Infrastructure Work Needed for BRIDGE AND TUNNEL

 Article first published as TV Review: BRIDGE AND TUNNEL on Seat42F.

Epix recently premiered the new series BRIDGE AND TUNNEL. Set in Long Island in 1980, it follows a group of six friends who have just graduated college and are on the verge of moving onto the next stage of their lives. However, when they all come home for a summer break and to reconnect, their lives quickly become entwined again. Will they give up their futures to pursue the past? Or will this be a final fling before they move on into adulthood?

To be honest, I didn’t find the premise of BRIDGE AND TUNNEL all that realistic. All six members of this friend group had free time after college? None of them went straight into jobs? Was that how it was back in 1980, that adulthood didn’t start until you had one last summer break? This seems more like the circumstances of a post-high school summer, though the stakes are painted as quite a bit higher. It makes sense for the two characters waiting to go onto more studies, but not the others.

The idea that romance could derail a career, even a dream job, is more believable. We meet Jimmy (Sam Vartholomeos, Star Trek: Discovery) and Jill (Caitlin Stasey, Reign) as they hook up in the bathroom of their favorite local bar. Their friends gossip about them as they wait for their return, but the couple has other ideas, sneaking out so they can keep having sex. They are in love, but one is more committed than the other. Or perhaps, you could say one is more realistic about why a long-term relationship won’t work. Jimmy is heading to Alaska to take pictures for National Geographic, while Jill is a city girl.

BRIDGE AND TUNNEL does a good job of showing the pain of love that isn’t practical. Movies and television shows often subscribe to the “love conquers all” premise, and while it’s not unheard of to go in a different direction, it’s still appreciated when a series does. Their time is limited, and that misery hangs over any time they spend together. It might be smarter to stay away, even if they can’t seem to do so.

The other four characters are less developed. Stacey (Isabella Farrell, Fluidity) and Mikey (Jan Luis Castellanos, 13 Reasons Why) are full of lust for one another, but they don’t pretend it’s anything more than physical attraction. And while at least one of them has a significant other somewhere else, which doesn’t stop them, it doesn’t seem completely immoral, either, or at least not any more so than their previous teen non-relationship was. Pags (Brian Muller, The Deuce) would like to pair up with the remaining girl in the group, Tammy (Gigi Zumbado, Pitch Perfect 2), but she’s more interested in waiting for her turn with Mikey, who hasn’t seem to have noticed her in that way.

Series creator, writer, and director Edward Burns (Saving Private Ryan, Public Morals) is also acting in the show as Jimmy’s father, Artie. He seems to be the type of man that isn’t interesting in showing his emotion, but is interested in his son’s life. He finds ways to communicate that are traditionally masculine while still being involved.

BRIDGE AND TUNNEL is almost a fantasy series, because of the unlikely premise, even if the characters are realistic enough. Still, this isn’t exactly a fresh idea, and I’m not sure it needed to be done again. If it’s personal to the creator, I would understand why he’d want to make it. It’s fun and colorful enough to be entertaining. But I wouldn’t expect this to qualify for prestige or must-see television without better fleshing out the world and tying it to reality.

The first episode of BRIDGE AND TUNNEL is available free on Amazon Prime, and further episodes will air Sundays on Epix.

REIGN May Be Brief One

Article first published as REIGN Review on Seat42F.

The CW’s newest series is called REIGN. It’s an historical drama about Mary Stuart, Queen of Scots (Adelaide Kane, Teen Wolf). As the tale begins, an assassination attempt is made on Mary, who is living in a nunnery, so she is sent to France, where the boy she is engaged to, Prince Francis (Toby Regbo, Mr. Nobody), and his family is, some of her countrymen and women joining her. Will they protect her, or will they be her undoing?

As far as costume dramas go, it seems it’s become pretty easy to make one. REIGN has sets and costumes just as good as its cable brethren, The Tudors, The Borgias, and White Queen, at least to the untrained eye. The production looks like it is actually set long ago, and it feels as authentic as other shows covering that sort of era.

But there isn’t a lot that will set REIGN apart from those other shows. Actually, it’s more tame, as violence must be shown sparingly, with a beheading only briefly glimpsed, having mostly happened offstage. The sex is watched behind a curtain, with no skin bared, given the restrictions the FCC places on broadcast television. And the cursing is pretty much absent.

Other than that, though, REIGN seems a lot like everything else in its genre. It presents the same sort of characters, the same kind of intrigue, the same type of betrayal and trysts. Is it historically accurate? Probably not. But there is a group of people making television today that likes to take actual people from the past and heighten the story for the sake of getting viewers.

Puzzlingly, all of the characters seem to speak with an English accent, with no distinction made between the Scots and the French, neither of which should speak in this manner anyway. It’s almost like those making REIGN think that all people of the past spoke the same, and it definitely detracts from the believability of the piece.

The reason for this is likely that REIGN is airing on the CW. It’s a stretch to expect the network’s target audience for such fare, teen girls, will be into a show like this anyway. Perhaps not having strong, national accents may make it more accessible to such viewers, though I can’t really imagine how, unless said viewers like bad stereotypes reinforced.

In keeping with the CW style, Mary has two men who will compete over her affections. Francis doesn’t care for her at first, though he will surely come to, but Francis’ bastard brother, Bash (Torrance Coombs, The Tudors), is enamored. Also, Mary has four girlfriends (relative newscomers Celina Sinden, Caitlin Stasey, and Jenessa Grant, and The Chronicles of Narnia’s Anna Poppelwell), ladies-in-waiting, who are both her pals and competitors at times for love.

Does it make sense for a queen to be so friendly with her servants? Of course not. But aside from a bit of clumsy dialogue to build a rift, which will certainly be healed, that’s the relationship painted. It’s a shame REIGN has to play to the teenage element, but then again, it’s only a mediocre series anyway, so this doesn’t detract that much.

Francis’s family is the one we meet, since Mary’s is presumably far away. His father, King Henry (Alan Van Sprang, King), sets a poor example in fidelity, leaving little wonder why his son grew up to be a jerk. Francis’ mother, Queen Catherine (Megan Follows, Anne of Green Gables), is painted as evil, but considering her advisor, the infamous Nostradamus (Rossif Sutherland, also King), tells her Mary will lead to her son’s death, she should be forgiven, even if the story doesn’t seem to do so.

Adding Nostradamus into the tale, especially considering that he is not the forty years older than Mary that he should be, seems forced. Yes, Nostradamus did deliver a prophecy concerning Mary, but their connection was not strong, as far as I could find in a few minutes of using google, so REIGN is building a bridge where there doesn’t necessarily need to be one. I guess Nostradamus is a larger-than-life figure, though, so perhaps they thought he himself would be a draw for the show.

My conclusion is that REIGN is almost as good as the cable costume dramas, which is still only middling compared to most other shows, but toned down, and with a bit of the CW staples dragging it further. I doubt it will connect with young audiences and succeed, and on the CW, most of those who would enjoy it likely won’t find it or give it a chance.

REIGN premieres Thursday, October 17^th at 9 p.m. ET.