Article originally written for Seat42F.
This week’s episode of THE GOOD WIFE on CBS, “Open Source,”
raises a timely debate in a very intriguing case-of-the-week, reminding us why
this show alone has the talent to make formulaic stories feel like they’re not
so. It also has one of the worst things a person has ever done on the series,
and a rocky go for two couples. Needless to say, it is immensely enjoyable.
Let’s start with the case. Diane (Christine Baranski) and
Finn (Matthew Goode) take on Nancy (Mamie Gummer) in a battle of wits over a
tragic accident that occurred because of a 3-D printed gun. The courtroom
battle in front of liberal Judge Abernathy (Denis O’Hare) goes back and forth,
with the first and second amendment rights debated. THE GOOD WIFE doesn’t seek
to answer whether such a gun’s designs should be freely available online, even
though I believe it leans towards no, but instead lets both sides play out in
an intriguing manner. When this show is at its best, it makes the audience
think, and I hope last night’s episode did that for more viewers than just me.
Because this is about guns, Diane’s seldom-seen husband,
McVeigh (Gary Cole), enters the picture. The two disagree vehemently on the
politics of the issue, and there’s also the ghost of Will, who saved Finn’s
life from a courtroom shooter, hanging over “Open Source.” Diane and McVeigh’s
marriage is tense as she oversteps her role as a wife in order to do her job as
an attorney and honor a friend’s memory. But again, rather than tell us exactly
what each character is motivated by, the writers let the show speak for itself,
presenting issues, then stepping back.
Diane and McVeigh are a terrifically delicious pairing.
Their spark is strong, and even when Diane wrongs McVeigh, he understands why.
As long as she is willing to apologize and promise not to do it again, which
she does without prompting, he is willing to forgive and forget. Besides making
for good drama, this is an inspirational look at how to make an on-paper
mistake of a marriage work beautifully, both expanding their worldview for the
other.
Alicia (Julianna Margulies) also has a romance with a man
that is threatened by a tough decision. When Johnny (Steven Pasquale) urges
Alicia to attack Peter (Chris Noth) alongside Prady (David Hyde Pierce), Eli
(Alan Cumming) threatens to take away a promising next campaign from Johnny. At
first, he caves, but once Alicia brings up their personal connection and
Marissa (Sarah Steele – promote her to the main cast already!) scolds him, he
rallies, sacrificing possible professional advancement for the woman he has
feelings for. He is rewarded at her apartment later, so I guess his actions pay
off, but it will be anything but smooth sailing for them. Though, this might
open the door for Alicia to finally leave Peter, especially if she wins the
election and they are both in the offices they want.
Sadly, on the other end of the spectrum, Louis Canning
(Michael J. Fox) acts in the most despicable of manners. On his possible death
bed, which ends up not being so, he plays on Alicia’s sympathies to hurt her
reputation. That David Lee (Zach Grenier) is complicit is even worse, making me
think this wolf in the firm will have to be dealt with sooner, rather than
later. Still, Canning is the main instigator, and after Alicia rushes to his
bedside, I can’t believe he’d be so callous as to do this to her. Hopefully,
the results won’t be too big a deal.
“Open Source” is yet another example of an excellent episode
of THE GOOD WIFE, of which there are many. Most of its arcs are fairly
self-contained, other than some relationship stuff, and yet it never feels that
way. The show has done such a great job of building this world that even
stand-alone cases seem like part of a larger fabric, rather than procedural. If
the show relied too much on them, it would suffer, but the writers never do,
making it much more about the characters than any short-sighted stories. THE
GOOD WIFE deserves its high esteem as the best regular-season show currently
airing on the broadcast networks (Hannibal may arguably beat it, but it’s a
summer series).
THE GOOD WIFE airs Sundays at 9 p.m. ET on CBS.
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