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Going Postal centers on Moist von Lipwig (Richard Coyle, Coupling, The Whistleblowers), a con man who is finally caught by the law. After a (purposely) failed hanging, Lipwig is brought before Lord Vetinari (Charles Dance, Game of Thrones, Bleak House), who gives him a choice: fall to his death, or reopen the defunct postal service. Lipwig chooses the latter, assuming he can easily make some money, then escape again to further his various schemes.
What Lipwig doesn't realize is that the post office seems to have a life of itself. Millions of undelivered letters fill the halls, and the letters on the letters have the ability to come alive, showing Lipwig the consequences of his past mistakes. You see, while Lipwig thought forging bonds and such were victimless crimes, he has actually destroyed many families. Faced with what he has done, Lipwig has a serious crisis of faith in who he is, and must decide whether he even wants to continue with his bad habits.
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To make matters worse, there are those who don't want to see the post office reopen and be restored to its former glory. Namely, Reacher Gilt (David Suchet, Agatha Christie's Poirot), who runs the Clacks, a message service using light signals. Gilt has paid an assassin to take out the past four postmasters, and has similar plans for Lipwig.
Lipwig is aided in his task by not just Pump, but the old Junior Postman Groat (Andrew Sachs, Fawlty Towers) and young Stanley Howler (Ian Bonar, Hotel Babylon). Promoting Groat, and using Stanley's obsessive knowledge of pins to invent and revolutionize stamps, Lipwig wins them over. He also hires an army of golems to assist, and soon, business is thriving.
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Going Postal is set in a fantasy world, with werewolves and wizards and trolls. Yet, magic isn't an essential element to the plot of this story specifically, and more informs the tone, then sets the pace. This is a welcome, novel idea in an age where boy wizards and hunky teen vamps rule the movie theaters and television screens. The characters are unique and interesting, and many have multiple layers. While there are static villains, others, like Lipwig and Vetinari, aren't so easy to figure out. It makes for a fascinating tale, and keeps one guessing what will come next.
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The film itself was made for television, and aired in two parts. The total story length is about three hours, easily digestible in one sitting. Also included on the two disc set is over an hour of bonus features, including bloopers, a commentary by director Jon Jones, a five minute introduction by Terry Pratchett, which kind of rambles, deleted scenes, and image galleries.
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All in all, Going Postal is sure to leave quite an impression, especially for those brand new to Pratchett's world. Acorn Media will release this DVD set this Tuesday, September 20th, and I highly recommend checking it out. Terry Pratchett's Going Postal is also available on Blu-ray, and while I have not gotten the opportunity to examine that edition, would imagine it's even better.
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Article first published as DVD Review: Terry Pratchett's Going Postal on Blogcritics.
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