Not So PURE GENIUS

Article first published as PURE GENIUS Review on Seat42F.

CBS’s latest drama shows us an idealized world. In PURE GENIUS, a very rich techie creates a hospital with the goal of allowing true, immediate innovation for the doctors who work for him. Or rather, with him, since while he is technically the boss, he strives to create an environment where everyone, from the CEO to the janitor, is on an even playing field and gets a chance to contribute. Will his experiment work? Or will it run up against harsh reality?

For ease of access, the pilot begins with the head of this organization, James Bell (Augustus Prew, The Village), inviting the well-respected, but beaten down, Dr. Walter Wallace (Dermot Mulroney, Shameless, My Best Friend’s Wedding), to come check out the facility. Touring, Dr. Wallace (and the audience) meets the young doc who struggles to be taken seriously, Zoe Brockett (Odette Annable, House), the physician fighting prejudice to help the ‘hood he hails from, Malik Verlaine (Aaron Jennings, Movie 43), the put-upon assistant, Angie Cheng (Brenda Song, The Suite Life of Zack and Cody), and more (Royal Pains’ Reshma Shetty and One Life to Live’s Ward Horton). So we have our diverse ensemble.

I am very torn on whether to give PURE GENIUS a positive or a negative review. This show has things going in its favor, and things working against it. So let’s break it down.

First, the good stuff. The series is enticing. It’s easy to get very excited about the concept, stymied as people are today by regulation, bureaucracy, and budgets. The hospital as presented here is a utopia for its staff, who have been given much freedom and lots of resources to work with, and a beacon of hope for patients. Find something experimental on the internet that no one is making yet? No problem, they’ll just acquire the company and have them work for them.

The stories are moving. Who doesn’t love a bunch of do-gooders devoting their lives to helping others? These people are self-sacrificing, brilliant professionals who, if they were real, could save all of our lives multiple times over before lunch. They celebrate their wins, and mourn their losses. On a show like this, there will be a lot more of the former than the latter, providing frequent emotional victories for both the characters and the viewers. It’s enjoyable, feel-good entertainment.

Now the stuff that’s not so good, starting with the previous positive point. It is emotionally manipulative. Sure, it pushes you to care for those on screen, but it’s often forced, calculated even. A team of number crunchers writing a script purely based on analytics of reaction could not have done a better job crafting a show to push all the right buttons at the right times. It’s too perfect in that regard, obvious in its attempts to elicit response.

PURE GENIUS is also incredibly cliché. From finding out why Bell really created the place, to the way in which patients are helped, to the forced temporary setbacks, it’s a very rote, predictable show. It does a decent-ish job of disguising its case-of-the-week structure with flash, and yet, those versed in modern television will recognize it right away. I wouldn’t expect much freshness out of PURE GENIUS, and we probably won’t get it.

So it’s hard for me to recommend or not recommend this one. I enjoyed the first episode, and am tempted to watch more. But I probably won’t because, in the era of peak TV, there are plenty of better shows out there. I can’t fault anyone who wants to watch this series, though, because I do feel the draw of it. Let’s call it a wash and say if you like medical procedurals, this is a fun one with a nice take, though it’s a bit repetitive in its formula.

PURE GENIUS premieres Thursday, October 29 at 10/9c on CBS.

Journey to KLONDIKE

Article first published as KLONDIKE Review on Seat42F.

Discovery Channel’s first scripted miniseries, KLONDIKE, tells the story of the gold rush in Alaska in the late 1890s. It paints a picture of many types of characters who just might make it in a frontier setting, where rules and laws give way to survival of the fittest and nature, as well as the hero who struggles to adjust his morality. Who will thrive and who will perish? Tune in to find out.

It’s good to see more cable networks getting into the scripted game. As someone who detests most reality programming, and even finds many of the so-called “educational” stuff on Discovery and History hokey and annoying, I don’t typically appreciate the offerings of these networks. But a good drama, which either tells a true story (in a fashion) or presents a period of time most people don’t know a lot about, is welcome. KLONDIKE may fit this category.

KLONDIKE reminds me a lot of AMC’s Hell on Wheels. It has a similar tone and wild spirit, and the players feel familiar. It took me awhile to get into Hell on Wheels, likely because the frame of reference is so far off between today and that era. KLONDIKE, too, begins a little slowly, but it has good enough cast that I’ll give it the same chance, hoping it will grow on me the way the AMC show has, though KLONDIKE is a limited-run piece. Plus, a twist late in Part One really got me excited about what’s happening.

After the obligatory, out-of-sequence hook, which nearly all shows seem to feel the need to include these days, though they really shouldn’t, the first part begins with two young men, Bill Haskell (Richard Madden, Game of Thrones) and Byron Epstein (Augustus Prew, The Borigas), setting out to make their fortune beyond The Wall in the snowy wilderness.. They have a spirit of adventure, brave souls, and a naivety that will definitely bring them more trouble than good. They’re familiar types, but not unwelcome ones.

Upon reaching their destination, the town of Klondike, Bill and Byron quickly learn that they are not at all prepared for the life they’ve embarked upon. They don’t understand the attitudes of the local Native Americans, and are surprised by the unscrupulous and selfish nature of their new neighbors. They get in over their heads in a compelling way, and by the end of the first part, viewers should care about them.

Among the characters they meet in their new home are mill owner Belinda Mulrooney (Abbie Cornish, Outriders), who is very protective of her business ventures, wise, kind priest Father Judge (Sam Shepard, The Right Stuff), whom the locals don’t care for nearly as much as Bill does, con-artist Soapy Smith (Ian Hart, Luck Dirt), who tries to seem harmless, The Count (Tim Roth, Lie To Me), the clear villain of the piece, and aspiring writer Jack London (Johnny Simmons, The Perks of Being a Wallflower).

Yes, that Jack London. For whatever reason, many historical tales feel the need to stick in real-life figures. London isn’t the only such person in KLONDIKE, but is the most famous one. I think they feel this gives the story some legitimacy, tying it to the real world by using a familiar name. But rarely do such projects care much about portraying the person in an authentic light, bending them to the whims of the script, instead, so London, like many that came before him in other shows, is a failed experiment, which KLONDIKE would be better off without.

The others are mostly types, too, to be honest. We’ve had plenty of woman who spur the traditional gender roles, or businessmen who are ruthless. Perhaps these archetypes work for a reason, but it still leaves one, who has already born witness to so many of them, yearning for something more fresh and original.

That being said, there is some strong casting here, and hopefully the actors will raise the parts above their starting position. I already like Bill, and the others have just enough potential that they might salvage the program, though in lesser hands than those currently guiding them, they would very much waste away.

KLONDIKE airs at 9 p.m. ET this week on Discovery Channel, starting Monday.