Article first published as SLEEPY HOLLOW Review Season 2 Episode 4 Go Where I Send Thee... on Seat42F.
In
last night’s SLEEPY HOLLOW on FOX, entitled “Go Where I Send Thee…,” a
young girl goes missing in town. Abbie (Nicole Beharie) knows the
mother, a woman who was kind to her while Abbie was in the foster care
system, and so is determined to help. Ichabod (Tom Mison) wants to
assist simply because he got an amber alert and feels it is his calling.
The two quickly discover that the girl’s disappearance is supernatural
in nature, she having been taken by The Pied Piper (Ryan Gray) as part
of a family curse.
“Go Where I Send
Thee…” is one of, if not the, weakest installments of SLEEPY HOLLOW
ever. The vast majority of the hour is a very basic procedural, with
Abbie and Ichabod working a case. The fact that Abbie just takes this on
all by herself without any consultation with her boss or the department
is ridiculous. The case turning out to be supernatural seems to be just
coincidence, not part of the overall series arcs, which stretches
credibility of the world being built. Most of the plot just plays out
like any cop show on television, and SLEEPY HOLLOW is not just any cop
show; it is far better than that.
Normally,
SLEEPY HOLLOW mixes the case-of-the-week stuff with the bigger
mythology, and often the case-of-the-week turns out to be itself part of
that larger story. Here, we have something almost completely
stand-alone. That’s fine, I guess, if more time is spent establishing
Abbie’s connection to the girl’s mother and it’s used to tell us
something new about Abbie’s past. Instead, this does not happen, barely
skimming over the elements that might make the crime interesting.
Also,
when the series devolves into this basic structure, much of the screen
time is usually still given over to the other supporting characters who
are working behind-the-scenes on something more. “Go Where I Send Thee…”
has only a tiny bit of this. We see that Henry (John Noble) is secretly
hiring Holly (Matt Barr) to get him ingredients for some unknown
project. It is confirmed that Henry has control of Irving’s (Orlando
Jones) soul and could use him to do bad things. But other than these
very brief glimpses at Henry’s plans, there is little to tie this
episode into anything else.
There is
some levity in the episode. The early scene of Ichabod showing Abbie he
can drive a car and their playful interaction is fun. They do have some
banter later, and Ichabod makes one or two of his judgmental
declarations. Holly brings an interesting viewpoint to SLEEPY HOLLOW, a
privateer who doesn’t yet care about others, though surely he eventually
will. Unfortunately, there’s just not nearly enough of this stuff to
salvage the installment.
Look, I know
the broadcast networks have a lot of lazy viewers that just want to be
entertained without having to think. I don’t understand this mindset
because even when I’m tired, I still strongly prefer quality over
repetitive junk food. But when a series already has a serial story
guiding it and most episodes commit to that, what is the point of
producing a week like this? How many of the aforementioned target
audience are going to be hooked in by SLEEPY HOLLOW, which they’re
likely aware by now doesn’t serve up such an effortless meal on a
regular basis? So I really don’t understand why the show would revert to
something different than it normally is for a single installment.
At
least there’s always next week for them to make it up to the
disappointed fans. It’s early enough in the season that “Go Where I Send
Thee…” can be overlooked if the coming weeks and months don’t repeat
this one’s mistakes.
SLEEPY HOLLOW airs Mondays at 9 p.m. ET on FOX.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.