith) and Kristen Kringle (Chelsea Spack) is also a little weird. Sure, she’s attracted to him when he acts tough, but she then reassures him when he shows vulnerability? That feels a little off to me, but I’m still enjoying Nygma’s descent enough to overlook this unevenness, or even wonder if it’s just happening in his head.

Still, for the most part, GOTHAM maintains its web of various heroes and villains struggling for control of a crumbling city in top form. The metropolis has further to fall before it can be saved, but the journey of the fall is fascinating in of itself.

GOTHAM airs Mondays at 8 p.m. ET on FOX.