Article first published as GRACEPOINT Review on Seat42F.
FOX’s GRACEPOINT is a ten-episode murder mystery based on the British series Broadchurch. Starring David Tennant (Doctor Who) as Alec Hardy
Emmett Carver and Anna Gunn (Breaking Bad) as Ellie Miller, the duo
investigate the body of a boy found on a beautiful beach in a small,
tranquil, formerly crime-less town. The suspect pool is large, and the
members of the community are all affected by the tragedy in differing
ways, often making the case difficult.
The
biggest obstacle GRACEPOINT faces is that a number of potential viewers
have already seen the original, which recently aired on BBC America in
the United States, and is currently available on DVD, iTunes, and Amazon
streaming. The opening scene is almost exactly the same. Tennant
starred in both, playing the same role, and much of the pilot follows
the source material faithfully. The writers have promised a different
killer and GRACEPOINT will fill an additional two hours of running time,
so it won’t be a complete clone, but the parallels are numerous and
easy to draw.
By comparison,
GRACEPOINT loses in every head-to-head matchup. It’s a shame Tennant
isn’t allowed to keep his accent and his hair now looks unnaturally
tinged red. While Broadchurch features an omnipresent creepy tone, sort
of like The Killing, GRACEPOINT goes in and out of that, mixing a
modern, typical style with a unique one. A number of actors in the new
version, especially Michael Pentildea as the victim’s father, Mark
Solano, are inferior, if not outright horrible.
That
being said, had I not seen Broadchurch (which filmed a second, yet
unaired season recently), I would probably like GRACEPOINT quite a bit.
Gunn and Tennant are both fantastic performers, and the couple of
instances where Gunn slips back into Skylar-mode are charming, rather
than distracting. The story is well set up, and the various
personalities that make up the cast, including Kevin Zegers (Gossip
Girl) as reporter Owen Burke and Nick Nolte (Luck, Warrior) as the boys’
mentor Jack Reinhold, are both interesting and plenty suspicious.
GRACEPOINT
succeeds because it balances the crime investigation with the family
pathos and the drama among the townspeople. There is an emotional core
that is just as central to the series as the question of who killed
Danny. This allows the audience to relate to the varied players and
become invested in the saga, hopefully enough to tune back in on a
weekly basis for a couple of months.
I
applaud FOX for trying this out. While they have allowed Sleepy Hollow,
The Following, and 24 to do shorter-than-normal seasons, this is the
first cable-style series on the broadcast networks. It’s gritty and
realistic, extremely serial, and the writing and characters are complex.
This is a departure from the standard procedural junk that mucks up the
airwaves, and is not only bold for one of the Big Four, but, for the
most part, worthy of praise. They would have been a bit better off just
airing the British version, but since I can’t see FOX or its peers doing
that, this will have to do.
The
biggest question I have is, can it iron out the rough patches as it goes
along? If GRACEPOINT corrects its mistakes and minimizes the role of
those in the cast who don’t really cut it as actors, it could find a fan
base and be something that lasts a few years (though not too long,
considering the premise). But, based on the shaky start, this has to
clean up quick. And, should it do well enough to earn a second season,
it needs to stick to the strengths of the franchise, not just presenting
a second case the following year, refusing to fall into the regular TV
traps. GRACEPOINT can be special if it wants to be badly enough and the
network allows it.
GRACEPOINT premieres Thursday, October 2nd on FOX.
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