Article first published as WEIRD LONERS Review on Seat42F.
WEIRD LONERS premieres this coming Tuesday on FOX.
FOX’s
latest sitcom, premiering this week, is called WEIRD LONERS. As you
might expect, it follows four individuals who could be labeled with the
descriptors in the title. They end up together by circumstance at a time
when they could all really use a friend or two, and will likely become a
stable group because of convenience and a common sensibility, getting
themselves into wacky situations that don’t go well because of their
oddness and selfish natures.
The ensemble is mostly made up of
network comedy staples. Zachary Knighton (Happy Endings, FlashForward)
plays Stosh, who blows up his life and career when sleeping with his
boss’s fiancé. Since his condo is company-owned, too, Stosh decides to
crash with his lonely, possibly unemployed cousin, Eric (Nate Torrence,
Studio 60 On the Sunset Strip, Hello Ladies). Eric goes out looking for
wall art and finds Zara (virtual newcomer who fits right in, Meera Rohit
Kumbhani), an aimless artist. At the same time, Stosh can’t help but
interfere with Eric’s hot neighbor, Caryn (Becki Newton, Ugly Betty, The
Goodwin Games), who is considering marrying a boring guy (David Wain,
co-creator of Childrens Hospital), the exact opposite as the type of man
she is naturally inclined towards. And, because why not, Caryn asks
Zara to move in with her, meaning all four now dwell in two adjoining
townhomes.
As you can see, none of the four have
their lives together, and all are in their mid-30s, past the time most
of their peers decide to grow up, a fact highlighted in the opening of
the pilot. A little arrested development is mixed with a lack of
self-awareness, at least for most of the group, giving ripe ground for
comedy to grow upon.
WEIRD LONERS isn’t exactly a new idea.
Perhaps the characters are more emotionally stunted in this show, but
it’s not that different from Happy Endings, How I Met Your Mother,
Cougar Town, Friends, or a myriad of other programs built on the theme
of acquaintances with a strong bond. It’s a formula that works pretty
well with the right actors and writers, and despite its flaws and
formulaic approach, Weird Loners certainly seems to have both of those groups working for it.
Because of the starting point of each of
these characters, there is ample room for growth and development moving
forward. The focus is likely to be on goofy situations and one-liners,
but all four of the players also bring emotional depth and complexity to
their roles, making them seem like three-dimensional individuals.
People such as they are sure to find ways to better themselves over
time, their coming together providing the resources all of them are
lacking at the start.
Will that be enough for Weird Loners
to succeed? I don’t know. The most recent good example of this, Happy
Endings, got a mere three seasons. It may be that this recipe has been
prepared so often that viewers are tired of it, and not looking for
another helping. I could easily see it being a one-and-done late season
also-ran. But I really like the cast, all of whom deserve to be on TV on
a regular basis, so there’s always the chance that enough other people
will appreciate it, as I have done, and give it the numbers to stay on
the air.
If you’re not sure if you should check
out WEIRD LONERS, I do recommend it. While not being particularly
original, it succeeds at being funny. The pacing is good, the laughs are
frequent enough, and the personalities are engaging, if not likeable.
The characters aren’t completely realistic, but they do feel authentic.
If nothing else, it is an entertaining half hour without the plot holes
or quick, easy gags that many shows succumb to.
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