Article first published as 13 REASONS WHY Review on Seat42F.
Last week, Netflix
released the new drama 13 REASONS WHY (or TH1RTEEN R3ASONS WHY in the
opening title sequence), based on the novel by Jay Asher. By now, many
people have had time to check out at least a few of the thirteen
episodes available, and reviews have been strong. But in an age of peak
TV, you might be wondering just what this show is and why you should
watch it over the plethora of other excellent choices. This article
seeks to answer that question.
13 REASONS WHY begins in the aftermath
of Hannah Baker’s (Katherine Langford, Daughter) suicide. Hannah is, er,
was a high school girl, newish in town, average by most standards.
Various members of the community are quite shaken by her demise,
including her parents (Private Practice’s Kate Walsh and Smash’s Brian
d’Arcy James). Why did she do it? Ah, well that is the mystery.
Our conduit into this question is Clay
Jensen (Dylan Minnette, Scandal, Saving Grace), a boy who had a crush on
Hannah, and who is reeled not only be her taking her own life, but by
what comes after it. A box is delivered to Clay’s doorstep containing
seven cassette tapes, six recorded on both sides, detailing the thirteen
sides of Hannah’s story. Hannah says at the start that everyone who
receives these recordings figures into her decision to end herself, and
Clay is freaked out as he listens to each one, getting through one tape
side per episode.
There are a lot of unanswered questions
as we start this. Why did Hannah kill herself? What is her true purpose
in recording the audio? Why does Clay, who seems like a mild-mannered,
‘nice’ guy get the tapes? Who had them before him? Who will get them
after him? What will Clay do about it?
The material is dark, of course. While
the plot does revolve around high school kids and the characters feel
authentic to the age that they are, there is weighty subject matter in
the suicide and fall out from it. High school is a strange place, a
setting where kids turn into adults, some quicker than others, and this
is well illustrated by exploring very mature themes in this locale. 13
REASONS WHY deftly captures the duality and dynamic period that is both
relatable and a bit foreign to anyone who might watch it.
Kicking the series up another notch is
the non-linear way in which it unfolds. Jammed with flashbacks, Hannah
is as much a character as anyone, second only to Clay in screen time,
and while Clay is on a set journey, his thoughts don’t always stay on
the path. This makes it more complicated to follow, although that is
helped along by a visible facial injury early in episode one. It still
feels very natural, though, mimicking the process one’s mind might go
through while facing the complex reality.
Sealing this one for me are a pair of
authentic, deep performances by Minnette and Langford. Given that they
are the central characters, they are the ones most responsible for
keeping 13 REASONS WHY from feeling like a trite young adult novel, not
an easy feat. Yet, the do it almost effortlessly, impressing viewers for
their acting ability; they are talented for any age.
All of these elements combined are why I
have no reservations about recommending 13 REASONS WHY. It’s a
well-told, well-executed production about important matters. It avoids
the traps many series or films in this movie fall into, and while not
totally unique, this is certainly among the best examples on the
subject. Although twice the age of the lead, I found it very compelling
and easy to feel for Clay, and Hannah has piqued my curiosity,
especially in the elaborate way she set up her project with (I assume
purposely) outdated technology. I look forward to seeing this through.
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