High On THE MAN IN THE HIGH CASTLE

Article originally published as THE MAN IN THE HIGH CASTLE Review on Seat42F.

Amazon’s newest drama is called THE MAN IN THE HIGH CASTLE. Based on the novel of the same name by Philip K. Dick, the story is set in an alternate 1962, in which the United States lost World War II in 1947, and now lives under the harsh rule of the Axis powers. In this landscape, a film reel showing the Allies winning the war begins circulating, and those in charge become intent to kill all who come across it.

The former United States looks very different in THE MAN IN THE HIGH CASTLE. The West Coast is now Japanese territory, while the Midwest and the East wave a Nazi flag. In between is a nearly lawless neutral zone, which characters from both sides venture into, and seems to be where a large part of the action will take place. While people are generally the same, the country is virtually unrecognizable, with everything from jobs to technology affected.

It’s under these conditions that the intrigue plays out. There is no love lost between the Japanese and the Germans, who have become locked in a Cold War, being the two super powers left in the world. Only Adolf Hitler holds the tenuous peace together, and with his health failing, it looks like things may soon devolve into violence once more.

It’s interesting to see Hitler cast as a peacemaker. It makes sense, given the way the pilot plays out, and it reinforces the wisdom that history is written by the victor. Life isn’t great for the conquered Americans, having lost their freedom, but it isn’t horrible, most going on mainly as normal. With the Great Depression having exacted a heavy toll and work still scarce, many who might revile Hitler are now counting on him to hold everything together.

THE MAN IN THE HIGH CASTLE has a lot going on. I know I’ve said that about other shows, but it seems especially true about this one. There are the larger political machinations, as mentioned above, but there’s also a rebellion and the more personal story around the film reel., I give the writers credit for balancing all of this, likely inspired by Dick, who packed a lot in a relatively short novel. The show manages to tell various stories on different scales and not feel scattered or messy.

On the personal level, front and center, is Juliana Crain (Alexa Davalos, Mob City). Living in San Francisco, studying martial arts, she embraces the best parts of the new world. But when her half-sister gives her the reel mentioned above, she feels compelled to follow the trail, taking her into the neutral zone, an area she knows nothing about.

Her counterpart from the German side is Joe Blake (Luke Kleintank, Bones), a truck driver who also has a reel. They come together seemingly by happenstance, but both seem destined to be intertwined. Their connection isn’t romantic, with Juliana having a steady beau at home. Instead, it seems like they are playing a part in something much bigger than themselves, with little foresight into what might happen next.

THE MAN IN THE HIGH CASTLE’s first episode intrigues and engages. There characters are interesting, and while it isn’t populated by an A-list cast, there are a number of familiar faces, all of whom do an excellent job. The world, realistically painted, is complex and vast, and the balance between the elements is expertly managed. I have nothing bad to say about it, and look forward very much to diving into the next installment.

THE MAN IN THE HIGH CASTLE is available now on Amazon.com, with the first two episodes currently free for everyone.

MOB CITY a Dark, Intriguing Place

Article first published as MOB CITY a Dark, Intriguing Place on TheTVKing.

Not long after AMC kicked showrunner Frank Darabont off of The Walking Dead, a show he developed, rumors swirled that he would make a television comeback. For fans of the zombie series or the movies Darabont has made, which include greats like The Green Mile and The Shawshank Redemption, it's with great satisfaction that we tune into his newest creation, Mob City, which premiered this week on TNT.

Like The Walking Dead, Mob City is an experiment. Six episodes are being produced for the first season as TNT tests the waters with something totally unlike its normal slate. Mob City is a period piece, mostly set in the late 1940s with flashbacks to earlier times, that explores the world of crime in Los Angeles. It's a serial drama, weaving many characters together with interesting, twisty plots. It's also done a bit in the noir style, which you don't see a lot of on television today.

Overall, I'd say this experiment works. The first two instllaments (the initial season will air over three weeks in two hour blocks) are very good, introducing us to characters who we quickly come to care about, but aren't always sure of their motivations. There's a healthy level of mystery to the plot that will draw viewers in, even before they decide if they like the program or not.

Mob City is a little slow-paced, but not as much as, say, Boardwalk Empire, another period piece that does decently well over on HBO. There are a few shootouts and dead bodies in the first night alone, with more to come. The danger and threat level, especially for a limited show, is relatively high, even if several of the main characters are based on real people whose ending may be known. At least those historical figures aren't so famous that everyone knows their tale before the show can tell it.

The cast is truly excellent. Darabont keeps a few of his Walking Dead buddies, with Jon Bernthal playing the lead, Joe Teague, a mostly-good cop who has connections to the mob world, Jeffrey DeMunn as Hal Morrison, head of the task force tracking the mob, and Andrew Rothenberg in a recurring part working for Hal. Robert Knepper (Prison Break, Heroes) does what he does best, playing demented villain, while Gregory Itzin (Covert Affairs, 24) tackles a familiar part as a crooked politician. Neal McDonough (Justified, Desperate Housewives) proves he can do hero as well as he has done bad guy in the past, and Milo Ventimiglia (Heroes, Gilmore Girls) meshes well as Joe's war buddy, now working for the other side.

Believe it or not, while those are the most familiar faces to me, that isn't even all of the wonderful actors starring in this show. Edward Burns (Saving Private Ryan) and Jeremy Luke (Don Jon) play infamous mobsters Bugsy Siegel and Mickey Cohen, respectively. Alexa Davalos (Reunion, Angel) is perfect as the token girl in the cast, a strong woman who tempts Joe to cross the line. Jeremy Strong (Zero Dark Thirty), Mekia Cox (Undercovers), Mike Hagerty (Wayne's World), Daniel Roebuck (Lost), Ernie Hudson (Ghost Busters), and comedian Dana Gould also have recurring roles. With such a deep bench, all of them fantastic, there will be no shortage of wonderful character moments, even after a few of them tragically die.

In the first episode, Joe is approached by a stand up comedian named Hecky Nash (Simon Pegg, Shaun of the Dead, Star Trek), who wants Joe to protect him as he tries to blackmail the mob. Joe agrees, but upon learning a key thing about Hecky, which I won't spoil because it takes awhile to come out, turns on him, a fact Joe is not able to reveal to his bosses, even as he tells them everything else. Yet, Joe isn't about to get himself onto the mob's payroll, and they don't appreciate his refusal, thus beginning a delicate dance between the two sides, with Joe in the middle.

I really like the flashback stuff. In episode one, we see the origins of Bugsy and Sid. While their scene doesn't really inform too much in the present storyline, it is pretty cool. Better, the second hour gives us insight into McDonough's William H. Parker, which is much more relevant. Taking that break, giving us the back story, is useful when used sparingly in this manner.

Now, there are a few gratuitous scenes. The aforementioned opening to the pilot, "A Guy Walks Into a Bar," involves some violins and a baby carriage that make the moment memorable, but don't necessarily scream realism. Later, there's a bit with Sid in a confessional booth at a church that seems purposely designed to shock and offend. Maybe these aren't necessary, but they do put off a tone and style that will set Mob City apart, and do fit the comic book-noir mashup that seems to be happening.

Overall, I really enjoyed the first two episodes, and I look forward to seeing what Darabont and his highly talented team will do with the rest. It's definitely already the best series on TNT. Mob City airs Wednesdays at 9 p.m. ET.