Showing posts with label Bess Armstrong. Show all posts
Showing posts with label Bess Armstrong. Show all posts

Thursday, April 11, 2013

House of Lies Implodes in Season Finale

Article first published as House of Lies Implodes in Season Finale on TheTVKing.

Showtime's House of Lies has spent two years crafting a set of characters, known as The Pod, who viewers love. Even while the rest of the world, bosses and clients, conspire against them, these four slingers of bull stick together and triumph over any foes. It's an inspiring group, full of teasing and affection. They may not be professional, but they get the job done.

That is, until the second season finale, "Til Death Do Us Part," when The Pod implodes in a spectacular and messy fashion.

"Til Death Do Us Part" is an interestingly structured episode, beginning with The Pod gathering for a wedding photo with one of their own, Doug (Josh Lawson), and his bride, Sarah (Jenny Slate, Saturday Night Live). From there, we get a non-linear look at each of the four main characters' day. Some, we only see briefly, while others get a longer segment. But it all culminates when the story returns to the photo shoot, where it all goes horribly wrong.

Marty (Don Cheadle) is an extremely self-destructive person. He is so focused on his own wants that he ignores everyone else's feelings, not realizing that he's making enemies that will come back to haunt him. He thinks he is bullet proof. And yet, the choices he makes, screwing over clients, ignoring those he should be caring about, and betraying his boss, are ones that hurt him, almost as if he doesn't want to bullet proof, and is turning the gun on himself until something can pierce the armor.

Is Marty really so unhappy that he wants to destroy his own life? If so, why not make positive changes, rather than purposely setting himself up for failure? Yes, the only way Marty could ever be happy at this point is to rebuild himself from the ground up. But his tear down is painful to watch, and the way he drives everyone away by the end of this season is rough.

He does still have his father, Jeremiah (Glynn Turman), and his son, Roscoe (Donis Leonard Jr.), by his side. But he can't be honest with them, so how can he ever really be connected to his family?

We have Jeannie (Kristen Bell), whom professes her love for Marty, and he blows her off. Why? Marty does love her. We see this. His reflection in the window scolds him for acting like a fool, and yet, Marty leaves her an insulting voice mail, rather than apologizing. At least Marty realizes that he needs her, but once again, he can't bring himself to admit it out loud, and is hurting both her and himself.

Then there's Clyde (Ben Schwartz), who looks up to Marty and fancies him a friend. Yet, Marty totally ignores him and screws up a project that Clyde worked very hard on. It's sickening that Clyde stabs Marty in the back, ratting him out to Julianne (Bess Armstrong), taking a client, and jumping ship to work for Marty's psychotic ex-wife, Monica (Dawn Olivieri). But Marty deserves this sort of treatment.

Doug is a special case because, while Marty does ignore him, Doug still holds Marty in high regard. Doug accepts Marty for who he is, like Jeannie, but actually goes even further. However, Doug has Sarah in his ear now, who is not a good influence on him, and so he, too, decides not to join Marty in his new venture.

It's hard to even understand how Tamara (Nia Long) fits in. I don't think she is playing Marty, per se, but she does use him for comfort when her own marriage goes on the rocks. Professionally, she respects him, but doesn't show him all her cards. They have a weird relationship. I can't quite figure out if she cares about him or not, or how much she might care. I also don't expect her to play a big role going forward, though would be pleasantly surprised if I'm wrong.

Things will have to improve for Marty next season; they can't possible get any worse, can they? He will surely make up Jeannie, whether he admits his feelings for her or not. Clyde will regret going with Monica, who is a nightmare, and come crawling back. And Doug will ditch Sarah, who is crazy and manipulative, which will free him up to return to Marty without the bad advice in his ear.

However, would a return mean that they are all as dysfunctional as Marty? Is it good that a bunch of misfits have each other, or do they just all enable one another's poor behavior?

"Til Death Do Us Part" has a few very sweet scenes. Doug tells Marty how he feels about him, despite Marty trying to dismiss him. Clyde admits that Doug is his best friend and finally says some nice things, which do feel genuine. Jeannie saves Marty's bacon. And the disaster at the end is hard to watch, but it's also a lot of splashy fun.

All in all, I am left pretty depressed by House Of Lies' finale. But it is great fun to watch, and it certainly leaves me excited for next year. Season two is an improvement over season one, more polished and tightly written, with stakes viewers can care about, and I can't wait to see what is in store for season three.

House of Lies will return to Showtime for a third run next winter.

Tuesday, January 15, 2013

House of Lies not getting in order

Grade: 86%

Showtime’s HOUSE OF LIES is back for a second outing this Sunday, January 8th at 10 p.m. In the premiere, “Stochasticity,” Jeannie (Kristen Bell) finally returns to work after her “vacation.” It’s perfect timing, as new boss Julianne (Bess Armstrong, My So-Called Life) is instituting some female-empowering new changes, which comes with a token promotion for Jeannie.

At the end of season one, the firm that The Pod worked for is full of corruption and sexual harassment, and it is all falling down around them. With “Stochasticity,” it’s a re-do, as Julianne treats them well, and trusting Marty (Don Cheadle) to help bring the company back up to the top. This is a little bit of a relief, after the near-apocalypse that could have disrupted the show forever.

How much has really changed, though? Maybe the boss is a little nicer to work for, but The Pod is still operating as a unit, and they are continuing to do their thing. Professionally, it’s all status quo.

Personally, is a different story. Marty and Jeannie are quite drunk when last they are together, and now they cannot remember if they hooked up or not. From the brief memories that do flutter back, it seems relatively certain that they did. If not, they at least come close enough that it’s practically the same thing, on an emotional level. Joint puking during naked pushups have to have some effect on their chemistry!

Would Marty and Jeannie make a good couple? I’m not so sure, long-term. They are both a bit of a mess, and could be a fine comfort to each other for now. They are probably both good in bed, which the other would appreciate. And no one can deny thatBellis smokin’ hot; I’ll leave it to the ladies out there to say the same for Cheadle. Visually, viewers should be happy with the arrangement.

I can’t help but think, Marty and Jeannie as a couple could destroy The Pod. All four members must always be at the top of their game (yes, even Doug (Josh Lawson)). Anything can happen at any time, such as in “Stochasticity,” when they meet with a client who they don’t have any information on at all, including what his company does. It’s a high energy, very skilled game that they play in the conference room. They are all brilliant at it, especially together, but if Jeannie or Marty were to become distracted at an inconvenient time, it could spell disaster for the company, and this group.

Not that I’m rooting for Marty to become a bed hopper again. He’s been enough of that, and I am so, so glad he draws the line at sharing loose women with Clyde (Ben Schwartz), even in a dark time. It’s a very funny scene, to be sure, but not one that needs to go any further than it does.

Marty also has his son, Roscoe (Donis Leonard Jr.), to think about. After Roscoe moves in with Monica (Dawn Olivieri), one might hope that Marty will re-examine his lifestyle. Yet, there aren’t many signs of that in this first episode back, other than when Marty tries to get with Monica, which can be seen a couple of different ways.

A reunion of Roscoe’s parents would only be destructive, despite what Marty may think in the moment. Does Marty make a move on Monica because he’s lonely, or because he thinks that it’s best for Roscoe, or because he just wants to be near his son again, who lives in Monica’s house? None of these are good reasons, and since love is out of the question, sleeping with Monica at this point would be a huge mistake.

HOUSE OF LIES is a comedy, but it is also a drama. Season one disguised that more fully, with the cut scenes where Marty speaks to the camera making everything a little sillier than it needs to be. As season two picks up, some of those trappings have been stripped away. Potentially, this could make for a more serious and more interesting sophomore year. If nothing else, the premiere is off to a good start.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first posted on Seat42F