Article first published as SLEEPY HOLLOW Review on Seat42F.
As fairy tales have never been a hotter
genre for network television, FOX jumps into the game with its take on
an American classic, SLEEPY HOLLOW, premiering Monday, September 16th
at 9 p.m. ET. SLEEPY HOLLOW takes the short story by Washington Irving,
brings the characters into the modern age, and combines them with
biblical mythology and the occult. It’s a fascinating idea, somewhat
well executed, with the makings of an intriguing series.
The “Pilot” begins with Ichabod Crane
(Tom Mison, Parade’s End) fighting for George Washington in the late
eighteenth century. Ichabod chops the head off a soldier, then wakes up
in a cave in 2013. Unsure what is going on, he stumbles into Deputy
Abbie Mills (Nicole Beharie, Shame), whose boss, Sheriff August Corbin
(Clancy Brown, The Shawshank Redemption), has recently been slain by
Ichabod’s old foe, the solider he killed, the Headless Horseman (Richard
Cetrone).
The Headless Horseman is not a lone
figure come to haunt us from the past, though. He is one of the Four
Horseman of the Apacolypse, which, as foretold in the Bible’s Book of
Revelations, seek to end the world. They are said to come during a time
of reckoning, when two witnesses will stand against the forces of hell,
culminating in much death and destruction. Considering Ichabod’s journey
and Abbie’s childhood experiences, they must just be the two.
But why has the time come now? Well,
that is up to two factions of occult members, one side good and one side
evil. They have been fighting each other for a long time in the
inappropriately-named town of Sleepy Hollow, and their battle has come
to a turning point. Now is the time to act, and only Ichabod can help
Abbie win the war. At least, he can help if he remembers his past and
why he was sent, which is fuzzy for the time being.
The premise is a very cool one. It seems
natural to tie the biblical story into the American fairy tale in this
manner, and adding in witches and the occult are other nice elements.
This automatically creates a rich world with many layers and players,
giving us historical and fictional context, and promising many seasons
before the storytelling grows stale, as well as an expected end point.
I really like the cast, too. Mison is
interesting as Crane, a hero who has embraced his destiny, even if he
doesn’t quite understand it, and Beharie holds her own against him.
Brown’s role is memorable, though small, and others in the “Pilot,”
including John Cho (Go On) as a fellow cop and Patrick Gorman
(Gettysburg) as a possibly sinister reverend, stand out. Orlando Jones
(MADtv) plays wonderfully against type as Captain Irving, the police
chief with a homage for a name.
The special effects are great, and the
scenery is appropriate. Putting Sleepy Hollow in the traditional New
England setting, with dark tones and creepy style works. SLEEPY HOLLOW
is akin a bit to NBC’s Grim, but with its own flavor, and it definitely
will not be a case-of-the-week procedural, a hole that Grim took awhile
to climb out of.
What the show lacks is consistency. This
is most glaring in Ichabod himself. He is surprised at a couple of
things when awaking in the future, but those are perfunctory. He
comments on Abbie’s trousers, but not her dark skin and position of
authority. He wonders about things he sees from the moving car, but
doesn’t obsess over the computers, electricity, and gadgets around him.
Yes, SLEEPY HOLLOW cannot allow itself to get bogged down in such
trivial manner for the first ten episodes, but they deserve a little
more exploration than what they get, and one wishes the first
installment had been designed as a two-parter so it could take its time
with the pacing.
The police chief and officers also don’t
act as they should, and laws and rules are ignored without consequence.
This may be eventually explained away be deeper involvement by certain
people in the strange happenings, but it doesn’t satisfy why Abbie
doesn’t comment on or worry about it.
There are also holes in how SLEEPY HOLLOW lines up with the source material. I like the appearances of Ichabod’s wife, Katrina Van Tassel
Crane (Katia Winter, Dexter), as a connection to the past, and think
the SLEEP HOLLOW tale is given its due, mostly, given the set up. But
what is said about Revelations only minimally lines up with what is in
the Bible, and the prophecies that are supposed to lead up the seven
years of trials and tribulations have not come to pass and are not
mentioned. This is a sort of disappointing failure.
Despite the plot holes, though, my
overall impression is favorable. Who wouldn’t like to see an
out-of-his-time Revolutionary War soldier team up with a tough,
African-American woman cop as they spend seven years fighting demons near the Hellmouth
in a legendary town, especially when it’s not cheesy? This is the
recipe for a good show whose flaws will likely seem meaningless half a
season in, as long as the writing and acting stays consistently good
compared to itself.
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