Grade: 90%
ABC’s COUGAR TOWN has a strong following
and a determined staff, but sadly, that wasn’t enough to keep it on
network TV. Luckily, in this modern age, there are other platforms
willing to take such gems and keep them going. On January 8th at 10 p.m.
ET, TBS premieres COUGAR TOWN’s fourth season.
I have been a big fan of COUGAR TOWN
since mid-season one. Once the first few episodes got the titular
premise out of the way, and the series settled down into a grown up
version of Friends with lots of wine, it became something really
special. The question is, how long can it retain this magical feeling?
Season three was helped tremendously by
the amount of love and buzz. Creator Bill Lawrence and his cast traveled
the country, hosting screening parties at bars on their own dime. They
all took to twitter. There were web videos. Bottles of wine were shipped
out. All of these things likely contributed to an aura that went beyond
the television screen, and energized those who would tune in.
That does set a dangerous precedent.
This year, with just a commercial or two to psych fans up, the energy
felt down. Of course, one does not expect the people behind a show to
keep up such a huge and expensive slate of promotion. But because it
made viewers feel like a part of something, there has to be a let down
when it’s over.
Which is not to say that season four is
bad, by any means, but simply to explain the headspace the precedes such
a viewing, and to give a warning to not build up your expectations
beyond what they normally are for what is really, at its core, an
enjoyable, lovely, and entertaining series.
Recently, I sat down and marathoned the
first six episodes of the new run. Many of the same humorous bits were
present, and the series has not lost a thing since transitioning onto
cable. Each of the characters definitely retained their identities, and
the story arcs progressed naturally from where they left off. Most
importantly, I laughed quite a lot out loud.
However, for a reason I couldn’t quite
put my finger on, the premiere, “Blue Sunday,” just felt like a little
bit less than earlier seasons. Later episodes were better, for sure,
especially the second one of the season. But the long-anticipated return
was just slightly less than I’d hoped for. I emphasize the word
slightly.
I won’t give too much away, plot-wise,
but here are the basics of the initial set up. The story resumes one
week after the season three finale, with Jules (Courteney Cox) and
Grayson (Josh Hopkins) getting used to married life. Ellie (Christa
Miller) warns Grayson that anything he does twice the first week is a
precedent, and he must continue to do those same things for the rest of
his life. Obviously, this isn’t a realistic expectation, and what works
in one marriage won’t necessarily translate to another couple. Oh, and
Jules is mad at Grayson for something he did in her dream.
Meanwhile, Travis (Dan Byrd) seeks to
avoid a messy conversation with Laurie (Busy Philipps), so he takes his
father, Bobby’s (Brian Van Holt), advice and runs from his problems.
After all, if you don’t deal with them, they just go away, right?
The rest of the stories continue on from
there. There’s plenty of relationship drama, some insight into the
origins of the relationships between the various characters, and a lot
of laughs based on running gags. Whether it’s Ellie approving new rules,
Laurie acting the slut, Jules being a little too in love with her son,
or Andy (Ian Gomez) crushing on Bobby, these things continue to just
work.
I don’t know that I noticed the content
turning any more adult than it already was. Sure, a title card
references greater freedom on cable, and perhaps episode six goes a
little bit further with a visual gag than they could have previously
done on ABC. But overall, I’d say things stay pretty much the same.
Which is what fans have hoped for.
I think fans will be pleased with the
return, and find little to complain about. If you loved COUGAR TOWN
before, you’ll continue to love it. If you liked it before, you’ll
continue to like it. Just be grateful that, like Tom (Bob Clendenin), we
have been allowed to continue to look in on this group of funny people
for another year.
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