Article first published as FRIENDS WITH BETTER LIVES Review on Seat42F.
Ever wish there was a sitcom on the air about a bunch of friends hanging out together and talking about their love lives and foibles? Ever wish there were thirty-two of them? FRIENDS WITH BETTER LIVES, premiering tonight on CBS, seeks to answer that latter dream, yet another of a long tradition of Friends-esque shows. And like most of the copies of that popular series, this one seems doomed to be quickly canceled and forgotten.
Ever wish there was a sitcom on the air about a bunch of friends hanging out together and talking about their love lives and foibles? Ever wish there were thirty-two of them? FRIENDS WITH BETTER LIVES, premiering tonight on CBS, seeks to answer that latter dream, yet another of a long tradition of Friends-esque shows. And like most of the copies of that popular series, this one seems doomed to be quickly canceled and forgotten.
The cast is made up of stock
stereotypes. Bobby (Kevin Connolly, Entourage) and Andi (Majandra
Delfino, Roswell) have been married seven years and are stuck in a rut.
Their sex life has almost completely dried up. Andi feels comfortable
pumping her breast milk not only in front of Bobby, but in front of
their friends as well. Neither remembers their anniversary. They seem
doomed.
But there’s always someone who will envy
any given situation, and Bobby and Andi’s comfortable relationship is
one envied by some; namely, Bobby’s business partner Will (James Van Der
Beek, Dawson’s Creek). Not only do Will and Bobby share an OBGYN
practice, but also a home, as Will has been kicked out by his wife and
wants nothing more than to go home. Until he can make that happen (or,
more likely face reality), he is crashing with Bobby.
At least Will had a spouse, though. Kate
(Zoe Lister Jones, Whitney) is the one in their group that is still
single and hates it. This could be because she is superficial and super
picky, willing to shoot a guy down for the smallest (pun intended, which
you’ll understand after viewing the “Pilot”) reasons. So unless she can
loosen up, she probably won’t find her Mister Right.
Making them all gag are Jules (Brooklyn
Decker, The League) and her new hippy fiancé, Lowell (Rick Donald, The
Doctor Blake Mysteries). These two have been together a scant few weeks,
but are all over each other, and somehow decide they’re ready to commit
to a lifetime. It’s way too fast, but given the nature of the series
and that they’re both main characters, it will probably last at least
through the all-but-certain cancellation this spring.
This is a fantastic group of actors.
Lister Jones and Van Der Beek, in particular, should absolutely be doing
comedy on television. I wouldn’t even mind seeing that pair as a
couple, which is set up blatantly in the premiere, though the run might
be too short to get to them, because they both have impeccable timing
and presence. The rest are well-cast, too. FRIENDS WITH BETTER LIVES
could overcome the familiar structure and be something worth watching if
the group solidifies into a strong dynamic.
The problem that can’t be overcome,
though, is the terrible writing. The “Pilot” goes for the obvious jokes,
and even before the viewer can elicit a groan, the laugh track (I
refuse to believe a studio audience finds the show this funny)
overwhelms. It’s a string of hammy, dumb gags, constantly hammering
audiences over the head, in case we can’t figure out what’s funny on our
own.
The lack of good material will kill this
show. Just in case the program itself wouldn’t flop big enough on its
own, it premieres after the series finale of How I Met Your Mother, a
long-running ensemble piece that will surely knock the ending out of the
park. This stark contrast when viewed back to back will arrest any
momentum FRIENDS WITH BETTER LIVES might have gotten out of a lesser
lead-in.
There are worse shows on television;
there are worse shows on CBS. But with the potential being squandered
here, FRIENDS WITH BETTER LIVES is almost criminal in what it robs those
involved of.
FRIENDS WITH BETTER LIVES airs tonight at 9 p.m. ET on CBS.
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