Showing posts with label 90210. Show all posts
Showing posts with label 90210. Show all posts

Saturday, November 9, 2013

Back to TV’s Roots

Article first published as Back to TV's Roots on Blogcritics.

Lately, television networks have flocked to remakes and reboots as much as the cinema has. Sometimes, it works well; other times, it’s a disaster. What could or should be remade, and how do those projects that deserve to see the light of day proceed?

J2Crime procedurals are typically easy to redo. There are a million CSIs and NCISs on the air, so it’s clear the genre is still popular, as puzzling as that is to many critics, myself included, who quickly grow bored with formula.

Hawaii Five-0 is entertaining because it’s set in a beautiful locale and has humorous dialogue mixed with big action. Ironside is a flimsy concept whose only real departure from the norm is that the main character is in a wheelchair, not exactly a novel twist. One of these is popular and has run for years, the other is likely to get canceled in the very near future.

NBC wants to bring back Murder, She Wrote, this time starring Octavia Spencer in the role made famous by Angela Lansbury. One one hand, Spencer is a fantastic actress (though so is Blair Underwood on Ironside) and deserves her own TV series. On the other, Lansbury is iconic in the role, still stuck in our minds many years after her cancellation. As good as Spencer is, overcoming the shadow of the great lady that came before her seems a daunting task, and thus I am not optimistic about the show lasting.

Angsty dramas are a mixed bag. Melrose Place showed us how not to do it, and 90210 lasted a few years not because it tapped in to the nostalgia of the previous generation who watched the original, but because it found a new (somewhat limited) audience and didn’t rely too heavily on history. Yet, Dallas has been my favorite in this category, continuing a familiar story, mixing beloved characters with new blood in a way that gives the series new life. The only question is if it can survive without star Larry Hagman, which remains a lingering mystery.

Sci-fi also can work, but rather than continuing, like Dallas does for its drama, the series must reinvent itself. Star Trek: The Next Generation and the other spin-offs built upon the original Star Trek, but also added a lot of new elements, coming into their own. V was interesting, and had it had stronger writing, it could have lasted longer than two years. Battlestar Galactica was fantastic, re-imagining the old version completely, and surpassing its origins.

The real reason I sat down to write this column today, though, is because of the news that the History Channel is redoing Roots. In my opinion, this is a horrible idea.

Roots was an extremely popular miniseries, which won a ton of awards. History, which has only recently entered the scripted fare market, has gotten good attention with its efforts so far. From the standpoint of its brand, I could see why they would pick this property as a contender to continue to build its slate.

J1However, have you watched the original Roots lately? It still holds up extremely well. And being as widely viewed as it was, and continues to be in high schools across America, it is still relevant in the public conscious. Most of the people tuning in to watch the new version will remember the old, and comparisons will be inevitable. Considering the very high quality standard the original set, this seems like playing with fire.

It’s a big risk, and one I would not recommend making, as much as I think it’s great when television takes risks. It’s like if someone decided to remake the Back to the Future films, or even the Harry Potter movies, in the next few years. It just isn’t a smart idea. The payoff, should it be accomplished successfully, could be pretty good, though it’s unlikely to reach the heights of the earlier broadcast, which aired at a time of much fewer channels and competition. It seems doomed to always be pegged as the lesser edition. And that’s the best case scenario. If it sucks, it could set History back considerably.

So I have a question for you, gentle readers. Actually two. What could History do to make Roots a win in your book, and what shows would you like to see remade?

My answer for the first is to cast LeVar Burton as the older version of Kunta Kinte, which would only be a smart move for Burton is the new project is awesome, but him signing on would automatically give it gravitas and attention. For the second, besides another Star Trek series, I’d like to see a grittier, more realistic, dramatic version of Gilligan’s Island. How about you? Weigh in in the comments below.

Thursday, May 19, 2011

CW is last to release fall schedule

     Right in the middle of season finale madnesses, the networks are releasing their fall schedules, handing down decisions on what goes and stays. CW is the fifth and final network to do so, and it also has the smallest number of hours to announce. That's because CW only programs original primetime content ten hours a week, Monday through Friday 8pm until 10pm, as opposed to the eighteen hours other networks program, Sunday through Friday 8pm until 11pm. Given that the CW only  has ten hours to fill, it may seem surprising that four of those hours are new shows, or 40%! Lots to look forward to.

     Monday begins with the return of Gossip Girl, followed by Hart of Dixie from Josh Schwartz (Gossip Girl, Chuck). Trying its hand at a medical drama, Hart of Dixie stars Rachel Bilson (The O.C.) as the big city medical professional who switches gears when she is given a small town practice. So it's like an American remake of Doc Martin. Scott Porter (Friday Night Lights) Jaime King (Pearl Harbor) also star.

     Tuesdays are for 90210 and Ringer, which is Sarah Michelle Gellar's (Buffy the Vampire Slayer) triumphant return to network television. In fact, Gellar plays twins, so it's double duty for the enemy of creatures of the night. Kristoffer Polaha (Life Unexpected), Nestor Carbonell (Lost) and Ioan Guffudd (Fantastic Four) make this certain to be a strong ensemble. Fun fact: Buffy the Vampire Slayer once aired on Tuesday nights. Can lightening strike twice?

     Wednesdays begins with H8R, a new reality show where host Mario Lopez will introduce some normal people to celebrities that they claim to hate. Kim Kardashian and Nicole "Snooki" Polizzi are two of the first up. Sign me up to meet Sarah Palin! H8R is followed by a new cycle of America's Next Top Model.

     Thursday night is supernatural with The Vampire Diaries and The Secret Circle. While Mondays are Josh Schwartz night, Thursdays belong to Kevin Williamson, who is executive producing both series. The Secret Circle is about witches and keeps Life Unexpected star Brittany Robertson on the network. Robertson is joined by Thomas Dekker (Terminator: The Sarah Connor Chronicles) and Gale Harold (Hellcats).

     Friday is the only night of the week without new shows. Nikita goes first, followed by Supernatural.

     One Tree Hill has been given a thirteen episode final season, which will premiere in the middle of the year. The Frame and Re-Model are also on tap for mid-season, both reality shows. Hellcats and Shedding for the Wedding are both canceled, and will not be back. Smallville recently completed its ten year run, and will also not be returning,

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Saturday, January 9, 2010

Vampire Die-aries

     CW presented yet another teen-angst drama this fall, this time taking our resurgence in vampires into account.  The Vampire Diaries is steeped in old mystery, history, and the fanged ones, but it is also the type of hour soap you would expect from the network that airs 90210 and Gossip Girl.  The problem is, it's a little too into the teenage genre and less into the vampire one.

     The high school characters are largely flat and one dimensional.  The main girl, Elena (Nina Dobrev, Degrassi: The Next Generation), tries to have depth, dealing with loss of her parents, and dating a one hundred and sixty-two year old, but the actress just doesn't have the acting ability to pull it off.  Similarly, her best friend, Bonnie (Katerina Graham), is a descendant of a witch, who the viewer sees in flashbacks, but her emotions are displayed only at surface level.  And don't even get me started on the guys, who have much less back story to work with, but aren't any better at it than the girls.  The only one who really succeeds is Candice Accola as Caroline.  Perhaps that's because her character actually is ditsy and shallow.

     The vampires, however, are mixed.  While Stefan (Paul Wesley, Everwood) only occasionally shows glimpses of talent, Damon is played deliciously evil by Ian Somerhalder (Lost).  Damon's motivation has barely been made clear, but he is played in such a way that he seems likable, and every time he does something monstrous, I am surprised anew.  Intellectually, I know that the character is not trustworthy in the least, but I am still drawn in.  This is the way to play a vampire, all atonce seductive, tricky, and villainous.  Currently, Damon is the best thing the show has going for it.

     That being said, the mythos and history of the town where the show is set is rich enough to keep things going for awhile as the actors grow into the roles.  It's been done before on other shows.  Sometimes it just takes time for a show to truly find its way.  The series was developed and is currently led by Kevin Williamson, creator of Dawson's Creek, so it has that going for it.  While currently it is barely worthy as a guilty pleasure show, take a lesson from Williamson's history and realize that it could grow into something really great down the line.  Either way, the tween fans of Twilight will find plenty to obsess over in the meantime.  After all, it just won Favorite New TV Drama at the People's Choice Awards.

     The Vampire Diaries is currently on hiatus and will return Thursday, January 21st at 8pm.