Two Four SIX Eight

Article first published as SIX Review on Seat42F.

History Channel begins its eight-episode series tonight entitled SIX. A fictionalized account of the activities of SEAL Team Six, a.k.a. those guys that took out Bin Laden, it covers a bunch of men who serve hard in the field, and the homes they come back to. In the central thread, a former member of their squad, now working in the private industry, has been captured by terrorists, and his comrades must get him back before the bad guys do something horrible to him. But it’s also about their relationships with their wives and one another, too.

The Seal Team SIXers are Bear (Barry Sloane, Revenge), Alex (Kyle Schmid, Copper), Buddha (Juan Pablo Raba, Narcos), and Robert Chase (Edwin Hodge, Chicago Fire). Each of the first three has some slight differentiation, but are pretty much bearded white guys who aren’t young any more, but aren’t old either. They care about brotherhood, they care about children, and they care about their country. Robert is the new guy, because there’s always a new guy, and some of the plot deals with him integrating into the group.

The problem with SIX is, this is not a lot to hang a show on. I know military dramas aren’t exactly meant for everyone, but the very good ones, like HBO’s The Pacific, are enjoyable to a broad audience. SIX has much less complex characters, lacks the development of the moral conflict, and reduces its bad guys to one-note stereotypes of its better forbearers. Subject matter aside, in the age of peak TV, that isn’t the way to make a show that people will want to tune into. It’s shallow and boring.

I applaud that two wives, Lena (Brianne Davis, Hollywood Heights) and Jackie (Nadine Velazquez, The League), are part of the main cast. But neither is interestingly sketched enough to hold much attention. They are pretty much just there to have emotional conflict with their spouses, with few characteristics to set them apart as individuals.

That’s too bad, because the idea of showing families of the soldiers is a strong one that helps humanize them and draws the very stark contrast between their professional and personal lives. The nature of this groups’ work is such that they aren’t on the long deployments, instead sent on targeted missions, and they get to spend a lot of time back in the U.S. The dichotomy is rich territory to explore that SIX underuses majorly.

The show does pick up a bit when it focuses on Rip (Walton Goggins, Justified, The Shield), the former team member who has been captured. Part of this is because there’s more action and depth to Rip’s scenes, and part of it is because Goggins is a magnificent, magnetic actor who captures audience attention easily. Rip is far from a saint, but I would expect nothing less from this actor, who excels at playing shady characters whose redemption you root for, even while knowing there’s a fifty-fifty chance, at best, he will come to the light.

Still, that’s not enough to save a series that drags and is only thinly drawn. I think the concept of SIX is a good one, and I am definitely in favor a television program that shows the reality of war and deals with the mental state of the modern United States serviceman or woman. Something like that is important in this age of long, drawn-out conflicts that mostly go on to the ignorance of the American public, who know very little about the reality of the situation. Unfortunately, SIX isn’t that, it’s a mediocre series, and it will do little to shine the spotlight where it needs to be shone.

SIX premieres tonight at 10/9c on History Channel.

Don't Listen to THE WHISPERS

Article first published as THE WHISPERS Review on Seat42F.

A broadcast television series is either a procedural, where the story follows a repetitive, mostly self-contained structure every week (think NCIS, CSI, Law & Order, etc.), or a serial, an ongoing narrative where things change. Procedurals tends to get more viewers in the short-term, but serials have longer shelf lives and more passionate followers. A program can’t be both, right? Well, ABC’s new drama THE WHISPERS tries to be.

THE WHISPERS begins with a little girl, Harper (Abby Ryder Fortson, Transparent), and her mother, Amanda (Autumn Reeser, No Ordinary Family). Harper has a new imaginary friend, which Amanda thinks is cute. But viewers quickly learn that this unseen being may not quite be as imaginary as Amanda believes, and the game the ‘whisperer,’ Drill, is playing is a dark one. It’s a suspenseful, interesting opening with some ripe possibilities.

From there we meet the real stars of THE WHISPERS, Claire Bennigan (Lily Rabe, American Horror Story) and Jessup Rollins (Derek Webster, Harry’s Law), federal agents tasked with investigating strange cases involving kids by their boss (Alan Ruck, Spin City, Ferris Bueller’s Day Off). This is the component that feels much more procedural. Some of what Claire and Jessup look into is very case-of-the-week type stuff, and while there is definitely a larger mystery at play, it feels like much of the screen time will be taken up by crime solving.

This is a disappointment because there many, many crime shows on television. I don’t know if it’s just easier to justify any plot that involves putting together pieces of a puzzle when there are law enforcement agencies on the scene, but television cannot seem to get enough of cops, the CIA, and the FBI. It’s frustrating because THE WHISPERS seems likely a very compelling program if it would fully commit to its conceit, but holds itself back by giving into these too-familiar scenarios.

Which is not to say that the whole first hour is disappointing. There’s definitely something going on with Claire’s family, which includes her deaf son Henry (Kyle Harrison Breitkopf, Being Human), as well as Lena Lawrence (Kristen Connolly, House of Cards), her husband, Wes (Barry Sloane, Revenge), who is on a mission across the world, and their daughter, Minx (Kylie Rogers, Shooter). These people will contribute to the more interesting part of THE WHISPERS. The question is how much screen time will be sent with them, versus Claire and Jessup working cases. Hopefully, a lot.

There’s one more main character whom I haven’t mentioned and that’s because his name is not revealed for much of the pilot (though it is on the show’s website, which I would not recommend checking because it spoils a twist I probably should have seen coming but didn’t). Played by Milo Ventimiglia (Heroes, Gilmore Girls), he is likely the key that will clue the other leads in on what is actually happening, and I’m curious to see where the show is going with him.

The tone of the show isn’t one of super high quality. It definitely feels like a broadcast show, albeit one that would normally air during the regular season, not the summer months. The creepy tension underlying the initial hour is a bit forced and a bit tame, with death even being downplayed a bit to make it more suitable for general audiences. I wouldn’t let me young children stay up and watch it, but this doesn’t come anywhere close to as scary as what cable can do. That, like the procedural part, neuters it a bit.

Still, as far as broadcast network summer fare, THE WHISPERS is the best we’re likely to get this year. It’s not a bad show, but that’s still a little regrettable when there are so many better offerings off of the Big Four, highlighting how far the old guard has fallen in the modern era. The likes of Rabe and Connolly can and should be doing better.

Oh, and Reeser is regrettably wasted here, a travesty that bothers me for the first few acts.

THE WHISPERS premieres Monday at 10 p.m. ET on ABC.

DVD Review: ‘Revenge – The Complete Second Season’

Article first published as DVD Review: ‘Revenge – The Complete Second Season’ on Blogcritics.

ABC’s Revenge continues its sweeping tale of a young woman determined to even the score with the people that destroyed her father in The Complete Second Season, now available on DVD. In these 22 episodes, the protagonist’s own past catches up with her, complicating her mission.

The Complete Second Season begins with the remains of a boat wreck, and then jumps backwards in time several months, slowly allowing the action to catch up to this devastating scene over the course of many installments. This is the same formula used in the freshman year, and unfortunately becomes less effective each time it is pulled out, an unwelcome trope at this point. Thankfully, it is only a small part of the larger story.

Season one ends with Victoria Grayson (Madeleine Stowe), the series’ main villain, dead in a plane crash. Fans of the show could not stand for the wicked witch to be taken out so easily, and neither could the writers, so it will surprise no one when she rears her head again early in this run, alive and mostly well.

Victoria isn’t the only obstacle for Emily Thorne (Emily VanCamp), the aforementioned leading lady, this season. There’s: the White Haired Man (James Morrison), a member of the Grayson’s social circle; Takeda (unfortunately recast, as Cary-Hiroyuki Tagawa doesn’t look much like the original actor, Hiroyuki Sanada), Emily’s mentor who sends his pupil, Aiden (Barry Sloane, Hollyoaks), to keep Emily in line; Emily’s messed-up mother (Jennifer Jason Leigh) resurfaces; and a variety of smaller players stand in Emily’s way.

Some have criticized Revenge for getting too complicated in the second season, adding in too many characters and subplots, distracting from the central arc. I disagree. Life is messy, and in a situation like this, there would be many moving parts, some unpredictable and coming in at inconvenient times. This makes sense.

However, Revenge isn’t as sophisticated or adept at juggling the balls as many other current series, especially those on cable. It’s bread and butter is gossipy, drama-infused, soapy interplay, which is does an adequate job at. When it tries to build a larger mythology, which goes perfectly well with the plot in theory, Revenge is lacking and isn’t quite up to the task. When it sticks to shifting loyalties, bed hopping, backstabbing, complicated romance, family secrets, and twisted friendships, it does quite a good job, most of the time.

Revenge is enjoyable, popcorn entertainment. Overall, the flow is fine, and there are some terrific, juicy moments, especially involving Charlotte (Christa B. Allen) and her parentage, and anytime Mason Treadwell (Roger Bart) shows up. Revenge may not be the highest quality show out there, but it mostly knows its own identity and can serve it well.

All of this builds into a startling climax in a two-part season finale that not only results in the tragic, regrettable death of at least one main player, but brings to a close a number of the year’s stories. It also allows Emily to refocus and decide what she wants. There is a cliffhanger, of course, but viewers should be left satisfied with this part of the tale, and be ready for the next bit when it premieres in September.

The bonus features in this DVD release are not as good as the first season’s. As usual, there are audio commentaries, deleted scenes, and bloopers. What the set lacks are any strong featurettes. There’s a bit on the score, which is interesting, but won’t interest a broad audience. The bonus about Ashley Davenport’s style will probably appeal more to the core fan base of Revenge, though wasn’t my cup of tea. Lastly, the book feature seems like an advertisement more than an extra to reward buyers.

In short, I’d say check out Revenge The Complete Second Season for the episodes themselves, not so much that bonuses, though there may be a piece here or there that you’ll enjoy.

REVENGE Hides the "Truth"

Article first published as REVENGE Hides the "Truth" on TheTVKing.

ABC's Revenge brings its second season to an explosive close this week in the two-hour long "Truth." The Initiative strikes, killing an important character. The results of the election are in, a hidden identity is revealed, a choice in loyalties must be made, and the secret behind who the Initiative is is now known. Basically, as one would expect from this soapy drama, a lot comes out, and many changes are made.

The Initiative is the shady organization responsible for what happened to David Clarke (James Tupper), the basis for Emily's (Emily VanCamp) mission of revenge. As such, figuring out who they are and what they are trying to do is a primary focus of her life. At first, she sets her sights solely on the Graysons. But this year, that has expanded somewhat as she has learned more about the Initiative.

Won't Emily be surprised when she learns Conrad Grayson (Henry Czerny) and a few of his friends are the Initiative? Victoria (Madeleine Stowe) doesn't even know this until Conrad reveals it in "Truth." It makes total sense, given his involvement in the proceedings, using the shadowy Initiative as a convenient scape goat. It also solidifies Conrad at the villain of the show, now that we know just how much Conrad has control of the situation, and he'll have even power to carry out his schemes from the governor's office.

I don't think that will mean Victoria will switch sides, though. Despite a couple of heartfelt moments for her in this season finale, including one where she truly does seem to understand Jack's (Nick Wechsler) pain and feel bad for him, she isn't altruistic. We've seen, in the flashbacks, how Victoria is complicit in a lot of the bad things that happen, and she is not above some manipulation herself. She may not be the Big Bad, but she isn't joining Team Emily anytime soon, either, more interested in her own status than helping others.

Jack may very well be on the revenge team, though, after the events of "Truth." Bent on getting even with Conrad, whom Jack is convinced killed his wife, Amanda, Jack goes off the grid. When Conrad tries to wipe out Jack permanently, Jack's brother, Declan (Connor Paolo), is caught in the crossfire, and is killed. Now Jack has even more reason to want to take out Conrad.

Emily stops him by admitting to Jack that she is the true Amanda Clarke. It's a hard thing for her to say, but the only thing that would make him pause in his rage. Jack is furious at Emily before for keeping secrets, but in this particular instance, I think the "Truth" will help him understand and forgive her. She knows a more promising path to balancing the scales with Conrad than cold-blooded murder, and Jack should only be too-eager to help he now.

Of course, the Revenge mission will have to make a detour, since Nolan (Gabriel Mann) has been arrested and framed as a terrorist. As much as Jack and Emily want to avenge their loved ones, they also want to take care of those still among them, and Nolan is one of the closest friends they both have. He is also useful in helping them out. So look for Save Nolan to be the priority for at least a time next year, before the main arc can continue.

Other characters still have not chosen a side. Ashley (Ashley Madekwe) has played to both groups from time to time. Season two ends with her helping the heroes, so that is probably the direction she'll go for now, and with Nolan locked up, they probably need her help. I still don't trust her, and think she can be flipped again with ease. But it's good to have one less person to worry about for awhile.

Charlotte (Christa B. Allen) would likely quickly join Emily and Jack if she knew the truth, especially about her dad killing Declan, the father of her unborn baby. I do not know if Charlotte will carry the infant to term, but if she does, she will likely remain ignorantly ensconced within Grayson Manor, protected both from harm and from reality. Eventually, she will learn what has happened, but until she does, she can't be counted on.

Lastly, there's Daniel (Joshua Bowman), who is a good man, used as a pawn by both his parents and Emily. He tries to do the right thing, and I think Emily, Conrad, and Victoria all care for him, but none of them put his welfare ahead of their own desires. Were he to be let in on what's going on, there is no telling where he would land, since neither party has done right by him.

I do think that Emily might actually love Daniel. She enjoys their fake relationship a little too much, and keeps coming back to him. After falling out with Aiden (Barry Sloane), who never really feels right for Emily, her heart isn't torn anymore. She could be with Daniel for real, maybe even eventually telling him who she is and what she's done.

Though, Jack will be the unknown factor here. Now that he knows Emily is his beloved Amanda from childhood, he may want to pick up where they left off, assuming he can see past recent events. It is doubtful he will be as content as Aiden to sit by and watch Emily play house with Daniel, not that Aiden is very understanding. So Jack is the one who could stand in the way of an Emily / Daniel marriage, Emily having long wanted Jack, too.

Revenge is fun because it's a juicy mess, full of ever-shifting allegiances, and constantly pulling new information out of the closet. "Truth" is a fitting finale because it goes big, mixing death, major action, and plot developments with a heartbreaking story. I'm very interested to see what the writers come up with for season three.

Revenge has been renewed by ABC, and will return next fall.