Article first published as THE BORGIAS Season 3 Premiere Review on Seat42F.
Grade: 82%
Grade: 82%
Rodrigo Borgia (Jeremy Irons), the lead
in Showtime’s THE BORGIAS, has stared into “The Face of Death,” and as
season three begins, the wait is on to see if he returns to talk about
it. It’s not much of a cliffhanger, of course, as the show would not
kill off such an important character this early in the run. But many are
anxiously awaiting the results of last spring’s death match, and wonder
what consequences it will bring.
I admit, THE BORGIAS is far from the
best show on television. It’s schmaltzy and soapy and lacking much
historical accuracy. But like The Tudors, and to a lesser extent, the
new Da Vinci’s Demons on Starz, it’s a guilty pleasure period piece,
full of betrayal, murder, intrigue, and sex.
“The Face of Death” puts sex on the
backburner in favor of politics and violence. The Cardinals await the
fate of their leader, some of them praying for his survival, many likely
hoping for the opposite, though they would never admit it publically
until the time is ripe, for fear of losing their positions, while less
involved factions plan their next move, hoping to get one up on the
crooked leader.
Rodrigo’s family gather by his bedside.
There’s: Cesare (Francois Arnaud), who has just admitted to killing his
own brother, and awaiting to hear not only if his father lives, but what
his dad’s reaction will be to the news; Lucrezia (Holliday Grainger), who sends
her infant son away under protection, but refuses to budge from her
father’s side, and actually outsmarts the doctor in saving him, since
the doctor isn’t an important character, and so can’t do something so
vital, even when it’s his job; and Vanozza (Joanne Whalley), mother of
Rodrigo’s children, who has earned her place by his side.
It’s strange that young Joffre is
absent. While not a main character, and missing from season two
entirely, he is part of the clan. Why is he not given more prevalence in
the story? He is young, to be sure, but the tale is moving along. Will
he start to be included at some point, or will he remain a forgotten
footnote from the first season?
Less weird is that Giulia (Lotte
Verbeek) barely appears in “The Face of Death.” She is Rodrigo’s beloved
mistress, but in times of great crisis, only the legitimate family is
allowed to be around, not some girl Rodrigo plays naked games with.
As bad as the titular family may be,
viewers will still root for them. They are the heart of the show, and
painted as sympathetic as they possibly can be, while not shying away
from their more heinous acts. Not one wants Rodrigo to die, even though
his enemies may be more noble, because we’ve gotten to know him and his
family. We want them to survive, as when they are vanquished, their
adventure comes to an end, and we lose our show.
Most disappointed when Rodrigo awakes is
Cardinal Della Rovere (Colm Feore), of course. He is the man that tries
to poison Rodrigo, poetic justice since the Pope did the same to him
the season before, and like Della Rovere, Rodrigo survives, bent on
vengeance.
Della Rovere returns to the Vatican with
the other Cardinals, but perhaps shows his hand a bit much when he
states he is there because he heard of Rodrigo’s demise. It is true,
whatever Della Rovere says he has heard can be chalked up to a rumor.
But Cesare doesn’t take it as such, assuming Della Rovere is giving
himself away. And for power players like the two of them, that’s exactly
what has happened.
It’s not the most realistic occurrence.
There are plenty of plot devices that could explain away this seeming
slip of the tongue. And yet, that’s the way THE BORGIAS rolls, allowing
one to “figure” things out that can’t be proven, as that’s the only way
to move the story forward, and the target audience won’t accept too much
ambiguity.
Luckily for Della Rovere, even though
Cesare locks him up, he has friends. The pope is unpopular, so of course
some are willing to risk their necks to help him escape. He seems to be
the likely successor if anyone could ever oust Rodrigo, and
historically, he actually does eventually get to serve as pope.
It will be interesting to see if Della
Rovere triumphs in the series, or not, and if victory comes at the end,
of before. If that were to happen, I think he’d need to be made a more
sympathetic character because somehow, even though he’s in the right, I
still root for him to fail.
The Borgias’ other enemies are the
Sforza family. Cardinal Sforza (Peter Sullivan) has a choice to make
when his sister, Caterina (Gina McKee), asks for his help in the murder
of the Borgia clan. The good Cardinal chooses his position over his
blood relations, and Caterina’s plot is thwarted.
I don’t know if one can call Cardinal
Sforza noble. I feel like he only turns because he’s almost caught, and
yet, he’s also a bit of a coward. Unlike Della Rovere, it’s hard to see
him as a true rival. Instead, he seems like a helpless tool, caught
between his powerful family and his powerful boss, unable to truly make
up his mind about where his loyalites should lie. Kind of like the rest
of the Cardinals, but slightly more involved because of circumstance.
As usual, Micheletto (Sean Harris)
proves brave, deadly, and an invaluable help to the Borgias. I wonder if
a day will come when he may betray them, or if we will find out why
exactly his loyalty runs so deep. As long as he is around and fighting
for them, it is doubtful that anyone will get the better of this
particular family.
“The Face of Death” is a fitting
continuation of the story for those who love the show, but hardly a good
introduction for the unfamiliar, nor a prime example of what great
television can be. It will remain an entertaining, but not high quality,
offering.
THE BORGIAS returns Sundays at 10 p.m. ET on Showtime.
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