Article first published as ONCE UPON A TIME Review Season 2 Episode 20 The Evil Queen on Seat42F.
Grade: 97%
Grade: 97%
As ABC’s ONCE UPON A TIME builds towards
its sophomore finale, “The Evil Queen” takes a moment to examine what
it means to be evil. In Fairy Tale Land, we see Regina (Lana Parrilla)
order the death of a village full of people because they won’t help her
find Snow White (Ginnifer Goodwin). Yet, when she disguises herself as a
peasant, she is surprised to hear her subjects refer to her as “The Evil
Queen,” as that is not how she sees herself.
We know Regina doesn’t think ill of
herself, usually, but it’s quite a shocker to see her do something so
bad and then trying to justify it. She doesn’t see anything wrong with
slaughtering the villagers because, in her eyes, they deserve it for not
obeying their rules. She feels she is right in doling out such a
punishment, and maybe even that fear will breed more respect from them.
Regina couldn’t be more wrong, of
course. It’s a rude awakening for her. Speaking out for the queen as an
anonymous subject, it doesn’t take long for her to end up on the
chopping block for execution, powerless in the disguise Rumplestiltskin
(Robert Carlyle) puts her in.
Snow happens to be the one that rescues
Regina, not realizing who she is, and they have a very sweet
heart-to-heart. Snow is willing to forgive Regina and be a family again,
something Regina clearly wants. We know Regina has bitterness in her
heart against Snow, but she is so desperate for love, especially feeling
vulnerable after hearing of her reputation, that she fully intends to
make up with Snow. That is, until Snow finds out about the massacre and
changes her mind about being able to forgive Regina.
Regina and Snow would never have had a
happy ever after in the castle, whether Snow found the village or not.
Regina is insecure by nature, and combats that by making others bend to
her will. Even if Snow came home, something else is bound to happen
sooner or later that would put them at odds again. The kind woman that
saved Snow on the horse is gone and is not coming back.
The resolution is somewhat startling.
Once Regina realizes it is not in her power to change the hearts and
minds of her subjects, she decides to embrace her villainous moniker.
It’s likely a power play, unable to just accept that she needs to
change, and wanting to reassert her dominance. In her mind, if the
people think she is evil, then they deserve to be led by an evil queen.
This is a turning point for the character, and one she won’t soon come
back from.
The one thing that bothers me just a bit
about this story is that Rumple is willing to let Regina be killed, not
coming when she calls for him. Isn’t she part of his multi-step master
plan? Does he really know she’ll be OK and is just toying with her, or
does he put his whole mission in jeopardy? If the latter, why?
Regina’s justifications and lack of
understanding carry over into the modern day Storybrooke. Regina wants
to take Henry (Jared Gilmore) with her back to the Enchanted Forrest and
kill everyone in Storybrooke once she hears that Snow / Mary Margaret
and David (Josh Dallas) have no intention of taking her back with
everyone else unless she’s in a cell. To get even, Regina destroys their
bean crop, making sure she is the only one with the magic plant that
can get them home.
Once more, Regina thinks she is in the
right, her enemies deserving to die because they are plotting against
her. She’s so convinced that she is on the correct side that she tells
Henry everything, only to wipe his memory when he doesn’t take it well.
This shows just how out of touch with reality Regina is, and that she
hasn’t learned her lesson. As much as we may want her to be redeemed, at
this point, it’s not possible.
The same thing is reinforced when she
takes Hook (Colin O’Donoghue) down to Maleficent’s lair, intending to
use him only as bait for the creature so that Regina can get something
she needs. Hook hasn’t wronged her, but he is a pawn in her game, and
Regina thinks it’s acceptable to sacrifice him to meet her goals. This
is the kind of attitude that makes people turn on her.
And turn on her they do. Hook is working
with Greg (Ethan Embry) and Tamara (Sonequa Martin-Green), who trick
Regina, by her own hubris, into losing her magic. Now she is powerless
to stand up to them, or anyone in town. Regina is the only one that
knows what these bad guys are up to, but can’t stop them, nor warn
anyone else. She’s in a bad spot.
Do Greg and Tamara hate all magic? Will
they make exceptions in their plot for those who bring good into the
world? Something tells me they want to destroy all the fairy tale
characters, and will not judge any as being better than the others.
Hook understands evil better than
anyone. He freely admits that once he kills Rumple, his life will be
empty, as revenge is an ending, not a beginning. He is OK with this.
This self-awareness is interesting, and makes him a more layered and
quite intriguing, even as it means he may be even farther from
redemption than anyone.
Parrilla continues to deliver a
fantastic performance this season. As much as one sometimes wants to
hate Regina, Parrilla makes her sympathetic, or at least understandable,
even at her darkest. It’s to the actress’s credit that Regina’s tale
comes across as tragic, rather than just one to root against.
Regina’s best hope lies in Emma (Jennifer Morrison), again.
Just as Emma has to step in and fix Regina’s mistake last year when she
accidentally poisons Henry, Emma is now the only one who is suspicious
of Tamara. She has no evidence to support her theories, which is why
Neal (Michael Raymond-James) thinks Emma is just acting like a jealous
ex. But to Emma, there is something that isn’t quite adding up, and she
will have to be the one to put the pieces together.
I absolutely love when Neal catches
Henry guarding the door for Emma and immediately recognizes a tactic
that he himself taught Emma in Henry’s behavior. It’s such a great
connection to their past, and will give fans of a Neal / Emma pairing
hope that there is still something between the pair.
“The Evil Queen” shows a side of Henry
that isn’t usually obvious – he’s just a kid. He often seems so much
wiser than many of the adults around him, partially because he is
instrumental in breaking the curse in Storybrooke. But this week, we see
the vulnerable child who just wants his parents to get back together.
He helps Emma investigate Tamara not because he really is concerned
about what Tamara might do to the town, but because he wants Neal to be
free to be with Emma. Poor kid.
“The Evil Queen” is a fascinating look
at one of ONCE UPON A TIME’s most compelling characters. It sets up the
finale a bit, but also takes time to delve into the depth of a blackened
soul. It’s another excellent installment in the exciting series.
ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.
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