Grade 78%
HELL ON WHEELS airs Sunday nights at 9 p.m. ET on AMC.
AMC’s HELL ON WHEELS rarely has an
episode that is about something. That’s not to say that there is no
story; the stories just don’t usually wrap up tidily in 42 minutes. One
has to look at the bigger picture of the season or the series to get the
context of what they just watched.
Last night’s second season premiere,
“Viva La Mexico” is no different. Several months, at least, have passed
since last we saw these characters. They have grown and moved on with
their lives. Where they are now is informed by what they did and what
happened to them in season one. “Viva La Mexico” simply sets several
events in motion, rather than telling a new tale.
The anti-hero of the piece is, of
course, Cullen Bohannan (Anson Mount). Bohannan is now on the run from
the law, which admittedly was the case in season one, too. The
difference is that now he’s living actually as an outlaw, instead of
hiding in plain sight.
After learning that his family’s bodies
have been dug up, Bohannan goes to an even darker place than before. He
has fallen in with a train robbing gang, saving up the money he steals
so he can escape to Mexico and start a life. Thing is, Bohannan has
already offended a number of his cohorts, who are quite a bit less
scrupulous than he. He does have one friend in the group, Doc Whitehead
(Grainger Hines), who warns Bohannan to run, which he doesn’t do.
During a train robbery, Bohannan comes
face to face with Elam (Common), and to save Elam’s life, Bohannan
botches the robbery, which puts him even more on the outs with his
comrades. It isn’t long before Bohannan ends up in army custody,
awaiting an execution. There’s a bit of symmetry here, as a similar
circumstance occurred in the pilot, and Bohannan managed to come out on
top for the rest of the season. Let’s see if lightning can strike twice.
AMC does like to strain the definition
of hero with its dark, morally ambiguous characters. Bohannan lives by a
code, to be sure, but this code allows him to be a thief. It seems the
only thing he doesn’t do is unjustified murder, though there is some
wiggle room there, too. Still, it’s hard to judge a man living in these
semi-lawless times, who has been through so much tragedy. The fact that
he saves Elam should be enough to keep him likable, and it is. But can
he remain likable if he keeps going down these paths?
Elam is also suffering a setback in the
eyes of viewers, if not professionally. Having given up Eva (Robin
McLeavy, now a main character), he has become a hired gun for Durant
(Colm Meaney). Elam only does what he is paid to do, lifting not a
finger in the name of righteousness, figuring this gives him more
leverage with Durant. Durant appreciates this, and rewards Elam for his
actions, which always must be paid for up front.
Is there any hope for Elam? Like
Bohannan, Elam has a chip on his shoulder, only more so. The two men do
seem to have some sort of connection, but Elam has no problem selling
out Bohannan to Durant. This won’t help his reputation, as many of his
co-workers now see him exactly as he is, in an unfavorable light. A man
has to stand for something, and it can’t just be money. The sooner Elam
realizes that, the sooner he can try to win Eva back, and find something
worthwhile to do.
Durant, on the other hand, is the
self-proclaimed villain of the piece, which means he’s winning. In these
hard times, being rich and in power means everything. Durant has not
only continued his railroad, he now has profits from leasing land, and
he seems to have worn down Lily Bell (Dominique McElligott). Why does
HELL ON WHEELS allow the wicked to come out on top? Was it ever really
this bad, even in the wilderness?
Lily can hardly be blamed for taking up
with Durant. It’s not like she is won over to his way of thinking. She
is a survivor, and like her struggle to make it out of the woods after
her husband’s slaughter, her new position shows her clawing through the
muck just to go on. She won’t stay with Durant a minute longer than she
has to. But her new station does allow her some liberties to help
others, such as paying for a murdered prostitute’s funeral, proving her
soul remains intact.
The souls of everyone but Lily are much
less assured. Sean (Ben Esler) and Mickey (Phil Burke) are now Durant’s
hired hands, selling land and collecting rent. Yes, the brothers try to
behave fairly towards their tenants, and probably do a better job than
most would. But when Ruth (Kasha Kropinski) has to tell them that her
father can’t pay the rent, they only bend a little, and Sean even tries
to leverage sex out of the deal, which, thankfully, he fails to do.
Their work may be honest, somewhat, but
working for a man such as Durant limits the compassion they can have,
and corrupts them a bit with their new, albeit limited, sway. This will
likely turn them into bullies. This is kind of already happening as they
step into The Swede’s old protectionist deal with the whorehouse. Sure,
they may be offering help, but they’re also leveraging influence and
wealth. Not exactly the pursuits of the noble.
What is up with Ruth? She knows her
father, Reverend Cole (Tom Noonan), needs to preach to pay their rent,
and yet she brings him booze. Is this to test his resolve? Is it so he
will pass out and she can have carnal relations with Joseph Black Moon
(Eddie Spears)? This doesn’t quite work, since Cole hears them, even if
he does nothing about it. Is she trying to control her dad, help him, or
just keep him out of her way? Why doesn’t she encourage Joseph to
preach so that they all don’t get evicted? She is definitely the
strangest character of the piece, and the one whose actions are least
clear.
The bit of hope in “Viva La Mexico” is
found in the most unexpected person: The Swede (Christopher Heyerdahl,
promoted to series regular). The Swede has lost everything, having
fallen from chief of security to garbage, toilet, and dead body
collector after the tar and feather incident. And yet, alone of the
characters, he remains optimistic about his future. He carries on with
his work, uncomplaining, and doesn’t plot revenge, except perhaps
against Bohannan, should their paths cross. He is an inspiration, and
comes across as quite noble, even after the things we’ve seen him do.
For the writers to accomplish this feat is quite impressive.
HELL ON WHEELS finds it within to
surprise us and provide quality entertainment. The plot is a little slow
moving and plodding at times. But there are some very interesting
characters with depth, and it does a pretty good job by brushing off
modern sensibilities in favor of the time period in which it is set.
There are elements that could be improved upon, but it got a second
season for a reason, and maintains the quality it delivered in season
one. Most importantly, it continues to be worth watching, and fans of
the first year should not be disappointed in “Viva La Mexico.”
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