Meet Your GIRLBOSS

Article first published as TV Review: GIRLBOSS on Seat42F.

Netflix’s latest series is GIRLBOSS. It’s the story of Sophia, a young woman who doesn’t yet know what she wants to do with her life, and so bounces between jobs and casually breaks the law while sleeping with drummers. You know, just a typical story. In the process, however, she sort of accidentally starts her own business and becomes a powerhouse entrepreneur worth millions. And it’s (very loosely) based on a true story.

Britt Robertson (Life Unexpected, Tomorrowland) stars as Sophia, and brings just the right mix of moxy and snark to the role. Sophia is not very likable when described outside of the story, and yet, there’s something magnetic about her. You may, as I did, find yourself rooting for her to succeed, even as she’s ripping people off and showing utter disrespect to those who don’t deserve it. She’s a rebel who refuses to play by established rules and cuts her own path, which is a much harder way to go through life and not always necessary (as it isn’t here), and yet could end up being more rewarding. I’ve long liked Robertson, but this may be my favorite role for her yet in its complexity, another well-deserved series lead.

Sadly, if you look into the person Sophia is supposed to be in real life, any success will be fleeting, as the company just getting started in this dramedy series, Nasty Girl, recently filed for bankruptcy.

Robertson is joined by an absolutely terrific cast that includes Dean Norris (Breaking Bad), Jim Rash (Community), RuPaul (RuPaul’s Drag Race), Louise Fletcher (One Flew Over the Cuckoo’s Nest), Alphonso McAuley (Breaking In), Johnny Simmons (The Perks of Being a Wallflower), and Ellie Reed. Not all of these are well known, but all are good, mixing younger, fresher faces with experienced, lauded performers. Robertson sort of spans the two groups, talented without a lot of high-profile parts to date, so it works out very well.

The plot itself is pretty good, though after two episodes, I’m not sure it’s completely good enough for the actors. The story itself is relatively predictable and familiar. Coming on the heels of Girls, GIRLBOSS might lack the attention it would otherwise receive. Arrested development has been done before, and somewhat more edgy or raw than it is here. This is like a slightly sanitized version of the too-soon-gone How to Make it in America.

I’m not completely sold on the idea of this being a period piece. 2006 isn’t long enough ago to feel all that different, and aside from the clunky cell phones and a well-placed The Devil Wears Prada billboard, I can’t say it feels all that different from today. The fact that the characters go out of their way to make pop culture references, which do feel shoe-horned in, makes me wish they’d just set it in the present. I don’t know that anything is really added to the story by going backward.

And yet, the truly excellent performances raise the overall profile enough to totally hook viewers in and make you want to watch more. In peak TV, the show might not be good enough to stand out, but I doubt audiences that give it a chance won’t want to see it through. I know I’m full invested already to watch the series until cancellation, whenever than may be.

In all, I do recommend GIRLBOSS, but not unequivocally. This isn’t a show I would tell people they have to watch, but I did enjoy it and do plan to binge it myself. Take that as you will.

GIRLBOSS’s thirteen episode first season is available on Netflix today.

Breaking In breaks back into the airwaves

FOX's Breaking In, or breaking_in, as the title is sometimes written as, seemed canceled at the end of last year, but received a last minute reprieve. Fans who were elated at the news have had to wait a long time but new episodes. But that wait is over this week, as the second season premieres with "The Contra Club."

A new secretary begins work at Contra Security. Her name is Veronica (Megan Mullally, Will & Grace, Chrildrens Hospital, Parks & Recreation), and she is annoying, creepy, and a mess. But before the staff can begin pranking her, Oz (Christian Slater) orders them not to. Getting suspicious, the employees dig a little and discover that Veronica works for a company who Oz is trying to sell Contra to. When the deal falls through, the team breaks into Veronica's employer, and fixes it. Except, now they have to work for Veronica, who isn't pleased with their shenanigans.

"The Contra Club" is very much a transition episode, so it's hard to make a judgment call about whether the return of Breaking In is successful or not. Much of this episode centers on the "mystery" of Veronica's character, which is, sadly, not a mystery at all, because of numerous previews and press releases that spoil the twist. In this, FOX kills the suspense of the premiere, and the things that should be enjoyable about the episode are ruined. This is a marketing misstep, not a creative team failure.

Breaking In thrives on the interaction between Oz's team as they pull off jobs. Due to the story structure of "The Contra Club," the job of the week is short, and doesn't allow a lot of reveling in what makes the show good. Add to this the loss of Josh (Trevor Moore), and things don't quite add up to a great example of the series. Worse yet, Melanie will only appear in some of the episodes because Odette Annable is now starring in House, and Breaking In basically drops any romantic story between her and Cameron (Bret Harrison). So that's two out of the four team members MIA most weeks, and a big plot point gone. And Dutch (Michael Rosenbaum), who isn't in every episode of season one, but is fantastic when he is present, has also been dropped. One can assume that Dutch is no longer necessary because Cameron isn't going after Melanie, and Veronica is now the antagonist, though only time will tell if she will be a good fit replacement.

Luckily, Oz and Cameron's relationship, the other major element of the series, remains solid. Cash (Alphonso McAuley) also continues in his plum comedic role. So some things that are proven positives are still present.

There is a wild card that "The Contra Club" doesn't address. The other new main character is Molly (Erin Richards, the UK's Being Human), Veronica's long-suffering minion. She gets scarce screen time in the premiere, and almost nothing about her is revealed, except that she is sorely mistreated, and allergic to cats. How she will fit into the office chemistry is still a mystery.

When a series is pulled back from death like this, networks like to retool to expand the appeal. Unfortunately, in this case, Breaking In had a great formula already, and just needed time and promotion to help it, not changes made to the plot. This new presentation may be better, or it could end up being worse.

So was "The Contra Club" a great episode? Again, hard to tell with the marketing screw up. However, it does get the characters and story set up for what will surely be a make-it-or-break-it sophomore run. Ratings are up a bit for the show, though not as high as normal for the timeslot it is filling, so it will just depend on if an audience can be built as to whether Breaking In will get a third season.

Watch Breaking In Tuesdays at 9:30 p.m. ET on FOX.

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breaking_in goes to "21.0 Jump Street"

     FOX's breaking_inwas recently canceled after a mere half dozen episodes, the last of which aired this week. The episode "21.0 Jump Street," which will serve as the series finale, found most of the team assigned to work for Mike Tyson (guest starring as himself), while Cam (Bret Harrison) is supposed to help a high schooler being cyber-bullied. But Cam finds the assignment harder than expected, and after asking Cash (Alphonso McAuley) to assist with a photo shop project, the situation gets even more complicated. The entire team ends up helping Cam right the situation, but as it turns out, the whole thing may have just been a nice present to Cam from his boss, Oz (Christian Slater).

     It is sad that yet another funny sitcom bites the dust without really being given a chance. breaking_in has a unique concept and a wonderful cast. Oz is the crazy, paranoid boss. Cam is a slacker hacker. Cash is the tech geek whiz. Josh (Trevor Moore) is an expert with disguises. Sexy Melanie (Odette Annable) can pick any lock. And Melanie's crazy boyfriend, Dutch (Michael Rosenbaum), is the wild card. Besides each member fitting into place nicely, with wonderful chemistry, Rosenbaum in particular stands out for making viewers forget all about his many years as Lex Luthor.

     Because there are no other sitcoms with a similar concept, its departure is a major loss to television. The premise is original and fresh, and the writing and acting are solidly funny. There are plenty of pop culture references, and zany, but not wholly unrealistic, situations.

     Even sadder, this marks the fourth project in as many years that has been pulled out from under Harrison, a very talented actor due to get a big break any second. The Loop is only vaguely amusing, but Harrison had a memorable recurring role in the second season of just-canceled V, and his star turn in Reaper, which criminally lasted a mere two seasons, should be remembered for years to come. Harrison picks good projects, that aren't given much of a chance.

     Plenty of sitcoms, much more poorly made than breaking_in, have gotten much longer lives. Currently on the air, Rules of Engagement, The Middle, and Two and a Half Men spring to mind. If justice exists, breaking_in will be rescued, as efforts are currently underway to do just that. It's a slim hope that the series may see a second season, but it's there all the same.

     The episode "21.0 Jump Street" is a great example of the series, allowing each member of the ensemble some meaty material, and so it is as good as any to end with. Cam returns to his high school and finds romance with a former classmate who has long harbored a crush on him. Melanie gets to try out high school for the first time, having been denied the experience by her grifter father. Oz plays things cool, and leaves viewers wondering if the whole episode is in service of helping an employee, or an actual job. Dutch gets to work through finding out that Cam has a thing for Melanie, but does not fall into predictable tropes.

     If you are so inclined, please write to FOX and ask them to bring back breaking_in. It deserves more time.

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     To purchase breaking_in streaming episodes, please click here.

Article first published as TV Review: breaking_in - "21.0 Jump Street"on Blogcritics.

breaking_in "Pilot" pretty funny

     Most network television shows are winding down by this time of the year, or more accurately, ramping up for a big finale. But there are a few that, for whatever reason, didn't make the schedule until now, and are getting one last chance to succeed. Usually, these series air for less than ten episodes and are never heard from again. There are exceptions, such as Grey's Anatomy, that end up being runaway hits. Wednesday, FOX presented breaking_in, a sitcom that I find really funny, so I hope it's the next exception.

     The story begins with Cameron (Bret Harrison, V, Reaper) in his seventh year of college, easily hacking his way through school, and being paid to help others do the same. A man named Oz (Christian Slater, The Forgotten, My Own Worst Enemy), who runs a security company, catches Cameron in his illicit activities. Oz offers Cameron a choice: be exposed and go to jail, or come work for him. You see, Oz's company breaks into businesses for a living. They are not crooks, exactly, but hired to be crooks by their victims to test security measures. Cameron reluctantly accepts the latter option.

     Harrison is a comic genius, brilliant at playing the straight man forced into situations he doesn't want to be in. He's done it multiple times before, and he accomplishes it just as well as ever here. Slater, on the other hand, exudes power and threat with a glance, and is obviously relishing his role as leader of the crazies. His catch phrase, "I'll allow it," is uttered with a smirk whenever he catches one of his employees pranking another, even if the prank goes beyond the bounds of human decency, as they usually do.

     These are the two actors the show will depend on. One fairly fresh faced and new, the other experienced with an established following. Their interactions are some of the best parts of the episode, and there will definitely be a power struggle between the two as the series goes on. Cameron initially wants out, but by the end of the pilot, decides to stay. However, I do not see him going along easily with Oz's free-wheeling ways, so there are bound to be plenty of clashes.


     Joining Cameron and Oz in this odd job are Cash (Alphonso McAuley), a nerd obsessed with candy bars and hazing the new guy in outrageous ways, Josh (Trevor Moore, The Whitest Kids U'Know), a sometimes jerk and flaw(less?) character actor who vies for leadership, Creepy Carol (Jennifer Irwin, Eastbound & Down, Still Standing), an annoying office worker who sneaks up on people, and Melanie (Odette Annable, formerly Odette Yustman, October Road, Brothers & Sisters, Cloverfield), a total psycho whom Cameron is attracted to. Of course, she already has a boyfriend, with a personality more similar to hers, named Dutch (Smallville's Lex Luthor, Michael Rosenbaum). There are other employees; it's a big office; but none that got any attention or lines.

     Rosenbaum will make you forget all about Lex in seconds. He is unrecognizable with hair and an attitude. Moore basically takes all of the things he does well in his IFC sketch show and does them within a larger plot, a good use for the actor. Irwin is likely a recurring character, but her familiar face is welcome. McAuley is funny, and I assume Cash will be Cameron's best friend before long. Annable is everything you want in a love interest. She's generically sweet and attractive, but it's the flashes of insanity that will set her apart. Ensemble wise, the chemistry is great from the get go. Each different personality brings something unique to the table, which will help with varied assignments.

     As soon as Cameron comes to work at the company, Oz puts him in charge of a mission. Oz is very much of the "toss him in the water and he will sink or swim" persuasion, not a caring mentor. He hires the people he thinks will get the job done, and has little patience for hand holding.

     Josh takes offense, feeling passed over. I find that surprising, because Oz seems the type to give this test to any rookie, and Josh should have seen it before. Cameron also has a temperament that will serve him in a leadership role, as he listens to everyone and cares about people. Josh, on the other hand, will clearly let ego get in the way.

     Don't make the mistake of thinking Josh is dumb, though, or he would never have gotten the job in the first place. Josh subtlely tricks Cameron into stealing the wrong car in his first assignment. Cameron pulls off a complicated, tricky job with the entire team, but has done so at the wrong dealership. Josh does prove he's not a total tool, and Cameron shows his ability to handle difficult people, when Cameron gets Josh alone to help him fix the mistake. Cameron is not a pushover, as one might first suspect. During the second attempt, he just throws a rock through the window and runs inside. Hilarious.

     I think this series has some real comedy gems within it, and I look forward to more episodes. breaking_in airs Wednesday nights at 9:30 p.m. ET on FOX.

Article first published as TV Review: breaking_in - "Pilot" on Blogcritics.

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