Article originally published as KILLJOYS Review on Seat42F.
KILLJOYS
is the latest SyFy drama. Following three bounty hunters who operate in
a four-inhabited-planet system, it’s a post-apocalyptic look at
humanity’s future. This system is owned and run by a corporation, and
everyone works for them. If you don’t play by their rules, you get in
trouble. The bounty hunters aren’t exactly company men, their order
remaining unaffiliated, but operate as an independent, reliable body
tasked with hunting down those who anger someone enough to buy a
contract on their kill or capture. The company allows this, and gives
them a wide reach with which to perform their duties.
At the start of the pilot, there’s a lot
of action. Too much action. It gives the impression of a low-quality
program that is going to rely on visual fast food to tell its story, and
the characters and plot seem flat and uninteresting. It’s not the type
of thing that will hook those looking for intelligent science fiction,
but it will certainly appeal to a certain segment of the audience. For
those who it does appeal to, I hope you also appreciate the more
complex, layered, character-driven type of show, because that’s what
KILLJOYS morphs into in the second half of its first hour.
Dutch (Hannah John-Kamen, The Hour) and
John (Aaron Ashmore, Smallville, Warehouse 13) are partners, operating a
small ship, and going after the less dangerous jobs. Enter D’Avin (Luke
Macfarlane, Brothers & Sisters), John’s estranged brother and
PTSD-sufferer that has a kill order out on him. John risks everything to
save his sibling, who quickly takes an interest in Dutch, and the team
is born.
Each of these three are developed
individuals with their own secrets and backstories, all of which play a
heavy role in the main arcs. KILLJOYS could be just a procedural, with
the trio tracking new query all the time, but I don’t think it will be
because the first hour sets up a lot of dense stuff to flesh out the
world and the trouble already bubbling over in the political structure.
It seems poised for a big rebellion adventure, a la the original Star
Wars trilogy, more so than a science fiction version of Dog the Bounty
Hunter.
This program could be set in the Firefly
universe. The short-lived, still-popular Joss Whedon show is not the
only one that presents an outlook such as this, but the themes present
and the atmosphere are similar. KILLJOYS lacks much of the humor and the
Western sensibilities, both hallmark traits of Firefly, but other than,
I could see this being another part of the same world, with these
bounty hunters fighting the same common company that seeks to control
everyone and use them for its own gains, albeit in a smaller
neighborhood.
This gets me quite excited about
KILLJOYS. All three of the performers are fantastic in the pilot, each
given a chance to shine, and the rapidly-deepening story is intriguing.
While a certain amount of status quo is maintained for now, it can’t
possibly stay that way, and they are poised to be on the front lines
when all hell breaks loose, prepared more than most to make a difference
for an oppressed people due to their unique skillset.
I admit, there’s a chance I could be
wrong about where KILLJOYS is going, and the story I’m looking for may
be teased out only slowly, over a long period of time. I don’t think so,
though. The way the first episode unfolds is solid, and it just seems
like there will be more. As long as too many of the hours don’t rely on
combat rings and fist fights, both present early in the first
installment, I’m on board.
KILLJOYS premieres Friday, June 19th at 9 p.m. ET on SyFy.
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