Hung goes for "The Whole Beefalo"

     HBO's Hung brings season three to a close with an unusually short titled episode, "The Whole Beefalo."  Ray (Thomas Jane) learns that because Charlie (Lennie James) jumped bail, he and Tanya (Jane Adams) will be losing Happiness Consultants. That is, unless they can come up with $40,000. Lydia (Ana Ortiz, Ugly Betty) helps them track down the pimp, and Ray decides stealing Charlie's cattle is the best way to get their money. Impressed by Tanya standing up for herself, Charlie lets them do it.

     Tanya is the growing character. Slowly she has morphed from a timid, scared woman into a confident, brave fighter. Part of this can be attributed to her success in business, and her belief in the concept she is selling. Another part is because of Charlie, who teaches her how to be the best pimp that she can be. Thus, it's hard for him to get angry when she only demonstrates the things he instructs her to do. Tanya doesn't immediately think to confront and fight Charlie to get what is rightfully hers. But when pushed, she doesn't back down either. This is to her credit.

     Ray, on the other hand, is understandably angry that Tanya would risk their business for a guy. But he's also sympathetic to the pain she is feeling after Charlie runs out on her. So instead of lecturing and yelling, or at least not much, he steps up to help her solve the problem. At times, it feels like Happiness Consultants is really Tanya's business and Ray is just an employee, since her motivation and ideas fuel the practice. Whoever, in "The Whole Beefalo," Ray does his share as partner, and takes a vested interest in the company. It's nice to see, and the chemistry between these two leads is finally settling in nicely.

     The threat hanging over Hung since episode one is that Jessica (Anne Heche) will discover Ray's "side job." She does, in the episode before "The Whole Beefalo," and with little fanfare. It may help that she figures things out herself, in her own time, instead of being told and forced to deal with it. However it goes down, though, she takes it in stride. Is she proud of him for doing something so unexpectedly bold? Or is she over him so much that she no longer cares how many women he sleeps with? This is now the major question concerning Jessica going forward, and her confrontation with Matt could be fueled by frustration or inspired by Ray's braveness. It's hard to tell.

     Jason (Stephen Amell) makes a very important choice, deciding to go back to Lenore (Rebecca Creskoff), rather than staying with crazy Sandee (Analeigh Tipton). This might be a mistake, especially because Jason dumps her while her grief over losing her grandmother is fresh. It's terrible timing, and Sandee is already pretty unstable prior to this development. As such, she goes to Lenore's with a gun, looking for revenge. Hung allows the gun to go off, but doesn't show if anyone is shot or hurt. It's a tantalizing cliffhanger that must be resolved, and means that HBO has to renew Hung now!

     One question remains from season three of Hung. Why is Lenore working a suicide prevention hotline? Is this a hint of humanity, and a sign that her character is not destined to be the continuous villain?

    Hung airs on HBO.

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Betty comes to an end, sans the Ugly

    Last night marked the series finale of a fantastic four year story.  ABC's Ugly Betty, after scoring high enough ratings to move off of Friday nights, was abruptly and unfortunately canceled shortly thereafter.  What makes the cancellation seem criminal was that Betty's current season was shortened by two hours, giving the show's team even less time to tie everything up.  They managed to, but only by rushing and packing plot thickly into the last few hours.

     True to Betty style, everyone got a happy ending in "Hello Goodbye".  Amanda (Becki Newton), in the course of a mere three episodes, got to know a man she realized was her father, and he was glad to be in her life.  Marc (Michael Urie) didn't officially get a promotion, but it seems like he'll be a major creative drive for Mode magazine from now on.  Speaking of Mode, Wilhelmina Slater (Vanessa Williams), the show's resident villainess, not only turned over a new leaf, but got her heart's desire in both her career and her personal life.  Hilda (Ana Ortiz) was married to a man who treated her right and bought her a home in Manhattan, much to her son Justin's (Mark Indelicato) delight.  Justin found acceptance of himself.  And even Ignacio (Tony Plana) being left alone seemed happy about it, glad to see his daughters do something with their lives.

     Of course, the title character daughter, Betty (America Ferrera, who turns 26 on Sunday, what a crappy birthday present!) got her dream job and moved across the Atlantic to London.  And new more stylish glasses, to match her better wardrobe and braces-less smile, as she has slowly been transformed away from ugly duckling by the time they filmed her swan song.  Though she revisited a couple of the men who stirred her heart over the years, in the end she was left single.  Sort of.  Although it had to be quick, Daniel (Eric Mabius), her boss of the last four years, came to realize his feelings for her, quit his job, and moved to London, too.  He didn't try to stop her from fulfilling her potential, the sole man who only ever wanted her to bloom.  It was perfect, and thankfully the writers didn't rush that, merely teasing at the beginning of the relationship without getting into it yet.

     Sadly, there were some glaring loose ends that just couldn't be tied up.  Most involved the Meade family.  Alexis's (Rebecca Romijn) absence was glaring, nor did Claire (Judith Light) have time to figure out her new family situation to my satisfaction.  I hesitate to hope for a feature film, chances seeming slim, but surely there could easily be happenstance enough to get the entire cast over to Britain and do a fitting follow up?

     As the picture faded out, the title appeared on the screen, and then the Ugly faded away, leaving only Betty.  That would be the name of the dream movie in my mind.  Given the constraints, it was the best finale fans could have hoped to have seen.  The sadness comes with the knowledge of such unfulfilled potential.  The show, not Betty herself.  She got hers.