ONCE UPON A TIME Climbs "The Tower"

Article first published as ONCE UPON A TIME Review Season 3 Episode 14 The Tower on Seat42F.

ABC’s ONCE UPON A TIME delivers a weaker installment than most this week in “The Tower.” There are some excellent character moments, especially for David (Josh Dallas), who is at the center of stories both in the fairy tale land nine months ago and in present day Storybrooke. But there are also glaring flaws, plot points that the writers didn’t seem to take the time to consider at all, leaving fans with a vague feeling of disappointment as the close of the hour.

In “The Tower,” David is forced to confront his deepest fears. This begins in his castle in the Enchanted Forest, where he dreams of Emma (Jennifer Morrison), a grown princess, who suddenly turns dark and blames him from destroying her life. This is a really cool scene, a vision of Emma that has never been realized, but could have been. No sooner does she tell him not to screw up the next one then David wakes up to find Mary Margaret (Ginnifer Goodwin) revealing her pregnancy (as if everyone couldn’t tell by sight; the show doesn’t do well at hiding Goodwin’s baby bump.)

It’s no surprise that David is scared of being a bad father. He certainly did not do right by Emma, and while he had to do what he thought was necessary at the time to save her and their world, he has regrets. So he sets off to find a cure for those negative, nagging voices in his head, a root that Robin Hood (Sean Maguire) tells him about.

The Rapunzel story doesn’t do much for the girl at the center of it (Alexandra Metz, Chicago Fire), and the conclusion, where her parents just happen to be waiting for her at David’s castle, is hokey, but it does help highlight David’s emotional state. Rapunzel is trapped by a witch, but it’s not a real witch, simply a manifestation of her own hesitation about being a leader in her kingdom. And David does what he does best, helps someone find the stronger part of themselves, so Rapunzel defeats the witch. Though it is worth noting that David never even circle the tower looking for a way in, so how smart a hero is he really?

David is great at helping others, but so much at helping himself. Zelena takes advantage of that in Storybrooke by secretly feeding him some of Rapunzel’s root, which leads to David facing off in the woods against himself, or more specifically, the doubts that he can protect and take care of his family. David eventually overcomes this, of course, but Zelena achieves her goal – obtaining a sword fragment that holds David’s courage. Is David now the Cowardly Lion?

I do like how “The Tower” highlights both David’s weaknesses and the problems he has in dealing with them. I think he defeats that enemy a little too easily, which is part of the inherent problem with David (and Mary Margaret) in the first place – they are just too perfect. Still, it’s nice to see him struggle internally for a bit before winning the day, as we all know he will.

This also gets into Zelena’s head space a little more. At first, it appears she’s just trying to distract David and the others as they put together some (way too conveniently placed) clues that lead them to her farmhouse. She’s already moved sensitive, um, material from the premises, but at no point does it appear she has been taken by surprise. She knows what she is doing.

Early in the episode, we see Zelena (Rebecca Mader), a.k.a. The Wicked Witch, shaving Rumple (Robert Carlyle) with his dagger. Forgetting for a moment that the blade looks far too dull to do the fantastic job it seems to do, and that even the parts of Rumple’s face she doesn’t touch seem cleaned up, it’s a terrific scene. The tension between these two fine performers is excellent, Mader showing us her power, and Rumple exposing his vulnerabilities. We finally start to see why Rumple is back, and definitely find out that he’s under Zelena’s control, which is not a good thing. Though now that the good guys know about Rumple, it may even the playing field just a bit.

It still isn’t clear what Zelena’s ultimate goal is and how she plans to use Rumple to accomplish it (or Neal, for that matter, who is still MIA this week). What we know is she is several steps ahead of our heroes, having carefully planned a multi-step scheme, and she appears to still be on schedule in carrying it out. Every step closer they take to exposing her seems to be little bread crumbs that she means them to find.

There’s also a really sweet scene in “The Tower” between Regina (Lana Parrilla) and Henry (Jared Gilmore) in which Henry confesses some things about his mom, and Regina assures Henry that he will have family one day. It’s clear the two share an instant connection, which has to be gratifying for Regina, who still pines after this lost son, even if Henry doesn’t understand who Regina really is to him yet. I look forward to Henry getting his memories back because he is definitely lacking something valuable, not being able to fully appreciate having Regina in his life.

The scenes like the one mentioned above and the moments where David fights himself are terrific. It’s too bad the shaving and the berry clues and the lack of tower investigation and other small moments drag this episode down. When ONCE UPON A TIME is great, it’s great. It’s rare for it to have such unevenness nowadays, something rampant in the show’s early installments, but mostly filtered out by now. Hopefully, it will get its act together by next week.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

The Good Wife "Nine Hours"

     Sometimes a show that is already great produces such an amazing episode, I am enthralled by every second and want to talk about it to everyone I know. The latest example of this accomplishment was last week's fall finale of CBS's The Good Wife, entitled "Nine Hours". The plot was practically ripped from the headlines, timely and interesting. Real stakes were on the table, and the characters had to stretch themselves, trying desperately in a last ditch effort, and making mistakes along the way. This scramble had a (spoiler alert!) happy ending, but I wasn't sure it was going to until the end. Sure, it was likely that things would work out for our heroes, but it wouldn't be the first time a show tossed a twist in that ruined everything. However, though it took the easy ending, it was not a disappointment.

     The episode began when Alicia (Julianna Margulies) got an early Saturday morning phone call asking if she planned to add an addendum to an appeal to stop an execution she had filed the night before. The file clerk was breaking the rules to tip her off that she may have a chance to save her client, Carter Wright (guest star Chad Coleman, The Wire). Immediately, she called Will (Josh Charles), who was heading out of town for the weekend, and he called Diane (Christine Baranski), who was at the prison visiting their client. All sprang into action, calling in a whole team of lawyers to the firm on their day off to try to save Carter's life.

     One of my (and many fans') favorite characters is Cary (Matt Czuchry), Alicia's competition in season one, who now works for the District Attorney. Cary had worked on a project with the clerk, and Kalinda (Archie Panjabi) sought his assistance, which he was reluctant to give. Cary is not a bad guy, but he is a bit bitter with the firm, you see. His emotions towards them are completely understandable, even if most viewers wanted Alicia to win, as she did. I think we all know how Cary feels, not getting recognition he believes he deserves. I wish he had more screen time this season, because every time he graces the stage, he gets some good meat. In this episode, a call from the director of the Innocence Project, Barry Scheck (guest starring as himself), convinced him to join the cause. This was great, even though regrettably Cary had almost no screen time after he agreed to help.

     Diane also had some great stuff. She was simultaneously wanting to help her firm with their legal case, but also attempting to convince Carter's daughter (Alexandra Metz) to visit her father, and the warden (Michael Pemberton, Damages) to extend visiting hours so that she could. These aims came into conflict when Diane acted on something she overheard, temporarily helping a last minute court hearing, but also losing goodwill at the prison. It's this type of actions have consequences storytelling that makes The Good Wife so compelling, though those consequences aren't usually as quickly apparent as they were this week. Life is complicated, and these types of touches make the show feel authentic.

     Besides the major legal plot, Alicia's family had some drama brewing of its own. Her husband, Peter (Chris Noth), was preparing for a debate. We assume he did well, until asked if his wife had forgiven him for his affair, and then he was stumped. Has Alicia? The show rarely has explicit conversations between the two of them, stating exactly how they feel. Alicia has been sending plenty of mixed signals this season to that effect. Peter has to be confused and doubtful. Sure, he's back living with his family, but he sleeps in the maid's quarters (alone; they don't have a maid). It's a pretty neat tactic, one not seen often on television, trying to rely on physical cues and inferences to tell a whole major story arc. As a viewer, I felt as speechless as Peter. How could he possibly answer that when he, and we, don't know ourselves? The show does not seem poised to answer it too quickly, as Alicia is clearly considering acting on her feelings for Will.

     And on top of all of that, Alicia's daughter, Grace (Makenzie Vega), was finding God. Religion is not a common theme in The Good Wife, none of the principal characters being particularly spiritual, though it does rear its head from time to time. Grace's family obviously is uncomfortable with the teen praying openly and wanting to attend a religious camp. Sure, church attendance in the 21st century is down, but here's a look at a real family, and how non-practicing parents might deal with a daughter who wants to believe. Though, Peter himself also dealt with religious issues this year, so he may be more understanding than Alicia. This was just the beginning of an arc sure to continue in 2011 episodes.

     Crack writing, tight editing, brilliant acting, interesting direction, and a world that seems so realistic, sometimes it's easy to forget it's fiction. These elements are demonstrated consistently in The Good Wife, and it is the reason the show received so many Emmy nominations for its first season. With episodes like "Nine Hours", it can expect to see more of the same next year. The Good Wife will continue its sophomore season on January 11th.

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.


Article first published as TV Review: The Good Wife "Nine Hours" on Blogcritics.